by Clive Barker
IT was easy, this revolution business, thought Left as the trio scaled the stairs of the YMCA. They were stronger by the hour. On the first floor were the cells; in each, a pair of prisoners. The despots lay, in their innocence, with their hands on their chests or on their pillows, or flung across their faces in dreams, or hanging close to the floor. Silently, the freedom fighters slipped through doors that had been left ajar and clambered up the bedclothes, touching fingers to waiting palms, stroking up hidden resentments, caressing rebellion into life.
BOSWELL was feeling sick as a dog. He bent over the sink in the toilet at the end of his corridor and tried to throw up. But there was nothing left in him, just a jitter in the pit of his stomach. His abdomen felt tender with its exertions; his head bloated. Why did he never learn the lesson of his own weakness? He and wine were bad companions and always had been. Next time, he promised himself, he wouldn't touch the stuff. His belly flipped over again. Here comes nothing, he thought as the convulsion swept up his gullet. He put his head to the sink and gagged; sure enough, nothing, He waited for the nausea to subside and then straightened up, staring at his gray face in the greasy mirror. You look sick, man, he told himself. As he stuck his tongue out at his less symmetrical features, the howling started in the corridor outside. In his twenty years and two months Boswell had never heard a sound like it.
Cautiously, he crossed to the toilet door. He thought twice about opening it. Whatever was happening on the other side of the door it didn't sound like a party he wanted to gate-crash. But these were his friends, right? Brothers in adversity. If there was a fight, or a fire, he had to lend a hand.
He unlocked the door and opened it. The sight that met his eyes hit him like a hammer blow. The corridor was badly lit-a few grubby bulbs burned at irregular intervals, and here and there a shaft of light fell into the passage from one of the bedrooms-but most of its length was in darkness. Boswell thanked Jah for small mercies. He had no desire to see the details of the events in the passage; the genera] impression was distressing enough. The corridor was bedlam: people were flinging themselves around in pleading panic while at the same time hacking at themselves with any and every sharp instrument they could lay hands on. Most of the men he knew, if not by name at least on nodding acquaintance. They were sane men, or at least had been. Now, they were in frenzies of self-mutilation, most of them already maimed beyond hope of mending. Everywhere Boswell looked, the same horror. Knives taken to wrists and forearms; blood in the air like rain. Someone-was it Jesus?-had one of his hands between a door and doorframe and was slamming and slamming the door on his own flesh and bone, screeching for somebody to stop him from doing it. One of the white boys had found the colonel's knife and was amputating his hand with it. It came off as Boswell watched, falling onto its back, its root ragged, its five legs bicycling the air as it attempted to right itself. It wasn't dead:
it wasn't even dying.
There were a few who hadn't been overtaken by this lunacy. They, poor bastards, were fodder. The wild men had their murderous hands on them and were cutting them down. One-it was Savarino-was having the breath strangled out of him by Some kid Boswell couldn't put a name to. The punk, all apologies, stared at his rebellious hands in disbelief.
Somebody appeared from one of the bedrooms, a hand which was not his own clutching his windpipe, and staggered toward the toilet down the corridor. It was Macnamara, a man so thin and so perpetually doped up he was known as the smile on a stick. Boswell stood aside as Macnamara stumbled, choking out a plea for help, through the open door, and collapsed on the toilet floor. He kicked and pulled at the five-fingered assassin at his neck, but before Boswell had a chance to step in and aid him his kicking slowed, and then, like his protests, stopped altogether.
Boswell stepped away from the corpse and took another look into the corridor. By now the dead or dying blocked the narrow passageway, two deep in some places, while the same hands that had once belonged to these men scuttled over the mounds in a furious excitement, helping to finish an amputation where necessary, or simply dancing on the dead faces. When he looked back into the toilet a second hand had found Macnamara and, armed with a pen knife, was sawing at his wrist. It had left fingerprints in the blood from corridor to corpse. Boswell rushed to slam the door before the place swarmed with them. As he did so Savarino's assassin, the apologetic punk, threw himself down the passage, his lethal hands leading him like those of a sleepwalker.
