“I look forward to them,” I said dutifully. “But I could learn of commerce without leaving Venice. I was thinking more of … well, adventure …”
“Adventure? Why, my boy, could there ever be any more satisfying adventure than the descrying of a commercial opportunity not yet glimpsed by others? And the seizing advantage of it? And the taking of a profit from it?”
“Of course, most satisfying, those things,” I said, not to dampen his ebullience. “But what of excitement? Exotic things seen and done? Surely in all your travels there have been many such.”
“Oh, yes. Exotic things.” He scratched meditatively in his beard. “Yes, on our way back to Venice, through Cappadocia, we came upon one instance. There grows in that land a poppy, very like our common red field poppy, but of a silvery-blue color, and from the milk of its pod can be decocted a soporific oil that is a most potent medicine. I knew it would be a useful addition to the simples employed by our Western physicians, and I foresaw a good profit to our Compagnia from that. I sought to collect some of the seeds of that poppy, intending to sow them among the crocuses in our Vèneto plantations. Now, that was an exotic thing, no xe vero? And a grand opportunity. Unfortunately, there was a war going on in Cappadocia at the time. The poppy fields were all devastated, and the populace in such disarray that I could find no one who could provide me with the seeds. Gramo de mi, an opportunity lost.”
I said, with some amazement, “You were in the middle of a war, and all that concerned you was poppy seeds?”
“Ah, war is a terrible thing. A disruption of commerce.”
“But, Father, you saw in it no opportunity for adventure?”
“You keep on about adventure,” he said tartly. “Adventure is no more than discomfort and annoyance recollected in the safety of reminiscence. Believe me, an experienced traveler makes plans and takes pains not to have such adventures. The most successful journey is a dull journey.”
“Oh,” I said. “I was rather looking forward to—well, hazards overcome … hidden things discovered … enemies bested … maidens rescued …”
“There speaks the bravo!” boomed Uncle Mafìo, joining us just then. “I hope you are disabusing him of such notions, Nico.”
“I am trying,” said my father. “Adventure, Marco, never put a bagatìn in anybody’s purse.”
“But is the purse the only thing a man is to fill?” I cried. “Should not he seek something else in life? What of his appetite for wonders and marvels?”
“No one ever found marvels by seeking them,” my uncle grunted. “They are like true love—or happiness—which, in fact, are marvels themselves. You cannot say: I will go out and have an adventure. The best you can do is put yourself in a place where it may occur.”
“Well, then,” I said. “We are bound for Acre, the city of the Crusaders, fabled for daring deeds and dark secrets and silken damsels and the life voluptuous. What better place?”
“The Crusaders!” snorted Uncle Mafìo. “Fables, indeed! The Crusaders who survived to come home had to pretend to themselves that their futile missions had been worthwhile. So they bragged of the wonders they had seen, the marvels of the far lands. About the only thing they brought back was a case of the scolamento so painful they could hardly sit a saddle.”
I said wistfully, “Acre is not a city of beauty and temptation and mystery and luxury and—?”
My father said, “Crusaders and Saracens have been fighting over San Zuàne de Acre for more than a century and a half. Imagine for yourself what it must be like. But, no, you need not. You will see it soon enough.”
So I left them, feeling rather dashed in my expectations, but not demolished. I was privately coming to the conclusion that my father had the soul of a line-ruled ledger, and my uncle was too blunt and gruff to contain any finer feelings. They would not recognize adventure if it was thrust upon them. But I would. I went and stood on the foredeck, not to miss seeing any mermaids or sea monsters that might swim by.
A sea voyage, after the first exhilarating day or so, becomes mere monotony—unless a storm enlivens it with terror, but the Mediterranean is stormy only in winter—so I occupied myself with learning all I could about the workings of a ship. In the absence of bad weather, the crew had nothing but routine work to do, so everyone from the captain to the cook willingly let me watch and ask questions and even occasionally lend a hand with the work. The men were of many different nationalities, but all spoke the Trade French—which they called Sabir—so we were able to converse.
