He was self-confident and slightly insolent; the hands with which he lighted a fresh cigarette no longer trembled, and the glance he threw at Dick was triumphant and hostile.
"As a man sows, Clark!" he said. "You sowed hell for a number of people once."
Bassett had to restrain an impulse to kick him out of the door. When he had gone Bassett turned to Dick with assumed lightness.
"Well," he said, "here we are, all dressed up and nowhere to go!"
He wandered around the room, restless and disappointed. He knew, and Dick knew, that they had come to the end of the road, and that nothing lay beyond. In his own unpleasant way Fred Gregory had made a case for his sister that tied their hands, and the crux of the matter had lain in his final gibe: "As a man sows, Clark, so shall he reap." The moral issue was there.
"I suppose the Hines story goes by the board, eh?" he commented after a pause.
"Yes. Except that I wish I'd known about him when I could have done something. He's my half-brother, any way you look at it, and he had a rotten deal. Sometimes a man sows," he added, with a wry smile, "and the other fellow reaps."
Bassett went out after that, going to the office on the chance of a letter from Melis, but there was none. When he came back he found Dick standing over a partially packed suitcase, and knew that they had come to the end of the road indeed.
"What's the next step?" he asked bluntly.
"I'll have to leave here. It's too expensive."
"And after that, what?"
"I'll get a job. I suppose a man is as well hidden here as anywhere. I can grow a beard-that's the usual thing, isn't it?"
Bassett made an impatient gesture, and fell to pacing the floor. "It's incredible," he said. "It's monstrous. It's a joke. Here you are, without a thing against you, and hung like Mahomet's coffin between heaven and earth. It makes me sick."
He went home that night, leaving word to have any letters for L 22 forwarded, but without much hope. His last clutch of Dick's hand had a sort of desperate finality in it, and he carried with him most of the way home the tall, worn and rather shabby figure that saw him off with a smile.
By the next afternoon's mail he received a note from New York, with a few words of comment penciled on it in Dick's writing. "This came this evening. I sent back the money. D." The note was from Gregory and had evidently enclosed a one-hundred dollar bill. It began without superscription: "Enclosed find a hundred dollars, as I imagine funds may be short. If I were you I'd get out of here. There has been considerable excitement, and you know too many people in this burg."
Bassett sat back in his chair and studied the note.
"Now why the devil did he do that?" he reflected. He sat for some time, thinking deeply, and he came to one important conclusion. The story Gregory had told was the one which was absolutely calculated to shut off all further inquiry. They had had ten years; ten years to plan, eliminate and construct; ten years to prepare their defense, in case Clark turned up. Wasn't that why Gregory had been so assured? But he had not been content to let well enough alone; he had perhaps overreached himself.
Then what was the answer? She had killed Lucas, but was it an accident? And there must have been a witness, or they would have had nothing to fear. He wrote out on a bit of paper three names, and sat looking at them:
Hattie Thorwald Jean Melis Clifton Hines.
XLI
Elizabeth had quite definitely put Dick out of her heart. On the evening of the day she learned he had come back and had not seen her, she deliberately killed her love and decently interred it. She burned her notes and his one letter and put away her ring, performing the rites not as rites but as a shameful business to be done with quickly. She tore his photograph into bits and threw them into her waste basket, and having thus housecleaned her room set to work to houseclean her heart.
She found very little to do. She was numb and totally without feeling. The little painful constriction in her chest which had so often come lately with her thoughts of him was gone. She felt extraordinarily empty, but not light, and her feet dragged about the room.
She felt no sense of Dick's unworthiness, but simply that she was up against something she could not fight, and no longer wanted to fight. She was beaten, but the strange thing was that she did not care. Only, she would not be pitied. As the days went on she resented the pity that had kept her in ignorance for so long, and had let her wear her heart on her sleeve; and she even wondered sometimes whether the story of Dick's loss of memory had not been false, evolved out of that pity and the desire to save her pain.
