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by D Keith Mano


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  forest preserve). I got on the Deegan, then I headed west, across

  the George Washington Bridge, toward Route 80 and the Delaware Water Gap. But it was rush hour, a tractor trailer had stalled atop the Alexander Hamilton ramp, and it took me 75 minutes

  just to reach the G.W. By that time I could barely sit—I rose

  up/overthe steering wheel like some jock bringing a loser home.

  I was frantic.

  But at least I didn’t have to worry about Kay. She had gone

  shopping in Manhattan, the baby-sitter said.

  Music seemed absurd under the circumstances. Talk shows

  were inane. Anyhow—there is nothing more conducive to morbid thought than a car ride—I pestered my reasoning, I came to intemperate conclusions. I thought these were excessive, the

  result of a heated sensibility, but they were not excessive. They

  were, if anything, underdrawn.

  For a while I pretended the trip might turn out to be a positive

  development. I ’d be alone with Ethel in an isolated setting. I

  wouldn’t have to consider Kay and the children. And, given

  Pearl’s insights, I could demand an audit of all accounts. I now

  knew that Ethel had had access to Big Marty’s. Colavecchia and

  Daniels were unaware of that. It was obstruction of justice on

  her part. We all had cause enough to be angry with Ethel. But,

  no, I wasn’t yet ready to accuse her of murder. My mind could

  not sustain that premise. She was a nursing mother, for God’s

  sake.

  Still, as Route 80 was pulled beneath me, I recognized that

  Ethel had had not only access but opportunity as well. She was

  at The Car on the night Bubbles died. She had inspected the

  women’s locker room. Ethel could easily have placed strychnine

  where Bubbles—an inveterate pill eater—might have found it.

  Or laced her drink. And as for Berry—Berry told Mr. and Mrs.

  Ottomanelli that her boss had called at 4:30 a.m. Ostensibly she

  meant me. But Ethel was Berry’s ultimate employer. If Ethel

  had called . . . well, if she had exercised her authority or adduced some persuasive reason, Berry would certainly have come down to The Car. In fact, I realized, only Ethel (or I) could’ve

  drawn Berry from bed at that hour. And I hadn’t called Berry.

  These were mere exercises in abstract logic, provocative as

  they may have been. It was in the area of motive that a blackness—it was almost a fainting spell—hooded me. We were talking about the three women with whom I had been most

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  associated—at least in Pearl's mind. And Pearl was Ethel’s eye

  at The Car. As the miles clicked off, I came to understand (just

  in a prefigurative way) that Bubbles and Tanya and Berry had

  been killed because of me. I had been blaming myself all along—

  the-Priest-whose-sins-are-visited-on-everyone—but that blame

  had been a kind of self-indulgent melodrama. Now I thought—

  My God, I did. It’s coming true. I am the motive behind those

  deaths.

  For just then, while crossing the Delaware, I fingered my

  mustache. And, dully, knew. I was Tony for Ethel. I was Tony

  for her children. I remembered how Ethel, standing at poolside,

  had flashed her private parts. There was a hideous sexuality at

  play—Tony, in my person, had been unfaithful to Ethel with

  Bubbles and Ihnya and, oh, poor, decapitated Berry. Berry, who

  had presumed to wear a G-string that said BOSS LADY in the

  boss lady’s bar.

  I am my brother’s keeper, I thought. I ’ve kept Tony alive. But

  only in Ethel's mind. For, by that time, if not long before, I had

  conceded the fact: my brother was dead.

  Predictably, as darkness came down, I got lost over and over

  again. My concentration was permeable, frail. Part of me, I

  guess, hoped never to reach a destination. I was somewhat familiar with Route 209 north of Stroudsburg. As a teenager, I had gone white-water rafting on the Delaware several times. It’s

  a lamentable highway. The speed-limit varies and, because it is

  often both curved and populous, good time cannot be made. In

  my impatience, I decided to drive the hypotenuse of a highway

  right triangle. I turned off 209, onto Route 739, heading to

  Lord’s Valley and Route 84. It was a miscalculation.

