By the third morning she was a raw even red, the fourth she had faded to a brilliant pink under the soothing influence of a cream recommended. That day came a letter from Elnora saying that she would remain where she was until Saturday morning, and then come to Ellen Brownlee’s at Onabasha and stay for the Saturday’s session of teachers to arrange their year’s work. Sunday was Ellen’s last day at home, and she wanted Elnora very much. She had to call together the orchestra and practise them Sunday; and could not come home until after school Monday night. Mrs. Comstock at once answered the letter saying those arrangements suited her.
The following day she was a pale pink, later a delicate porcelain white. Then she went to a hairdresser and had the rope of snowy hair which covered her scalp washed, dressed, and fastened with such pins and combs as were decided to be most becoming. She took samples of her dresses, went to a milliner, and bought a street hat to match her suit, and a gray satin with lavender orchids to wear with the silk dress. Her last investment was a loose coat of soft gray broadcloth with white lining, and touches of lavender on the embroidered collar, and gray gloves to match.
Then she went home, rested and worked by turns until Monday. When school closed on that evening, Elnora, so tired she almost trembled, came down the long walk after a late session of teachers’ meeting, to be stopped by a messenger boy.
“There’s a lady wants to see you most important. I am to take you to the place,” he said.
Elnora groaned. She could not imagine who wanted her, but there was nothing to do but find out; tired and anxious to see her mother as she was.
“This is the place,” said the boy, and went his way whistling. Elnora was three blocks from the high school building on the same street. She was before a quaint old house, fresh with paint and covered with vines. There was a long wide lot, grass-covered, closely set with trees, and a barn and chicken park at the back that seemed to be occupied. Elnora stepped on the veranda which was furnished with straw rugs, bent-hickory chairs, hanging baskets, and a table with a work-box and magazines, and knocked at the screen door.
Inside she could see polished floors, walls freshly papered in low-toned harmonious colours, straw rugs and madras curtains. It seemed to be a restful, homelike place to which she had come. A second later down an open stairway came a tall, dark-eyed woman with cheeks faintly pink and a crown of fluffy snow-white hair. She wore a lavender gingham dress with white collar and cuffs, and she called as she advanced: “That screen isn’t latched! Open it and come see your brand-new mother, my girl.”
Elnora stepped inside the door. “Mother!” she cried. “You my mother! I don’t believe it!”
“Well, you better!” said Mrs. Comstock. “Because it’s true! You said you wished I were like the other girls’ mothers, and I’ve shot as close the mark as I could without any practice. I thought that walk would be too much for you this winter, so I just rented this house and moved in, to be near you, and help more in case I’m needed. I’ve only lived here a day, but I like it so well I’ve a mortal big notion to buy the place.”
“But mother!” protested Elnora, clinging to her wonderingly. “You are perfectly beautiful, and this house is a little paradise, but how will we ever pay for it? We can’t afford it!”
“Humph! Have you forgotten I telegraphed you I’d found some money I didn’t know about? All I’ve done is paid for, and plenty more to settle for all I propose to do.”
Mrs. Comstock glanced around with satisfaction.
“I may get homesick as a pup before spring,” she said, “but if I do I can go back. If I don’t, I’ll sell some timber and put a few oil wells where they don’t show much. I can have land enough cleared for a few fields and put a tenant on our farm, and we will buy this and settle here. It’s for sale.”
“You don’t look it, but you’ve surely gone mad!”
“Just the reverse, my girl,” said Mrs. Comstock, “I’ve gone sane. If you are going to undertake this work, you must be convenient to it. And your mother should be where she can see that you are properly dressed, fed, and cared for. This is our—let me think—reception-room. How do you like it? This door leads to your workroom and study. I didn’t do much there because I wasn’t sure of my way. But I knew you would want a rug, curtains, table, shelves for books, and a case for your specimens, so I had a carpenter shelve and enclose that end of it. Looks pretty neat to me. The dining-room and kitchen are back, one of the cows in the barn, and some chickens in the coop. I understand that none of the other girls’ mothers milk a cow, so a neighbour boy will tend to ours for a third of the milk. There are three bedrooms, and a bath upstairs. Go take one, put on some fresh clothes, and come to supper. You can find your room because your things are in it.”
