"So then he called you something and you got mad and hauled him in."
"I tried to smile, but he was pointing his gun all around. It was hard."
John Benedict smiled at the boy's serious face. "Sid call you chicken scared?"
Jimmy Robles stared at this amazing man he worked for.
"He calls everybody that when he's drunk." Benedict smiled. "He's a lot of mouth, with nothing coming out. Most times he's harmless, but someday he'll probably shoot somebody." His eyes wandered out the window. Old man Remillard was crossing the street toward the jail.
"And then we'll get the blame for not keeping him here when he's full of whiskey."
Jimmy Robles went over the words, his smooth features frowning in question. "What do you mean we'll get blamed?"
Benedict started to answer him, but changed his mind when the door opened. Instead, he said, "Afternoon," nodding his head to the thick, big-boned man in the doorway. Benedict followed the rancher's gaze to Jimmy Robles. "Mr. Remillard, Deputy Sheriff Robles."
Remillard's face was serious. "Quit kidding," he said. He moved toward the sheriff. "I'm just fixing up a mistake you made. Your memory must be backing up on you, John." He was unexcited, but his voice was heavy with authority. Remillard hadn't been told no in twenty years, not by anyone, and his air of command was as natural to him as breathing.
He handed Benedict a folded sheet he had pulled from his inside coat pocket, nodding his head toward Jimmy Robles.
"You better tell your boy what end's up."
He waited until Benedict looked up from the sheet of paper, then said, "I was having my dinner with Judge Essery at the Samas when my foreman was arrested. Essery's waived trial and suspended sentence. It's right there, black and white. And kind of lucky for you, John, the judge's in a good mood today." Remillard walked to the door, then turned back. "It isn't in the note, but you better have my boy out in ten minutes." That was all.
John Benedict read the note over again. He remembered the first time one like it was handed to him, five years before. He had read it over five times and had almost torn it up, before his sense returned. He wondered if he was using the right word, sense.
"Let him out and give him his gun back."
Jimmy Robles smiled, because he thought the sheriff was kidding.
He said, "Sure," and the "John" almost slipped out with it. He propped his hip against the edge of his table-desk.
"What are you waiting for?"
Jimmy Robles came off the table now, and his face hung in surprise.
"Are you serious?"
Benedict held out the note. "Read this five times and then let him go."
"But I don't understand," with disbelief all over his face. "This man was endangering lives. You said we were to protect and . . . " His voice trailed off, trying to think of all the things John Benedict had told him.
Sitting in his swivel chair, John Benedict thought, Explain that one if you can. He remembered the words better than the boy did. Now he wondered how he had kept a straight face when he had told him about rights, and the law, and seeing how the one safeguarded the other. That was John Benedict the realist. The cynic. He told himself to shut up. He did believe in ideals. What he had been telling himself for years, though having to close his eyes occasionally because he liked his job.
Now he said to the boy, "Do you like your job?" And Jimmy Robles looked at him as if he did not understand.
He started to tell him how a man elected to a job naturally had a few obligations. And in a town like Arivaca, whose business depended on spreads like Remillard's and a few others, maybe the obligations were a little heavier. It was a cowtown, so the cowman ought to be able to have what he wanted. But it was too long a story to go through. If Jimmy Robles couldn't see the handwriting, let him find out the hard way. He was old enough to figure it out for himself. Suddenly, the boy's open, wondering face made him mad. "Well, what the hell are you waiting for!"
JIMMY ROBLES pushed Tio's empty mescal bottle to the foot of the bed and sat down heavily. He eased back until he was resting on his spine with his head and shoulders against the adobe wall and sat like this for a long time while the thoughts went through his head. He wished Tio were here. Tio would offer no assistance, no explanation other than his biased own, but he would laugh and that would be better than nothing.
Tio would say, "What did you expect would happen, you fool?" And add, "Let us have a drink to forget the mysterious ways of the American." Then he would laugh. Jimmy Robles sat and smoked cigarettes and he thought.
