by E. B. White
Another hot night I stop off at the Goldman Band concert in the Mall in Central Park. The people seated on the benches fanned out in front of the band shell are attentive, appreciative. In the trees the night wind stirs, bringing the leaves to life, endowing them with speech; the electric lights illuminate the green branches from the under side, translating them into a new language. Overhead a plane passes dreamily, its running lights winking. On the bench directly in front of me, a boy sits with his arm around his girl; they are proud of each other and are swathed in music. The cornetist steps forward for a solo, begins, “Drink to me only with thine eyes. . . .” In the wide, warm night the horn is startlingly pure and magical. Then from the North River another horn solo begins—the Queen Mary announcing her intentions. She is not on key; she is a halft one off. The trumpeter in the bandstand never flinches. The horns quarrel savagely, but no one minds having the intimation of travel injected into the pledge of love. “I leave,” sobs Mary. “And I will pledge with mine,” sighs the trumpeter. Along the asphalt paths strollers pass to and fro; they behave considerately, respecting the musical atmosphere. Popsicles are moving well. In the warm grass beyond the fence, forms wriggle in the shadows, and the skirts of the girls approaching on the Mall are ballooned by the breeze, and their bare shoulders catch the lamplight. “Drink to me only with thine eyes.” It is a magical occasion, and it’s all free.
On weekends in summer the town empties. I visit my office on a Saturday afternoon. No phone rings, no one feeds the hungry IN-baskets, no one disturbs the papers; it is a building of the dead, a time of awesome suspension. The whole city is honeycombed with abandoned cells—a jail that has been effectively broken. Occasionally from somewhere in the building a night bell rings, summoning the elevator—a special fire-alarm ring. This is the pit of loneliness, in an office on a summer Saturday. I stand at the window and look down at the batteries and batteries of offices across the way, recalling how the thing looks in winter twilight when everything is going full blast, every cell lighted, and how you can see in pantomime the puppets fumbling with their slips of paper (but you don’t hear the rustle), see them pick up their phone (but you don’t hear the ring), see the noiseless, ceaseless moving about of so many passers of pieces of paper: New York, the capital of memoranda, in touch with Calcutta, in touch with Reykjavik, and always fooling with something.
In the café of the Lafayette, the regulars sit and talk. It is busy yet peaceful. Nursing a drink, I stare through the west windows at the Manufacturers Trust Company and at the red brick fronts on the north side of Ninth Street, watching the red turning slowly to purple as the light dwindles. Brick buildings have a way of turning color at the end of the day, the way a red rose turns bluish as it wilts. The café is a sanctuary. The waiters are ageless and they change not. Nothing has been modernized. Notre Dame stands guard in its travel poster. The coffee is strong and full of chicory, and good.
Walk the Bowery under the El at night and all you feel is a sort of cold guilt. Touched for a dime, you try to drop the coin and not touch the hand, because the hand is dirty; you try to avoid the glance, because the glance accuses. This is not so much personal menace as universal—the cold menace of unresolved human suffering and poverty and the advanced stages of the disease alcoholism. On a summer night the drunks sleep in the open. The sidewalk is a free bed, and there are no lice. Pedestrians step along and over and around the still forms as though walking on a battlefield among the dead. In doorways, on the steps of the savings bank, the bums lie sleeping it off. Standing sentinel at each sleeper’s head is the empty bottle from which he drained his release. Wedged in the crook of his arm is the paper bag containing his things. The glib barker on the sightseeing bus tells his passengers that this is the “street of lost souls,” but the Bowery does not think of itself as lost; it meets its peculiar problem in its own way—plenty of gin mills, plenty of flophouses, plenty of indifference, and always, at the end of the line, Bellevue.
A block or two east and the atmosphere changes sharply. In the slums are poverty and bad housing, but with them the reassuring sobriety and safety of family life. I head east along Rivington. All is cheerful and filthy and crowded. Small shops overflow onto the sidewalk, leaving only half the normal width for passers-by. In the candid light from unshaded bulbs gleam watermelons and lingerie. Families have fled the hot rooms upstairs and have found relief on the pavement. They sit on orange crates, smoking, relaxed, congenial. This is the nightly garden party of the vast Lower East Side—and on the whole they are more agreeable-looking hot-weather groups than some you see in bright canvas deck chairs on green lawns in country circumstances. It is folksy here with the smell of warm flesh and squashed fruit and flybitten filth in the gutter, and cooking.
At the corner of Lewis, in the playground behind the wire fence, an open-air dance is going on—some sort of neighborhood affair, probably designed to combat delinquency. Women push baby carriages in and out among the dancers, as though to exhibit what dancing leads to at last. Overhead, like banners decorating a cotillion hall, stream the pants and bras from the pulley lines. The music stops, and a beautiful Italian girl takes a brush from her handbag and stands under the street lamp brushing her long blue-black hair till it shines. The cop in the patrol car watches sullenly.
