He has clogs, too, like Minchin: but nobody laughs at HIM. He gives himself no airs; but walks into a house with a knock and a demeanor so tremulous and humble, that the servants rather patronize him. He does not speak, or have any particular opinions, but when the time comes, begins to dance. He bleats out a word or two to his partner during this operation, seems very weak and sad during the whole performance, and, of course, is set to dance with the ugliest women everywhere.
The gentle, kind spirit! when I think of him night after night, hopping and jigging, and trudging off to Kentish Town, so gently, through the fogs, and mud, and darkness: I do not know whether I ought to admire him, because his enjoyments are so simple, and his dispositions so kindly; or laugh at him, because he draws his life so exquisitely mild. Well, well, we can't be all roaring lions in this world; there must be SOME lambs, and harmless, kindly, gregarious creatures for eating and shearing. See! even good-natured Mrs. Perkins is leading up the trembling Larkins to the tremendous Miss Bunion!
MISS BUNION.
The Poetess, author of "Heartstrings," "The Deadly Nightshade," "Passion Flowers," &c. Though her poems breathe only of love, Miss B. has never been married. She is nearly six feet high; she loves waltzing beyond even poesy; and I think lobster-salad as much as either. She confesses to twenty-eight; in which case her first volume, "The Orphan of Gozo," (cut up by Mr. Rigby, in the Quarterly, with his usual kindness,) must have been published when she was three years old.
For a woman all soul, she certainly eats as much as any woman I ever saw. The sufferings she has had to endure, are, she says, beyond compare; the poems which she writes breathe a withering passion, a smouldering despair, an agony of spirit that would melt the soul of a drayman, were he to read them. Well, it is a comfort to see that she can dance of nights, and to know (for the habits of illustrious literary persons are always worth knowing) that she eats a hot mutton-chop for breakfast every morning of her blighted existence.
She lives in a boardinghouse at Brompton, and comes to the party in a fly.
MR. HICKS.
It is worth twopence to see Miss Bunion and Poseidon Hicks, the great poet, conversing with one another, and to talk of one to the other afterwards. How they hate each other! I (in my wicked way) have sent Hicks almost raving mad, by praising Bunion to him in confidence; and you can drive Bunion out of the room by a few judicious panegyrics of Hicks.
Hicks first burst upon the astonished world with poems, in the Byronic manner: "The Death-Shriek," "The Bastard of Lara," "The Atabal," "The Fire-Ship of Botzaris," and other works. His "Love Lays," in Mr. Moore's early style, were pronounced to be wonderfully precocious for a young gentleman then only thirteen, and in a commercial academy, at Tooting.
Subsequently, this great bard became less passionate and more thoughtful; and, at the age of twenty, wrote "Idiosyncracy" (in forty books, 4to.): "Ararat," "a stupendous epic," as the reviews said; and "The Megatheria," "a magnificent contribution to our pre-Adamite literature," according to the same authorities. Not having read these works, it would ill become me to judge them; but I know that poor Jingle, the publisher, always attributed his insolvency to the latter epic, which was magnificently printed in elephant folio.
Hicks has now taken a classical turn, and has brought out "Poseidon," "Iacchus," "Hephaestus," and I dare say is going through the mythology. But I should not like to try him at a passage of the Greek Delectus, any more than twenty thousand others of us who have had a "classical education."
Hicks was taken in an inspired attitude regarding the chandelier, and pretending he didn't know that Miss Pettifer was looking at him.
Her name is Anna Maria (daughter of Higgs and Pettifer, solicitors, Bedford Row); but Hicks calls her "Ianthe" in his album verses, and is himself an eminent drysalter in the city.
MISS MEGGOT.
Poor Miss Meggot is not so lucky as Miss Bunion. Nobody comes to dance with HER, though she has a new frock on, as she calls it, and rather a pretty foot, which she always manages to stick out.
