The day after the reading, Lisa called in sick and we spent the afternoon running errands. Winston-Salem is a city of plazas—midsize shopping centers, each built around an enormous grocery store. I was looking for cheap cartons of cigarettes, so we drove from plaza to plaza, comparing prices and talking about our sister Gretchen. A year earlier she’d bought a pair of flesh-eating Chinese box turtles with pointed noses and spooky translucent skin. The two of them lived in an outdoor pen and were relatively happy until raccoons dug beneath the wire, chewing the front legs off the female and the rear legs off her husband.
“I may have the order wrong,” Lisa said. “But you get the picture.”
The couple survived the attack and continued to track the live mice that constituted their diet, propelling themselves forward like a pair of half-stripped Volkswagens.
“The sad part is that it took her two weeks to notice it,” Lisa said. “Two weeks!” She shook her head and drove past our exit. “I’m sorry, but I don’t know how a responsible pet owner could go that long without noticing a thing like that. It’s just not right.”
According to Gretchen, the turtles had no memories of their former limbs, but Lisa wasn’t buying it. “Oh, come on,” she said. “They must at least have phantom pains. I mean, how can a living creature not mind losing its legs? If anything like that happened to Chessie, I honestly don’t know how I could live with myself.” Her eyes misted and she wiped them with the back of her hand. “My little collie gets a tick and I go crazy.”
Lisa’s a person who once witnessed a car accident, saying, “I just hope there isn’t a dog in the backseat.” Human suffering doesn’t faze her much, but she’ll cry for days over a sick-pet story.
“Did you see that movie about the Cuban guy?” she asked. “It played here for a while but I wouldn’t go. Someone told me a dog gets killed in the first fifteen minutes, so I said forget it.”
I reminded her that the main character died as well, horribly, of AIDS, and she pulled into the parking lot, saying, “Well, I just hope it wasn’t a real dog.”
I wound up buying cigarettes at Tobacco USA, a discount store with the name of a theme park. Lisa had officially quit smoking ten years earlier and might have taken it up again were it not for Chessie, who, according to the vet, was predisposed to lung ailments. “I don’t want to give her secondhand emphysema, but I sure wouldn’t mind taking some of this weight off. Tell me the truth, do I look fat to you?”
“Not at all.”
She turned sideways and examined herself in the front window of Tobacco USA. “You’re lying.”
“Well, isn’t that what you want me to say?”
“Yes,” she said. “But I want you to really mean it.”
But I had meant it. It wasn’t the weight I noticed so much as the clothing she wore to cover it up. The loose, baggy pants and oversize shirts falling halfway to her knees: This was the look she’d adopted a few months earlier, after she and her husband had gone to the mountains to visit Bob’s parents. Lisa had been sitting beside the fire, and when she scooted her chair toward the center of the room, her father-in-law said, “What’s the matter, Lisa? Getting too fat—I mean hot. Getting too hot?”
He tried to cover his mistake, but it was too late. The word had already been seared into my sister’s brain.
“Will I have to be fat in the movie?” she asked.
“Of course not,” I said. “You’ll be just…like you are.”
“Like I am according to who?” she asked. “The Chinese?”
“Well, not all of them,” I said. “Just one.”
Normally, if at home during a weekday, Lisa likes to read nineteenth-century novels, breaking at one to eat lunch and watch a television program called Matlock. By the time we finished with my errands, the day’s broadcast had already ended, and so we decided to go to the movies—whatever she wanted. She chose the story of a young Englishwoman struggling to remain happy while trying to lose a few extra pounds, but in the end she got her plazas confused, and we arrived at the wrong theater just in time to watch You Can Count on Me, the Kenneth Lonergan movie in which an errant brother visits his older sister. Normally, Lisa’s the type who talks from one end of the picture to the other. A character will spread mayonnaise onto a chicken sandwich and she’ll lean over, whispering, “One time, I was doing that? And the knife fell into the toilet.” Then she’ll settle back in her seat and I’ll spend the next ten minutes wondering why on earth someone would make a chicken sandwich in the bathroom. This movie reflected our lives so eerily that for the first time in recent memory, she was stunned into silence. There was no physical resemblance between us and the main characters—the brother and sister were younger and orphaned—but like us, they’d stumbled to adulthood playing the worn, confining roles assigned to them as children. Every now and then one of them would break free, but for the most part they behaved not as they wanted to but as they were expected to. In brief, a guy shows up at his sister’s house and stays for a few weeks until she kicks him out. She’s not evil about it, but having him around forces her to think about things she’d rather not, which is essentially what family members do, at least the family members my sister and I know.
On leaving the theater, we shared a long, uncomfortable silence. Between the movie we’d just seen and the movie about to be made, we both felt awkward and self-conscious, as if we were auditioning for the roles of ourselves. I started in with some benign bit of gossip I’d heard concerning the man who’d played the part of the brother but stopped after the first few sentences, saying that, on second thought, it wasn’t very interesting. She couldn’t think of anything, either, and so we said nothing, each of us imagining a bored audience shifting in their seats.