“Do you know anything at all about sailing, boy?” one of the seamen asked me. “Do you know, for instance, which are the liveworks of a ship, and which are the deadworks?”
I thought about that, and looked up at the sails, spread out on either side of the ship like a living bird’s wings, and guessed that they must be the liveworks.
“Wrong,” said the mariner. “The liveworks are every part of a ship that is in the water. The deadworks are everything above water.”
I thought about that, and said, “But if the deadworks were to plunge under water, they could hardly then be called live. We should all be dead.”
The seaman said quickly, “Do not speak of such things!” and crossed himself.
Another said, “If you would be a seafarer, boy, you must learn the seventeen names of the seventeen winds that blow over the Mediterranean.” He began ticking them off on his fingers. “At this moment, we are sailing before the etesia, which blows from the northwest. In winter, the ostralada blows fiercely from the south, and makes storms. The gregalada is the wind that blows out of Greece, and makes the sea turbulent. From the west blows the maistràl. The levante blows out of the east, out of Armeniya—”
Another seaman interrupted, “When the levante blows, you can smell the Cyclopedes.”
“Islands?” I asked.
“No. Strange people who live in Armeniya. Each of them has only one arm and one leg. It takes two of those people to use a bow and arrow. Since they cannot walk, they hop on the one leg. But if they are in a hurry, they go spinning sideways, wheeling on that hand and foot. That is why they are called the Cyclopedes, the wheel-feet.”
Besides telling me of many other marvels, the seamen also taught me to play the guessing and gambling game called venturina, which was devised by mariners to while away long and boring voyages. They must endure many such voyages, for venturina is an exceedingly long and boring game, and no player can win or lose more than a few soldi in the course of it.
When I later asked my uncle if, in his travels, he had ever encountered curiosities like the wheel-feet Armeniyans, he laughed and sneered. “Bah! No seaman ever ventures farther into a foreign port than the nearest dockside wineshop or whorehouse. So when he is asked what sights he saw abroad, he must invent things. Only a marcolfo who would believe a woman would believe a seaman!”
So from then on I listened only tolerantly, with half an ear, when the mariners told of landward wonders, but I still gave full attention when they spoke of things to do with the sea and sailing. I learned their special names for common objects—the small sooty bird called in Venice a stormbird is at sea called petrelo, “little Pietro,” because, like the saint, it seems to walk on the water—and I learned the rhymes which seamen use when talking of the weather—
Sera rosa e bianco matino:
Alegro il pelegrino
—which is to say that a red sky in the evening or a white sky in the morning foretells good weather in the offing, hence the pilgrim is pleased. And I learned how to toss the scandàgio line, with its little ribbons of red and white at intervals along its length, to measure the depth of water under our keel. And I learned how to speak to other vessels we passed—which I was allowed to do two or three times, for there were many ships asea upon the Mediterranean—shouting in Sabir through the trumpet:
“A good voyage! What ship?”
And the reply would come hollowly back: “A good voyage! The Saint Sang, out of Bruges, homeward bound fr
om Famagusta! And you, what ship are you?”
“The Anafesto, of Venice, outward bound for Acre and Alexandria! A good voyage!”
The ship’s steerer showed me how, through an ingenious arrangement of ropes, he single-handedly controlled both the immense steering oars, one raked down either side of the ship to the stern. “But in heavy weather,” he said, “a steerer is required on each, and they must be masters of dexterity, to swing the tillers separately and variously, but always in perfect concert, at the captain’s calls.”
The ship’s striker let me practice pounding his mallets when none of the rowers was at the oars. They seldom were. The etesia wind was so nearly constant that the oars were not often needed to help the ship make way, so the rowers had their only sustained work on that voyage in taking us out of the Malamoco basin and into the harbor of Acre. At those times they took their places—“in the mode called a zenzile,” the striker told me—three men to each of the twenty benches along each side of the vessel.