David sent for her, but she wrote him a little note, formal and restrained. She would come in a day or two, but now she must get her bearings. He was, to know that she was not angry, and felt it all for the best, and she was very lovingly his, Elizabeth.
She knew now that she would eventually marry Wallie Sayre if only to get away from pity. He would have to know the truth about her, that she did not love any one; not even her father and her mother. She pretended to care for fear of hurting them, but she was actually frozen quite hard. She did not believe in love. It was a terrible thing, to be avoided by any one who wanted to get along, and this avoiding was really quite simple. One simply stopped feeling.
On the Sunday after she had come to this comfortable knowledge she sat in the church as usual, in the choir stalls, and suddenly she hated the church. She hated the way the larynx of Henry Wallace, the tenor, stuck out like a crabapple over his low collar. She hated the fat double chin of the bass. She hated the talk about love and the certain rewards of virtue, and the faces of the congregation, smug and sure of salvation.
She went to the choir master after the service to hand in her resignation. And did not, because it had occurred to her that it might look, to use Nina's word, as though she were crushed. Crushed! That was funny.
Wallie Sayre was waiting for her outside, and she went up with him to lunch, and afterwards they played golf. They had rather an amusing game, and once she had to sit down on a bunker and laugh until she was weak, while he fought his way out of a pit. Crushed, indeed!
So the weaving went on, almost completed now. With Wallie Sayre biding his time, but fairly sure of the result. With Jean Melis happening on a two-days' old paper, and reading over and over a notice addressed to him. With Leslie Ward, neither better nor worse than his kind, seeking adventure in a bypath, which was East 56th Street. And with Dick wandering the streets of New York after twilight, and standing once with his coat collar turned up against the rain outside of the Metropolitan Club, where the great painting of his father hung over a mantelpiece.
Now that he was near Beverly, Dick hesitated to see her. He felt no resentment at her long silence, nor at his exile which had resulted from it. He made excuses for her, recognized his own contribution to the catastrophe, knew, too, that nothing was to be gained by seeing her again. But he determined finally to see her once more, and then to go away, leaving her to peace and to success.
She would know now that she had nothing to fear from him. All he wanted was to satisfy the hunger that was in him by seeing her, and then to go away.
Curiously, that hunger to see her had been in abeyance while Bassett was with him. It was only when he was alone again that it came up; and although he knew that, he was unconscious of another fact, that every word, every picture of her on the great boardings which walled in every empty lot, everything, indeed, which brought her into the reality of the present, loosened by so much her hold on him out of the past.
When he finally went to the 56th Street house it was on impulse. He had meant to pass it, but he found himself stopping, and half angrily made his determination. He would follow the cursed thing through now and get it over. Perhaps he had discounted it too much in advance, waited too long, hoped too much. Perhaps it was simply that that last phase was already passing. But he felt no thrill, no expectancy, as he rang the bell and was admitted to the familiar hall.
It was peopled with ghosts, for him. Ups
tairs, in the drawing-room that extended across the front of the house, she had told him of her engagement to Howard Lucas. Later on, coming back from Europe, he had gone back there to find Lucas installed in the house, his cigars on the table, his photographs on the piano, his books scattered about. And Lucas himself, smiling, handsome and triumphant on the hearth rug, dressed for dinner except for a brocaded dressing-gown, putting his hand familiarly on Beverly's shoulder, and calling her "old girl."
He wandered into the small room to the right of the hall, where in other days he had waited to be taken upstairs, and stood looking out of the window. He heard some one, a caller, come down, get into his overcoat in the hall and go out, but he was not interested. He did not know that Leslie Ward had stood outside the door for a minute, had seen and recognized him, and had then slammed out.
He was quite steady as the butler preceded him up the stairs. He even noticed certain changes in the house, the door at the landing converted into an arch, leaded glass in the dining-room windows beyond it. But he caught a glimpse of himself in a mirror, and saw himself a shabby contrast to the former days.