She is forty-seven, the youngest of three sisters, who live a mouldy old house, near Middlesex Hospital, where they have lived for I don't know how many score of years; but this is certain: the eldest Miss Meggot saw the Gordon Riots out of that same parlor window, and tells the story how her father (physician to George III.) was robbed of his queue in the streets on that occasion. The two old ladies have taken the brevet rank, and are addressed as Mrs. Jane and Mrs. Betsy: one of them is at whist in the back drawing-room. But the youngest is still called Miss Nancy, and is considered quite a baby by her sisters.
She was going to be married once to a brave young officer, Ensign Angus Macquirk, of the Whistlebinkie Fencibles; but he fell at Quatre Bras, by the side of the gallant Snuffmull, his commander. Deeply, deeply did Miss Nancy deplore him.
But time has cicatrized the wounded heart. She is gay now, and would sing or dance, ay, or marry if anybody asked her.
Do go, my dear friend—I don't mean to ask her to marry, but to ask her to dance.—Never mind the looks of the thing. It will make her happy; and what does it cost you? Ah, my dear fellow! take this counsel: always dance with the old ladies—always dance with the governesses. It is a comfort to the poor things when they get up in their garret that somebody has had mercy on them. And such a handsome fellow as YOU too!
MISS RANVILLE, REV. MR. TOOP, MISS MULLINS, MR. WINTER.
Mr. W. Miss Mullins, look at Miss Ranville: what a picture of good humor.
Miss M.—Oh, you satirical creature!
Mr. W.—Do you know why she is so angry? she expected to dance with Captain Grig, and by some mistake, the Cambridge Professor got hold of her: isn't he a handsome man?
Miss M.—Oh, you droll wretch!
Mr. W.—Yes, he's a fellow of college—fellows mayn't marry, Miss Mullins—poor fellows, ay, Miss Mullins?
Miss M.—La!
Mr. W.—And Professor of Phlebotomy in the University. He flatters himself he is a man of the world, Miss Mullins, and always dances in the long vacation.
Miss M.—You malicious, wicked monster!
Mr. W.—Do you know Lady Jane Ranville? Miss Ranville's mamma. A ball once a year; footmen in canary-colored livery: Baker Street; six dinners in the season; starves all the year round; pride and poverty, you know; I've been to her ball ONCE. Ranville Ranville's her brother, and between you and me—but this, dear Miss Mullins, is a profound secret,—I think he's a greater fool than his sister.
Miss M.—Oh, you satirical, droll, malicious, wicked thing you!
Mr. W.—You do me injustice, Miss Mullins, indeed you do.
[Chaine Anglaise.]
MISS JOY, MR. AND MRS. JOY, MR. BOTTER.
Mr. B.—What spirits that girl has, Mrs. Joy!
Mr. J.—She's a sunshine in a house, Botter, a regular sunshine. When Mrs. J. here's in a bad humor, I . . .
Mrs. J.—Don't talk nonsense, Mr. Joy.
Mrs. B.—There's a hop, skip, and jump for you! Why, it beats Ellsler! Upon my conscience it does! It's her fourteenth quadrille too. There she goes! She's a jewel of a girl, though I say it that shouldn't.
Mrs. J. (laughing).—Why don't you marry her, Botter? Shall I speak to her? I dare say she'd have you. You're not so VERY old.
Mr. B.—Don't aggravate me, Mrs. J. You know when I lost my heart in the year 1817, at the opening of Waterloo Bridge, to a young lady who wouldn't have me, and left me to die in despair, and married Joy, of the Stock Exchange.
Mrs. J. Get away, you foolish old creature.
[MR. JOY looks on in ecstasies at Miss Joy's agility. LADY JANE RANVILLE, of Baker Street, pronounces her to be an exceedingly forward person. CAPTAIN DOBBS likes a girl who has plenty of go in her; and as for FRED SPARKS, he is over head and ears in love with her.]
MR. RANVILLE RANVILLE AND JACK HUBBARD.