Each rower worked an oar that was separately pivoted to the ship’s outriggers, so that the shortest oars rowed inboard, the longest outboard and the medium-length oars between them. And the men did not sit, as oarsmen do, for example, in the Doge’s buzino d’oro. They stood, each with his left foot on the bench before him, while they swept the oars forward. Then they all fell back supine on the benches when they made their powerful strokes, propelling the ship in a sort of series of rushing leaps. This was done in time to the striker’s striking, a tempo that began slow, but got faster as the ship did, and the two mallets made different sounds so the rowers on one side would know when they had to pull harder than the others.
I was never let to row, for that is a job requiring such skill that apprentices are made to practice first in mock galleys set up on dry land. Because the word galeotto is so often used in Venice to mean a convict, I had always assumed that galleys and galeazze and galeotte were rowed by criminals caught and condemned to drudgery. But the striker pointed out that freight ships compete for trade on the basis of their speed and efficiency, for which they would hardly depend on reluctant forced labor. “So the merchant fleet hires only professional and experienced oarsmen,” he said. “And war ships are rowed by citizens who choose to do that service as their military obligation, instead of taking up the sword.”
The ship’s cook told me why he baked no bread. “I keep no flour in my galley,” he said. “Fine ground flour is impossible to preserve from contamination at sea. Either it breeds weevils or it gets wet. That is why the Romans first thought of making the pasta we enjoy today—because it is well-nigh imperishable. Indeed, it is said that a Roman ship’s cook invented that foodstuff, volente o nolente, when his stock of flour got soaked by an errant wave. He kneaded the mess into pasta to save it, and he rolled it thin and he cut it into strips so it would more quickly dry solid. From that beginning have come all the numerous sizes and shapes of vermicelli and maccheroni. They were a godsend to us mariner cooks, and to the landbound as well.”
The ship’s captain showed me how the needle of his bussola pointed always to the North Star, even when that star is invisible. The bussola, in those times, was just beginning to be regarded as a fixture almost as necessary for sea voyages as a ship’s San Cristoforo medal, but the instrument was yet a novelty to me. So was the periplus, which the captain also showed me, a sheaf of charts on which were drawn the curly coastlines of the whole Mediterranean, from the Levant to the Pillars of Hercules, and all its subsidiary seas: the Adriatic, the Aegean and so on. Along those inked coastlines, the captain—and other captains of his acquaintance—had marked the land features visible from the sea: lighthouses, headlands, standing rocks and other such objects which would help a mariner to determine where he was. On the water areas of the charts, the captain had scribbled notations of their various depths and currents and hidden reefs. He told me that he kept changing those notations according as he found, or heard from other captains, that those depths had changed through silting up, as often happens off Egypt, or through the activity of undersea volcanoes, as often happens around Greece.
When I told my father about the periplus, he smiled and said, “Almost is better than nothing. But we have something much better than a periplus.” He brought out from our cabin an even thicker sheaf of papers. “We have the Kitab.”
My uncle said proudly, “If the captain possessed the Kitab, and if his ship could sail overland, he could go clear across Asia, to the eastern Ocean of Kithai.”
“I had this made at great expense,” said my father, handing it to me. “It was copied for us from the original, which was done by the Arab mapmaker al-Idrisi for King Ruggiero of Sicily.”
Kitab, I later discovered, means in Arabic only “a book,” but then so does our word Bible. And al-Idrisi’s Kitab, like the Holy Bible, is much more than just a book. The first page was inscribed with its full title, which I could read, for it was rendered in French: The going out of a Curious Man to explore the Regions of the Globe, its Provinces, Islands, Cities and their Dimensions and Situation; for the Instruction and Assistance of him who desires to Traverse the Earth. But all the many other words on the pages were done in the execrable worm-writing of the infidel Arab countries. Only here and there had my father or uncle penned in a legible translation of this or that place-name. Turning the pages so I could read those words, I realized something and I laughed.
“Every chart is upside down. Look, he has the foot of the Italian peninsula kicking Sicily up toward Africa.”