  Deer threw themselves at me. I killed, I think, a possum. The

  pavement was narrow and banked for self-destruction. Then I

  caught up to a lazy, obstreperous thunderstorm. Rain turned my

  windshield to melting glycerin. Hail fell. It’s a sign, I said aloud.

  A sign to slow down. And, finally, I had to pull over. I put my

  seat belt on then: I had been driving without it. A challenge to

  all the forces aimed my way.

  Cahoga wasn’t, strictly speaking, a place. It was more idea

  than location—a general theory that included whole square miles

  of isolated bam and lakeside cabin. There was a sign that said

  WELCOME TO CAHOGA on both sides. As though Cahoga

  existed only in the thickness of the sign’s metal. But Cahoga

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  was everywhere, too: Cahoga Lake and East Cahoga Road and

  Cahoga Real Estate and Cahoga Plumbing Supply—but no Cahoga people. House lights shone—high on hills, behind barking dogs. At last, by pure chance, I hit West Copper Lake Drive.

  And rode for 20 minutes in the wrong direction on it.

  By that time, I now realize, I had half circled Copper Lake.

  I didn’t know it, but West Copper Lake Drive was about to

  become East Copper Lake Drive very near Ethel’s house. Instead, uncertain and impulsive, I made a tight U-turn, then headed back the way I had come. As a result I circumscribed

  the lake, just about. And when West Copper became East, it

  was at number 3 4 8 .1 still had almost ten miles to cover.

  And, of course, I passed right by 16 East. The mailbox had

  an I and an L and parts of an S and an N painted on it. Not

  much else. There was no number at all. So, when I came to 14

  East, I had to make yet another U-turn on Copper Lake Drive.

  Ethel’s house was at the end of a long, pot-holed dirt lane. There

  were no lights on. I had missed her: if, in fact, she had been

  there that day at all.

  My hips were locked in the sharp residue of tension. I could

  scarcely stand upright. The night was soft, moist: it smelled of

  the earth they keep baitworms in. I could hear a laryngitic frog—

  presumably Copper Lake lay just behind Ethel’s place. I felt

  foolish: her absence seemed to refute my case. There was—at

  the far comer of the headlight beam—a swing set, a red slide

  and a sandbox. These homely items had a stabilizing effect on

  me. I thought that I ’d been wrong: and I was glad of it.

  Still, I went up to the house. It was a glorified A-frame, done

  in ersatz Swiss Chalet. A wide redwood sun deck circled the

  place—one comer held an unfilled jacuzzi. Ethel fed birds, I

  saw: that by itself seemed to exonerate her. There was a rocking

  horse on the deck. And a hammock on a metal frame: Tbny had

  read Sports Illustrated in it, I was sure. I knocked on the glass

  front door. It didn’t concern the frog: he continued to quack. I

 
; wiped my face. Then I walked back to my car.

  Reluctant to start driving back at once, I sat on the ticking,

  warm car hood. It was breezy: pine branches shushed me. The

  headlights picked out a half cord of wood. Split logs lay on either

  side of a big stump. And I saw, then, on my mind’s screen, Tony

  chopping. Ethel chopping. With, yes, an axe. Hairs on the back

  of my neck rose. I slid off the hood. There, to my right, lay a

  balled-up piece of pink Kleenex tissue. I bent down. It was dry.

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  The driveway held puddles, grass had wet my sneakers. But the

  Kleenex was dry. Someone had been there since the thunderstorm. I had just missed Ethel.

  I picked up a stone. Without announcing an intention to myself, I walked quickly back to the sun deck and up its short staircase. Yes, I had a sense of foreboding. Most of all, though,

  I had simply come too far that day—too far to leave without

  doing something. I took the stone and, in two precise chops, I

  shattered the window nearest the front door lock. I reached in

  behind the knob. I stopped.

