Sounds traveled clearly up the narrow enclosed stairway. She stood there, swaying slightly, until at last her legs would no longer support her. She crouched on the floor, a hand clutching her throat, lest she scream. And listened.
She did not sleep at all. The night had been too full of horrors. And she was too ill to attempt a second flight. Besides, where could she go? Katie was not there. She could see her empty little room across, with its cot bed and tawdry dresser. Before, too, she had had Grahams protection to count on. Now she had nothing.
And the voices went on.
When she went back to bed it was almost dawn. She heard Herman come up, heard the heavy thump of his shoes on the floor, and the creak immediately following that showed he had lain down without undressing. By the absence of his resonant snoring she knew he was not sleeping, either. She pictured him lying there, his eyes on the door, in almost unwinking espionage.
At half past six she got up and went down-stairs. Almost immediately she heard his stockinged feet behind her. She turned and looked up at him.
"What are you going to do?"
"Going to make myself some coffee."
He came down, and sat down in the sitting-room. From where he sat he could survey the kitchen, and she knew his eyes were on her. His very quiet terrified her, but although the strap lay on the table he made no move toward it. She built a fire and put on the kettle, and after a time she brought him some coffee and some bread. He took it without a word. Sick as she was, she fell to cleaning up the dirty kitchen. She went outside for a pail, to find him behind her in the doorway. Then she knew what he intended to do. He was afraid, for some reason, to beat her again, but he was going to watch her lest again she make her escape. The silence, under his heavy gaze, was intolerable.
All day she worked, and only once did Herman lose sight of her. That was when he took a ladder, and outside the house nailed all the upper windows shut. He did it with German thoroughness, hammering deliberately, placing his nails carefully. After that he went to the corner grocery, but before he went he spoke the first words of the day.
"You will go to your room."
She went, and he locked her in. She knew then that she was a prisoner. When he was at the mill at night, while he slept during the day, she was to be locked up in her stuffy, airless room. When he was about she would do the housework, always under his silent, contemptuous gaze.
She made one appeal to him, and only one, and that was to his cupidity.
"I've been sick, but I'm able to work now, father."
He paid no attention to her.
"If you lock me up and don't let me work," she persisted, "you'll only be cutting off your nose to spite your face. I make good money, and you know it."
She thought he was going to speak then, but he did not. She put his food on the table and he ate gluttonously, as he always did. She did not sit down. She drank a little coffee, standing at the stove, and watched the back of his head with hate in her eyes. He could eat like that, when he stood committed to a terrible thing!
It was not until late in the day that it began to dawn on her how she was responsible. She was getting stronger then and more able to think. She followed as best she could the events of the last months, and she saw that, as surely as though a malevolent power had arranged it, the thing was the result of her infatuation for Graham.
She was in despair, and she began to plan how to get word to Graham of what was impending. She scrawled a note to Graham, telling him where she was and to try to get in touch with her somehow. If he would come around four o'clock Herman was generally up and off to the grocer's, or to Gus's saloon for his afternoon beer.
"I'll break a window and talk to you," she wrote. "I'm locked in when he's out. My window is on the north side. Don't lose any time. There's something terrible going to happen."
But several days went by and the postman did not appear. Herman had put a padlock on the outside of her bedroom door, and her hope of finding a second key to fit the door-lock died then.
It had become a silent, bitter contest between the two of them, with two advantages in favor of the girl. She was more intelligent than Herman, and she knew the thing he was planning to do. She made a careful survey of her room, and she saw that with a screw-driver she could unfasten the hinge of her bedroom door. Herman, however, always kept his tools locked up. She managed, apparently by accident, to break the point off a knife, and when she went up to her room one afternoon to be locked in while Herman went to Gus's saloon, she carried the knife in her stocking.
It was a sorry tool, however. Driven by her shaking hand, there was a time when she almost despaired. And time was flying. The postman, when he came, came at five, and she heard the kitchen clock strike five before the first screw fell out into her hand. She got them all out finally, and the door hung crazily, held only by the padlock. She ran to the window. The postman was coming along the street, and she hammered madly at the glass. When he saw her he turned in at the gate, and she got her letter and ran down the stairs.
She heard his step on the porch outside, and called to him.
"Is that you, Briggs?"
The postman was "Briggs" to the hill.
"Yes."
"If I slide a letter out under the door, will you take it to the post-office for me? It's important."
"All right. Slide."
She had put it partially under the door when a doubt crept into her mind. That was not Briggs's voice. She made a frantic effort to draw the letter back, but stronger fingers than hers had it beyond the door. She clutched, held tight. Then she heard a chuckle, and found herself with a corner of the envelope in her hand.
There were voices outside, Briggs's and Rudolph's.
"Guess that's for me."
"Like hell it is."
She ran madly up the stairs again, and tried with shaking fingers to screw the door-hinges into place again. She fully expected that they would kill her. She heard Briggs go out, and after a time she heard Rudolph trying to kick in the house door. Then, when the last screw was back in place, she heard Herman's heavy step outside, and Rudolph's voice, high, furious, and insistent.
