by Paul Wolfe
Dedication
For Jordan and Cameron.
And for Mary.
So outspoken in life. So unspoken in death.
Contents
Cover
Title Page
Dedication
Prologue
1964
1961
1962
1963
1964
Author’s Note
Acknowledgments
About the Author
Copyright
About the Publisher
Prologue
If you are reading this, I am dead.
James Jesus will have seen to it. He will have planned it meticulously, smoking and plotting in the Office of Lies. James Jesus Angleton. Cold man and cold warrior. CIA chief of counterintelligence. Godfather to my sons, as ironic fate would have it. He will have seen to my death, with his dusty drapes drawn against the distant memory of sun, and the death-encrusted orchids growing in his cold basement.
He will have silenced a woman who wouldn’t be silenced.
So now this diary will speak for me, a transaction of secrets amassed. Secrets are such a burden, sentencing you to carry undigested truths. They don’t go away. They don’t return to nothing as thoughts do, simply disappearing and letting you move on into the future. To Anne Truitt, my dear friend, I hope it’s you who find this book, hidden in my painting studio, locked in the mahogany box Kenneth Noland gave me. A woman’s voice stops, but a diary is articulate forever. And they would so love to find it.
You will find the facts, Anne, in defiance of Cord Meyer and James Jesus Angleton and the entire claptrap and apparatus of the CIA, about what I did in the White House to push the cause of peace.
And how I became witness to the secret history of the assassination.
What an incalculably strange journey it’s been from Grey Towers. From my girlhood castle, from my black Arabian stallion, from my golden sisters Tony and Rosamond, we naked girls in the sun of Pennsylvania, with the candles and waterfalls and French lessons. To these stoned and cobblestoned nights in Georgetown. Perhaps I’m with Jack now, if I am no longer here, Anne. Perhaps we are making love again amid the draperies of American history. Perhaps he need no longer promise he will divorce Jackie after his second term and marry me. Perhaps we have melted into infinity where energy just returns to energy. I remember that day at Joe Alsop’s, watching his smile dissolve, that indestructible Irish smile as famous on the face of this earth as the face of Mickey Mouse.
We’re together in death just as we were in the White House—what irony! Dispatched to heaven by Central Intelligence. We were once two royal lovers in the Lincoln Bedroom. Today, we are two of the unsolved murdered by the secret forces that run the nation.
How will James Jesus Angleton arrange my death?
A standard-issue hit, no doubt. Company routine. Is there an order pad on his desk for these things, these rub-outs, with carbon copies, Retain this copy for your records? Or maybe it’s not written down at all, these things, the way mobsters don’t write things down, their deadly decisions carried out in an oral tradition dating back to preliterate Sicily. Except James Jesus and every crew-cut killer in his employ went to Yale.
In plain fact, it will be boring, my hit. My . . . assassination. It is strangely freeing to talk about a time when you as you will no longer exist. There will be no one living who will be me. The hit will be boringly predictable, a return to routine, fresh off their success in Dallas. Assassins will be assembled at the usual day rate. My behavior will be tracked to the smallest detail. When does she buy Tampax on Wisconsin Avenue? When does she slurp strawberry shakes at Packer’s on M Street? When does she walk the towpath by the Potomac and gaze out at the gray waters of the Chesapeake and Ohio Canal? It’s that towpath. I walk it every day at noon. It will not be hard for those big strong men to find me. It will have to be a public place, as delineated in the guidelines of Central Intelligence. Every recruit receives a handbook when they learn the assassin’s craft. The liar’s protocol. The art of the snoop. The business of other people’s business. James Jesus Angleton received his training manual in Italy, recruited to the Eternal City to spy on Mussolini.
So it will have to be in a public place. Someplace not overly trafficked, because a hit site can’t be crawling with witnesses, but public enough for some random criminal act to befall me. Because random criminal acts tend to befall luscious blondes who live a little too freely, don’t they? And of course a stooge will be set up to take the fall. There is always a stooge, an Oswald, each time there is a James Jesus Angleton. On the other hand, maybe I will conveniently commit suicide. I once heard James Jesus himself say “Anyone can commit a murder, but it takes a real pro to commit a suicide.”