This is Miss Ranville Ranville's brother, Mr. Ranville Ranville, of the Foreign Office, faithfully designed as he was playing at whist in the car
d-room. Talleyrand used to play at whist at the "Travellers'," that is why Ranville Ranville indulges in that diplomatic recreation. It is not his fault if he be not the greatest man in the room.
If you speak to him, he smiles sternly, and answers in monosyllables he would rather die than commit himself. He never has committed himself in his life. He was the first at school, and distinguished at Oxford. He is growing prematurely bald now, like Canning, and is quite proud of it. He rides in St. James's Park of a morning before breakfast. He dockets his tailor's bills, and nicks off his dinner-notes in diplomatic paragraphs, and keeps precis of them all. If he ever makes a joke, it is a quotation from Horace, like Sir Robert Peel. The only relaxation he permits himself, is to read Thucydides in the holidays.
Everybody asks him out to dinner, on account of his brass-buttons with the Queen's cipher, and to have the air of being well with the Foreign Office. "Where I dine," he says solemnly, "I think it is my duty to go to evening-parties." That is why he is here. He never dances, never sups, never drinks. He has gruel when he goes home to bed. I think it is in his brains.
He is such an ass and so respectable, that one wonders he has not succeeded in the world; and yet somehow they laugh at him; and you and I shall be Ministers as soon as he will.
Yonder, making believe to look over the print-books, is that merry rogue, Jack Hubbard.
See how jovial he looks! He is the life and soul of every party, and his impromptu singing after supper will make you die of laughing. He is meditating an impromptu now, and at the same time thinking about a bill that is coming due next Thursday. Happy dog!
MRS. TROTTER, MISS TROTTER, MISS TOADY, LORD METHUSELAH.
Dear Emma Trotter has been silent and rather ill-humored all the evening until now her pretty face lights up with smiles. Cannot you guess why? Pity the simple and affectionate creature! Lord Methuselah has not arrived until this moment: and see how the artless girl steps forward to greet him!
In the midst of all the selfishness and turmoil of the world, how charming it is to find virgin hearts quite unsullied, and to look on at little romantic pictures of mutual love! Lord Methuselah, though you know his age by the peerage—though he is old, wigged, gouty, rouged, wicked, has lighted up a pure flame in that gentle bosom. There was a talk about Tom Willoughby last year; and then, for a time, young Hawbuck (Sir John Hawbuck's youngest son) seemed the favored man; but Emma never knew her mind until she met the dear creature before you in a Rhine steamboat. "Why are you so late, Edward?" says she. Dear artless child!
Her mother looks on with tender satisfaction. One can appreciate the joys of such an admirable parent!
"Look at them!" says Miss Toady. "I vow and protest they're the handsomest couple in the room!"
Methuselah's grandchildren are rather jealous and angry, and Mademoiselle Ariane, of the French theatre, is furious. But there's no accounting for the mercenary envy of some people; and it is impossible to satisfy everybody.
MR. BEAUMORIS, MR. GRIG, MR. FLYNDERS.
Those three young men are described in a twinkling: Captain Grig of the Heavies; Mr. Beaumoris, the handsome young man; Tom Flinders (Flynders Flynders he now calls himself), the fat gentleman who dresses after Beaumoris.
Beaumoris is in the Treasury: he has a salary of eighty pounds a year, on which he maintains the best cab and horses of the season; and out of which he pays seventy guineas merely for his subscriptions to clubs. He hunts in Leicestershire, where great men mount him; he is a prodigious favorite behind the scenes at the theatres; you may get glimpses of him at Richmond, with all sorts of pink bonnets; and he is the sworn friend of half the most famous roues about town, such as Old Methuselah, Lord Billygoat, Lord Tarquin, and the rest: a respectable race. It is to oblige the former that the good-natured young fellow is here to-night; though it must not be imagined that he gives himself any airs of superiority. Dandy as he is, he is quite affable, and would borrow ten guineas from any man in the room, in the most jovial way possible.