Had Herman not been obsessed with the thing he was to do, he might have beaten her to death that night. But he did not. She remained in her room, without food or water. She had made up her mind to kill herself with the knife if they came up after her, but the only sounds she heard were of high voices, growing lower and more sinister.
After that, for days she was a prisoner. Herman moved his bed down-stairs and slept in the sitting-room, the five or six hours of day-light sleep which were all he required. And at night, while he was at the mill, Rudolph sat and dozed and kept watch below. Twice a day some meager provisions were left at the top of the stairs and her door was unlocked. She would creep out and get them, not because she was hungry, but because she meant to keep up her strength. Let their vigilance slip but once, and she meant to be ready.
She learned to interpret every sound below. There were times when the fumes from burning food came up the staircase and almost smothered her. And there were times, she fancied, when Herman weakened and Rudolph talked for hours, inciting and inflaming him again. She gathered, too, that Gus's place was under surveillance, and more than once in the middle of the night stealthy figures came in by the garden gate and conferred with Rudolph down-stairs. Then, one evening, in the dusk of the May twilight, she saw three of them come, one rather tall and military of figure, and one of them carried, very carefully, a cheap suitcase.
She knew what was in that suitcase.
CHAPTER XXXVIII
One morning, in his mail, Clayton Spencer received a clipping. It had been cut from a so-called society journal, and it was clamped to the prospectus of a firm of private detectives who gave information for divorce cases as their specialty.
First curiously, then with mounting anger, Clayton read that the wife of a prominent munition manufacturer was being seen constantly in out of the way places with the
young architect who was building a palace for her out of the profiteer's new wealth. "It is quite probable," ended the notice, "that the episode will end in an explosion louder than the best shell the husband in the case ever turned out."
Clayton did not believe the thing for a moment. He was infuriated, but mostly with the journal, and with the insulting inference of the prospectus. He had a momentary clear vision, however, of Natalie, of her idle days, of perhaps a futile last clutch at youth. He had no more doubt of her essential integrity than of his own. But he had a very distinct feeling that she had exposed his name to cheap scandal, and that for nothing.
Had there been anything real behind it, he might have understood, in his new humility, in his new knowledge of impulses stronger than any restraints of society, he would quite certainly have made every allowance. But for a whim, an indulgence of her incorrigible vanity! To get along, to save Natalie herself, he was stifling the best that was in him, while Natalie -
That was one view of it. The other was that Natalie was as starved as he was. If he got nothing from her, he gave her nothing. How was he to blame her? She was straying along dangerous paths, but he himself had stood at the edge of the precipice, and looked down.
Suddenly it occurred to him that perhaps, for once, Natalie was in earnest. Perhaps Rodney was, too. Perhaps each of them had at last found something that loomed larger than themselves. In that case? But everything he knew of Natalie contradicted that. She was not a woman to count anything well lost for love. She was playing with his honor, with Rodney, with her own vanity.
Going up-town that night he pondered the question of how to take up the matter with her. It would be absurd, under the circumstances, to take any virtuous attitude. He was still undetermined when he reached the house.
He found Marion Hayden there for dinner, and Graham, and a spirited three-corner discussion going on which ceased when he stood in the doorway. Natalie looked irritated, Graham determined, and Marion was slightly insolent and unusually handsome.
"Hurry and change, Clay," Natalie said. "Dinner is waiting."
As he went away he had again the feeling of being shut out of something which concerned Graham.
Dinner was difficult. Natalie was obviously sulking, and Graham was rather taciturn. It was Marion who kept the conversation going, and he surmised in her a repressed excitement, a certain triumph.
At last Natalie roused herself. The meal was almost over, and the servants had withdrawn.
"I wish you would talk sense to Graham, Clay," she said, fretfully. "I think he has gone mad."
"I don't call it going mad to want to enlist, father."
"I do. With your father needing you, and with all the men there are who can go."
"I don't understand. If he wants to enter the army, that's up to him, isn't it?"
There was a brief silence. Clayton found Natalie's eyes on him, uneasy, resentful.
"That's just it. I've promised mother not to, unless she gives her consent. And she won't give it."
"I certainly will not."
Clayton saw her appealing glance at Marion, but that young lady was lighting a cigaret, her eyelids lowered. He felt as though he were watching a play, in which he was the audience.
"It's rather a family affair, isn't it?" he asked. "Suppose we wait until we are alone. After all, there is no hurry."
Marion looked at him, and he caught a resentment in her glance. The two glances struck fire.
"Say something, Marion," Natalie implored her.
"I don't think my opinion is of any particular importance. As Mr. Spencer says, it's really a family matter."
Her insolence was gone. Marion was easy. She knew Natalie's game; it was like her own. But this big square-jawed man at the head of the table frightened her. And he hated her. He hardly troubled to hide it, for all his civility. Even that civility was contemptuous.
In the drawing-room things were little better. Natalie had counted on Marion's cooperation, and she had failed her. She pleaded a headache and went up-stairs, leaving Clayton to play the host as best he could.
