For who conceives what bards devise,
That heaven is placed in Celia’s eyes?
Or where’s the sense, direct and moral,
That teeth are pearl, or lips are coral?
Your Horace owns he various writ,
As wild or sober maggots bit;
And where too much the poet ranted,
The sage philosopher recanted.
His grave Epistles may disprove
The wanton Odes he made to love.
Lucretius keeps a mighty pother
With Cupid and his fancied mother;
Calls her great Queen of earth and air,
Declares that winds and seas obey her.
And, while her honour he rehearses,
Implores her to inspire his verses.
Yet, free from this poetic madness,
Next page he says, in sober sadness,
That she and all her fellow-gods
Sit idling in their high abodes,
Regardless of this world below,
Our health or hanging, weal or wo,
Nor once disturb their heavenly spirits
With Scapin’s cheats, or Caesar’s merits.
Nor e’er can Latin poets prove
Where lies the real seat of Love.
Jecur they burn, and cor they pierce,
As either best supplies their verse;
And if folks ask the reason for’t,
Say one was long the other short.
Thus I presume the British Muse
In prose our property is greater,
Why should it then be less in metre?
If Cupid throws a single dart,
We make him wound the lover’s heart
But if he takes his bow and quiver,
’Tis sure he must transfix the liver:
For rhyme with reason may dispense,
And sound has right to govern sense.
But let your friends in verse suppose,
What ne’er shall be allow’d in prose,
Anatomists can make it clear
The liver minds his own affair,
Kindly supplies our public uses,
And parts and strains the vital juices,
Still lays some useful bile aside
To tinge the chyle’s insipid tide,
Else we should want both gibe and satire,
And all be burst with pure good-nature:
Now gall is bitter with a witness,
And love is all delight and sweetness:
My logic then has lost its aim
If sweet and bitter be the same:
And he methinks is no great scholar
Who can mistake is desire for choler.
The like may of the heart be said;
Courage and terror there are bred.
All those whose hearts are loose and low
Start if they hear but the tattoo;
And mighty physical their fear is,
Their heart, descending to their breeches,
Must give their stomach cruel twitches:
But heroes who o’ercome or die
Have their hearts hung extremely high,
The string of which, in battle’s heat,
Against their very corslets beat,
Keep time with their own trumpet’s measure,
And yield them most excessive pleasure.
Now, if ’tis chiefly in the heart
That courage does itself exert,
That this is eke the throne of Love.
Would nature make one place the seat
Of fond desire and fell debate?
Must people only take delight in
Those hours when they are tired with fighting?
And has no man but who has kill’d
A father, right to get a child?
These notions, then, I think but idle,
And love shall still possess the middle.
This truth more plainly to discover,
Suppose your hero were a lover;
Though he before had gall and rage,
Which death or conquest must assuage,
He grows dispirited and low,
He hates the fight and shuns the foe.
In scornful sloth Achilles slept,
And for his wench, like Tallboy, wept,
Nor would return to war and slaughter,
Till they brought back the parson’s daughter.
Antonius fled from Actium’s coast,
Augustus pressing Asia lost.
His sails by Cupid’s hand unfurl’d,
To keep the fair he gave the world.
Edward our Fourth, revered and crown’d,
Vigorous in youth, in arms renown’d,
While England’s voice and Warwick’s care
Design’d him Gallia’s beauteous heir,
Changed peace and power for rage and wars,
Only to dry one widow’s tears.
France’s Fourth Henry we may see
A servant to the fair d’Estree;
When quitting Coutras’ prosperous field,
And Fortune taught at length to yield,
He, from his guards and midnight tent,
Disguis’d, o’er hills and valleys went,
To wanton with the sprightly dame,
And in his pleasure lost his fame.
Bold is the critic who dares prove
These heroes were no friends to love;
And bolder he who dares aver
That they were enemies to war;
Yet when their thought should, now or never,
Have raise their heart or fired their liver,
Fond Alma to those parts was gone
Which Love more justly calls his own.
Examples I could cite you more,
But he contented with these four;
For when one’s proofs are aptly chosen,
Four are as valid as four dozen.
One came from Greece, and one from Rome
The other two grew nearer home,
For some in ancient books delight,
Others prefer what moderns write;
Now I should be extremely loath
Not to be thought expert in both.