We stopped for gas on the way home and were parking in front of her house when she turned to relate what I’ve come to think of as the quintessential Lisa story. “One time,” she said, “one time I was out driving?” The incident began with a quick trip to the grocery store and ended, unexpectedly, with a wounded animal stuffed into a pillowcase and held to the tailpipe of her car. Like most of my sister’s stories, it provoked a startling mental picture, capturing a moment in time when one’s actions seem both unimaginably cruel and completely natural. Details were carefully chosen and the pace built gradually, punctuated by a series of well-timed pauses. “And then…and then…” She reached the inevitable conclusion and just as I started to laugh, she put her head against the steering wheel and fell apart. It wasn’t the gentle flow of tears you might release when recalling an isolated action or event, but the violent explosion that comes when you realize that all such events are connected, forming an endless chain of guilt and suffering.
I instinctively reached for the notebook I keep in my pocket and she grabbed my hand to stop me. “If you ever,” she said, “ever repeat that story, I will never talk to you again.”
In the movie version of our lives, I would have turned to offer her comfort, reminding her, convincing her that the action she’d described had been kind and just. Because it was. She’s incapable of acting otherwise.
In the real version of our lives, my immediate goal was simply to change her mind. “Oh, come on,” I said. “The story’s really funny, and, I mean, it’s not like you’re going to do anything with it.”
Your life, your privacy, your occasional sorrow—it’s not like you’re going to do anything with it. Is this the brother I always was, or the brother I have become?
I’d worried that, in making the movie, the director might get me and my family wrong, but now a worse thought occurred to me: What if he got us right?
Dusk. The camera pans an unremarkable suburban street, moving in on a parked four-door automobile, where a small, evil man turns to his sobbing sister, saying, “What if I use the story but say that it happened to a friend?”
But maybe that’s not the end. Maybe before the credits roll, we see this same man getting out of bed in the middle of the night, walking past his sister’s
room, and continuing downstairs into the kitchen. A switch is thrown, and we notice, in the far corner of the room, a large standing birdcage covered with a tablecloth. He approaches it carefully and removes the cloth, waking a blue-fronted Amazon parrot, its eyes glowing red in the sudden light. Through everything that’s gone before this moment, we understand that the man has something important to say. From his own mouth the words are meaningless, and so he pulls up a chair. The clock reads three a.m., then four, then five, as he sits before the brilliant bird, repeating slowly and clearly the words “Forgive me. Forgive me. Forgive me.”
Six to Eight Black Men
I’ve never been much for guidebooks, so when trying to get my bearings in some strange American city, I normally start by asking the cabdriver or hotel clerk some silly question regarding the latest census figures. I say “silly” because I don’t really care how many people live in Olympia, Washington, or Columbus, Ohio. They’re nice-enough places, but the numbers mean nothing to me. My second question might have to do with the average annual rainfall, which, again, doesn’t tell me anything about the people who have chosen to call this place home.
What really interests me are the local gun laws. Can I carry a concealed weapon and, if so, under what circumstances? What’s the waiting period for a tommy gun? Could I buy a Glock 17 if I were recently divorced or fired from my job? I’ve learned from experience that it’s best to lead into this subject as delicately as possible, especially if you and the local citizen are alone and enclosed in a relatively small area. Bide your time, though, and you can walk away with some excellent stories. I’ve learned, for example, that the blind can legally hunt in both Texas and Michigan. In Texas they must be accompanied by a sighted companion, but I heard that in Michigan they’re allowed to go it alone, which raises the question: How do they find whatever it is they just shot? In addition to that, how do they get it home? Are the Michigan blind allowed to drive as well? I ask about guns not because I want one of my own but because the answers vary so widely from state to state. In a country that’s become increasingly homogeneous, I’m reassured by these last charming touches of regionalism.
Firearms aren’t really an issue in Europe, so when traveling abroad, my first question usually relates to barnyard animals. “What do your roosters say?” is a good icebreaker, as every country has its own unique interpretation. In Germany, where dogs bark “vow vow” and both the frog and the duck say “quack,” the rooster greets the dawn with a hearty “kik-a-riki.” Greek roosters crow “kiri-a-kee,” and in France they scream “coco-rico,” which sounds like one of those horrible premixed cocktails with a pirate on the label. When told that an American rooster says “cock-a-doodle-doo,” my hosts look at me with disbelief and pity.
“When do you open your Christmas presents?” is another good conversation starter, as I think it explains a lot about national character. People who traditionally open gifts on Christmas Eve seem a bit more pious and family-oriented than those who wait until Christmas morning. They go to Mass, open presents, eat a late meal, return to church the following morning, and devote the rest of the day to eating another big meal. Gifts are generally reserved for children, and the parents tend not to go overboard. It’s nothing I’d want for myself, but I suppose it’s fine for those who prefer food and family to things of real value.
In France and Germany gifts are exchanged on Christmas Eve, while in the Netherlands the children open their presents on December 5, in celebration of St. Nicholas Day. It sounded sort of quaint until I spoke to a man named Oscar, who filled me in on a few of the details as we walked from my hotel to the Amsterdam train station.