And so my jottings. A secret record, and a record of secrets, written on the walls of history with invisible ink. Who will stumble on these words in the years to come and just keep walking? I remember moving into the old white clapboard house in Virginia, when I began steaming off the wallpaper, and there were names, names of soldiers, scrawled upon the walls, revealed like cave paintings by the simple act of peeling off wallpaper. The house was a hospital in the Civil War, and wounded soldiers, bleeding, dying, had written their names with lead bullets on my walls of history. The world will little note nor long remember. Anybody. But the soldiers’ unremembered names scrawled on my wall flash in my memory. Ezekiel Cook. George Wesley Clayton. Aurelius F. Cone. Braxton Bragg.
And here I scrawl, not with lead bullets but with blood, upon the walls of the twentieth century, the unremembered Book of Mary.
1964
JANUARY 2
I write on the creamy paper of a French journal. Papier de luxe. Jack gave it to me, and I assume Jackie gave it to him. So I am, in a sense, writing Jackie’s diary for her, spun from the scrawl of my own life. So whose story is this? Amos Pinchot’s headstrong daughter, sunbathing in the stone beauty of Grey Towers? Quentin and Mark’s sexy mama? Kenneth Noland’s color field protégé? The love of President John F. Kennedy’s life?
I am my voice, let us say.
I am not the accident that time and place gave birth to.
So as Jack said, let the word go forth from this time and place. Let it shake the ivy-covered lies of Georgetown. Let it smash the halls of Congress and shatter the glass walls of Central Intelligence.
This is more dynamite than diary.
JANUARY 4
Shadows have begun to follow me, Anne. I need you to know that. Now that charming brother-in-law Ben Bradlee has sent Jim across the world to run Newsweek, and you and your husband walk among cherry blossoms in Tokyo. Just as the forces close in. I can feel them. My energy body senses them. I’m not insane. There are beep beep beeps on my phone. They sound like warnings from alien intelligence. I come home and things have been rearranged. My things. They occupy places different from the places I gave them. They have not been replaced. They have been re-placed. I’m not crazy. And threats have started. They come through the wives of Company men, the cold men with their cigarettes and highballs and affairs, with their red faces and little coughs, they are warning me through the mouths of their wives. I talk about Jack too much. I know too much about what he did in the White House. They know we worked for peace as they readied the world for war. While they assembled megatons and contemplated nuclear death in the millions, I pushed Jack toward peace. It threatened their power forever. And I know what they did to stop him.
JANUARY 8
It is a dance at the beginning of time. It unspools here in my memory, here in my little house in Georgetown. It is the Choate Winter Festivity Dance of 1936. Bill Attwood was my date but Jack was there. I have no idea why Jack was there. He had already graduated, b
ut he came back to Choate that night, came back without a date, for reasons undisclosed. I imagine it was the only time in Jack’s life he went somewhere alone, no brother, no crony, no entourage, no flunky, no woman accompanying him. Why he returned to Choate that night, why I met him, who arranges this infinity of details that determines who you will meet and who will change your life forever, remains the untold story behind every story.
I was sixteen. And Jack came at me with vehemence, cutting in as I danced with Bill Attwood, tried to dance with Bill Attwood, voracious. I remember his fingers sweating on the bare flesh of my shoulders when we finally danced. And all those teeth, grinning. He said—I think this is what he said—“At last I know what love is.”
You are reprehensible, I told him. I am with Bill Attwood. Surely there is another fine girl in this vast party. Surely amid all these beauties in chiffon dresses and swept-up hair, their eyelids shining with Vaseline. Surely in this enormous hall there is the perfect girl for you. But it’s not me. And that just emboldened him; defeat held no sway with Jack Kennedy, though he was skinny and just nineteen. He grinned big teeth and forced his presence into my eyes. “Mary, Mary, quite contrary,” he said. Silly Boston accent all over his words.
