by Bruno Schulz
Days and afternoons came and went, everyday events streamed in confusion over the city seen from the level of our balcony, over the labyrinth of roofs and houses bathed in the opaque light of those gray weeks. The tinkers rushed around, shouting their wares. Sometimes Abraham's powerful sneeze gave comical emphasis to the distant, scattered tumult of the city. In a faraway square the mad Touya, driven to despair by the nagging of small boys, would dance her wild saraband, lifting high her skirt to the amusement of the crowd. A gust of wind smoothed down and leveled out these sounds, melted them into the monotonous, gray din, spreading uniformly over the sea of shingle roofs in the milky, smoky air of the afternoon. Adela, leaning against the balcony rails, bent over the distant, stormy roar of the city, caught from it all the louder accents and, with a smile, put together the lost syllables of a song, trying to join them, to read some sense into the rising and falling gray monotony of the day.
It was the age of electricity and mechanics and a whole swarm of inventions was showered on the world by the resourcefulness of human genius. In middle-class homes cigar sets appeared equipped with an electric lighter: you pressed a switch and a sheaf of electric sparks lit a wick soaked in gasoline. The inventions gave rise to exaggerated hopes. A musical box in the shape of a Chinese pagoda would, when wound, begin to play a little rondo while turning like a merry-go-round. Bells tinkled at intervals, the doors flapped wide to show thç turning barrel playing a snuff-box triolet. In every house electric bells were installed. Domestic life stood under the sign of galvanism. A spool of insulated wire became the symbol of the times. Young dandies demonstrated Galvani's invention in living rooms and were rewarded with radiant looks from the ladies. An electric conductor opened the way to women's hearts. After an experiment had succeeded, the heroes of the day blew kisses all round, amid the applause of the living rooms.
It was not long before the city filled with velocipedes of various sizes and shapes. An outlook based on philosophy became obligatory. Whoever admitted to a belief in progress had to draw the logical conclusion and ride a velocipede. The first to do so were of course the lawyers' apprentices, that vanguard of new ideas, with their waxed mustaches and their bowler hats, the hope and flower of youth. Pushing through the noisy mob, they rode through the traffic on enormous bicycles and tricycles which displayed their wire spokes. Placing their hands on wide handlebars, they maneuvered from the high saddle the enormous hoop of the wheel and cut into the amused mob in a wavy line. Some of them succumbed to apostolic zeal. Lifting themselves on their moving pedals, as if on stirrups, they addressed the crowd from on high, forecasting a new happy era for mankind—salvation through the bicycle. . . . And they rode on amid the applause of the public, bowing in all directions.
And yet there was something grievously embarrassing in those splendid and triumphal rides, something painful and unpleasant which even at the summit of their success threatened to disintegrate into parody. They must have felt it themselves when, hanging like spiders among the delicate machinery, straddled on their pedals like great jumping frogs, they performed ducklike movements above the wide turning wheels. Only a step divided them from ridicule and they took it with despair, leaning over the handlebars and redoubling the speed of their ride, in a tangle of violent head-over-heels gymnastics. Can one wonder? Man was entering under false pretenses the sphere of incredible facilities, acquired too cheaply, below cost price, almost for nothing, and the disproportion between outlay and gain, the obvious fraud on nature, the excessive payment for a trick of genius, had to be offset by self-parody. The cyclists rode on among elemental outbursts of laughter—miserable victors, martyrs to their genius—so great was the comic appeal of these wonders of technology.
When my brother brought an electromagnet for the first time home from school, when with a shiver we all sensed by touch the vibrations of the mysterious life enclosed in an electric circuit, my father smiled a superior smile. A long-range idea was maturing in his mind; there merged and forged a chain of ideas he had had for a long time. Why did Father smile to himself, why did his eyes turn up, misty, in a parody of mock admiration? Who can tell? Did he foresee the coarse trick, the vulgar intrigue, the transparent machinations behind the amazing manifestations of the secret force? Yet that moment marked a turning point: it was then that Father began his laboratory experiments.