Later on, he opened his eyes and felt the ache in his neck and back.
It seemed like only a few moments before he had been awake, clouded with his worrying, but the room was filled with a dull gloom. He rose, rubbing the back of his neck, and, through the open doorway that faced west, saw the red streak in the gloom over the line of trees in the distance.
He felt hungry, and the incident of the afternoon was something that might have happened a hundred years ago. He had worn himself out thinking and that was enough of it. He passed between the buildings to the street and crossed it to the adobe with the sign emiliano's. He felt like enchiladas and tacos and perhaps some beer if it was cold.
He ate alone at the counter, away from the crowded tables that squeezed close to each other in the hot, low-ceilinged cafe, taking his time and listening to the noise of the people eating and drinking. Emiliano served him, and after his meal set another beer--that was very cold--before him on the counter. And when he was again outside, the air seemed cooler and the dusk more restful.
He lighted a cigarette, inhaling deeply, and saw someone emerge from the alley that led to his adobe. The figure looked up and down the street, then ran directly toward him, shouting his name.
Now he recognized Agostino Reyes, who worked at the wagonyard with his uncle.
The old man was breathless. "I have hunted you everywhere," he wheezed, his eyes wide with excitement. "Your uncle has taken the shotgun that they keep at the company office and has gone to shoot a man!"
Robles held him hard by the shoulders. "Speak clearly! Where did he go!"
Agostino gasped out, "Earlier, a man by the Supreme insulted him and caused him to be degraded in front of others. Now Tio has gone to kill him."
Jimmy ran with his heart pounding against his chest, praying to God and His Mother to let him get there before anything happened. A block away from the Supreme he saw the people milling about the street, with all attention toward the front of the saloon. He heard the deep discharge of a shotgun and the people scattered as if the shot were a signal. In the space of a few seconds the street was deserted.
He slowed the motion of his legs and approached the rest of the way at a walk. Nothing moved in front of the Supreme, but across the street he saw figures in the shadowy doorways of the Samas Cafe and the hotel next door. A man stepped out to the street and he saw it was John Benedict.
"Your uncle just shot Sid Roman. Raked his legs with a Greener.
He's up there in the doorway laying half dead."
He made out the shape of a man lying beneath the swing doors of the Supreme. In the dusk the street was quiet, more quiet than he had ever known it, as if he and John Benedict were alone. And then the scream pierced the stillness. "God Almighty somebody help me!" It hung there, a cold wail in the gloom, then died.
"That's Sid," Benedict whispered. "Tio's inside with his pistol. If anybody gets near that door, he'll let go and most likely finish off Sid. He's got Remillard and Judge Essery and I don't know who else inside. They didn't get out in time. God knows what he'll do to them if he gets jumpy." "Why did Tio shoot him?"
"They say about an hour ago Sid come staggering out drunk and bumped into your uncle and started telling him where to go. But your uncle was just as drunk and he wouldn't take any of it. They started swinging and Sid got Tio down and rubbed his face in the dust, then had one of his boys get a bottle, and he sat there drinking like he was on the front porc
h. Sitting on Tio. Then the old man come back about an hour later and let go at him with the Greener." John Benedict added, "I can't say I blame him."
Jimmy Robles said, "What were you doing while Sid was on the front porch?" and started toward the Supreme, not waiting for an answer.
John Benedict followed him. "Wait a minute," he called, but stopped when he got to the middle of the street.
On the saloon steps he could see Sid Roman plainly in the square of light under the doors, lying on his back with his eyes closed. A moan came from his lips, but it was almost inaudible. No sound came from within the saloon.
He mounted the first step and stood there. "Tio!"
No answer came. He went all the way up on the porch and looked down at Roman. "Tio! I'm taking this man away!"
Without hesitating he grabbed the wounded man beneath the arms and pulled him out of the doorway to the darkened end of the ramada past the windows. Roman screamed as his legs dragged across the boards.
Jimmy Robles moved back to the door and the quietness settled again.