I thought him shamefully superficial that first night. But who knew back in 1936 that soon we would all be tested, and that a great war would engulf the world and devour our lives? For the moment, at the Winter Festivity Dance, I concluded that girls were simply sport for Jack Kennedy, and touching me just another form of touch football. How much later would I learn of the innumerable agonies that infiltrated his body, the sickness in his cells and the wounds of war, the pain of unsustainable demands that Daddy Kennedy left on the souls of his sons? And I would grow intimate with this man for whom intimacy was impossible; that was the paradox of loving Jack Kennedy. I think he knew he would be president one day. I don’t think he knew he would die young. And take such terrible secrets with him.
1961
MAY 1
It is a burnt ocher swatch of parchment. My name is etched in florid calligraphy. I have been invited to the White House for Jack’s birthday, here in the early days of his presidency, this spring that floods our hearts with the promise of a young land. Who made the decision to invite me to the White House, Jack or Jackie? I shouldn’t think it was Jackie, as Jack has been seeking entree into my pants since the days of Choate. He has carried on his campaign of conquest like an extended political campaign, pursued doggedly and alone, without the aid of Bobby at his side. The campaign has traveled from the gravel paths of Vassar, where I walked in bobby sox and saddle shoes, to the cobblestoned streets of colonial Georgetown, with the red doors and shutters, and I have traversed a campaign of refusal with a tenacity matching his own. A woman can be obstinate, until she isn’t.
When we were neighbors on N Street, back when Jack and Jackie lived in the town house next to Cord and me, Jack stood on the sidewalk one night throwing pebbles up at my window. I pulled aside the curtains and there he was, throwing tiny pebbles at my glass, beckoning frantically for me to come down and join him. Cord was in the next room, Jackie was God knows where, and a US senator was throwing pebbles, a knight gone berserk at a fairy-tale window. I shook my head at the ludicrous irresponsibility, at the fever dream of need raging inside him, leaving him oblivious to stature and position. He looked up and raised his hands in prayer, as if to say should I choose to stay in my bedroom and remain hidden behind bricks and vines, should I refuse him, he would have no choice but to promptly die.
What chemical cocktail turns men into clowns of biology? What is it, testosterone crashing through the neurotransmitters, that imprints the image of a woman so vividly on men’s souls? “A rag, a bone, a hank of hair and the fool called her his lady fair.” It was a poem I read at Vassar. And there was the fool down on M Street, throwing pebbles. And here was I, who? No model for Max Factor Iridescent Magic. Hardly even rigorous in matters of shaving beneath my arms. Spidery lines have crept into the skin beside my eyes. The fingers that might glide across his body are chubby, not slim and long as my sister Tony’s. And the fool calls me his lady fair! And what exactly was the goal of pebbles on the windowpane? Sliding into the alleyway between our houses like fourteen-year-olds, so he could push down my panties and insert a senatorial finger inside me?
No, I shouldn’t think it’s Jackie’s idea to invite me to the White House. On the other hand, that stiff parchment and lavish calligraphy, they are Jackie’s touch. My Vassar sister, bringing breeding and style to Mamie Eisenhower’s mousy White House. Pablo Casals will be playing cello.
MAY 5
I first took LSD in 1958 when I was out west finalizing my divorce from Cord. One break to freedom engenders the next. In a medical room in Palo Alto, in the company of a poet named Allen Ginsberg, I swallowed 300 micrograms of lysergic acid diethylamide.
The tablets were engraved with the word SANDOZ, an ominous name seemingly descended from outer space. California was already redolent of a separate planet, a place that was no place exactly, where America stopped abruptly prior to a leap into the Pacific Ocean. All that strange, cactusy sunshine.
Allen Ginsberg was chanting on the floor when I arrived, balding and bearded with stringy hair that hung down like spaghetti around his glasses. Me, an ex-wife of the CIA, inaugurated into her new life of freedom by the trance-inducing syllables of some Indian language. I sported a short blond bob, khaki capri pants, and little white tennis sneakers, as exotic a creature to Allen no doubt as he was to me. I apologized for unfamiliarity with his poetry. He took my hands in his, so warmly, and in a resonant monotone said: “Congratulations on the courage to push the world’s tawdry boundaries and partake in William Blake’s angelic consciousness.” I had no idea what that meant. I imagined it was how a rabbi might speak, though I had never heard one.