"Help me!" he screeched.
He slammed the door in the punk's pleading face and locked it. The outraged hands beat a call to arms on the door while the punk's lips, pressed close to the keyhole, continued to beg:
"Help me. I don't want to do this man, help me." Help you be fucked, thought Boswell and tried to block out the appeals while he sorted out his options.
There was something on his foot. He looked down, knowing before his eyes found it what it was. One of the hands, Colonel Christie's left, he knew by the faded tattoo, was already scurrying up his leg. Like a child with a bee on its skin Boswell went berserk, squirming as it clambered up toward his torso, but too terrified to try and pull it off. Out of the corner of his I eye he could see that the other hand, the one that had been using the penknife with such alacrity on Macnamara, had given up the job and was now moving across the floor to join its comrade. Its nails clicked on the tiles like the feet of a crab. It even had a crab's sidestepping walk; it hadn't yet got the knack of forward motion.
Boswell's own hands were still his to command. Like the hands of a few of his friends (late friends) outside, his limbs were happy in their niche; easygoing like their owner. He had been blessed with a chance of survival. He had to be the equal of it.
Steeling himself, he trod on the hand on the floor. He heard the fingers crunch beneath his heel, and the thing squirmed like a snake, but at least he knew where it was while he dealt with his other assailant. Still keeping the beast trapped beneath his foot, Boswell leaned forward, snatched the penknife up from where it lay beside Macnamara's wrist, and pushed the point of the knife into the back of Christie's hand, which was now crawling up his belly. Under attack, it seized his flesh, digging its nails into his stomach. He was lean, and the washboard muscle made a difficult handhold. Risking a disembowelment, Boswell thrust the knife deeper. Christie's hand tried to keep its grip on him, but one final thrust did it. The hand loosened, and Boswell scooped it off his belly. It was crucified with the penknife, but it still had no intention of dying and Boswell knew it. He held it at arm's length while its fingers grabbed at the air, then he drove the knife into the plasterboard wall, effectively nailing the beast there, out of harm's way. Then he turned his attention to the enemy under his foot, bearing his heel down as hard as he could and hearing another finger crack, and another. Still it writhed relentlessly. He took his foot off the hand and kicked it as hard and as high as he could against the opposite wall. It slammed into the mirror above the basins, leaving a mark like a thrown tomato, and fell to the floor.
He didn't wait to see whether it survived. There was another danger now. More fists at the door, more shouts, more apologies. They wanted in, and very soon they were going to get their way. He stepped over Macnamara and crossed to the window It wasn't that big, but then neither was he. He flipped up the latch, pushed the window open on overprinted hinges, and hoisted himself through. Halfway in and halfway out he remembered he was one story up. But a fall, even a bad fall, was better than staying for the party inside. They were pushing at the door now, the partygoers. It was giving under the pressure of their enthusiasm. Boswell squirmed through the window; the pavement reeled below. As the door broke, he jumped, hitting the concrete hard. He almost bounced to his feet, checking his limbs, and Hallelujah! nothing was broken. Jah loves a coward, he thought. Above him the punk was at the window, looking down longingly.
"Help me," he said. "I don't know what I'm doing." But then a pair of hands found his throat, and the apologies stopped short.
Wonder
ing who he should tell, and indeed what, Boswell started to walk away from the YMCA dressed in just a pair of gym shorts and odd socks, never feeling so thankful to be cold in his life. His legs felt weak, but surely that was to be expected.
CHARLIE woke with the most ridiculous idea. He thought he'd murdered Ellen, then cut off his own hand. What a hotbed of nonsense his subconscious was to invent such fictions! He tried to rub the sleep' from his eyes but there was no hand there to rub with. He sat bolt upright in bed and began to yell the room down.
Yapper had left young Rafferty to watch over the victim of this brutal mutilation with strict instructions to alert him as soon as Charlie came around. Rafferty had been asleep. The yelling woke him. Charlie looked at the boy's face; so awestruck, so shocked. He stopped screaming at the sight of it. He was scaring the poor fellow.
"You're awake," said Rafferty, "I'll fetch someone, shall I?"