Unlike the jolly, obese American Santa, Saint Nicholas is painfully thin and dresses not unlike the pope, topping his robes with a tall hat resembling an embroidered tea cozy. The outfit, I was told, is a carryover from his former career, when he served as the bishop of Turkey.
“I’m sorry,” I said, “but could you repeat that?”
One doesn’t want to be too much of a cultural chauvinist, but this seemed completely wrong to me. For starters, Santa didn’t used to do anything. He’s not retired and, more important, he has nothing to do with Turkey. It’s too dangerous there, and the people wouldn’t appreciate him. When asked how he got from Turkey to the North Pole, Oscar told me with complete conviction that Saint Nicholas currently resides in Spain, which again is simply not true. Though he could probably live wherever he wanted, Santa chose the North Pole specifically because it is harsh and isolated. No one can spy on him, and he doesn’t have to worry about people coming to the door. Anyone can come to the door in Spain, and in that outfit he’d most certainly be recognized. On top of that, aside from a few pleasantries, Santa doesn’t speak Spanish. “Hello. How are you? Can I get you some candy?” Fine. He knows enough to get by, but he’s not fluent and he certainly doesn’t eat tapas.
While our Santa flies in on a sled, the Dutch version arrives by boat and then transfers to a white horse. The event is televised, and great crowds gather at the waterfront to greet him. I’m not sure if there’s a set date, but he generally docks in late November and spends a few weeks hanging out and asking people what they want.
“Is it just him alone?” I asked. “Or does he come with some backup?”
Oscar’s English was close to perfect, but he seemed thrown by a term normally reserved for police reinforcement.
“Helpers,” I said. “Does he have any elves?”
Maybe I’m overly sensitive, but I couldn’t help but feel personally insulted when Oscar denounced the very idea as grotesque and unrealistic. “Elves,” he said. “They are just so silly.”
The words silly and unrealistic were redefined when I learned that Saint Nicholas travels with what was consistently described as “six to eight black men.” I asked several Dutch people to narrow it down, but none of them could give me an exact number. It was always “six to eight,” which seems strange, seeing as they’ve had hundreds of years to get an accurate head count.
The six to eight black men were characterized as personal slaves until the mid-1950s, when the political climate changed and it was decided that instead of being slaves they were just good friends. I think history has proved that something usually comes between slavery and friendship, a period of time marked not by cookies and quiet hours beside the fire but by bloodshed and mutual hostility. They have such violence in the Netherlands, but rather than duking it out amongst themselves, Santa and his former slaves decided to take it out on the public. In the early years if a child was naughty, Saint Nicholas and the six to eight black men would beat him with what Oscar described as “the small branch of a tree.”
“A switch?”
“Yes,” he said. “That’s it. They’d kick him and beat him with a switch. Then if the youngster was really bad, they’d put him in a sack and take him back to Spain.”
“Saint Nicholas would kick you?”
“Well, not anymore,” Oscar said. “Now he just pretends to kick you.”
He considered this to be progressive, but in a way I think it’s almost more perverse than the original punishment. “I’m going to hurt you but not really.” How many times have we fallen for that line? The fake slap invariably makes contact, adding the elements of shock and betrayal to what had previously been plain old-fashioned fear. What kind of a Santa spends his time pretending to kick people before stuffing them into a canvas sack? Then, of course, you’ve got the six to eight former slaves who could potentially go off at any moment. This, I think, is the greatest difference between us and the Dutch. While a certain segment of our population might be perfectly happy with the arrangement, if you told the average white American that six to eight nameless black men would be sneaking into his house in the middle of the night, he would barricade the doors and arm himself with whatever he could get his hands on.
“Six to eight, did you say?”
In the years before central heating, Dutch children would leave their shoes by the fir
eplace, the promise being that unless they planned to beat you, kick you, or stuff you into a sack, Saint Nicholas and the six to eight black men would fill your clogs with presents. Aside from the threats of violence and kidnapping, it’s not much different than hanging your stockings from the mantel. Now that so few people actually have a working fireplace, Dutch children are instructed to leave their shoes beside the radiator, furnace, or space heater. Saint Nicholas and the six to eight black men arrive on horses, which jump from the yard onto the roof. At this point I guess they either jump back down and use the door or stay put and vaporize through the pipes and electrical cords. Oscar wasn’t too clear about the particulars, but really, who can blame him? We have the same problem with our Santa. He’s supposed to use the chimney, but if you don’t have one, he still manages to get in. It’s best not to think about it too hard.
While eight flying reindeer are a hard pill to swallow, our Christmas story remains relatively dull. Santa lives with his wife in a remote polar village and spends one night a year traveling around the world. If you’re bad, he leaves you coal. If you’re good and live in America, he’ll give you just about anything you want. We tell our children to be good and send them off to bed, where they lie awake, anticipating their great bounty. A Dutch parent has a decidedly hairier story to relate, telling his children, “Listen, you might want to pack a few of your things together before going to bed. The former bishop of Turkey will be coming tonight along with six to eight black men. They might put some candy in your shoes, they might stuff you into a sack and take you to Spain, or they might just pretend to kick you. We don’t know for sure, but we want you to be prepared.”
The Best of Me Page 11
