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by D Keith Mano




  D. Keith Mano

  FAWCETT CREST

  NEW YORK

  Sale of this book without a front cover may be unauthorized. If this

  book is coverless, it may have been reported to the publisher as

  ‘ ‘unsold or destroyed’ ’ and neither the author nor the publisher may

  have received payment for it.

  A Fawcett Crest Book

  Published by Ballantine Books

  Copyright © 1991 by D. Keith Mano

  All rights reserved under International and Pan-American Copyright

  Conventions. Published in the United States by Random House,

  Inc., New York, and simultaneously in Canada by Random House

  of Canada Limited, Toronto.

  Library of Congress Catalog Card Number: 90-52890

  ISBN 0-449-22165-2

  This edition published by arrangement with Random House, Inc.

  Manufactured in the United States of America

  First Ballantine Books Edition: December 1992

  This book is for Laurie Kennedy

  My private dancer, my wife—

  And the best actress anywhere.

  . . . And if thine eye offend thee, pluck it out, and cast it from

  thee: it is better for thee to enter into life with one eye, rather

  than having two eyes to be cast into hell fire.

  Matthew 18:9

  Acknowledgments

  As far as I can determine, there has not yet been a thorough

  sociological study of the topless dance industry. Films and novels have touched on this world, a scene here, a chapter there, but no medium has yet given topless due credit as an important

  subculture, which employs thousands of men and women from

  all social classes coast to coast. It is, to say the least, an intriguing enterprise. Any field in which average-looking 19-year-old girls can earn $1500 per weekrax freeyast for dancing seminude

  (I have never heard of a dancer-prostitute) is likely to hold some

  interest.

  Topless is wholly fictional. And it certainly doesn’t pretend

  to be an exhaustive academic review. But the mechanics of the

  industry, as presented here, are accurate—at least for New York.

  And I have tried to represent—in microcosm anyway—the enormous diversity of the women who have been attracted to topless.

  The addict and the working mother. The unstable girl-child who

  would be sleeping on a subway grate if it weren’t for topless.

  The college grad, who paid her medical school tuition in three

  summers of dancing. They are all here: their stories are composites, of course, but they are composed of fact.

  I would particularly like to thank John Rezek, my editor at

  Playboy, for suggesting that I research the topless game. The

  articles we planned in 1982, and later in 1984 and 1985, were

  never written—for reasons of timing, the magazine’s and mine.

  But, during that period, I taped perhaps two hundred interviews

  in at least twenty-five bars—interviews with bouncers and owners and, of course, customers and girls. In 1988 the fictional plot line for Topless surfaced through that ocean of authentic

  detail.

  xi

  xii

  Acknowledgments

  I would like, naturally enough, to acknowledge and thank the

  women who told me their stories. But they prefer anonymity and

  would not, I suspect, appreciate a public expression of gratitude.

  They work under improbable aliases. When I refer to Apache

  and Shower and Taffeta and Blaze, I mean to mention them all

  in those names.

  To one young lady, P .J., I am, however, especially indebted.

  She took me through the business end of topless step by step—

  from liquor invoice to liability insurance. P.J. is one of the few

  women I know with chutzpah enough to rise from topless dancer

  to topless owner. If you’re on Queeris Boulevard near 49th Street

  some night, stop in at Honey’s, the friendliest, raunchiest topless

  joint in New York, and have a drink.

  Finally, this book would never have been undertaken without

  the bright assistance of Erin C. Martz and Helen Broady, who

  construed my handwriting and brought me, albeit vicariously,

  into the computer age.

  PART ONE

  THURSDAY, JUNE 16

  Tip of my shoe just snapped off. Cracked like an eggshell. I

  caught it on the step running up to my room. Comes of buying

  linoleum mail-order shoes. Now what do I do?

  All I have is my scuzzy Adidases, which won’t do for Sunday

  service.

  Borrow, borrow, borrow. I owe cash to six different people—

  and the Rev., his righteousness, Schantz has caught on. Indebtedness is not becoming for a young assistant just ordained. But whadda they expect on $115 take-home?

  You buy too many books. And dinners out.

  What else happened? Or is this another day distinguished

  only by a broken shoe, poverty and Nebraskan sunstroke?

  Had lunch with Kay at The Plough. Played tennis afterward

  so I wouldn’t think of her carnally. Getting so that I ’ve become

  a great physical specimen, just in an effort to circumvent lust.

  Did you ever notice how everything—except maybe a pizza

  oven—looks like a woman? There are hills here that remind me

  of buttocks—and the S-curve sign looks like BEWARE: CEN­

  TERFOLD AHEAD.

  This diary, methinks, will not threaten George Bemanos

  much. Just bare jottings—never enough time.

  Also—writing good is hard.

  Tomorrow is, groan, the penny social. My assignment. The

  most important ceremonial act in the Episcopal Church is the

  folding and unfolding of folding chairs.

  Damn air conditioner just iced over again. Lord Jesus, are

  you running with me? Or did you take a cab?

