Zami

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Zami Page 4

by Audre Lorde


  Years later I found out that Alvin had died of tuberculosis over Christmas, and that was why we all had been X-rayed in the auditorium after Mass on the first day back to school from Christmas vacation.

  I spent a few more weeks in the Brownies with my mouth almost shut during reading lesson, unless the day’s story fell on page eight, or ten, or twenty, which were the three numbers I knew.

  Then, over one weekend, we had our first writing assignment. We were to look in our parents’ newspaper and cut out words we knew the meaning of, and make them into simple sentences. We could only use one ‘the’. It felt like an easy task, since I was already reading the comics by this time.

  On Sunday morning after church, when I usually did my homework, I noticed an ad for White Rose Salada Tea on the back of the New York Times Magazine which my father was reading at the time. It had the most gorgeous white rose on a red background, and I decided I must have that rose for my picture – our sentences were to be illustrated. I searched through the paper until I found an ‘I’, and then a ‘like’, which I dutifully clipped out along with my rose, and the words ‘White’, ‘Rose’, ‘Salada’, and ‘Tea’. I knew the brand-name well because it was my mother’s favorite tea.

  On Monday morning, we all stood our sentence papers up on the chalk-channels, leaning them against the blackboards. And there among the twenty odd ‘The boy ran’, ‘it was cold’, was ‘I like White Rose Salada Tea’ and my beautiful white rose on a red background.

  That was too much coming from a Brownie. Sister Mary of PH frowned.

  ‘This was to be our own work, children,’ she said. ‘Who helped you with your sentence, Audre?’ I told her I had done it alone.

  ‘Our guardian angels weep when we don’t tell the truth, Audre. I want a note from your mother tomorrow telling me that you are sorry for lying to the baby Jesus.’

  I told the story at home, and the next day I brought a note from my father saying that the sentence had indeed been my own work. Triumphantly, I gathered up my books and moved back over to the Fairies.

  The thing that I remember best about being in the first grade was how uncomfortable it was, always having to leave room for my guardian angel on those tiny seats, and moving back and forth across the room from Brownies to Fairies and back again.

  This time I stayed in the Fairies for a long time, because I finally started to recognize my numbers. I stayed there until the day I broke my glasses. I had taken them off to clean them in the bathroom and they slipped out of my hand. I was never to do that, and so I was in disgrace. My eyeglasses came from the eye clinic of the medical center, and it took three days to get a new pair made. We could not afford to buy more than one pair at a time, nor did it occur to my parents that such an extravagance might be necessary. I was almost sightless without them, but my punishment for having broken them was that I had to go to school anyway, even though I could see nothing. My sisters delivered me to my classroom with a note from my mother saying I had broken my glasses despite the fact they were tied to me by the strip of elastic.

  I was never supposed to take my glasses off except just before getting into bed, but I was endlessly curious about these magical circles of glass that were rapidly becoming a part of me, transforming my universe, and remaining movable. I was always trying to examine them with my naked, nearsighted eyes, usually dropping them in the process.

  Since I could not see at all to do any work from the blackboard, Sister Mary of PH made me sit in the back of the room on the window seat with a dunce cap on. She had the rest of the class offer up a prayer for my poor mother who had such a naughty girl who broke her glasses and caused her parents such needless extra expense to replace them. She also had them offer up a special prayer for me to stop being such a wicked-hearted child.

  I amused myself by counting the rainbows of color that danced like a halo around the lamp on Sister Mary of PH’s desk, watching the starburst patterns of light that the incandescent light bulb became without my glasses. But I missed them, and not being able to see. I never once gave a thought to the days when I believed that bulbs were starburst patterns of color, because that was what all light looked like to me.

  It must have been close to summer by this time. As I sat with the dunce cap on, I can remember the sun pouring through the classroom window hot upon my back, as the rest of the class dutifully intoned their Hail Marys for my soul, and I played secret games with the distorted rainbows of light, until Sister noticed and made me stop blinking my eyes so fast.

