Other inmates do not have baby-fine swirls of hair that cover every inch of their bodies except for the mucous membranes and the palms and the soles of their feet. Jean-Baptiste has not shaved himself in two months, and three-inch-long hair covers his lean, ropy body, his entire face and neck, even the back of his hands. Other death-row inmates joke that Jean-Baptiste’s victims died of fright before he had a chance to beat and bite them into hamburger.
“Hamburger! Help her!”
The taunts are meant for Jean-Baptiste to hear, and he receives written cruelties, too, in the form of notes—or kites, as they are called—that are passed through cracks beneath the doors, cell to cell, like chain letters, until he is the final recipient. He chews the notes to pulp and swallows them. Some days as many as ten. He can taste each word, they say.
“Too bad we won’t be strapping his hairy ass in a chair, then he’d be cooked well-done. Fried.” He has overheard officers say words to that effect.
“The whole joint would smell like burning hair.”
“It ain’t right that we don’t get to shave them bald as a cue ball before they get the needle.”
“It ain’t right they don’t get fried anymore. Now it’s too fuckin’ easy. A little needle prick and nighty-night.”
“We’ll chill the juice extra good for the Wolfman.”
JEAN-BAPTISTE STRAINS on the toilet, as if he is hearing these derisive comments now, although it is silent outside his door.
Chilling the juice is a dirty secret of tie-down and IV teams who want their little bit of sadistic fun at each execution. Whoever is in charge of the lethal drugs places them in an ice chest when transporting them from a locked refrigerator to the death chamber. Jean-Baptiste has overheard death-row inmates claim that the drugs are chilled beyond what’s necessary, almost to the freezing point. The teams think it only fair that the condemned inmate feel the frigid intravenous hit, as enough poison to kill four horses rushes through the needle and shocks the blood. If the inmate doesn’t exclaim, “Oh, God!” or, “Jesus!” or some utterance when he feels his icy, imminent death, the members of the execution teams are disappointed and a bit pissed off.
“That last ol’ boy sure as hell had an ice-cream headache,” voices yell and bounce off steel doors as inmates retell the stories.
“A screamin’ one. You hear how he puckered when the shit hit?”
“No way that was on the radio.”
“He begged for his mama.”
“A lot of the whores I done begged for their mama. Last one screamed, ‘Mama! Mama! Mama!’ ” The man the other inmates call Beast is bragging again.
He thinks his anecdotes are funny.
“You’re a fucker. Can’t believe the governor gave you another month, you fucker!”
Beast is the source of most of the execution stories circulating through the cells in the death-row pod. Beast was transported by van the forty-three miles to Huntsville and was already eating his last meal of fried shrimp, steak, fries and pecan pie in the barred cage next to the death chamber when the governor suddenly granted him a stay of execution so further DNA tests could be run. Beast knows damn well the tests are a waste of time, but he continues to milk what he can out of his last days on Earth now that he has been returned to the Polunsky Unit. He goes on and on about a process that is supposed to be secret. He even knows the names of the members of the tie-down and IV teams and the doctor who was scheduled to start the IV and pronounce Beast dead.
“If I ever get out, I’m going to do every one of the bitches and videotape it!” Beast brags some more.
“Wish I videotaped the ones I did. Hell, I’d pay all I got for even one videotape. Don’t know why I didn’t think of it at the time. Give those shrinks and FBI assholes an eyeful to worry about when they go home to their little wives and kiddies.”
Jean-Baptiste never filmed his murders. There wasn’t time, and stupidly, the idea never occurred to him. For that he continually rebukes himself. How rare it is for him to be so stupid . . .
Espèce de sale gorille . . .
Stupid monkey mutant.
Jean-Baptiste covers his ears with his hands.
“Who’s there?”
If only he had filmed his bloody art or at least had taken photographs. Oh, the longing, the longing, the anxiety he cannot relieve because he cannot relive, relive, relive their ecstasy as they died. The thought turns the key on an unbearable pressure in his groin. He can’t relieve the misery. He was born with an ignition that doesn’t work, sexual pistons that spark but will not fire. He breathes hard, straining on the toilet, sweat dripping from his face.
WHAT YOU DOING in there?”