Charlie looked at him blankly.
"Stay where you are," said Rafferty. "I'll get the nurse."
Charlie put his bandaged head back on the crisp pillow and looked at his right hand, flexing it, working the muscles this way and that. Whatever delusion had overtaken him back at the house it was well over now. The hand at the end of the arm was his; probably always had been his. Jeudwine had told him about the body-in-rebellion syndrome: the murderer who claims his limbs have a life of their own rather than accepting responsibility for his deeds; the rapist who mutilates himself, believing the cause is the errant member, not the mind behind the member.
Well, he wasn't going to pretend. He was insane, and that was the simple truth of it. Let them do whatever they had to do to him with their drugs, blades, and electrodes. He'd acquiesce to it all rather than live through another night of horrors like the last.
There was a nurse in attendance. She was peering at him as though surprised he'd survived. A fetching face, he half thought; a lovely, cool hand on his brow.
"Is he fit to be interviewed?" Rafferty timidly asked.
"I have to consult with Dr. Manson and Dr. Jeudwine," the fetching face replied, and tried to smile reassuringly at Charlie. It came out a bit cockeyed, that smile, a little forced. She obviously knew he was a lunatic, that was why. She was scared of him probably, and who could blame her? She left his side to find the consultant, leaving Charlie to the nervous stare of Rafferty.
Ellen?" he said in a while.
"Your wife?" the young man replied.
"Yes. I wondered... did she...?"
Rafferty fidgeted, his thumbs playing tag on his lap. "She's dead," he said.
Charlie nodded. He'd known of course, but he needed to be certain. "What happens to me now?" he asked.
"You're under surveillance."
"What does that mean?"
"It means I'm watching you," said Rafferty.
The boy was trying his best to be helpful, but all these questions were confounding him. Charlie tried again. "I mean
what comes after the surveillance? When do I stand trial?"
"Why should you stand trial?"
"Why?" said Charlie; had he heard correctly?
"You're a victim-" a flicker of confusion crossed Rafferty's face, "-aren't you? You didn't do it... you were done to. Somebody cut off your... hand."
"Yes," said Charlie. "It was me."
Rafferty swallowed hard before saying: "Pardon?"
"I did it. I murdered my wife then I cut off my own hand."
The poor boy couldn't quite grasp this one. He thought about it a full half-minute before replying.
"But why?"
Charlie shrugged.
"It doesn't make any sense," said Rafferty. "I mean for one thing, if you did it... where's the hand gone?"
LILLIAN stopped the car. There was something in the road a little way in front of her, but she couldn't quite make out what it was. She was a strict vegetarian (except for Masonic dinners with Theodore) and a dedicated animal conservationist, and she thought maybe some injured animal was lying in the road just beyond the sprawl of her headlights. A fox perhaps. She'd read they were creeping back into outlying urban areas, born scavengers. But something made her uneasy; maybe the queasy predawn light, so elusive in its illumination. She wasn't sure whether she should get out of the car or not. Theodore would have told her to drive straight on, of course, but then Theodore had left her, hadn't he? Her fingers drummed the wheel with irritation at her own indecision. Suppose it was an injured fox. There weren't so many in the middle of London that one could afford to pass by on the other side of the street. She had to play the Samaritan, even if she felt a Pharisee.
Cautiously she got out of the car, and of course, after all of that, there was nothing to be seen. She walked to the front of the car, just to be certain. Her palms were wet; spasms of excitement passed through her hands like small electric shocks.
Then the noise: the whisper of hundreds of tiny feet. She'd heard stories-absurd stories she'd thought-of migrant rat packs crossing the city by night and devouring to the bone any living thing that got in their way. Imagining rats, she felt more like a Pharisee than ever, and stepped back toward the car. As her long shadow, thrown forward by the headlights, shifted, it revealed the first of the pack. It was no rat.
A hand, a long-fingered hand, ambled into the yellowish light and pointed up at her. Its arrival was followed immediately by another of the impossible creatures, then a dozen more, and another dozen hard upon those, They were massed like crabs at the fishmongers, glistening backs pressed close to each other, legs flicking and clicking as they gathered in ranks. Sheer multiplication didn't make them any more believable. But even as she rejected the sight, they began to advance upon her. She took a step back.