He pushed the door in, hard, and let it swing back, catching it as it reached him. Tio was leaning against the bar with bottles and glasses strung out its smooth length behind him. From the porch he could see no one else. Tio looked like a frightened animal cowering in a deadend ravine, more pathetic in his ragged and dirty cotton clothes. His rope-soled shoes edged a step toward the doorway, with his body moving in a crouch. The pistol was in front of him, his left hand under the other wrist supporting the weight of the heavy Colt and, the deputy noticed now, trying to keep it steady.
Tio waved the barrel at him. "Come in and join your friends, Jaime."
His voice quivered to make the bravado meaningless.
Robles moved inside the door of the long barroom and saw Remillard and Judge Essery standing by the table nearest the bar. Two other men stood at the next table. One of them was the bartender, wiping his hands back and forth over his apron.
Robles spoke calmly. "You've done enough, Tio. Hand me the gun."
"Enough?" Tio swung the pistol back to the first table. "I have just started."
"Don't talk crazy. Hand me the gun."
"Do you think I am crazy?"
"Just hand me the gun."
Tio smiled, and by it seemed to calm. "My foolish nephew. Use your head for one minute. What do you suppose would happen to me if I handed you this gun?"
"The law would take its course," Jimmy Robles said. The words sounded meaningless even to him.
"It would take its course to the nearest cottonwood," Tio said.
"There are enough fools in the family with you, Jaime." He smiled still, though his voice continued to shake.
"Perhaps this is my mission, Jaime. The reason I was born."
"You make it hard to decide just which one is the fool."
"No. Hear me. God made Tio Robles to his image and likeness that he might someday blow out the brains of Senores Rema-yard and Essery." Tio's laugh echoed in the long room.
Jimmy Robles looked at the two men. Judge Essery was holding on to the table and his thin face was white with fear, glistening with fear.
And for all old man Remillard's authority, he couldn't do a thing. An old Mexican, like a thousand he could buy or sell, could stand there and do whatever he desired because he had slipped past the cowman's zone of influence, past fearing for the future.
Tio raised the pistol to the level of his eyes. It was already cocked.
"Watch my mission, Jaime. Watch me send two devils to hell!"
He watched fascinated. Two men were going to die. Two men he hardly knew, but he could feel only hate for them. Not like he might hate a man, but with the anger he felt for a principle that went against his reason. Something big, like injustice. It went through his mind that if these two men died, all injustice would vanish. He heard the word in his mind. His own voice saying it. Injustice. Repeating it, until then he heard only a part of the word. His gun came out and he pulled the trigger in the motion. Nothing was repeating in his mind, now. He looked down at Tio Robles on the floor and knew he was dead before he knelt over him.
He picked up Tio in his arms like a small child and walked out of the Supreme into the evening dusk. John Benedict approached him and he saw people crowding out into the street. He walked past the sheriff and behind him heard Remillard's booming voice. "That was a close one!" and a scattering of laughter. Fainter then, he heard Remillard again. "Your boy learns fast."
He walked toward Spanishtown, not seeing the faces that lined the street, hardly feeling the limp weight in his arms.
The people, the storefronts, the street--all was hazy--as if his thoughts covered his eyes like a blindfold. And as he went on in the darkness he thought he understood now what John Benedict meant by justice.
Chapter 15 The Last Shot.
Original Title: A Matter of Duty.
Fifteen Western Tales, September 1953.
FROM THE SHADE of the pines, looking across the draw, he watched the single file of cavalrymen come out of the timber onto the open bench.
The first rider raised his arm and they moved at a slower pace down the slope, through the green-tinged brush. The sun made small flashes on the visors of their kepis and a clinking sound drifted faintly across the draw.
He had come down the same way a few minutes before and now he was certain that they would stay on his trail. Watching them, he sat his sorrel mare unmoving, his young face sun-darkened and clean-lined and glistening with perspiration, though the air was cool. A Sharps lay across his lap and he gripped it hard, then looked about quickly as if searching for a place to hide it. Instead he swung the stock against the sorrel's rump and guided her away from the rim, breaking into a run as they crossed a meadow of bear grass toward the darkness of a pine stand. And as he drew near, a rider, watching him closely, came out of the pines.