Father's laboratory equipment was simple: a few spools of wire, a few bottles of acid, zinc, lead, and carbon— these constituted the workshop of that very strange esot-erist. "Matter," he said, modestly lowering his eyes and stifling a cough, "Matter, gentlemen—" He did not finish his sentence, he left his listeners guessing that he was about to expose a big swindle, that all we who sat there were being taken for a ride. With downcast eyes my father quietly sneered at that age-long fetish. "Panta rei!" he exclaimed, and indicated with a movement of his hands the eternal circling of substance. For a long time he had wanted to mobilize the forces hidden in it, to make its stififness melt, to pave its way to universal penetration, to transfusion, to universal circulation in accordance with its true nature.
"Principium individuationis—my foot," he used to say, thus expressing his limitless contempt for that guiding human principle. He threw out these words in passing, while running from wire to wire. He half-closed his eyes and touched delicately various points of the circuit, feeling for the slight differences in potential. He made incisions in the wire, leaned over it, listening, and immediately moved ten steps farther, to repeat the same gestures at another point of the circuit. He seemed to have a dozen hands and twenty senses. His brittle attention wandered to a hundred places at once. No point in space was free from his suspicions. He leaned over to pierce the wire at some place and then, with a sudden jump backward, he pounced at another like a cat on its prey and, missing, became confused. "I am sorry," he would say, addressing himself unexpectedly to the astonished onlooker. "I am sorry, I am concerned with that section of space which you are filling. Couldn't you move a little to one side for a minute?" And he quickly made some lightning measurements, agile and nimble as a canary twitching efficiently under the impulses of its sympathetic system.
The metals dipped in acid solutions, salty and rusting in that painful bath, began to conduct in darkness. Awakened from their stiff lifelessness, they hummed monotonously, sang metallically, shone molecularly in the incessant dusk of those mournful and late days. Invisible charges rose in the poles and swamped them, escaping into the circling darkness. An imperceptible tickling, a blind prickly current traversed the space polarized into concentric lines of energy, into circles and spirals of a magnetic field. Here and there an awakened apparatus would give out signals, another would reply a moment later, out of turn, in hopeless monosyllables, dash-dot-dash in the intervals of a dull lethargy. My father stood among those wandering currents, a smile of suffering on his face, impressed by that stammering articulation, by the misery, shut in once and for all, irrevocably, which was monotonously signaling in crippled half-syllables from the unliberated depths.
As a consequence of these researches, my father achieved amazing results. He proved, for instance, that an electric bell, built on the principle of Neeffs hammer, is an ordinary mystification. It was not man who had broken into the laboratory of nature, but nature that had drawn him into its machinations, achieving through his experiments its own obscure aims. During dinner my father would touch the nail of his thumb with the handle of a spoon dipped in soup, and suddenly Neeffs bell would begin to rattle inside the lamp. The whole apparatus was quite superfluous, quite unnecessary: Neeffs bell was the point of convergence of certain impulses of matter, which used man's ingenuity for its own purposes. It was Nature that willed and worked, man was nothing more than an oscillating arrow, the shuttle of a loom, darting here or there according to Nature's will. He was himself only a component, a part of Neeff's hammer.
Somebody once mentioned "mesmerism" and my father took this up too, immediately. The circle of his theories had closed, he ha
d found the missing link. According to his theory, man was only a transit station, a temporary junction of mesmeric currents, wandering hither and thither within the lap of eternal matter. All the inventions in which he took such pride were traps into which nature had enticed him, were snares of the unknown. Father's experiments began to acquire the character of magic and legerdemain, of a parody of juggling. I won't mention the numerous experiments with pigeons, which, by manipulating a wand, he multiplied into two, four, or ten, only to enclose them, with visible effort, back again into the wand. He would raise his hat and out they flew fluttering, one by one, returning to reality in their full complement and settling on the table in a wavy, mobile, cooing heap. Sometimes Father interrupted himself at an unexpected point of the experiment, stood up undecided, eyes half-closed, and, after a second, ran with tiny steps to the entrance hall where he put his head into the chimney shaft. It was dark there, bleak from soot, cozy as in the very center of nothingness, and warm currents of air streamed up and down. Father closed his eyes and stayed there for a time in that warm, black void. We all felt that the incident had little to do with the matters at hand, that it somehow occurred at the back stage of things; we inwardly shut our eyes to that marginal fact which belonged to quite a different dimension.