  A smell like the stench of Satan’s feces came from inside

  Ethel’s house.

  I backed to the porch rail. It was Rita all over again. The stink

  of death, the stink of human corruption. In that huge, gamy

  odor I could smell a perverse sensuality: as if, even at the end,

  those who had died were marking their territory the way male

  animals do. With a heady musk that rushed from that broken

  window out, onto breezes, and across all Pennsylvania.

  I staggered to the Lincoln. I had the BOSTON SUCKS

  T-shirt in my trunk. Over this I poured a can of St. Pauli

  Girl. Then I tied the whole sopping m uck across my nose—

  I applied it like a poultice—and went back to the house.

  There was a short entry way behind the door—coat racks and

  a closet, an umbrella stand. Immediately after that I came to the

  big A-frame room. Moonlight shone down through banked windows in the cathedral ceiling. It picked out an ominous shadow.

  I stayed at the doorway, gagging even through the beer. I had

  come quickly to the smell’s lair. It was here. My hand felt a

  light switch.

  Tony was black.

  He sat nude on a barstool, staring up. His rotten flesh was

  dark purplish gray. In places it shone with the juice of decomposition. In places Tony was already mummified. His lips had drawn back to express a stupid Peter Sellers grin. But the eyes

  were gone.

  A young girl stood on the bar in front of him. A rope was

  slung under her armpits: Ethel had hoisted the body from a

  bedroom loft railing above. Her name, we were told later, was

  Leslie Torres: a 17-year-old Hispanic hitchhiking from Scranton

  to New York. What she was doing here with Tony and Rita—

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  when Ethel interrupted them—I haven’t the heart to speculate

  about. She, Leslie, wore only a pink G-string. Her flesh was the

  color of Tony’s. And it was fragile. My movement there disturbed its equilibrium. With a sloshing sound, Leslie fell. The rope had parted her decaying joints. She collapsed across Tony’s

  knees, then slumped onto the floor. A large rodent ran from

  behind the bar with something between its teeth.

  In my will I ’ve asked to be cremated.

  Tony was my brother, but I couldn’t bless him. I flipped the

  ceiling light off, and I ran. I ran out of the house, down the

  steps, past my car, almost to Copper Lake Drive. I would’ve

  screamed, but I was afraid to let corruption enter my mouth.

  Finally, I threw the BOSTON SUCKS T-shirt into the underbrush and hunkered down. I was not particularly sane at that moment. I gagged a couple of times—but I had eaten little and

  could only hawk mucus up. It was the damned tableau that

  horrified me—not murder itself, nor decomposition—but the

  scurrilous theatricality of it all. Ethel’s passion, which I might

  have sympathized with in some degree, was absorbed and negated by her gross exhibitionism. To kill in anger is one thing.

  To humiliate the dead is perverse beyond perversity.

  I went to the Lincoln. My hands weren’t shaking. The engine

  started easily. I fastened my seatbelt. I spread the map out. It

  was nearing midnight. These things I accomplished with stunning calm. I knew, for instance, that it wasn’t time yet to call the police. They would only detain me: I had to get home. I

  backed my Lincoln down/along the dirt lane. Everything had

  become clear in my mind. All my reflexes were on call. I came

  to Copper Lake Drive. I listened for traffic. Then, with a grace-

  fill twist of the wheel, I backed out.

  Into a three-foot ditch.

  It broke then, my scrupulous calm. I yelled. I hit the car’s

  ceiling with my sore fists. I even tried to pray—but my mind

  was quicksilver, here and there, around and behind. I had a

  fierce urge to urinate—but, when I zipped down, my groin was

  in such spasm, it was so hard, that the release burned and sputtered. I held to the car fender and teased composure back into my nerves. I was close to prostration. And my left rear wheel

  was hopelessly involved with the ditch.