He faced her, still with that unexpected composure, and he saw her very little changed. Even the movement with which she came toward him with both hands out was familiar.
"Jud!" she said. "Oh, my dear!"
He saw that she was profoundly moved, and suddenly he was sorry for her. Sorry for the years behind them both, for the burden she had carried, for the tears in her eyes.
"Dear old Bev!" he said.
She put her head against his shoulder, and cried unrestrainedly; and he held her there, saying small, gentle, soothing things, smoothing her hair. But all the time he knew that life had been playing him another trick; he felt a great tenderness for her and profound pity, but he did not love her, or want her. He saw that after all the suffering and waiting, the death and exile, he was left at the end with nothing. Nothing at all.
When she was restored to a sort of tense composure he found to his discomfort that woman-like she intended to abase herself thoroughly and completely. She implored his forgiveness for his long exile, gazing at him humbly, and when he said in a matter-of-fact tone that he had been happy, giving him a look which showed that she thought he was lying to save her unhappiness.
"You are trying to make it easier for me. But I know, Jud."
"I'm telling you the truth," he said, patiently. "There's one point I didn't think necessary to tell your brother. For a good while I didn't remember anything about it. If it hadn't been for that-well, I don't know. Anyhow, don't look at me as though I willfully saved you. I didn't."
She sat still, pondering that, and twisting a ring on her finger.
"What do you mean to do?" she asked, after a pause.
"I don't know. I'll find something."
"You won't go back to your work?"
"I don't see how I can. I'm in hiding, in a sort of casual fashion."
To his intense discomfiture she began to cry again. She couldn't go through with it. She would go back to Norada and tell the whole thing. She had let Fred influence her, but she saw now she couldn't do it. But for the first time he felt that in this one thing she was not sincere. Her grief and abasement had been real enough, but now he felt she was acting.
"Suppose we don't go into that now," he said gently. "You've had about all you can stand." He got up awkwardly. "I suppose you are playing to-night?"
She nodded, looking up at him dumbly.
"Better lie down, then, and--forget me." He smiled down at her.
"I've never forgotten you, Jud. And now, seeing you again--I--"
Her face worked. She continued to look up at him, piteously. The appalling truth came to him then, and that part of him which had remained detached and aloof, watching, almost smiled at the irony. She cared for him. Out of her memories she had built up something to care for, something no more himself than she was the woman of his dreams; but with this difference, that she was clinging, woman-fashion, to the thing she had built, and he had watched it crumble before his eyes.
"Will you promise to go and rest?"
"Yes. If you say so."
She was acquiescent and humble. Her eyes were soft, faithful, childlike.
"I've suffered so, Jud."
"I know."
"You don't hate me, do you?"
"Why should I? Just remember this: while you were carrying this burden, I was happier than I'd ever been. I'll tell you about it some time."
She got up, and he perceived that she expected him again to take her in his arms. He felt ridiculous and resentful, and rather as though he was expected to kiss the hand that had beaten him, but when she came close to him he put an arm around her shoulders.
"Poor Bev!" he said. "We've made pretty much a mess of it, haven't we?"
He patted her and let her go, and her eyes followed him as he left the room. The elder brotherliness of that embrace had told her the truth as he could never have hurt her in words. She went back to the chair where he had sat, and leaned her cheek against it.
After a time she went slowly upstairs and into her room. When her maid came in she found her before the mirror of her dressing-table, staring at her reflection with hard, appraising eyes.
Leslie's partner, wandering into the hotel at six o'clock, found from the disordered condition of the room that Leslie had been back, had apparently bathed, shaved and made a careful toilet, and gone out again. Joe found himself unexpectedly at a loose end. Filled, with suppressed indignation he commenced to dress, getting out a shirt, hunting his evening studs, and lining up what he meant to say to Leslie over his defection.
Then, at a quarter to seven, Leslie came in, top-hatted and morning-coated, with a yellowing gardenia in his buttonhole and his shoes covered with dust.