My father had in his repertoire some really depressing tricks that filled one with true melancholy. We had in our dining room a set of chairs with tall backs, beautifully carved in the realistic manner into garlands of leaves and flowers; it was enough for Father to flip the carvings and they suddenly acquired an exceptionally witty physiognomy; they began to grimace and wink significantly. This could become extremely embarrassing, almost unbearable, for the winking took on a wholly definite direction, an irresistible inevitability and one or another of those present would suddenly exclaim: "Aunt Wanda, by God, Aunt Wanda!" The ladies began to scream for it really was Aunt Wanda's true image; it was more than that— it was she herself on a visit, sitting at table and engaging in never-ending discourses during which one could never get a word in edgewise. Father's miracles canceled themselves out automatically, for he did not produce a ghost but the real Aunt Wanda in all her ordinariness and commonness, which excluded any thought of a possible miracle.
Before we relate the other events of that memorable winter, we might shortly mention a certain incident which has been always hushed up in our family. What exactly had happened to Uncle Edward? He came at that time to stay with us, unsuspecting, in sparkling good health and full of plans, having left his wife and small daughter in the country. He just came in the highest of spirits, to have a little change and some fun away from his family. And what happened? Father's experiments made a tremendous impression on him. After the first few tricks, he got up, took off his coat, and placed himself entirely at Father's disposal. Without reservations! He said this with a piercing direct look and stressed it with a strong and earnest handshake. My father understood. He made sure that Uncle had no traditional prejudices regarding "principium individuationis." It appeared that he had none, none at all. Uncle had a progressive mind and no prejudices. His only passion was to serve Science.
At first Father left him a degree of freedom. He was making preparations for a decisive experiment. Uncle Edward took advantage of his leisure to explore the city. He bought himself a bicycle of imposing dimensions and rode it around Market Square, looking from the height of his saddle into the windows of second-floor apartments. Passing our house, he would elegantly lift his hat to the ladies standing in the window. He had a twirled, upturned mustache and a small pointed beard. Soon,, however, Uncle discovered that a bicycle could not introduce him into the deeper secrets of mechanics, that that astonishing machine was unable to provide lasting metaphysical thrills. And then the experiments began, based on the "principium individuationis. " Uncle Edward had no objections at all to being physically reduced, for the benefit of science, to the bare principle of NeefTs hammer. He agreed without regret to a gradual shedding of all his characteristics in order to lay bare his deepest self, in harmony, as he had felt for a long time, with that very principle.
Having shut himself in his study, Father began the gradual penetration into Uncle Edward's complicated essence by a tiring psychoanalysis that lasted for many days and nights. The table of the study began to fill with the isolated complexes of Edward's ego. At first Uncle, although much reduced, turned up for meals and tried to take part in our conversations. He also went once more for a ride on his bicycle, but soon gave it up as he felt rather incomplete. A kind of shame took hold of him, characteristic for the stage at which he found himself. He began to shun people. At the same time, Father was getting ever nearer to his objective. He had reduced Uncle to the indispensable minimum, by removing from him one by one all the inessentials. He placed him high in a wall recess in the staircase, arranging his elements in accordance with the principle of Leclanche's reaction. The wall in that place was moldy and white mildew showed on it. Without any scruples Father took advantage of the entire stock of Uncle's enthusiasm, he spread his flex along the length of the entrance hall and the left wing of the house. Armed with a pair of steps he drove small nails into the wall of the dark passage, along the whole path of Uncle's present existence. Those smoky, yellow afternoons were almost completely dark. Father used a lighted candle with which he illuminated the mildewy wall at close quarters, inch by inch. I have heard it said that at the last moment Uncle Edward, until then heroically composed, showed a certain impatience. They say that there was even a violent, although belated, explosion that very nearly ruined the almost completed work. But the installation was ready and Uncle Edward, who all his life had been a model husband, father, and businessman, eventually submitted with dignity to his final role.
