Yet certainly he could not help thinking that the men had lost that old dominance and the arrogance with which they had once viewed the animals, and were now acting more or less as equals with them. He felt that this was too bad, and yet the young men were going along just as unconcerned as ever, cracking their little jokes and not feeling that they had been at all humiliated by having to detour the lion, any more than if they had had to detour around a fallen tree-trunk or a ruined building.
When he next began to pay attention, they were approaching the bridge. Ish became interested, and again he wished that he could tell the young men something of the Old Times, of what the bridge used to be like when traffic was pouring across it in both directions and all six lanes were so full of whizzing cars that you could not have run from one side to the other and remained alive.
Now, however, as they slowly walked up the long approach and came to the first span on the East Bay side, Ish could see that the bridge as a whole, though rust-covered, was still intact. The pavement, however, was badly gone to pieces, and whole sections of the highway sagged a little, and some of the towers were noticeably out of line.
At one place they had to walk for a few feet across a single girder which offered the only passageway. Looking down from the young man's back, Ish could see clear down to where the waves were slushing back and forth, and he noticed that the metal of the bridge, where salt water had splashed on it for all these years, was deeply corroded, and sagging and breaking.
This is the road that no man finishes traveling. This is the river so long that no voyager finds the sea. This is the path winding among the hills, and still winding. This is the bridge that no man crosses wholly—lucky is he who through the mists and rain clouds sees, or even believes he dimly sees, the farther shore.
After that, Ish was not sure of anything again until at last he realized that he was sitting on something hard and leaning against something hard, and that his feet were very cold. Next he knew that somebody was chafing his hands, and then slowly he came into consciousness.
He found that he was sitting on the pavement at the edge of the bridge, propped against the railing. The first thing that he really noticed was his hammer on the pavement in front of him, the handle pointing stiffly in the air. On each side of him, a young man was chafing one of his hands, as if trying to get some blood back into them. The other two young men were near also, and they all seemed greatly disturbed.
Ish realized that his feet and even his lower legs were cold, or perhaps they had really lost all feeling in a kind of cold that might be called deathly. He knew then, his mind again becoming clearer, that he had not been merely passing through one of his lapses of old age but that he must actually have suffered some kind of seizure—a stroke or a heart attack—and that the others were frightened.
He saw Jack moving his lips as if he were talking, and yet making no noise. A strange thing to do! The lips moved more and more vigorously, as if Jack were shouting. Then Ish realized that he himself was not hearing. This thought did not pain him, but rather pleased him, because he knew that he would now not have the world press in upon him, as it must always upon a man who can hear.
The others began talking, that is, moving their lips in the same way, and Ish saw that they were trying definitely, even desperately, to tell him something. He shook his head, puzzled. Then he tried to tell them that he could not hear, but he realized that he did not have control over his speech. This disturbed him, for he realized that it would be a nuisance to live in the world when he could not communicate by talking and when nobody could understand what he wrote.
The young men had been very respectful and friendly all day. But now they became irritated. They gesticulated, and Ish could see they were insistent that he should do something, and were even frightened that he might not be able to do it. They made gestures toward the hammer, but Ish did not feel it worthwhile to try very hard to understand.
Soon, however, the young men were even more insistent, and then they began to pinch him. Ish felt the pain because his body was still sensitive, and he cried out, and tears even came to his eyes, though he was ashamed of that, and felt that it was not fitting for the last American.
"It is a strange thing," he thought, "to be an old god. They worship you, and yet they mistreat you. If you do not want to do what they wish, they make you. It is not fair."
Then, by thinking hard and by watching their gestures, he thought that they wanted him to indicate one of them to whom the hammer should be given. The hammer had been Ish's own for a long time, and no one had ever suggested that he should give it to anyone else, but he did not care, besides he wished them to stop pinching him. He could still move his arms, and so with a gesture he indicated that the young man called Jack should have the hammer.
Jack picked up the hammer, and stood with it dangling from his right hand. The other three then drew off a little, and Ish felt within himself a strange pang of sorrow for the young man to whom the hammer had descended.
But at least they all seemed to be relieved, now that the inheritance of the hammer was settled, and they did not bother Ish any more.
He rested there quietly then, as if he had done all in this world that he needed to do, and had made his peace. He was dying on the bridge, and he knew it now. Many others, he remembered, had died on that bridge. He might have died there many years before in some mere crash of automobiles. Now he had lived clear out of his own world, and still he was dying there. One way or another, he now was contented. He half-remembered a line which he had read in some book at some time during all those years when he had read so many books. "Men go and come..." But that was trite and meaningless without its other half.