Elnora kissed her mother over and over, and hurried upstairs. She identified her room by the dressing-case. There were a pretty rug, and curtains, white iron bed, plain and rocking chairs to match her case, a shirtwaist chest, and the big closet was filled with her old clothing and several new dresses. She found the bathroom, bathed, dressed in fresh linen and went down to a supper that was an evidence of Mrs. Comstock’s highest art in cooking. Elnora was so hungry she ate her first real meal in two weeks. But the bites went down slowly because she forgot about them in watching her mother.
“How on earth did you do it?” she asked at last. “I always thought you were naturally brown as a nut.”
“Oh, that was tan and sunburn!” explained Mrs. Comstock. “I always knew I was white underneath it. I hated to shade my face because I hadn’t anything but a sunbonnet, and I couldn’t stand for it to touch my ears, so I went bareheaded and took all the colour I accumulated. But when I began to think of moving you in to your work, I saw I must put up an appearance that wouldn’t disgrace you, so I thought I’d best remove the crust. It took some time, and I hope I may die before I ever endure the feel and the smell of the stuff I used again, but it skinned me nicely. What you now see is my own with a little dust of rice powder, for protection. I’m sort of tender yet.”
“And your lovely, lovely hair?” breathed Elnora.
“Hairdresser did that!” said Mrs. Comstock. “It cost like smoke. But I watched her, and with a little help from you I can wash it alone next time, though it will be hard work. I let her monkey with it until she said she had found ‘my style.’ Then I tore it down and had her show me how to build it up again three times. I thought my arms would drop. When I paid the bill for her work, the time I’d taken, the pins, and combs she’d used, I nearly had heart failure, but I didn’t turn a hair before her. I just smiled at her sweetly and said, ‘How reasonable you are!’ Come to think of it, she was! She might have charged me ten dollars for what she did quite as well as nine seventy-five. I couldn’t have helped myself. I had made no bargain to begin on.”
Then Elnora leaned back in her chair and shouted, in a gust of hearty laughter, so a little of the ache ceased in her breast. There was no time to think, the remainder of that evening, she was so tired she had to sleep, while her mother did not awaken her until she barely had time to dress, breakfast, and reach school. There was nothing in the new life to remind her of the old. It seemed as if there never came a minute for retrospection, but her mother appeared on the scene with more work, or some entertaining thing to do.
Mrs. Comstock invited Elnora’s friends to visit her, and proved herself a bright and interesting hostess. She digested a subject before she spoke; and when she advanced a view, her point was sure to be original and tersely expressed. Before three months people waited to hear what she had to say. She kept her appearance so in mind that she made a handsome and a distinguished figure.
Elnora never mentioned Philip Ammon, neither did Mrs. Comstock. Early in December came a note and a big box from him. It contained several books on nature subjects which would be of much help in school work, a number of conveniences Elnora could not afford, and a pair of glass-covered plaster casts, for each large moth she had. In these the upper and underwings
of male and female showed. He explained that she would break her specimens easily, carrying them around in boxes. He had seen these and thought they would be of use. Elnora was delighted with them, and at once began the tedious process of softening the mounted moths and fitting them to the casts moulded to receive them. Her time was so taken in school, she progressed slowly, so her mother undertook this work. After trying one or two very common ones she learned to handle the most delicate with ease. She took keen pride in relaxing the tense moths, fitting them to the cases, polishing the glass covers to the last degree and sealing them. The results were beautiful to behold.
Soon after Elnora wrote to Philip:
DEAR FRIEND:
I am writing to thank you for the books, and the box of conveniences sent me for my work. I can use everything with fine results. Hope I am giving good satisfaction in my position. You will be interested to learn that when the summer’s work was classified and pinned, I again had my complete collection for the man of India, save a Yellow Emperor. I have tried everywhere I know, so has the Bird Woman. We cannot find a pair for sale. Fate is against me, at least this season. I shall have to wait until next year and try again.