CANTO II.
But shall we take the Muse abroad,
To drop her idly on the road,
And leave our subject in the middle,
As Butler did his Bear and Fiddle?
Yet he, consummate master, knew
When to recede and where pursue:
His noble negligence teach
What others’ toils despair to reach.
He, perfect dancer, climbs the rope,
And balances your fear and hope.
If, after some distinguished leap,
He drops his pole, and seems to slip,
Straight gathering all his active strength,
He rises higher half his length:
With wonder you approve his sleight,
And owe your pleasure to your fright:
But like poor Andrew I advance,
False mimic of my master’s dance;
Around the chord a while I sprawl,
And thence, though low, in earnest fall.
My preface tells you I digress’d;
He’s half absolved who has confess’d.
I like, quoth Dick, your simile,
And in return take two from me.
As masters in the
clare-obscure
With various light your eyes allure,
A flaming yellow here they spread,
Draw off in blue, or change in red;
Yet from these colours oddly mix’d
Your sight upon the whole is fix’d:
Or as, again, your courtly dames
(Whose clothes returning birthday claims)
By arts improve the stuffs they vary,
And things are best as most contrary;
The gown with stiff embroidery shining,
Looks charming with a slighter lining;
&n
bsp; Look out, if Indian figure stain,
The in-side must be rich and plain:
So you, great authors, have thought fit
To make digression temper wit:
You calm them with a milder air:
To break their points you turn their force,
And furbelow the plain discourse.
Richard, quoth Matt, these words of thine
Speak something sly and something fine;
But I shall e’en resume my theme,
However thou may’st praise or blame.
As people marry now and settle,
Fierce Love abates his usual mettle;
Worldly desires and household cares
Disturb the godhead’s soft affairs:
So now, as health or temper changes,
In larger compass Alma ranges,
This day below, the next above,
As light or solid whimsies move.
So merchant has his house in Town,
And country seat near Bansted Down;
From one he dates his foreign letters,
Sends out his goods and duns his debtors:
In th’ other, at his hours of leisure,
He smokes his pipe, and takes his pleasure.
And now your matrimonial Cupid,
Lash’d on by Time, grows tired and stupid:
For story and experience tell us
That man grows cold and woman jealous.
Both would their solid ends secure;
He sighs for freedom she for power:
His wishes tend abroad to roam,
And hers to domineer at home.
Thus passion flags by slow degrees,
And ruffled more delighted legs,
The busy mind does seldom go
To those once charming seats below;
For well-bred feints and future wars,
(When he last autumn lay a-dying)
Was but to gain him to appoint her
By codicil a larger jointure:
The woman finds it all a trick
That he could swoon when she was sick,
And knows that in that grief he reckon’d
One black-eyed Susan for his second.
Thus having strove some tedious years
With feign’d desires and real fears,
And tired with answers and replies
Of John affirms, and Martha lies,
Leaving this endless altercation,
The mind affects a higher station.
Poltis, that generous king of Thrace,
I think was in this very case.
All Asia now was by the ears,
And gods beat up for volunteers
To Greece and Troy, while Poltis sate
In quiet, governing his state.
And whence, said the pacific king,
Does all this noise and discord spring?
Why, Paris took Atrides’ wife -
With ease I could compose this strife:
The injured hero should not lose,
Nor the young lover want, a spouse.
But Helen changed her first condition
Without her husband’s just permission.
What from the dame can Paris hope?
She may as well from him elope.
Again, How can her old good man
With honour take her back again?
From hence I logically gather
The woman cannot live with either.
Now I have two right honest wives,
For whose possession no man strives:
One to Atrides I will send,
And t’other to my Trojan friend.
Each prince shall thus with honour have
What both so warmly seem to crave;
The wrath of gods and men shall cease,
And Poltis live and die in peace.
Dick, if this story pleaseth thee,
Pray thank Dan Pope, who told it me.
Howe’er swift Alma’s flight may vary,
(Take this by way of corollary)
Some limbs she finds the very same
In place, and dignity, and name:
These dwell at such convenient distance,
That each may give his friend assistance.
Thus he who runs or dances, begs
The equal vigour of two legs;
So much to both does Alma trust
She ne’er regards which goes the first.