  How I Became a Poet

  ‘Wherever the bird with no feet flew she found trees with no limbs.’

  When the strongest words for what I have to offer come out of me sounding like words I remember from my mother’s mouth, then I either have to reassess the meaning of everything I have to say now, or re-examine the worth of her old words.

  My mother had a special and secret relationship with words, taken for granted as language because it was always there. I did not speak until I was four. When I was three, the dazzling world of strange lights and fascinating shapes which I inhabited resolved itself in mundane definitions, and I learned another nature of things as seen through eyeglasses. This perception of things was less colorful and confusing but much more comfortable than the one native to my nearsighted and unevenly focused eyes.

  I remember trundling along Lenox Avenue with my mother, on our way to school to pick up Phyllis and Helen for lunch. It was late spring because my legs felt light and real, unencumbered by bulky snowpants. I dawdled along the fence around the public playground, inside of which grew one stunted plane tree. Enthralled, I stared up at the sudden revelation of each single and particular leaf of green, precisely shaped and laced about with unmixed light. Before my glasses, I had known trees as tall brown pillars ending in fat puffy swirls of paling greens, much like the pictures of them I perused in my sisters’ storybooks from which I learned so much of my visual world.

  But out of my mother’s mouth a world of comment came cascading when she felt at ease or in her element, full of picaresque constructions and surreal scenes.

  We were never dressed too lightly, but rather ‘in next kin to nothing’. Neck skin to nothing? Impassable and impossible distances were measured by the distance ‘from Hog to Kick ’em Jenny’. Hog? Kick ’em Jenny? Who knew until I was sane and grown a poet with a mouthful of stars, that these were two little reefs in the Grenadines, between Grenada and Carriacou.

  The euphemisms of body were equally puzzling, if no less colorful. A mild reprimand was accompanied not by a slap on the behind, but a ‘smack on the backass’, or on the ‘bamsy’. You sat on your ‘bam-bam’, but anything between your hipbones and upper thighs was consigned to the ‘lower-region’, a word I always imagined to have french origins, as in ‘Don’t forget to wash your l’oregión before you go to bed.’ For more clinical and precise descriptions, there was always ‘between your legs’ – whispered.

  The sensual content of life was masked and cryptic, but attended in well-coded phrases. Somehow all the cousins knew that Uncle Cyril couldn’t lift heavy things because of his ‘bam-bam-coo’, and the lowered voice in which this hernia was spoken of warned us that it had something to do with ‘down there’. And on the infrequent but magical occasions when mother performed her delicious laying on of hands for a crick in the neck or a pulled muscle, she didn’t massage your backbone, she ‘raised your zandalee’.

  I never caught cold, but ‘got co-hum, co-hum’, and then everything turned ‘cro-bo-so’, topsy-turvy, or at least, a bit askew.

  I am a reflection of my mother’s secret poetry as well as of her hidden angers.

  Sitting between my mother’s spread legs, her strong knees gripping my shoulders tightly like some well-attended drum, my head in her lap, while she brushed and combed and oiled and braided. I feel my mother’s strong, rough hands all up in my unruly hair, while I’m squirming around on a low stool or on a folded towel on the floor, my rebellious shoulders hunched and
jerking against the inexorable sharp-toothed comb. After each springy portion is combed and braided, she pats it tenderly and proceeds to the next.

  I hear the interjection of sotto voce admonitions that punctuated whatever discussion she and my father were having.

  ‘Hold your back up, now! Deenie, keep still! Put your head so!’ Scratch, scratch. ‘When last you wash your hair? Look the dandruff!’ Scratch, scratch, the comb’s truth setting my own teeth on edge. Yet, these were some of the moments I missed most sorely when our real wars began.

  I remember the warm mother smell caught between her legs, and the intimacy of our physical touching nestled inside of the anxiety/pain like a nutmeg nestled inside its covering of mace.

  The radio, the scratching comb, the smell of petroleum jelly, the grip of her knees and my stinging scalp all fall into – the rhythms of a litany, the rituals of Black women combing their daughters’ hair.