Thank you very much for helping me with my collection and for the books and cases.
Sincerely yours,
ELNORA COMSTOCK.
Philip was disappointed over that note and instead of keeping it he tore it into bits and dropped them into the waste basket.
That was precisely what Elnora had intended he should do. Christmas brought beautiful cards of greeting to Mrs. Comstock and Elnora, Easter others, and the year ran rapidly toward spring. Elnora’s position had been intensely absorbing, while she had worked with all her power. She had made a wonderful success and won new friends. Mrs. Comstock had helped in every way she could, so she was very popular also.
Throughout the winter they had enjoyed the city thoroughly, and the change of life it afforded, but signs of spring did wonderful things to the hearts of the country-bred women. A restlessness began on bright February days, calmed during March storms and attacked full force in April. When neither could bear it any longer they were forced to discuss the matter and admit they were growing ill with pure homesickness. They decided to keep the city house during the summer, but to return to the farm to live as soon as school closed.
So Mrs. Comstock would prepare breakfast and lunch and then slip away to the farm to make up beds in her ploughed garden, plant seeds, trim and tend her flowers, and prepare the cabin for occupancy. Then she would go home and make the evening as cheerful as possible for Elnora; in these days she lived only for the girl.
Both of them were glad when the last of May came and the schools closed. They packed the books and clothing they wished to take into a wagon and walked across the fields to the old cabin. As they approached it, Mrs. Comstock said to Elnora: “You are sure you won’t be lonely here?”
Elnora knew what she really meant.
“Quite sure,” she said. “For a time last fall I was glad to be away, but that all wore out with the winter. Spring made me homesick as I could be. I can scarcely wait until we get back again.”
So they began that summer as they had begun all others—with work. But both of them took a new joy in everything, and the violin sang by the hour in the twilight.
Chapter 19
Wherein Philip Ammon Gives a Ball in Honour of Edith Carr, and Hart Henderson Appears on the Scene
Edith Carr stood in a vine-enclosed side veranda of the Lake Shore Club House waiting while Philip Ammon gave some important orders. In a few days she would sail for Paris to select a wonderful trousseau she had planned for her marriage in October. To-night Philip was giving a club dance in her honour. He had spent days in devising new and exquisite effects in decorations, entertainment, and supper. Weeks before the favoured guests had been notified. Days before they had received the invitations asking them to participate in this entertainment by Philip Ammon in honour of Miss Carr. They spoke of it as “Phil’s dance for Edith!”
She could hear the rumble of carriages and the panting of automobiles as in a steady stream they rolled to the front entrance. She could catch glimpses of floating draperies of gauze and lace, the flash of jewels, and the passing of exquisite colour. Every one was newly arrayed in her honour in the loveliest clothing, and the most expensive jewels they could command. As she thought of it she lifted her head a trifle higher and her eyes flashed proudly.
She was robed in a French creation suggested and designed by Philip. He had said to her: “I know a competent judge who says the distinctive feature of June is her exquisite big night moths. I want you to be the very essence of June that night, as you will be the embodiment of love. Be a moth. The most beautiful of them is either the pale-green Luna or the Yellow Imperialis. Be my moon lady, or my gold Empress.”
He took her to the museum and showed her the moths. She instantly decided on the yellow. Because she knew the shades would make her more startlingly beautiful than any other colour. To him she said: “A moon lady seems so far away and cold. I would be of earth and very near on that night. I choose the Empress.”
So she matched the colours exactly, wrote out the idea and forwarded the order to Paquin. To-night when Philip Ammon came for her, he stood speechless a minute and then silently kissed her hands.