Teague could make neither of them stay,
For whilst one hand exalts the blow,
And on the earth extends the foe,
Th’ other would take it wondrous ill
If in your pocket he lay still.
And when you shoot and shut one eye,
To lend the other friendly aid,
Or wink as coward, and afraid.
No, Sir; whilst he withdraws his flame,
His comrade takes the surer aim.
One moment if his beams recede,
As soon as e’er the bird is dead,
Opening again, he lays his claim
To half the profit, half the fame,
And helps to pocket up the game.
’Tis thus one tradesman slips away
To give his partner fairer play.
Some limbs again, in bulk or stature
Unlike, and not a-kin by Nature,
In concert act, like modern friends,
Because one serves the other’s ends.
The arm thus waits upon the heart,
So quick to take the bully’s part,
That one, though warm, decides more slow
Than th’ other executes the blow:
A stander-by may chance to have it
Ere Hack himself perceives he gave it.
The amorous eyes thus always go
A strolling for their friends below;
For long before the squire and dame
Have
tete a tete
relieved their flame,
Ere visits yet are brought about,
They eye by sympathy looks out,
Knows Florimel, and longs to meet her,
And if he sees is sure to greet her,
Though at sash-window, on the stairs,
At court, nay, (authors say) at prayers -
The funeral of some valiant knight
May give this thing its proper light.
View his two gauntlets; these declare
That both his hands were used to war;
And from his two gilt spurs ’tis learn’d
His feet were equally concern’d:
But have you not with thought beheld
The sword hang dangling o’er his shield?
Which shows the breast that plate was used to
Had an ally right arm to trust to;
And by the peep holes in his crest,
Is it not virtually confess’d
That there his eye took distant aim,
And glances respect to that bright dame,
In whose delight his hope was center’d,
And for whose glove his life he ventured?
Objections to my general system
May rise, perhaps, and I have miss’d them;
But I can call to my assistance
Proximity (mark that!) and distance;
Can prove that all things, on occasion,
Love union, and desire adhesion!
That Alma merely is a scale,
And motives, like the weights prevail.
If neither side turn down or up,
With loss or gain, with fear or hope,
The balance always would hang even,
Like Mahomet’s tomb, ‘twixt earth and heaven.
This, Richard, is a curious case:
Suppose your eyes sent equal rays
Upon two distant pots of ale,
Not knowing which was mild or stale;
In this sad state your doubtful choice
Would never have the casting voice;
Which best nor worst you
could not think,
And die you must for want of drink,
Unless some chance inclines your sight,
Setting one pot in fairer light;
Then you prefer or A or B,
As lines and angles best agree;
Your sense resolved impels your will;
She guides your hand - So drink your fill.
Have you not seen a baker’s maid
Between two equal panniers sway’d?
Her tallies useless lie and idle
If placed exactly in the middle;
But forced from this unactive state
By virtue of some casual weight,
On either side you hear them clatter,
And judge of right and left hand matter.
Now, Richard, this coercive force
Without your choice must take its course.
Great kings to wars are pointed forth
Like loaded needles to the North,
And thou and I, by power unseen,
Are barely passive and suck’d in
To Henault’s vaults or Celia’s chamber,
As straw and paper are by amber.
If we sit down to play or set,
(Suppose at Ombre or Basset)
Let people call us cheats or fools,
Our cards and we are equal tools,
We sure in vain the cards condemn;
Ourselves both cut and shuffled them:
In vain on Fortune’s aid rely;
She only is a stander-by.
Poor men! poor papers! we and they
Do some impulsive force obey,
Are but play’d with - do not play.
But space and matter we should blame;
They palm’d the trick that lost the game.
Thus to save further contradiction
Against what you may think but fiction,
I for attraction, Dick, declare,
Deny it those bold men that dare.
As well your mention as your thought
Is all by hidden impulse wrought:
Even saying that you think or walk,
How like a country squire you talk?
Mark then; - Where fancy or desire
Collects the beams of vital fire,
Into that limb fair Alma slides
And there
pro tempore
resides:
She dwells in Nicholini’s tongue,
When Pyrrhus chants the heavenly song;
When Pedro does the lute command,
She guides the cunning artist’s hand;
Through Macer’s gullet she runs down,
When the vile glutton dines alone;
Complete Works of Matthew Prior Page 26