An officer bangs on the door. Two mocking dark eyes are there again, between the bars in the window.
“Playing ring-around-the-ass again. Man, your guts are gonna come out one of these days.”
Jean-Baptiste hears footsteps on metal catwalks and other death-row inmates yelling their usual complaints and obscenities. Not including Jean-Baptiste, 245 men wait their turn while lawyers continue appeals and do what they can to persuade district supreme courts or the U.S. Supreme Court to overturn a sentence or at least convince a judge to rule in their favor and allow DNA tests or some other trickery. Jean-Baptiste knows what he did and pled guilty, despite the histrionics of his attorney, Rocco Caggiano, also owned by the Chandonne family.
Rocco Caggiano’s feigned vigorous opposition to Jean-Baptiste’s pleading guilty before the judge was very poor acting. Caggiano abides by his instructions, just as Jean-Baptiste seems to do, only Jean-Baptiste is a very good actor. The Chandonne family believes it best for their shameful, disgusting son to die.
Why would you want to sit on death row for ten years? they reasoned with him. Why would you want to be released back into a society that will hunt you down like a monster?
At first Jean-Baptiste could not accept that his family would want him to die. He accepts it now. It makes sense. Why would his family care if he dies when they never cared that he lived? He has no choice. It is clear. If he didn’t plead guilty, his father would have seen to it that Jean-Baptiste was murdered while awaiting trial.
Prison is such a dangerous place, his father softly told him in French over the phone. Remember what happened to the cannibal Jeffrey Dahmer? He was beaten to death with a mop, or maybe it was a broom.
Jean-Baptiste was emotionally beaten to death, all hope gone, when his father said that. Jean-Baptiste relied on his mind and meticulously began to study his predicament as he was flown to Houston. He vividly remembers the Welcome to Humble sign and a Holiday Inn with a Hole in One Café, which made no sense, since he saw no golf courses in the area, only parched leaves and dead trees and what seemed to be an endless stretch of slack telephone lines, scrubby pines, feed stores, mobile homes, decapitated buildings and prefabricated houses on cinder blocks. His motorcade turned off North 59, all those federal and local agents treating Jean-Baptiste like Frankenstein.
He sat, perfectly well behaved, in the backseat of a white Ford LTD, manacled like Houdini. The motorcade turned onto a deserted road overgrown with brush that thickened into dense forests on either side, and when they reached the Texas Department of Criminal Justice’s Polunsky Unit, he felt the sun reclaim gray skies, and the day turned bright. Jean-Baptiste took it as a sign.
He waits patiently. He imagines meteor showers and great battalions marching because he wills it. How simple! People are fools! They set up such foolish rules! Prison officials can take away his radio and punish him by grinding up his meals and cooking them into food loaves, but no one can neutralize his magnetism and legal right to send and receive uncensored mail. If he marks an envelope or package Legal Mail or Media Mail, no prison employee can open it. Jean-Baptiste sends mail to Rocco Caggiano whenever he pleases. Now and then he receives mail the same way. That is the most special treat of all, especially when Madame Scarpetta wrote him recently because she cannot forget him. She was so close to ecstasy and by he
r own foolishness robbed herself, cheated herself, of Jean-Baptiste’s benevolence. His selfless intention was to make her lovely body let go of her soul. Her passing would have been perfect. Finally, she realizes her terrible mistake and now makes an excuse to see him.
I will see you again.
Jean-Baptiste has enough information to topple the entire Chandonne cartel.
If that is what she wants, why not? When she comes, he will find a way to finish her release, to bless her with what she wants. The ecstasy. The ecstasy!
He tore her letter into small pieces and ate each word, chewing so hard he cut his gums.
Jean-Baptiste lifts himself off the toilet and doesn’t bother flushing. He yanks up his pants.
“Who’s there?”
The white V-neck shirt has DR for Death Row in large letters stenciled in black on the back. It is the abbreviation for doctor. Another sign. He is hers for now, and she is his forever. His prison fatigues are soaking wet with sweat. They stink. He sweats constantly and smells like a dirty animal. He smiles as he thinks of the last inmate executed several weeks ago, an old man named Pitt who killed a policeman in Atlanta. Pitt murdered prostitutes for years without mishap, dumping his victims in parking lots or the middle of the road. He broke the code when he stabbed a policeman thirteen times.