For she stood tall, lithe, of grace inborn, her dark waving hair high piled and crossed by gold bands studded with amethyst and at one side an enamelled lavender orchid rimmed with diamonds, which flashed and sparkled. The soft yellow robe of lightest weight velvet fitted her form perfectly, while from each shoulder fell a great velvet wing lined with lavender, and flecked with embroidery of that colour in imitation of the moth. Around her throat was a wonderful necklace and on her arms were bracelets of gold set with amethyst and rimmed with diamonds. Philip had said that her gloves, fan, and slippers must be lavender, because the feet of the moth were that colour. These accessories had been made to order and embroidered with gold. It had been arranged that her mother, Philip’s, and a few best friends should receive his guests. She was to appear when she led the grand march with Philip Ammon. Miss Carr was positive that she would be the most beautiful, and most exquisitely gowned woman present. In her heart she thought of herself as “Imperialis Regalis,” as the Yellow Empress. In a few moments she would stun her world into feeling it as Philip Ammon had done, for she had taken pains that the history of her costume should be whispered to a few who would give it circulation. She lifted her head proudly and waited, for was not Philip planning something unusual and unsurpassed in her honour? Then she smiled.
But of all the fragmentary thoughts crossing her brain the one that never came was that of Philip Ammon as the Emperor. Philip the king of her heart; at least her equal in all things. She was the Empress—yes, Philip was but a mere man, to devise entertainments, to provide luxuries, to humour whims, to kiss hands!
“Ah, my luck!” cried a voice behind her.
Edith Carr turned and smiled.
“I thought you were on the ocean,” she said.
“I only reached the dock,” replied the man, “when I had a letter that recalled me by the first limited.”
“Oh! Important business?”
“The only business of any importance in all the world to me. I’m triumphant that I came. Edith, you are the most superb woman in every respect that I have ever seen. One glimpse is worth the whole journey.”
“You like my dress?” She moved toward him and turned, lifting her arms. “Do you know what it is intended to represent?”
“Yes, Polly Ammon told me. I knew when I heard about it how you would look, so I started a sleuth hunt, to get the first peep. Edith, I can become intoxicated merely with looking at you to-night.”
He half-closed his eyes and smilingly stared straight at her. He was taller than she, a lean man, with close-cropped light hair, steel-gray eyes, a square chin and “man of the world” written all over him.
Edi
th Carr flushed. “I thought you realized when you went away that you were to stop that, Hart Henderson,” she cried.
“I did, but this letter of which I tell you called me back to start it all over again.”
She came a step closer. “Who wrote that letter, and what did it contain concerning me?” she demanded.
“One of your most intimate chums wrote it. It contained the hazard that possibly I had given up too soon. It said that in a fit of petulance you had broken your engagement with Ammon twice this winter, and he had come back because he knew you did not really mean it. I thought deeply there on the dock when I read that, and my boat sailed without me. I argued that anything so weak as an engagement twice broken and patched up again was a mighty frail affair indeed, and likely to smash completely at any time, so I came on the run. I said once I would not see you marry any other man. Because I could not bear it, I planned to go into exile of any sort to escape that. I have changed my mind. I have come back to haunt you until the ceremony is over. Then I go, not before. I was insane!”
The girl laughed merrily. “Not half so insane as you are now, Hart!” she cried gaily. “You know that Philip Ammon has been devoted to me all my life. Now I’ll tell you something else, because this looks serious for you. I love him with all my heart. Not while he lives shall he know it, and I will laugh at him if you tell him, but the fact remains: I intend to marry him, but no doubt I shall tease him constantly. It’s good for a man to be uncertain. If you could see Philip’s face at the quarterly return of his ring, you would understand the fun of it. You had better have taken your boat.”
“Possibly,” said Henderson calmly. “But you are the only woman in the world for me, and while you are free, as I now see my light, I remain near you. You know the old adage.”
“But I’m not ‘free!’” cried Edith Carr. “I’m telling you I am not. This night is my public acknowledgment that Phil and I are promised, as our world has surmised since we were children. That promise is an actual fact, because of what I just have told you. My little fits of temper don’t count with Phil. He’s been reared on them. In fact, I often invent one in a perfect calm to see him perform. He is the most amusing spectacle. But, please, please, do understand that I love him, and always shall, and that we shall be married.”
The Best of Gene Stratton-Porter Page 51