“In the East, everything is upside down or backward or contrary,” said my uncle. “The Arab maps are all made with south at the top. The people of Kithai call the bussola the south-pointing needle. You will get accustomed to such customs.”
“Aside from that peculiarity,” said my father, “al-Idrisi has been amazingly accurate in representing the lands of the Levant, and beyond them as far as Middle Asia. Presumably he himself once traveled those regions.”
The Kitab comprised seventy-three separate pages which, laid side by side (and upside down), showed the entire extent of the world from west to east, and a goodly part of it north and south, the whole divided by curving parallels according to climatic zones. The salt sea waters were painted in blue with choppy white lines for the waves; inland lakes were green with white waves; rivers were squiggly green ribbons. The land areas were painted dun yellow, with dots of gold leaf applied to show cities and towns. Wherever the land rose in hills and mountains, those were represented by shapes rather like caterpillars, which were colored purple, pink, and orange.
I asked, “Are the highlands of the East really so vividly colored? Purple mountaintops and—?”
As if in reply, the lookout shouted down from his basket atop the ship’s taller mast, “Terra là! Terre là!”
“You can look and see for yourself, Marco,” said my father. “The shore is in sight. Behold the Holy Land.”
2
OF course, I eventually discovered that the coloring on al-Idrisi’s maps was to indicate the height of the land, with purple representing the highest mountains, pink those of moderate altitude, and orange the lowest, and yellow land of no particular elevation. But there was nothing in the vicinity of Acre to prove this discovery by, that part of the Holy Land being an almost colorless country of low sand dunes and even lower sand flats. What color there was to the land was a dirty gray-yellow, not even a vestige of green growing there, and the city was a dirty gray-brown.
The oarsmen swept the Anafesto around the base of a lighthouse and into the meager harbor. It was awash with every sort of garbage and offal, its waters slimy and greasy, stinking of fish, fish guts and decayed fish. Beyond the docks were buildings that appeared to be made of dried mud—they were all inns and hostels, the captain told us, there being nothing in Acre that could be termed a private residence—and above those low buildings, here and there, stood the taller stone edifices of churches, monasteries, a hospital and the city’s castle. Farther la
ndward beyond that castle was a high stone wall, stretching in a semicircle from the harbor to the sea side of the city, with a dozen towers upjutting from it. To me it looked like a dead man’s jawbone sparsely studded with teeth. On the other side of that wall, said the captain, was the encampment of the Crusader knights, and beyond that yet another and even stouter wall, fencing Acre’s point of land off from the mainland where the Saracens held sway.
“This is the last Christian holding in the Holy Land,” the ship’s priest said sadly. “And it will fall, too, whenever the infidels choose to overrun it. This eighth Crusade has been so futile that the Christians of Europe have lost their fervor for crusading. The newly arriving knights are fewer and fewer. You notice that we brought none on this passage. So Acre’s force is too small to do anything but make occasional skirmishes outside the walls.”
“Humph,” said the captain. “The knights seldom even bother to do that any more. They are all of different orders—Templars and Hospitalers and whatnot—so they much prefer to fight among themselves … when they are not scandalously disporting themselves with the Carmelitas and Clarissas.”
The chaplain winced, for no reason I could see, and said petulantly, “Sir, have a regard for my cloth.”
The captain shrugged. “Deplore it if you will, Pare, but you cannot refute it.” He turned to speak to my father. “Not only the troops are in disarray. The civilian population, what there is of it, consists entirely of suppliers and servitors to the knights. Acre’s native Arabs are too venal to be inimical to us Christians, but they are forever at odds with Acre’s native Jews. The remainder of the population is a shifting motley of Pisans and Genoese and your fellow Venetians—all rivals and all quarrelsome. If you wish to conduct your business here in peace, I suggest that you go straight to the Venetian quarter when we debark, and take lodgings there, and try not to get involved in the local discords.”
The Journeyer Page 13