The rumor in the pod is that when the doctor sent the fatal cocktail speeding through Pitt’s IV tube like a train through a tunnel, death occurred in exactly two minutes and fifty-six seconds. Three physicians take turns working the executions—again, more stories from the media and from inmates who have returned from Huntsville after stays of execution. There is a pediatrician, a heart surgeon, and a woman who set up a family practice in Lufkin a few years ago. She is the coldest executioner of all. She comes in with her black bag, does her job and leaves, indifferent and arrogant, speaking to no one.
It arouses Jean-Baptiste to fantasize about a woman doctor invisible in a small secret room, waiting for the signal to kill his strapped-down body. He does not fear the death of his body, for his mind is his soul and cannot be destroyed. He is electric. He is a fluid. He can detach his mind from his body. He is part of God. Jean-Baptiste sighs in his bunk, where he lies on his back, staring up at a ceiling that is incapable of preventing his clairvoyant journeys. Most of the time, he transports his spirit back to Paris and flies unnoticed, acutely aware of sounds in a way he never was before. He visited Paris just the other day, right after a light rain, and tires swished on wet pavement, and distant traffic was surprisingly guttural, reminding him of his stomach growling. Raindrops were diamonds scattered over the seats of parked motorcycles, and a woman carrying lilies walked past him, and he floated in perfume.
How observant he has become! Whenever his soul visits Paris, the most beautiful city on Earth, he discovers another old building wrapped in green netting, and men blasting limestone with air hoses to clean away centuries of pollution. It has taken years to restore Notre Dame’s creamy complexion. Monitoring the work is how Jean-Baptiste measures time. He never stays in Paris more than a few days, and each night he sets out toward the Gare de Lyon, then to the Quai de la Rapée to gaze at the Institut Médico-Légal, where some of his earlier chosen ones were autopsied. He can see the women’s faces and bodies, and he remembers their names. He waits until the last Bateau-Mouche thrums by, until the last ripple of wake laps over his shoes before he strips naked on the cold stones of the Quai de Bourbon.
All his life he has braved the murky cold currents of the Seine to wash away the curse of le Loup-Garou.
The werewolf.
His nocturnal bathing has not cured his hypertrichosis, the extremely rare birth defect that causes babylike hair to cover his body, and continues its cruelty by adding a deformed face, abnormal teeth and stunted genitalia. Jean-Baptiste immerses himself in the river. He drifts along the Quai d’Orléans and the Quai de Béthune to the eastern tip of the Ile St.-Louis. There on the Quai d’Anjou is the seventeenth-century four-story town house with its carved front doors and gilded drainpipes, the hôtel particulier where his prominent parents live in obscene luxury. When chandeliers are ablaze with crystal and silver, his parents are in, but often they socialize with friends or drink their nightcaps in a sitting room that cannot be seen from the street.
During Jean-Baptiste’s disembodied travels, he can go into any room of the hôtel particulier. He moves about as he pleases. The other night when he visited the Ile St.-Louis, his obese mother had several more folds of fat beneath her chin, and her eyes were as small as raisins in her bloated face. She had wrapped herself in a black silk robe and wore matching slippers on her stubby feet. She smoked strong French cigarettes nonstop as she complained and chattered to her husband while he watched the news, talked on the phone and went through paperwork.
Just as Jean-Baptiste can hear without ears, his father can become deaf at will. It is no wonder he seeks relief and pleasure in the arms of many beautiful young women and only remains married to Madame Chandonne because that is the way it must be. At a young age, Jean-Baptiste was told hypertrichosis is congenital, but he is certain it was caused by his mother’s alcoholism. She made no effort to curtail her drunkenness while she was pregnant with him and his twin brother, who calls himself Jay Talley and had the good fortune to emerge from their mother’s womb less than three minutes after Jean-Baptiste. His brother was born a perfect specimen of maleness, a golden sculpture with an exquisite body touched by blond hair that catches light, his face formed by a master. He dazzles everyone he meets, and the only satisfaction Jean-Baptiste finds in the injustice of their births is that Jay Talley, whose real name is Jean-Paul Chandonne, does not look like what he is. For that reason, he is worse than Jean-Baptiste.