Lou Walker, the young man, swung his mount close to the other rider and pushed the rifle toward him.
"Give me your carbine, Risdon!"
"What happened?" the man said. Ed Risdon was close to fifty. He sat heavily in his saddle and his round, leathery face studied Walker calmly.
"I missed him."
"How could you miss? All you had to do was aim at his beard."
"His horse spooked as I fired. It reared up and I hit it in the withers."
"They see you?" "I was up in the rocks and when I missed they took out after me.
Give me the carbine. If I get caught they'll see it hasn't been fired."
"What if I get caught?" Risdon said.
"You won't if you scat."
Risdon drew the short rifle from its saddle scabbard and handed it to Lou Walker, exchanging it for Walker's Sharps. "Maybe," he said, "I'd better stay with you."
"Get home and tell Beckwith what happened--and get that gun out of here."
Risdon hesitated. "What'll I tell Barbara?"
Walker stared at him. "I don't like it any more than you do."
"I think maybe it's getting senseless," Risdon answered.
"Think what you want--just get the hell out of here."
Walker nudged the mare with his knee and rode away from Risdon, back toward the rim. As he neared it he looked around, across the meadow, to make certain Risdon was gone. He could hear the cavalrymen below him now, the clinking sound of their approach sharp in the crisp air, and waited until they could see him up through the trees before he started off, following the rim. There was a shout, then another, and when the carbine shot rang behind him he knew they had reached the crest. He swung from the high ground then, zigzagging down through the scattered pinons, guiding the reins loosely.
A quarter of the way from the bottom the dwarf pines gave up to brush and hard rock. Walker spurred toward the open slope, glancing over his shoulder, seeing the flashes of blue uniforms up through the trees. He heard the carbine report and the whine as the bullet glanced off rock. Then another. A third kicked up sand a few yards in front of the mare a
nd she swerved suddenly on the slope. He tried to hold her in, but the mare was already side-slipping on the loose shale. Suddenly she was falling and Walker went out of the saddle. He tried to twist his body in the air--then he struck the slope and rolled. . . .
THERE WAS A stable smell of leather and damp horsehide. Again his body slammed against the ground and the shock of it brought open his eyes. They had carried him draped across a saddle and when they reached the others, a trooper threw his legs over the horse and he landed on his back.
He heard a voice say, "Sergeant!" close over him. He looked up and the trooper spat to the side. "He's awake."
Now there were other faces that looked down at him and they were all the same--shapeless kepis, tired, curious eyes, dirt in crease lines, and two-or three-day beards. Though there were some faces without the stubble, they were boys with the expressions of men. The blue uniforms were covered with fine dust and the jackets seemed ill-fitting, with buttons missing, and from the shoulders hung the oblong, leathercovered, wooden cases that hold seven cartridge tubes for a Spencer carbine.
And then another uniform was standing over him. Alkali dust made the Union blue seem faded, but the jacket held firmly to chest and shoulders and a full, red beard reached to the second button. The red beard moved.
"Mister, we owe you an apology, though I don't imagine it makes your head feel any better."
Walker relaxed slowly, sitting up, then came to his feet and stood in front of the red beard which was even with his own chin. But his leg buckled under him and he sat down again, feeling the stabbing in his right knee. He winced, but kept his eyes on the officer. He had imagined McGrail to be a much taller man and now he was surprised. Stories make a man taller than he is. . . . Then he felt better because Major McGrail was not unusually tall. Still, he was uneasy. Perhaps because he had tried to kill him not a half hour before.
"Your knee?" McGrail said.
Walker nodded, then said, "Where's my horse?"
"It was past saving."
"You didn't have a right to fire on me."
McGrail smiled faintly. "I'm told you had a damn uncommon guilty way of running when ordered to halt."
The Complete Western Stories of Elmore Leonard Page 27