He looked now at the others, although there was a little mist before his eyes and he could not see very well. Yet he noticed the two dogs lying quietly, and the four young men—three of them apart from the other one now—who squatted on the bridge in a half circle around him, watching. They were very young in age, at least by comparison with him, and in the cycle of mankind they were many thousands of years younger than he. He was the last of the old; they were the first of the new. But whether the new would follow the course which the old had followed, that he did not know, and now at last he was almost certain that he did not even desire that the cycle should be repeated. He suddenly thought of all that had gone to build civilization—of slavery and conquest and war and oppression.
But now he looked beyond the young men, toward the bridge itself. Now that he would soon be dead, he felt himself more a companion of the bridge than of the men. It too had been part of civilization.
A little distance off, he was surprised to see a car standing, or what was left of a car. Then he remembered the little coupé which had been parked there during all those years. Now the paint had weathered off almost entirely; not only were the tires flat but also the springs had grown weak, so that the whole car had settled downwards. All its upper parts were white with bird-droppings. Curiously, although it was a matter of no importance, he could still remember that the owner of the car had been John Robertson (with a middle initial which was E. or T. or P., or something like that) and that he had lived on one of the numbered streets in Oakland.
But Ish let his gaze rest upon the little coupé only for a moment. Then his eyes moved higher, and he saw the tall towers and the great cables, still dipping in perfect curves. This part of the bridge seemed to be in a good state of preservation. It would apparently stand for a long time still, perhaps during the lives of many generations of men. The railings, the towers, and the cables—all were rusted red. But he knew that that rust must be superficial. The tops of the towers, however, were not red, but were shining white with the droppings of generations of seagulls.
Yet though the bridge might last still for many years, the rust would eat deeper and deeper. The earthquake would shake the foundations, and then on some stormy day a span would go down. Like the man, so the creation of man would not last forever.
&nb
sp; He shut his eyes for a moment, and imagined the whole sweep of the hills around the bay, though he could not turn his head to see them. They had not changed their profile since the destruction of civilization; as measured by man's time, they would not change. As far as the bay and the hills went, he was still dying in the same world to which he had been born.
Opening his eyes, he now looked and was able to see the two pointed peaks at the crest of the ridge. "Twin Breasts" they had once been called, and the sight of them made him think of Em, and even further back, of his own mother. The earth and Em and the mother all mingled in his dying mind, and he felt glad to return.
"But, no," he thought, after a moment, "I must die as I have lived—by the light of my own mind, by what light it gives me. Those hills, though they may take the shape of breasts, they are not like Em or like my mother. They will receive me—they will receive my body—but they will not love me. They do not care. And also I am one who has studied the ways of the earth, and I know that the hills themselves, though men call them eternal—they too are changing always."
Yet as a weary and dying old man, he needed something toward which he could look and from which he could expect no change. He was cold now around the waist, and his fingers were numb. His sight was fading.
He fixed his eyes on the distant hills. He had tried very hard. He had struggled. He had looked to the past and to the future. What did it matter? What had he accomplished?
Now certainly it made no difference. He would rest, and he would return to the hills. And they—in comparison at least with the passing of man's generations—remained without changing. And if the shape of the hills was like the shape of a woman's breasts, perhaps that too was not without its meaning and comfort.
Then, though his sight was now very dim, he looked again at the young men. "They will commit me to the earth," he thought. "Yet I also commit them to the earth. There is nothing else by which men live. Men go and come, but earth abides."
— The End —
* * *
About the Author
George Rippey Stewart (1895-1980) earned an M.A. from Berkeley in 1920 for his [Robert Louis] Stevenson in California: A Critical Study, and a Ph.D. from Columbia University in 1922 for his Modern Metrical Technique as Illustrated by Ballad Meter (1700-1920).
He then returned to Berkeley where he joined the English Department as a professor of English. He compiled a bibliography and commentaries on Bret Harte's works, and wrote books on English composition, American given name and place name origins, early American roadways, and popular history.
His 1936 Ordeal by Hunger: The Story of the Donner Party remains the definitive book on the ill-fated Donner Party.
Similarly, his minute by minute recreation of the final attack at Gettysburg, Pickett's Charge: A Microhistory of the Final Attack at Gettysburg, July 3, 1863 (1959), remains a classic.
In terms of science fiction he is remembered for his novel Earth Abides (1949) winner of the first International Fantasy Award (1951) and acknowledged by Stephen King as the inspiration for his The Stand. Stewart's novels Storm and Fire, also published in the late 1940s, have an element of fantasy as they personify their titled physical events.
Table of Contents
EARTH ABIDES
Enter the SF Gateway
Contents
1 World Without End
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Quick Years
2 The Year 22
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Quick Years
3 The Last American
Chapter 1
Chapter 2
Chapter 3
About the Author
Earth Abides Page 39