  3

  4

  D. Keith Mano

  FRIDAY, JUNE 17

  Getting just a touch claustrophobic around here. I never would’ve

  come to St. M ark’s if I ’d known the assistant had to live over

  the rectory. This morning, from my window, I saw Schantz

  picking through my garbage. Like an animal biologist, studying

  the feces of some disreputable species. Came up with eight beer

  cans, which he stacked. I ’ve gotta be careful with what I drink.

  And write.

  H e’s an OK guy, still believes in the Ptolemaic system. I think

  he had a low birth weight, something’s not sparking up there.

  So serious—yesterday, just kidding, I said what the Episcopal

  church needed was carbonated holy water. Pick up the image.

  Classic and diet. He says, “ Well, I don’t care how they do it in

  New York. ’ ’ I pray for his sense of humor. He’s half patronizing

  around me, half insecure. He doesn’t read much. Son of a

  farmer, gave it up to follow Jesus. Now, with the drought and

  all, he’s doing a lot better than his congregation—and he feels

  guilty about it.

  Also, the folks from McLane AFB tend to call on me, more

  than him—if they can get away with it. They’re a redneck crew,

  like the farm folk, but they’re rednecks who’ve been around.

  They tend to see the places
they live in from 37,000 feet up, so

  to speak. Just passing through, M a’am. Sergeant Clough was

  telling me about Bangkok the other day, wanted to see if I ’d

  blush—I didn’t. He could never’ve talked that way to Schantzy.

  Kay thinks I shouldn’t take pride in being one of the boys. In

  having been around.

  Truth is: I shouldn’t have told her about Amanda. At lunch

  yesterday, Kay said she was afraid of being overwhelmed by my

  sexuality. Not a major chance of that. Two months have gone

  by since last we “ made daisies,” as Katy calls it. (I love that

  kind of dirty language.) And not just because we lack opportunity. I feel her edging away. Met her in the malt shop this afternoon (it is actually called The Malt Shop), and, believe it

  or not, Kay covered her marvelous knockers with a straw pock-

  etbook. God forbid she should be accused of leading me on.

  Little does Kay know this bashful innocence is titillating. Her

  eyes are so big and blue and wet—especially behind those thick

  ¿asses—that she resembles some kind of sacrificial animal. I

  think I scared her the two-and-a-half times we made it. And

  maybe hurt her. I was flaunting my male ardor. I roared so loud

  TOPLESS

  5

  in the field that a cow answered. Moooo? It was stupid of me.

  I should’ve been gentle, but sometimes I can’t pull it off that

  way. I need hard strokes.

  Maybe I should tell Kay she’s only the third woman I ’ve had.

  Nah.

  If Schantz finds this book, I ’ll be folding and unfolding chairs

  for a congregation made up entirely of polar bears and caribou.

  Lord, I miss New York.

  Lekachman is burnt out. I stood on Main Street and there

  were water mirages all around. I was islanded by them. I don’t

  understand growing things, but the fields seem to wail at night,

  when I drive by. The folk look punch-drunk, they won’t even

  glance up at the sky any more. Been disappointed too often.

  Such dependence on nature seems absurd. Where I come from,

  when there’s a drought, you open a fire hydrant.

  My orbit is decaying here. Everyone guesses that, and they’re

  watching me. Well, I won’t crack. I know this is a test. Betty

  Schantz keeps asking if I ’m homesick.

  If I had a home, I might be.

  Penny social grossed $566.57. Glad I ’ve made my contribution to the triumphant progress of the Holy Spirit in Middle America.

  SATURDAY, JUNE 18

  The heat has made everyone in Lekachman just a tad swoony.

  This, of course, embarrasses them no end—they’re all so proper

  otherwise.

  Lois Baxter pinched my butt on the tennis court. Did it before

  she realized what she was doing. Then she stared around like a

  pickpocket, hoping no one had seen her. Then she glared at me

  and said,

  “ Don’t get any funny ideas.’’

  “ About what?” I asked.

  “ I love Tim,” she says.

  “ I ’m glad.”

  “ He’ll be fifty-six tomorrow.”

  “ He looks great.”

  “ You think so? What do you weigh?”

  “ Hundred-fifty, fifty-five something.”

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  D. Keith Mono

  “ He had legs like yours once. All covered with dark hair.

  Like little bedsprings.”

  “ Like bedsprings?”

  “ Coiled. Don’t get any funny ideas.”

  Swoony, like all of a sudden living their comball fantasy lives

  right on the surface. Just what I need, an affair with the junior

  warden’s wife. Who holds my car loan. But she is sexy—brown

  like a moussaka, I mean her skin’s so touchable, soft. Muscles

  in her calves, like apples in a Christmas stocking. And me, I ’m

  in season. Everyone figures you can flirt with the young assistant—he’s harmless. Baxter himself said kiddingly, “ Hired you f ’yer looks, makes a difference. Get more ladies in the congregation that way.” Waal, yup. Bunch of hypocrites, selling sex appeal. His wife pinches my ass, and I better not get any funny

  ideas.