The Consolidated Edison Company says there are eight million people in the five boroughs of New York, and the company is in a position to know. As in every dense community, virtually all races, all religions, all nationalities are represented. Population figures are shifty—they change almost as fast as one can break them down. It is safe to say that about two million of New York’s eight million are Jews—roughly one in four. Among this two million who are Jewish are, of course, a great many nationalities: Russian, German, Polish, Rumanian, Austrian, a long list. The Urban League of Greater New York estimates that the number of Negroes in New York is about 700,000. Of these, about 500,000 live in Harlem, a district that extends northward from 110th Street. The Negro population has increased rapidly in the last few years. There are half again as many Negroes in New York today as there were in 1940. There are about 230,000 Puerto Ricans living in New York. There are half a million Irish, half a million Germans. There are 900,000 Russians, 150,000 English, 400,000 Poles, and there are quantities of Finns and Czechs and Swedes and Danes and Norwegians and Latvians and Belgians and Welsh and Greeks, and even Dutch, who have been here from away back. It is very hard to say how many Chinese there are. Officially there are twelve thousand, but there are many Chinese who are in New York illegally and who don’t like census takers.
The collision and the intermingling of these millions of foreign-born people representing so many races, creeds, and nationalities make New York a permanent exhibit of the phenomenon of one world. The citizens of New York are tolerant not only from disposition but from necessity. The city has to be tolerant, otherwise it would explode in a radioactive cloud of hate and rancor and bigotry. If the people were to depart even briefly from the peace and cosmopolitan intercourse, the town would blow up higher than a kite. In New York smolders every race problem there is, but the noticeable thing is not the problem but the inviolate truce. Harlem is a city in itself, and being a city Harlem symbolizes segregation; yet Negro life in New York lacks the more conspicuous elements of Jim Crowism. Negroes ride subways and buses on terms of equality with whites, but they have not yet found that same equality in hotels and restaurants. Professionally, Negroes get on well in the theater, in music, in art, and in literature; but in many fields of employment the going is tough. The Jim Crow principle lives chiefly in the housing rules and customs. Private owners of dwellings legally can, and do, exclude Negroes. Under a recent city ordinance, however, apartment buildings that are financed with public moneys or that receive any tax exemption must accept tenants without regard to race, color, or religion.
To a New Yorker the city is both changeless and changing. In many respects it neither looks nor feels the way it did twenty-five year
s ago. The elevated railways have been pulled down, all but the Third Avenue. An old-timer walking up Sixth past the Jefferson Market jail misses the railroad, misses its sound, its spotted shade, its little aerial stations, and the tremor of the thing. Broadway has changed in aspect. It used to have a discernible bony structure beneath its loud bright surface; but the signs are so enormous now, the buildings and shops and hotels have largely disappeared under the neon lights and letters and the frozen-custard façade. Broadway is a custard street with no frame supporting it. In Greenwich Village the light is thinning: big apartments have come in, bordering the square, and the bars are mirrored and chromed. But there are still in the Village the lingering traces of poesy, Mexican glass, hammered brass, batik, lamps made of whiskey bottles, first novels made of fresh memories—the old Village with its alleys and ratty one-room rents catering to the erratic needs of those whose hearts are young and gay.
Grand Central has become honky-tonk, with its extra-dimensional advertising displays and its tendency to adopt the tactics of a travel broker. I practically lived in Grand Central Terminal at one period (it has all the conveniences and I had no other place to stay) and the great hall seemed to me one of the more inspiring interiors in New York, until Lastex and Coca-Cola got into the temple.
All over town the great mansions are in decline. Schwab’s house facing the Hudson on Riverside is gone. Gould’s house on Fifth Avenue is an antique shop. Morgan’s house on Madison Avenue is a church administration office. What was once the Fahnestock house is now Random House. Rich men nowdays don’t live in houses; they live in the attics of big apartment buildings and plant trees on the setbacks, hundreds of feet above the street.
There are fewer newspapers than there used to be, thanks somewhat to the late Frank Munsey. One misses the Globe, the Mail, the Herald; and to many a New Yorker life has never seemed the same since the World took the count.
Police now ride in radio prowl cars instead of gumshoeing around the block swinging their sticks. A ride in the subway costs ten cents, and the seats are apt to be dark green instead of straw yellow. Men go to saloons to gaze at televised events instead of to think long thoughts. It is all very disconcerting. Even parades have changed some. The last triumphal military procession in Manhattan simply filled the city with an ominous and terrible rumble of heavy tanks.
The slums are gradually giving way to the lofty housing projects—high in stature, high in purpose, low in rent. There are a couple of dozens of these new developments scattered around; each is a city in itself (one of them in the Bronx accommodates twelve thousand families), sky acreage hitherto untilled, lifting people far above the street, standardizing their sanitary life, giving them some place to sit other than an orange crate. Federal money, state money, city money, and private money have flowed into these projects. Banks and insurance companies are in back of some of them. Architects have turned the buildings slightly on their bases, to catch more light. In some of them, rents are as low as $8 a room. Thousands of new units are still needed and will eventually be built, but New York never quite catches up with itself, is never in equilibrium. In flush times the population mushrooms and the new dwellings sprout from the rock. Come bad times and the population scatters and the lofts are abandoned and the landlord withers and dies.