  Saturday morning. The one morning of the week my mother does not leap from bed to prepare me and my sisters for school or church. I wake in the cot in their bedroom, knowing only it is one of those lucky days when she is still in bed, and alone. My father is in the kitchen. The sound of pots and the slightly off-smell of frying bacon mixes with the smell of percolating Bokar coffee.

  The click of her wedding ring against the wooden headboard. She is awake. I get up and go over and crawl into my mother’s bed. Her smile. Her glycerine-flannel smell. The warmth. She reclines upon her back and side, one arm extended, the other flung across her forehead. A hot-water bottle wrapped in body-temperature flannel, which she used to quiet her gall-bladder pains during the night. Her large soft breasts beneath the buttoned flannel of her nightgown. Below, the rounded swell of her stomach, silent and inviting touch.

  I crawl against her, playing with the enflanneled, warm, rubber bag, pummeling it, tossing it, sliding it down the roundness of her stomach to the warm sheet between the bend of her elbow and the curve of her waist below her breasts, flopping sideward inside the printed cloth. Under the covers, the morning smells soft and sunny and full of promise.

  I frolic with the liquid-filled water bottle, patting and rubbing its firm giving softness. I shake it slowly, rocking it back and forth, lost in sudden tenderness, at the same time gently rubbing against my mother’s quiet body. Warm milky smells of morning surround us.

  Feeling the smooth deep firmness of her breasts against my shoulders, my pajama’d back, sometimes, more daringly, against my ears and the sides of my cheeks. Tossing, tumbling, the soft gurgle of the water within its rubber casing. Sometimes the thin sound of her ring against the bedstead as she moves her hand up over my head. Her arm comes down across me, holding me to her for a moment, then quiets my frisking.

  ‘All right, now.’

  I nuzzle against her sweetness, pretending not to hear.

  ‘All right, now, I said; stop it. It’s time to get up from this bed. Look lively, and mind you spill that water.’

  Before I can say anything she is gone in a great deliberate heave. The purposeful whip of her chenille robe over her warm flannel gown and the bed already growing cold beside me.

  ‘Wherever the bird with no feet flew she found trees with no limbs.’

  4

  When I was around the age of four or five, I would have given anything I had in the world except my mother, in order to have had a friend or a little sister. She would be someone I could talk to and play with, someone close enough in age to me that I would not have to be afraid of her, nor she of me. We would share our secrets with each other.

  Even though I had two older sisters, I grew up feeling like an only child, since they were quite close to each other in age, and quite far away from me. Actually, I grew up feeling like an only planet, or some isolated world in a hostile, or at best, unfriendly, firmament. The fact that I was clothed, sheltered, and fed better than many other children in Harlem in those Depression years was not a fact that impressed itself too often upon my child’s consciousness.

  Most of my childhood fantasies revolved around how I might acquire this little female person for my companion. I concentrated upon magical means, having gathered early on that my family had no intention of satisfying this particular need of mine. The Lorde family was not going to expand any more.

  The idea of having children was a pretty scary one, anyway, full of secret indiscretions peeked at darkly through the corner of an eye, as my mother and my aunts did whenever they passed a woman on the street who had one of those big, pushed-out-in-front, blouses that always intrigued me so. I wondered what great wrong these women had done, that this big blouse was a badge of, obvious as the dunce cap I sometimes had to wear in the corner at school.

  Adoption was also out of the question. You could get a kitten from the corner grocery-store man, but not a sister. Like ocean cruises and boarding schools and upper berths in trains, it was not for us. Rich people, like Mr Rochester in the movie Jane Eyre, lonely in their great tree-lined estates, adopted children, but not us.

  Being the youngest in a West Indian family had many privileges but no rights. And since my mother was determined not to ‘spoil’ me, even those privileges were largely illusory. I knew, therefore, that if my family were to acquire another little person voluntarily, that little person would most probably be a boy, and would most decidedly belong to my mother, and not to me.