It is not lost on Jean-Baptiste that the several minutes separating his birth from his brother’s is how long it is supposed to take for Jean-Baptiste to die on May 7. Several minutes is about how long his chosen ones lived, as blood spattered walls in peaks and valleys that looked very much like an abstract painting he once saw and wished badly he could buy, but had no money and no place to hang it.
“Who’s there!” he screams.
THE CHARLES RIVER reflects the fledgling green of spring along Boston’s embankment, and Benton Wesley watches young men row a racing shell in perfect rhythm.
Muscles ripple like the gentle current, paddles dip in whispered plashes. He could watch and say nothing all afternoon. The day is perfect, without a cloud, the temperature seventy-five degrees. Benton has become a close companion of isolation and silence, and craves them to the extreme that conversation fatigues him and is weighted by long pauses that intimidate some people and irritate others. He rarely has more to say than the homeless people who sleep in rag piles beneath the Arthur Fiedler footbridge. He even managed to offend the loud, gregarious Max, who works in the Café Esplanade, where Benton on occasion buys root-beer and Cracker Jacks or a soft pretzel. The first comment Benton ever made to Max was taken the wrong way.
“Change.” That was all Benton muttered with a shake of his head.
Max, who is German and often mistranslates English and takes umbrage easily, interpreted the cryptic remark to mean that that smart-ass in running clothes and dark sunglasses thinks all foreigners are inferior and dishonest and was demanding the change due him from the five-dollar bill Max tucked inside the till. In other words, the hardworking Max is a thief.
What Benton meant was that Cracker Jacks at the Café Esplanade are served in bags, not boxes, and cost a dollar instead of a quarter. The toy surprises inside are games printed on folded white paper, cheap as hell, and require the IQ of a pigeon. Gone are the days of Benton’s childhood, when his sticky fingers dug through caramel-glazed popcorn and peanuts for treasure, such as a plastic whistle or BB game or, best of all, the magic decoding ring that little Benton wore on his index finger, pretending it empowered him to know what people thought, what they would do and which monster he would defeat on his next secret mission.
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br /> The irony isn’t lost on him that he grew up to wear a special ring—this one gold and engraved with the FBI crest—and became the champion of decoding the thoughts, motivations and actions of people the public calls monsters. Benton was born with a special gift for channeling his intuition and intellect into the neurological and spiritual abysses of the worst of the worst. His quarry was the elusive offenders whose violent sexual acts were so heinous that panicking police from the United States and abroad used to wait in line to review their cases with him in the FBI Academy’s Profiling Unit in Quantico, Virginia. Benton Wesley was the legendary unit chief who wore conservative suits and a large gold ring.
It was believed that from reports and nightmarish photographs, he could divine some clue that investigators missed, as if there was a magic prize to be rooted out during sessions inside the dank, windowless space where the only sounds were grim voices, papers sliding across the conference room table, and distant muffled shots from the indoor firing range. Benton’s world for most of his FBI career was J. Edgar Hoover’s former bomb shelter, an airless bunker belowground where pipes from the Academy’s upper-level toilets sometimes leaked on worn carpet or ran in stinking trickles down cinder-block walls.
Benton is fifty and has reached the bitter belief that psychological profiling isn’t psychological in the least, but is nothing more than forms and assumptions based on decades-old data. Profiling is propaganda and marketing. It is hype. It is just one more sales pitch that helps rake in federal dollars as FBI lobbyists stalk Capitol Hill. The very word profiling makes Wesley grit his teeth, and he can’t abide the way what he used to do is misunderstood, abused, has become a hackneyed Hollywood device drawn from worn-out and faulty behavioral science, anecdotes and deductive assumptions. Modern profiling is not inductive. It is as specious and misleading as physiognomy and anthropometry—or the dangerous and ridiculous beliefs from centuries past that murderers looked like cavemen and could be unequivocally identified by the circumference of their heads or the length of their arms. Profiling is fool’s gold, and for Benton to come around to that conviction is akin to a priest deciding there is no God.
Four Scarpetta Novels Page 92