  If I live to be 100—if I experience war and famine and pes-

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  tilence—still I will not endure three hours more dismaying than

  the next three hours were. It was Monday night, and these were

  weekend homes. On either side of me, for several miles, I had

  seen no glimmer of habitation. I was isolated and without recourse. Ethel had no telephone and, in any case, I would never have reentered that house. So I chose to wait, engine running

  on a quarter tank of gas, lights beamed toward the road. But

  only one car came—a Jaguar convertible—and that roared past

  before I could flag it down. After a while I just stood, arms

  crossed, in the middle of Copper Lake Drive. I was prepared to

  throw myself in front of any vehicle that might drive by.

  Tony was dead. Neither he nor I had had much luck with our

  sexuality. Somehow that unhappy word, fornication, settled in

  my mind. I had run away from fornication to the priesthood.

  And, in time, fornication had driven me, panting, away from

  holy orders again. Tony had found sex to be lethal. We got away

  with very little, we Wilsons. In the 17th century, I knew, each

  orgasm was imagined to be a little death: men shortened their

  life spans, used up vital essence, whenever seed spilled out.

  Death into life, life into death. A paradox to construct the universe on. And here, now, fifty yards away, the ripe scent of my poor, lecherous brother crept out over the woods.

  And, of course, I knew it wasn’t over. Kay had yet to die:

  there would be symmetry in that. Ethel, if anyone, had a symm etrical m ind. I couldn’t— couldn’t, couldn’t—rem em ber whether I had told the babysitter where I was going. If I had,

  and if the babysitter had relayed that information to Ethel, then

  Ethel would realize her secret was out. (Perhaps, in fact, Ethel

  had wanted me to discover Tony and Rita—who could appreciate

  better than I the symbolic weight of that tableau?) But the

  baby-sitter was stupid, I thought, and negligent. On that negligence Kay’s life
depended.

  Finally, as if it were the figment of my longing, a tow truck

  came. But the driver was out on call and late for an accident in

  Cahoga. No matter how I cajoled him (I said that my wife was

  giving birth in New York and offered a $50 bonus tip) the man

  was adamant. I would have to wait my turn. He radioed into the

  night, but the only other truck was thirty miles west on Route

  84. He left. And didn’t return until 47 minutes later.

  I got back on the road just after 3 a.m . From Stroudsburg to

  New York, with one stop for gas, I drove 85-90 mph. No patrol

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  car pulled me over. I thought that strange, but fitting. This was,

  after all, a family affair. I would see to its conclusion personally:

  I owed my four nieces that much at least. Never once—though

  she had killed my brother—was I angry at Ethel. Her actions

  had certified her madness. And who can find fault with the mad?

  It was 4:38 when I hit the George Washington Bridge, 4:47

  when I crossed the Triboro. I had no clear strategy in mind. It

  was too early, anyhow, to wake the household up. I thought

  maybe I would offer Ethel a ride in the morning—then confront

  her, comfort her, absolve her before I drove to the precinct house.

  Something of that sort. Most of all, I didn’t want my nieces to

  see their mother cuffed and taken away. Nor did I want them to

  know who had killed their father.

  I parked outside Bert’s. Tiredness hung from my face like a

  caul. I smelled of putrefaction. There was an all-night bodega

  on the comer. I bought a Coke and leaned back against the wall

  to suck some caffeine up. A man said, “ You using the phone?”

  And—because his voice was gruff and dismissive—I said,

  “ Yes.” I made a call—that call-o u t of spite. I rang up my own

  Phone-Mate. Ethel often left messages on it.

  There were three audition requests, a quote for our new bar

  stools and—I dropped my Coke can when I heard it—Kay’s blithe

  voice: “ Where’ve you been all night? For some reason Ethel

  wants the three of us t’meet at The Car after hours. So I ’ll see

  you around 4:30 ayem. Maybe I should dance for Ethel—what

 

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