"Hello, Les," Joe said, glancing up from a laborious struggle with a stud. "Been to a wedding?"
"Why?"
"You look like it."
"I made a call, and since then I've been walking."
"Some walk, I'd say," Joe observed, looking at him shrewdly. "What's wrong, Les? Fair one turn you down?"
"Go to hell," Leslie said irritably.
He flung off his coat and jerked at his tie. Then, with it hanging loose, he turned to Joe.
"I'm going to tell you something. I know it's safe with you, and I need some advice. I called on a woman this afternoon. You know who she is. Beverly Carlysle."
Joe whistled softly.
"That's not the point," Leslie declaimed, in a truculent voice. "I'm not defending myself. She's a friend; I've got a right to call there if I want to."
"Sure you have," soothed Joe.
"Well, you know the situation at home, and who Livingstone actually is. The point is that, while that poor kid at home is sitting around killing herself with grief, Clark's gone back to her. To Beverly Carlysle."
"How do you know?"
"Know? I saw him this afternoon, at her house."
He sat still, moodily reviewing the situation. His thoughts were a chaotic and unpleasant mixture of jealousy, fear of Nina, anxiety over Elizabeth, and the sense of a lost romantic adventure. After a while he got up.
"She's a nice kid," he said. "I'm fond of her. And I don't know what to do."
Suddenly Joe grinned.
"I see," he said. "And you can't tell her, or the family, where you saw him!"
"Not without raising the deuce of a row."
He began, automatically, to dress for dinner. Joe moved around the room, rang for a waiter, ordered orange juice and ice, and produced a bottle of gin from his bag. Leslie did not hear him, nor the later preparation of the cocktails. He was reflecting bitterly on the fact that a man who married built himself a wall against romance, a wall, compounded of his own new sense of responsibility, of family ties, and fear.
Joe brought him a cocktail.
"Drink it, old dear," he said. "And when it's down I'll tell you a few little things about playing around with ladies who have a
past. Here's to forgetting 'em."
Leslie took the glass.
"Right-o," he said.
He went home the following day, leaving Joe to finish the business in New York. His going rather resembled a flight. Tossing sleepless the night before, he had found what many a man had discovered before him, that his love of clandestine adventure was not as strong as his caution. He had had a shock. True, his affair with Beverly had been a formless thing, a matter of imagination and a desire to assure himself that romance, for him, was not yet dead. True, too, that he had nothing to fear from Dick Livingstone. But the encounter had brought home to him the danger of this old-new game he was playing. He was running like a frightened child.
He thought of various plans. One of them was to tell Nina the truth, take his medicine of tears and coldness, and then go to Mr. Wheeler. One was to go to Mr. Wheeler, without Nina, and make his humiliating admission. But Walter Wheeler had his own rigid ideas, was uncompromising in rectitude, and would understand as only a man could that while so far he had been only mentally unfaithful, he had been actuated by at least subconscious desire.
His own awareness of that fact made him more cautious than he need have been, perhaps more self-conscious. And he genuinely cared for Elizabeth. It was, on the whole, a generous and kindly impulse that lay behind his ultimate resolution to tell her that her desertion was both wilful and cruel.
Yet, when the time came, he found it hard to tell her. He took her for a drive one evening soon after his return, forcibly driving off Wallie Sayre to do so, and eying surreptitiously now and then her pale, rather set face. He found a quiet lane and stopped the car there, and then turned and faced her.
"How've you been, little sister, while I've been wandering the gay white way?" he asked.
"I've been all right, Leslie."
"Not quite all right, I think. Have you ever thought, Elizabeth, that no man on earth is worth what you've been going through?"
"I'm all right, I tell you," she said impatiently. "I'm not grieving any more. That's the truth, Les. I know now that he doesn't intend to come back, and I don't care. I never even think about him, now."
The Best of Mary Roberts Rinehart Page 351