Then we swallowed our Sandoz tablets, lying on opposite sides of the medical room, giddy with the promise of LSD igniting our nervous systems. The psychologist played music: operatic, German, bombastic. Allen identified it as Tristan und Isolde and waved his hands slowly in a mock conducting of the orchestra as the acid circulated in our brains, as I began to float—that’s not precisely how I felt, but it would be impossible to describe it more accurately. I was light-headed in the sense that my cells began to illuminate with light. I let the music enter me and wondered how a man could construct something so lovely, and then a moment came when it wasn’t music anymore, it was something else, more a visual pattern etched on the air, or onto the air of my mind, I wasn’t sure where it was taking place.
The potted fern on the ceiling had been a lonely splash of botany in a dead room, but the leaves became intensely vivid, luminous, the leaves pulsed and breathed and I realized they had always pulsed and breathed, it was only I who hadn’t noticed. “This is how Van Gogh saw flowers,” I shouted, though I couldn’t quite remember who Van Gogh was. Allen Ginsberg repeated the name Van Gogh with a Dutch accent; it sounded like a clearing of phlegm from the throat, and I repeated the American pronunciation back at him, which sounded like “van Go!” and he repeated the Dutch phlegm-clearing back again and I began to laugh uncontrollably. Laughter overcame me. I wasn’t really laughing so much as I became laughter. I would have been locked up had I been anywhere else, and I realized that being out of your mind simply meant not being in your mind. Allen smiled radiantly, and I concluded he was on intimate terms with this altered reality, or real reality, and said to him: “Please don’t go anywhere.”
These are all the words of memory, woefully inadequate to surround and convey the places where words cannot go. As best as I recollect it, it was the sensation of tumbling, of spinning toward some central point of light, terrifying as that might sound, yet I wasn’t terrified. I was spinning toward light as if everything in the world was made of this light and everything else suddenly felt so silly. The idea of being married to Cord or not being married to Cord seemed absurdly trivial. A joke.
Wil
l I remember this when the trip is over? I wondered, and suddenly I was wondering who “I” was, really, and then I wondered if I would forget and simply return back to the illusion you inherit by virtue of being human. Maybe that is what past lives are about. That you don’t remember the life you lived when it is over and you simply return back to the illusion. Like a tumultuous dream that stays with you when you wake, yet you can’t even remotely begin to describe it.
Lying on that bed in Palo Alto, with Allen Ginsberg stretched out across the room, making the motions of chanting though at that point no sound was actually emerging, I realized there was nowhere to go. There was nothing to do. Everything was fresh and new, and I wished my ghost sister Rosamond could have been there to share it with me, my sister who left this earth so early, yet marked her days with such beauty.
MAY 12
The White House banquet looms. As the Divorcée of Georgetown, I will be plus one. Minus one in marriage means plus one at parties. The card says it: I will be “plus one” with William Walton, my official escort, my presidentially approved escort, and Jack and Jackie are terribly fond of him. They have even mounted one of his romantic paintings on their wall. William is a reassuring presence to wayward girls waylaid to official events. When do I smile? Who lights my cigarette? When do I walk over to the royal couple, plant a kiss on Jackie’s cheek, and wish the president a happy birthday? When do I hobnob with the overfed and abundantly jeweled beneath history’s chandeliers, and how much do I rein in my big mouth, my big Pinchot mouth? Mine is a family of troublemakers stretching back into the last century.
It is fortunate that Kenny O’Donnell has placed me on the arm of William Walton. Who is more comforting to a woman than a man who has no interest in conquering them?
MAY 18
I am a debutante. I was a debutante. I came out in 1938, a fairy queen of the WASP ascendancy. That’s what my Washington columnist friend Joe Alsop calls it: the WASP ascendancy. I think it more a WASP descendancy, the whole alcohol-swilling, guilt-ridden Anglo-Saxon tribe who run this town and this cold war. Once I was a fairy queen. Now I am a mother, a pacifist and a painter, an explorer on the frontiers of consciousness, and a divorced homebody with no husband and a yen for men. I debuted, and now my debut is behind me. I retain little enthusiasm for froufrou and no penchant for dress-up.
