Dishonesty is the Second-Best Policy

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Dishonesty is the Second-Best Policy Page 27

by David Mitchell


  Phelps, Nicole 1

  Philip Morris International 1

  photography 1

  Picasso, funny-looking pictures of 1

  Pickles, Eric 1

  placebo effect 1, 2

  Poirot 1

  police 1

  “Prevention Is Better Than Cure” 1

  Putin, President 1, 2

  Quantum of Solace, the gruelling experience of watching 1

  Radio Times 1, 2

  Rajan, Amol 1

  RBS 1

  Rebellato, Dan 1, 2

  Rees-Mogg, Jacob, grotesqueness of picturing in a sexual context 1

  Religion 1

  Reynolds, Sophie 1

  Revenant, The 1

  Rhino, award-winning photo of a dead one 1

  Richard III 1

  riff-raff 1

  Rihanna 1

  Ringers, The Central Council of Church Bell 1

  Ringing World, The 1

  roads with rude names 1

  role models 1

  RRS Sir David Attenborough 1

  Rubasingham, Indhu 1

  Rudd, Amber 1, 2, 3

  Russell, Bertrand 1

  Sadler, Victoria 1

  Salad Cream 1

  Samsung 1

  Sargent, Mark 1

  Selfridges 1, 2

  Severn Trent water, using Uber drivers to monitor its infrastructure 1

  sexism 1, 2, 3

  Shakespeare 1

  Shakespeare’s Globe 1, 2

  Simonstone Hall, DM’s scepticism about the marketing strategy of 1

  Singer, Sally 1

  Sladen, Nick, contributor to avian homelessness 1

  slates 1

  smartphones 1, 2, 3

  Smiley, George, DM’s desire to be 1

  Snowden, Edward 1

  social media 1, 2, 3, 4, 5, 6

  social mobility 1

  Sod’s Law 1

  Solution to Everything 1

  Soviet Union 1

  Spencer, Nick 1

  spies 1

  Sport England 1

  Star Wars 1, 2

  style 1

  Sun, The 1

  Symonds, Carrie, aka “Otter” 1

  Tanzer, Mark 1

  Taste Buddy 1

  Tate Britain, lesser popularity than Tate Modern of 1

  Tate Modern, greater popularity than Tate Britain of 1

  Teed, Marilyn 1

  television 1, 2, 3 see also BBC; individual programme titles

  Thatcher, Margaret 1, 2, 3, 4

  theatre 1, 2, 3, 4

  The Day Today 1

  throat sweet, the, gifting of to Theresa May by Philip Hammond 1

  Tierney, Aisling, calls out Cadbury for advocating the looting of archaeological sites 1

  Times, The 1, 2, 3, 4, 5, 6, 7

  Today 1

  Top Gear

  Trump, Donald 1, 2, 3, 4, 5, 6, 7

  Tusk, Donald “Tsk” 1

  Uber drivers, employment of to monitor Severn Trent Water’s infrastructure 1

  “uncanny valley”, the 1

  universities 1, 2, 3, 4

  vegans 1

  Victoria and Albert Museum 1

  Visit Britain 1

  Vogue.com 1

  Webb, Robert 1

  Welby, Justin 1

  We Want Plates, campaign against innovation in food presentation 1

  Wigglesworth, Mark 1

  Wildlife Photographer of the Year 2017 competition 1

  William the Conqueror: posthumous explosion of 1

  friendship with distant ancestor of the Duke of Westminster 1

  YouGov 1

  YouTube 1, 2, 3, 4

  X Factor, The 1

  ABOUT THE AUTHOR

  David Mitchell is a comedian, actor, writer and the polysyllabic member of Mitchell and Webb. He won BAFTAs for Peep Show and That Mitchell and Webb Look, and has also starred in Jam and Jerusalem, Ambassadors, Back, and as Will Shakespeare in Ben Elton’s Upstart Crow. He writes for the Observer, chairs The Unbelievable Truth, is a team captain on Would I Lie To You? and can’t drive.

  By the Same Author

  Thinking About It Only Makes It Worse:

  And Other Lessons from Modern Life

  Back Story: A Memoir

  COPYRIGHT

  First published by Guardian Faber in 2019

  Guardian Faber is an imprint of Faber & Faber Ltd,

  Bloomsbury House, 74–77 Great Russell Street,

  London WC1B 3DA

  This ebook edition first published in 2019

  Guardian is a registered trademark of

  Guardian News & Media Ltd,

  Kings Place, 90 York Way, London N1 9GU

  All rights reserved

  © David Mitchell, 2019

  Cover design by Faber.

  Author photographs © Mark Harrison

  The right of David Mitchell to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988

  This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly

  A CIP record for this book

  is available from the British Library

  ISBN 978–1–78335–199–2

 

 

 


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