Uncle functioned excellently. There was no instance of his refusal to obey. Having discarded his complicated personality, in which at one time he had lost himself, he found at last the purity of a uniform and straightforward guiding principle to which he was subjected from now on. At the cost of his complexity, which he could manage only with difficulty, he had now achieved a simple problem-free immortality. Was he happy? One would ask that question in vain. A question like this makes sense only when applied to creatures who are rich in alternative possibilities, so that the actual truth can be contrasted with partly real probabilities and reflect itself in them. But Uncle Edward had no alternatives; the dichotomy "happy/unhappy" did not exist for him because he had been completely integrated. One had to admit to a grudging approval when one saw how punctually, how accurately he was functioning. Even his wife, Aunt Teresa, who followed him to our city, could not stop herself from pressing the button quite often, in order to hear that loud and sonorous sound in which she recognized the former timbre of her husband's voice in moments of irritation. As to their daughter, Edy, one might say that she was fascinated by her father's career. Later, it is true, she took it out on me, avenging my father's action, but that is part of a different story.
2
The days passed, the afternoons grew longer: there was nothing to do in them. The excess of time, still raw, still sterile and without use, lengthened the evenings with empty dusks. Adela, after washing up early and clearing the kitchen, stood idly on the balcony looking vacantly at the pale redness of the evening distance. Her beautiful eyes, so expressive at other times, were blank from dull reveries, protruding, large, and shining. Her complexion, at the end of winter matted and gray from kitchen smells, now, under the influence of the spring-ward gravitation of the moon, which was waxing from quarter to quarter, became younger, acquired milky reflexes, opaline shades, and the glaze of enamel. She now had the whip hand over the shop assistants, who cringed under her dark looks, discarded the role of would-be cynics, frequenters of city taverns and other places of ill-repute, and, enraptured by her new beauty, sought a different method of approach, ready to make concessions toward putting the relationship on a new basis and to recognize positive facts.
Father's experiments di
d not, in spite of expectations, produce any revolution in the life of the community. The grafting of mesmerism on the body of modern physics did not prove fertile. It was not because there was no grain of truth in Father's discoveries. But truth is not a decisive factor for the success of an idea. Our metaphysical hunger is limited and can be satisfied quickly. Father was just standing on the threshold of new revelations when we, the ranks of his adherents and followers, began to succumb to discouragement and anarchy. The signs of impatience became more and more frequent: there were even open protestations. Our nature rebelled against the relaxation of fundamental laws; we were fed up with miracles and wished to return to the old, familiar, solid prose of the eternal order. And Father understood this. He understood that he had gone too far, and put a rein on the flight of his fancies. The circle of elegant female disciples and male followers with waxed mustaches began to melt away day by day. Father, wishing to withdraw with honor, was intending to give a final concluding lecture, when suddenly a new event turned everybody's attention in a completely unexpected direction.
One day my brother, on his return from school, brought the improbable and yet true news of the imminent end of the world. We asked him to repeat it, thinking that we had misheard. We hadn't. This is what that incredible, that completely baffling piece of news was: unready and unfinished, just as it was, at a random point in time and space, without closing its accounts, without having reached any goal, in mid-sentence as it were, without a period or exclamation mark, without a last judgment or God's Wrath—in an atmosphere of friendly understanding, loyally, by mutual agreement and in accordance with rules observed by both parties—the world was to be hit on the head, simply and irrevocably. No, it was not to be an eschatological, tragic finale as forecast long ago by the prophets, nor the last act of the Divine Comedy. No. It was to be a trick cyclist's, a prestidigitator's, end of the world, splendidly hocus-pocus and bogus-experimental—accompanied by the plaudits of all the spirits of Progress. There was almost no one to whom the idea would not appeal. The frightened, the protesters, were immediately hushed up. Why did not they understand that this was a simply incredible chance, the most progressive, freethinking end of the world imaginable, in line with the spirit of the times, an honorable end, a credit to the Supreme Wisdom? People discussed it with enthusiasm, drew pictures "ad oculos" on pages torn from pocket notebooks, provided irrefutable proofs, knocking their opponents and the skeptics out of the ring. In illustrated journals whole-page pictures began to appear, drawings of the anticipated catastrophe with effective staging. These usually represented panic-stricken populous cities under a night sky resplendent with lights and astronomical phenomena. One saw already the astonishing action of the distant comet, whose parabolic summit remained in the sky in immobile flight, still pointing toward the earth, and approaching it at a speed of many miles per second. As in a circus farce, hats and bowlers rose into the air, hair stood on end, umbrellas opened by themselves, and bald patches were disclosed under escaping wigs—and above it all there spread a black enormous sky, shimmering with the simultaneous alert of all the stars.