New York has changed in tempo and in temper during the years I have known it. There is greater tension, increased irritability. You encounter it in many places, in many faces. The normal frustrations of modern life are here multiplied and amplified—a single run of a crosstown bus contains, for the driver, enough frustration and annoyance to carry him over the edge of sanity: the light that changes always an instant too soon, the passenger that bangs on the shut door, the truck that blocks the only opening, the coin that slips to the floor, the question asked at the wrong moment. There is greater tension and there is greater speed. Taxis roll faster than they rolled ten years ago—and they were rolling fast then. Hackmen used to drive with verve; now they sometimes seem to drive with desperation, toward the ultimate tip. On the West Side Highway, approaching the city, the motorist is swept along in a trance—a sort of fever of inescapable motion, goaded from behind, hemmed in on either side, a mere chip in a millrace.
The city has never been so uncomfortable, so crowded, so tense. Money has been plentiful and New York has responded. Restaurants are hard to get into; businessmen stand in line for a Schrafft’s luncheon as meekly as idle men used to stand in soup lines. (Prosperity creates its bread lines, the same as depression.) The lunch hour in Manhattan has been shoved ahead half an hour, to twelve or twelve-thirty in the hopes of beating the crowd to a table. Everyone is a little emptier at quitting time than he used to be. Apartments are festooned with No Vacancy signs. There is standing-room-only in Fifth Avenue buses, which once reserved a seat for every paying customer. The old double-deckers are disappearing—people don’t ride just for the fun of it anymore.
At certain hours on certain days it is almost impossible to find an empty taxi and there is a great deal of chasing around after them. You grab a handle and open the door, and find that some other citizen is entering from the other side. Doormen grow rich blowing their whistles for cabs; and some doormen belong to no door at all—merely wander about through the streets, opening cabs for people as they happen to find them. By comparison with other less hectic days, the city is uncomfortable and inconvenient; but New Yorkers temperamentally do not crave comfort and convenience—if they did they would live elsewhere.
The subtlest change in New York is something people don’t speak much about but that is in everyone’s mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.
All dwellers in cities must live with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself, and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer who might loose the lightning, New York must hold a steady, irresistible charm.
It used to be that the Statue of Liberty was the signpost that proclaimed New York and translated it for all the world. Today Liberty shares the role with Death. Along the East River, from the razed slaughterhouses of Turtle Bay, as though in a race with the spectral flight of planes, men are carving out the permanent headquarters of the United Nations—the greatest housing project of them all. In its stride, New York takes on one more interior city, to shelter, this time, all governments, and to clear the slum called war. New York is not a capital city—it is not a national capital or a state capital. But it is by way of becoming the capital of the world. The buildings, as conceived by architects, will be cigar boxes set on end. Traffic will flow in a new tunnel under First Avenue. Forty-seventh Street will be widened (and if my guess is any good, trucks will appear late at night to plant tall trees surreptitiously, their roots to mingle with the intestines of the town). Once again the city will absorb, almost without showing any sign of it, a congress of visitors. It has already shown itself capable of stashing away the United Nations—a great many of the delegates have been around town during the past couple of years, and the citizenry has hardly caught a glimpse of their coattails or their black Homburgs.
This race—this race between the destroying planes and the struggling Parliament of Man—it sticks in all our heads. The city at last perfectly illustrates both the universal dilemma and the general solution, this riddle in steel and stone is at once the perfect target and the perfect demonstration of nonviolence, of racial brotherhood, this lofty target scraping the skies and meeting the destroying planes halfway, home of all people and all nations, capital of everything, housing the deliberations by which the planes
are to be stayed and their errand forestalled.
A block or two west of the new City of Man in Turtle Bay there is an old willow tree that presides over an interior garden. It is a battered tree, long-suffering and much-climbed, held together by strands of wire but beloved of those who know it. In a way it symbolizes the city: life under difficulties, growth against odds, sap-rise in the midst of concrete, and the steady reaching for the sun. Whenever I look at it nowadays, and feel the cold shadow of the planes, I think: “This must be saved, this particular thing, this very tree.” If it were to go, all would go—this city, this mischievous and marvelous monument which not to look upon would be like death.
IV
FLORIDA
On a Florida Key
FEBRUARY 1941
I am writing this in a beach cottage on a Florida key. It is raining to beat the cars. The rollers from a westerly storm are creaming along the shore, making a steady boiling noise instead of the usual intermittent slap. The Chamber of Commerce has drawn the friendly blind against this ugliness and is busy getting out some advance notices of the style parade which is to be held next Wednesday at the pavilion. The paper says cooler tomorrow.