She felt the side of the car at her back, turned, and reached for the door. It was ajar, thank God. The spasms in her hands were worse now, but she was still mistress of them. As her fingers sought the door she let out a little cry. A fat, black fist was squatting on the handle, its open wrist a twist of dried meat.
Spontaneously, and atrociously, her hands began to applaud. She suddenly had no control over their behavior. They clapped like wild things in appreciation of this coup. It was ludicrous, what she was doing, but she couldn't stop herself. "Stop it," she told her hands, "stop it! stop it!" Abruptly they stopped, and turned 10 look at her. She knew they were looking at her, in their eyeless fashion; sensed too that they were weary of her unfeeling way with them. Without warning they darted for her face. Her nails, her pride and joy, found her eyes. In moments the miracle of sight was muck on her cheek. Blinded, she lost all orientation and fell backward, but there were bands aplenty to catch her. She felt herself supported by a sea of fingers.
As they tipped her outraged body into a ditch, her wig, which had cost Theodore so much in Vienna, came off. So, after the minimum of persuasion, did her hands.
DR. JEUDWINE came down the stairs of the George house wondering (just wondering) if maybe the grand pappy of his sacred profession, Freud, had been wrong. The paradoxical facts of human behavior didn't seem to fit into those neat classical compartments he'd allotted them to. Perhaps attempting to be rational about the human mind was a contradiction in terms. He stood in the gloom at the bottom of the stairs, not really wanting to go back into the dining room or the kitchen, but feeling obliged to view the scenes of the crimes one more time. The empty house gave him the creeps. And being alone in it, even with a policeman standing guard on the front step, didn't help his peace of mind. He felt guilty, felt he'd let Charlie down. Clearly he hadn't trawled Charlie's psyche deeply enough to bring up the real catch, the true motive behind the appalling acts that he had committed. To murder his own wife, whom he had professed to love so deeply, in their marital bed; then to cut off his own hand. It was unthinkable. Jeudwine looked at his own hands for a moment, at the tracery of tendons and purple-blue veins at his wrist. The police still favored the intruder theory, but he had no doubt that Charlie had done the deeds-murder, mutilation, and all. The only fac
t that appalled Jeudwine more was that he hadn't uncovered the slightest propensity for such acts in his patient.
He went into the dining room. Forensic had finished its work around the house; there was a light dusting of fingerprint powder on a number of the surfaces. It was a miracle (wasn't it?) the way each human hand was different; its whorls as unique as a voice pattern or a face. He yawned. He'd been woken by Charlie's call in the middle of the night and he hadn't had any sleep since then. He'd watched as Charlie was bound up and taken away, watched the investigators about their business, watched a cod-white dawn raise its head over toward the river. He'd drunk coffee, moped, thought deeply about giving up his position as psychiatric consultant before this story hit the news, drunk more coffee, thought better of resignation, and now, despairing of Freud or any other guru, was seriously contemplating a bestseller on his relationship with wife-murderer Charles George. That way, even if he lost his job, he'd have found something to salvage from the whole sorry episode. And Freud? Viennese charlatan. What did the old opium eater have to tell anyone?
He slumped in one of the dining-room chairs and listened to the hush that had descended on the house,. as though the walls, shocked by what they'd seen, were holding their breaths. Maybe he dozed off a moment. In sleep he heard a snapping sound, dreamed of a dog, and woke up to see a cat in the kitchen, a fat black-and-white cat. Charlie had mentioned this household pet in passing: What was it named? Heartburn? That was it; so named because of the black smudges over its eyes, which gave it a perpetually fretful expression. The cat was looking at the spillage of blood on the kitchen floor, apparently trying to find a way to skirt the pool and reach its food bowl without having to dabble its paws in the mess its master had left behind him. Jeudwine watched it fastidiously pick its way across the kitchen floor and sniff at its empty bowl. It didn't occur to him to feed the thing; he hated animals.