  I really believed, however, that my magical endeavors, done often enough, in the right way, and in the right places, letter-perfect and with a clean soul, would finally bring me a little sister. And I did mean little. I frequently imagined my little sister and I having fascinating conversations together while she sat cradled in the cupped palm of my hand. There she was, curled up and carefully shielded from the inquisitive eyes of the rest of the world, and my family in particular.

  When I was three and a half and had gotten my first eyeglasses, I stopped tripping over my feet. But I still walked with my head down, all the time, counting the lines on the squares in the pavement of every street which I traveled, hanging onto the hand of my mother or one of my sisters. I had decided that if I could step on all the horizontal lines for one day, my little person would appear like a dream made real, waiting for me in my bed by the time I got home. But I always messed up, or skipped one, or someone pulled my arm at a crucial moment. And she never appeared.

  Sometimes on Saturdays in winter, my mother made the three of us a little clay out of flour and water and Diamond Crystal Shaker Salt. I always fashioned tiny little figures out of my share of the mixture. I would beg or swipe a little vanilla extract from my mother’s shelf in the kitchen, where she kept her wonderful spices and herbs and extracts, and mix that with the clay. Sometimes I dabbed the figures on either side of the head behind the ears as I had seen my mother do with her glycerine and rosewater when she got dressed to go out.

  I loved the way the rich, dark brown vanilla scented the flour-clay; it reminded me of my mother’s hands when she made peanut brittle and eggnog at holidays. But most of all, I loved the live color it would bring to the pasty-white clay.

  I knew for sure that real live people came in many different shades of beige and brown and cream and reddish tan, but nobody alive ever came in that pasty-white shade of flour and salt and water, even if they were called white. So the vanilla was essential if my little person was to be real. But the coloring didn’t help either. No matter how many intricate rituals and incantations and spells I performed, no matter how many Hail Marys and Our Fathers I said, no matter what I promised god in return, the vanilla-tinted clay would slowly shrivel up and harden, turn gradually brittle and sour, and then crumble into a grainy flour dust. No matter how hard I prayed or schemed, the figures would never come alive. They never turned around in the cupped palm of my hand, to smile up at me and say ‘Hi.’

  I found my first playmate when I was around four years old. It lasted for about ten minutes.

  It was a high winter noontime. My mother had bundled me up in my thick on
e-piece woolen snowsuit and cap and bulky scarf. Once she had inserted me into all this arctic gear, pulled rubber galoshes up over my shoes and wrapped yet another thick scarf around the whole as if to keep the mass intact, she planted me out upon the stoop of the apartment building while she dressed herself hurriedly. Although my mother never liked to have me out of her sight for any period of time, she did this to keep me from catching my death of cold from becoming overheated and then going outdoors.

  After many weighty warnings to me not to move from that spot, dire descriptions of what would happen to me if I did, and how I was to yell if any strangers spoke to me, my mother disappeared down the few feet of hallway back to our apartment to get her coat and hat, and to check all the windows of the house to make sure that they were locked.

  I loved these few minutes of freedom, and treasured them secretly. They were the only times I ever got to be outside without my mother urging me along on my short stubby little legs that could never run fast enough to keep up with her purposeful strides. I sat quietly where she had put me on the slated top of the stone banisters of the stoop. My arms stuck out a little from my sides over the bulk of my clothing, my feet were heavy and awkward with sturdy shoes and galoshes, and my neck was stiffly encased in the woolen cap and wrapped scarf.

  The sun shone with a winter milkiness onto the sidewalks across the street, and onto the few banks of dirty soot-covered snow that lined the sidewalks near the gutter’s edge. I could see up to the corner of Lenox Avenue, about three houses away. At the corner near the building line, the Father Divine man ran his Peace Brother Peace shoe repair business from a ramshackle wooden kiosk heated by a small round stove. From the roof of the kiosk, a thin strand of smoke drifted upward. The smoke was the only sign of life and there was nobody on the street that I could see. I wished the street was warm and beautiful and busy, and that we were having cantaloupe for lunch instead of the hot homemade pea soup that was simmering on the back of the stove awaiting our return.

 

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