Evie Stone had just completed the Lent Term at the University of Cambridge and was working hard on the April launch of the first issue of its new student paper, Varsity. The society was very aware that Evie posed a significant flight risk as she had been able, with the financial support of Mr. and Mrs. Forrester, to finally complete her grammar schooling in 1946 under the accelerated tutelage of the new Mrs. Dr. Gray. Evie successfully gained admission to Cambridge in her eighteenth year in January 1947, as part of the postwar admission to full membership of women students in general.
Jack Leonard would not be attending the meeting. He was currently under indictment by the US federal government for gun-running during World War II, in violation of various domestic and international treaties. He was also, following an anonymous tip, under continuing investigation by the Securities and Exchange Commission for insider trading.
Yardley Sinclair had been promoted to director of museum services for Sotheby’s in recognition of his acquisition and sale of the Chawton Great House Library, which had yielded its record-breaking dispersal. The significant increase in his compensation had enabled the aspiring gentleman farmer to finally start looking for his long-dreamt-of bolt hole for weekends out of the city.
Adam Berwick had lost his employment following the redevelopment of Chawton Great House into a golf course, shortly on the heels of the death of his mother. Fortunately, he must have somehow inherited a significant amount of money, as he was soon able—in joint tenancy with Mr. Sinclair—to acquire ownership of a lovely little farm on the perimeter of Chawton. On beautiful spring weekends, he and Yardley could be seen sitting atop the old hay wagon, their dog Dixon between them, riding about the village fields under the golden dappled sun.
Historical Note by the Author
The people and events described in this book are completely fictional and imaginary; the places are not.
In wanting to write about a group of people traumatized to varying degrees, who come together over their shared love of books and of Jane Austen in particular, I chose not to base the characters on anyone real in order to enjoy full artistic freedom and consulted historical Chawton census records available online to avoid using actual villager surnames. The only exceptions are the names Knight, Knatchbull, and Hugessen, but again I completely fictionalized the branches, inheritance patterns, and descendants of these families, as portrayed in this book, for my own dramatic purposes.
In reimagining the conception of the Jane Austen Society, I used as my jumping-off point one particular incident that did in fact occur: the finding of a piece of rubbish by the road that inspired Dorothy Darnell of Alton to found the real Jane Austen Society in 1940 and try to acquire the old steward’s cottage for a museum. Unfortunately, funds were scarce due to the war, but in 1948 Thomas Edward Carpenter donated the cottage to the nation in memory of his son killed in action in World War II, a memorial trust was formed, and the Jane Austen’s House Museum came to life. The objects that you can see in this museum, including the topaz crosses and the turquoise ring, were not acquired by a Hollywood star of the 1940s at a Sotheby’s auction, but were brought home nonetheless under fascinating circumstances.
Finally, Chawton House remained under the care and ownership of the real-life Knight family until the early 1990s, when they were forced by inordinate estate taxes and repair costs to sell first to a golf course development company, which soon after defaulted, and then to philanthropist Sandy Lerner, co-founder of Cisco Systems, who restored the home and turned it into the world-class library and heritage site that it is today.
If you are lucky enough to one day visit Chawton House, you will find the Great House, the grounds and the walled garden, and even the shepherd’s hut as described herein. The one major change is the location of the Knight family library, from a more removed corner of the ground floor to next to the Great Hall, thus enabling a host of fictional characters to run into each other and set my story into action.
Acknowledgments
This book would not have been possible without the stewardship of my agent, Mitchell Waters, who embraced my story and characters with his big heart from the very start and never let them go.
As a debut author, I have been spoiled by the kindness, hard work, and confidence in my book that my publisher, St. Martin’s Press, has shown every step of the way. I am especially indebted to Keith Kahla, Alice Pfeifer, and Lisa Senz, who one December morning at 10.10 a.m. changed my life. I also want to thank Marissa Sangiacomo and tk.
My book has also benefited greatly from the enthusiasm and expertise of everyone at Curtis Brown, Ltd., particularly Sarah Perillo and Steven Salpeter. Chocolates and tea will never be enough.
I will be forever grateful to my earliest readers, Jessica Watkins, Petra Rinas, and Marlene Lachcik, whose responses to this story motivated me to seek representation one more time, after a ten-year break from trying to get published. And to Jessica’s husband and fantastic media lawyer Ian Cooper, for all his guidance and advice throughout the road to publication.
There may be no profession more affected by the efforts of its teachers than that of writer, and I am indebted to the years of support and encouragement I received as a student of the following: [Charles] Brune, Professor Douglas Chambers, Nigel Marshall, Peter Skilleter, Dr. Margaret Swayze, the late Norma Stewart, and Professor Cam Tolton.
As the product of a very difficult time, this novel could also not have been written without the continuing support, guidance, and compassionate care shown my family by the following medical specialists: Dr. Ayeshah Chaudhry, Dr. Eugene Downar, Dr. Nathan Hambly, Dr. David Schwartz, Dr. Benjamin Raby, and Dr. John Yates.
Laurel Ann Nattress, a leading expert on Jane Austen and editor, writer, and blogger in her own right, has been an indispensable champion of my book from her first read, and has so selflessly and enthusiastically worked to ensure it reaches as wide an audience as possible. I can never thank her enough. I am also grateful to the following authors and lecturers, whose expertise in the field of Jane Austen set the initial flame afire: Professor Lynn Festa, Susannah Fullerton, Professor Claire Harman, Caroline Knight, Professor Stephen Tardiff, Whit Stillman, Professor Juliette Wells, and Deborah Yaffe.
Words will never suffice to describe the awesomeness that is my daughter, Phoebe Josephine, who saved her father and me in our darkest hours, and whose spirit, humour, and heart of gold inspire and motivate me every day.
On so many levels, this book would never have happened without my husband and first reader, Robert Nelson Leek. I could not have picked a better, more supportive, or more loving person to share in the ups and downs of a writing career, or of life.
Finally, I dedicate this book to Jane Austen, for all she has done for me in the past, present, and future, for the centuries of enjoyment her books have given the world, and for the example she has set for us all in creating art in the face of uncertainty, illness, and despair.
Table of Contents
Title Page
Copyright Notice
Dedication
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAPTER NINETEEN
CHAPTER TWENTY
CHAPTER TWENTY-ONE
CHAPTER TWENTY-TWO
CHAPTER TWENTY-THREE
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
CHAPTER TWENTY-SIX
CHAPTER TWENTY-SEVEN
CHAPTER TWENTY-EIGHT
CHAPTER TWENTY-NINE
CHAPTER THIRTY
EPILOGUE
Historical Note by the Author
Acknowledgments
Copyright Page
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
First published in the United States by St. Martin’s Press, an imprint of St. Martin’s Publishing Group
THE JANE AUSTEN SOCIETY. Copyright © 2020 by Natalie Jenner. All rights reserved. For information, address St. Martin’s Publishing Group, 120 Broadway, New York, NY 10271.
www.stmartins.com
Designed by tk
Library of Congress Cataloging-in-Publication Data (TK)
ISBN (hardcover)
ISBN (ebook)
First Edition: May 2020
10 9 8 7 6 5 4 3 2 1
9781250248732
Our eBooks may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, ext. 5442, or by e-mail at [email protected].
Cover
The Jane Austen Society (ARC) Page 28