Marion wandered into the music-room, with its bare polished floor, its lovely painted piano, and played a little - gay, charming little things, clever and artful. Except when visitors came, the piano was never touched, but now and then Clayton had visualized Audrey there, singing in her husky sweet voice her little French songs.
Graham moved restlessly about the room, and Clayton felt that he had altered lately. He looked older, and not happy. He knew the boy wanted to talk about Natalie's opposition, but was hoping that he would broach the subject. And Clayton rather grimly refused to do it. Those next weeks would show how much of the man there was in Graham, but the struggle must be between his mother and himself.
He paused, finally. Marion was singing.
"Give me your love for a day; A night; an hour. If the wages of sin are Death I'm willing to pay."
She sang it in her clear passionless voice. Brave words, Clayton thought, but there were few who would pay such wages. This girl at the piano, what did she know of the thing she sang about? What did any of the young know?
They always construed love in terms of passion. But passion was ephemeral. Love lived on. Passion took, but love gave.
He roused himself.
"Have you told Marion about the new arrangement?"
"I didn't know whether you cared to have it told."
"Don't you think she ought to know? If she intends to enter the family, she has a right to know that she is not marrying into great wealth. I don't suggest," he added, as Graham colored hotly, "that it will make any difference. I merely feel she ought to know your circumstances."
He was called to the telephone, and when he came back he found them in earnest conversation. The girl turned toward him smiling.
"Graham has just told me. You are splendid, Mr. Spencer."
And afterward Clayton was forced to admit an element of sincerity in her voice. She had had a disappointment, but she was very game. Her admiration surprised him. He was nearer to liking her than he had ever been.
Even her succeeding words did not quite kill his admiration for her.
"And I have told Graham that he must not let you make all the sacrifices. Of course he is going to enlist."
She had turned her defeat into a triumph against Natalie. Clayton knew then that she would never marry Graham. As she went out he followed her with a faint smile of tribute.
The smile died as he turned to go up the stairs.
Natalie was in her dressing-room. She had not undressed, but was standing by a window. She made no sign that she heard him enter, and he hesitated. Why try to talk things out with her? Why hurt her? Why not let things drift along? There was no hope of bettering them. One of two things he must do, either tear open the situation between them, or ignore it.
"Can I get anything for your head, my dear?"
"I haven't any headache."
"Then I think I'll go to bed. I didn't sleep much last night."
He was going out when she spoke again.
"I came up-stairs because I saw how things were going."
"Do you really want to go into that, to-night?"
"Why not to-night? We'll have to go into it soon enough."
Yet when she turned to him he saw the real distress in her face, and his anger died.
"I didn't want to hurt you, Natalie. I honestly tried. But you know how I feel about that girl."
"Even the servants know it. It is quite evident."
"We parted quite amiably."
"I dare say! You were relieved that she was going. If you would only be ordinarily civil to her - oh, don't you see? She could keep Graham from going into this idiotic war. You can't. I can't. I've tried everything I know. And she knows she can. She's - hateful about it."
"And you would marry him to that sort of a girl?"
"I'd keep him from being blinded, or mutilated, or being killed."
"You can kill his soul."
/> "His soul!" She burst into hysterical laughter. "You to talk about souls! That's - that's funny."
"Natalie, dear." He was very grave, very gentle. "Has it occurred to you that we are hitting it off rather badly lately?"
She looked at him quickly.
"How? Because I don't think as you do? We got on well enough before this war came along."
"Do you think it is only that?"
"If it's the house, just remember you gave me carte blanche there."
He made a little gesture of despair.
"I just thought perhaps you are not as happy as you might be."
"Happiness again! Did you come up-stairs to-night, with this thing hanging over us, to talk about happiness? That's funny, too." But her eyes were suddenly suspicious. There was something strange in his voice.
"Let's forget that for a moment. Graham will make his own decision. But, before we leave that, let me tell you that I love him as much as you do. His going means exactly as much. It's only - "
"Another point we differ on," she finished for him. "Go on. You are suddenly concerned about my happiness. I'm touched, Clay. You have left me all winter to go out alone, or with anybody who might be sorry enough for me to pick me up, and now?" Suddenly her eyes sharpened, and she drew her breath quickly. "You've seen that scandalous thing in the paper!"
"It was sent to me."
"Who sent it?"
"A firm of private detectives."
She was frightened, and the terror in her face brought him to her quickly.
"Natalie! Don't look like that! I don't believe it, of course. It's stupid. I wasn't going to tell you. You don't think I believe it, do you?"
She let him put an arm around her and hold her, as he would a scared child. There was no love for her in it, but a great pity, and acute remorse that he could hold her so and care for her so little.
"Oh, Clay!" she gasped. "I've been perfectly sick about it!"
His conviction of his own failure to her made him very tender. He talked to her, as she stood with her face buried in the shoulder of his coat, of the absurdity of her fear, of his own understanding, and when she was calmer he made a futile effort to make his position clear.
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