  Kay threw herself into my arms this afternoon—like I was a

  storm cellar or something. Then she pulled away—snap, j e r k -

  censoring herself again. Most of all Kay doesn’t want me to

  think she’s a cocktease. Believe me, I ’d prefer a good, old-

  fashioned blue-ball cocktease to this formal, hand-holding relationship—especially since we've already made love. It’s as if our relationship was going backwards, becoming more distant.

  If I get to know her much better we won’t be talking at all.

  “ Give me tim e,” she says. “ You won’t regret it. I ’ll get

  there.”

  She sure is taking the local train.

  Kay loves me, she says. She’ll always be there for me—just

  don’t touch, not now. I believe her: the thought of her loyalty

  and strength is comforting. But she also resents the fact that I

  seduced her: the priest-me, he betrayed her. Took advantage of

  his office.

  I just wanna get laid!!!

  Well, it’s not as simple as that, Miko. Not so simple.

  We were taking the eucharist out to Mrs. Myrdahl on Omaha

  Road. The old lady is lying flat under a sheet. Let her homy feet

  protrude: these feet, there were big burls, the size of my briar

  pipe bowl, on each of her big toes. And the big toes themselves

  were bent UNDER the other four. How she walked a lifetime

  I ’ll never know.

  TOPLESS

  7

  But she wore lipstick—Magda, her sister, had slapped some

  on. The priest is a man, after all.

  It was a beautiful service, though: the sun shone through a

  beaded curtain that made like a witch ball, scattering little pinpoints of light when the wind blew. And I was particularly concentrated—Kay helps me there, her faith is so clear. I didn’t intone or try to sound like God, the way sometimes I do on the

  big stage. I just said the words. I know it was good, because I

  feel dizzy, tired now. It’s like giving up coffee, a good communion is. All the poisons come out. And make me feel sick.

  But there was a perturbing moment. When I said, “ Take,

  eat,’’ and leaned down, Bertha closed her mouth and shook her

  head. I get closer, and I hear her saying, “ No. No. I ’m on a

  diet.”

  Well, they don’t teach you about moments like this at seminary. I thought, It’s the heat. Also, she’s got stomach cancer, which can kill your appetite. Or the morphine’s got her. Or she’s

  just plain crazy.

  Meanwhile her mouth wasn’t opening.

  “ It’s just a wafer,” I said. “ Put it on your tongue and let it

  m elt.”

  No. She’s smiling at me, but no . . . And I want to get it in

  her, this might be her last conscious communion.

  “ I still have a nice figure,” she says.

  “ I ’m sure you do,” I say. “ But, Bertha, just between you

  and me, this has no calories. It’s a symbol.”

  Aha. It’s okay to eat a symbol, it isn’t real. Bertha opens her

  mouth and I pop it in. So I lied. There may not be even a quarter

  calorie there, but it is food. Real food and real spirit. I don’t

  like the wafer, practical as it might be. Makes the sacrament

  look like
pre-packaged magic. Give me fresh-baked bread. Even

  if crumbs of God are lost.

  When I leaned over to say goodbye, Bertha asked, “ Is the

  carriage ready?” Someone from the early twentieth century,

  waiting to escort her home.

  She was as dry and fretful as the fields of stunted com around

  us. We all need moisture.

  I kept my hand on Kay’s knee all the way back to Lekachman.

  An assertion. And she accepted it.

  Of course, the subject of our screenplays came up again—

  deadlock. We discuss plot and character, but she won’t show

  8

  D. Keith Mono

  me her first draft, and I won’t show her mine. We’re both afraid

  the other’s will be better, I guess. Which better be the case. I

  mean, if we’re both writing at the same le v e l. . . well, it’s hard

  to figure there’d be two geniuses in Lekachman, Nebraska. At

  the same moment in history. Two nicely matched mediocrities,

  more like.

  As for Schantzy—this morning he decided I should teach a

  senior citizen Bible class—yes, on top of the young people’s

  class (both of them), the teen class, the counseling program at

  the air base, the parish survey, penny socials and you name it.

  This is too much. PRIEST GOES ON STRIKE.

  On top of that, Schantzy had me mixing cement for his new

  patio—which, actually, I prefer to teaching Bible classes. He felt

  guilty about it, though, I could see that. The congregation didn’t

  hire me as his personal handyman and indentured servant. Even

  brought me out a beer to show his big-heartedness.

  And (this is how crazy things are), in the middle of it all,

  Schantzy says, “ Let’s arm w restle.” And I think, “ Oh, no—

  here comes a big moral dilem m a.” Just as I figured, I ’m much

  stronger than he (though he’s bigger), and he’s CHEATING,

  using his whole body for leverage. And I ’m maintaining our

  balance—wondering whether to crush him (and make our relationship even more distant) or take a dive—when out pops Mrs.

  Schantz. Now this isn’t your typical Christian scene—two macho clergymen grunting at each other. We’re both sheepish—so we both quit pushing AT THE SAME TIME. And we both

  almost fall over, from the sudden lack of resistance. There we

 

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