It is neither Beau's birth, which is doubtful; nor his money, which is entirely negative; nor his honesty, which goes along with his money-qualification; nor his wit, for he can barely spell,—which recommend him to the fashionable world: but a sort of Grand Seigneur splendor and dandified je ne scais quoi, which make the man he is of him. The way in which his boots and gloves fit him is a wonder which no other man can achieve; and though he has not an atom of principle, it must be confessed that he invented the Taglioni shirt.
When I see these magnificent dandies yawning out of "White's," or caracoling in the Park on shining chargers, I like to think that Brummell was the greatest of them all, and that Brummell's father was a footman.
Flynders is Beaumoris's toady: lends him money: buys horses through his recommendation; dresses after him; clings to him in Pall Mall, and on the steps of the club; and talks about 'Bo' in all societies. It is his drag which carries down Bo's friends to the Derby, and his cheques pay for dinners to the pink bonnets. I don't believe the Perkinses know what a rogue it is, but fancy him a decent, reputable City man, like his father before him.
As for Captain Grig, what is there to tell about him? He performs the duties of his calling with perfect gravity. He is faultless on parade; excellent across country; amiable when drunk, rather slow when sober. He has not two ideas, and is a most good-natured, irreproachable, gallant, and stupid young officer.
CAVALIER SEUL.
This is my friend Bob Hely, performing the Cavalier seul in a quadrille. Remark the good-humored pleasure depicted in his countenance. Has he any secret grief? Has he a pain anywhere? No, dear Miss Jones, he is dancing like a true Briton, and with all the charming gayety and abandon of our race.
When Canaillard performs that Cavalier seul operation, does HE flinch? No: he puts on his most vainqueur look, he sticks his thumbs into the armholes of his waistcoat, and advances, retreats, pirouettes, and otherwise gambadoes, as though to say, "Regarde moi, O monde! Venez, O femmes, venez voir danser Canaillard!"
When De Bobwitz executes the same measure, he does it with smiling agility, and graceful ease.
But poor Hely, if he were advancing to a dentist, his face would not be more cheerful. All the eyes of the room are upon him, he thinks; and he thinks he looks like a fool.
Upon my word, if you press the point with me, dear Miss Jones, I think he is not very far from right. I think that while Frenchmen and Germans may dance, as it is their nature to do, there is a natural dignity about us Britons, which debars us from that enjoyment. I am rather of the Turkish opinion, that this should be done for us. I think . . .
"Good-by, you envious old fox-and-the-grapes," says Miss Jones, and the next moment I see her whirling by in a polka with Tom Tozer, at a pace which makes me shrink back with terror into the little boudoir.
M. CANAILLARD, CHEVALIER OF THE LEGION OF HONOR.
LIEUTENANT BARON DE BOBWITZ.
Canaillard. Oh, ces Anglais! quels hommes, mon Dieu! Comme ils sont habilles, comme ils dansent!
Bobwitz.—Ce sont de beaux hommes bourtant; point de tenue militaire, mais de grands gaillards; si je les avais dans ma compagnie de la Garde, j'en ferai de bons soldats.
Canaillard.—Est-il bete, cet Allemand! Les grands hommes ne font pas toujours de bons soldats, Monsieur. Il me semble que les soldats de France qui sont de ma taille, Monsieur, valent un peu mieux . . .
Bobwitz.—Vous croyez?
Canaillard.—Comment! je le crois, Monsieur? J'en suis sur! Il me semble, Monsieur, que nous l'avons prouve.
Bobwitz (impatiently).—Je m'en vais danser la Bolka. Serviteur, Monsieur.
Canaillard.—Butor! (He goes and looks at himself in the glass, when he is seized by Mrs. Perkins for the Polka.)
THE BOUDOIR.
MR. SMITH, MR. BROWN, MISS BUSTLETON.
Mr. Brown.—You polk, Miss Bustleton? I'm SO delaighted.
Miss Bustleton.—[Smiles and prepares to rise.]
Mr. Smith.—D—- puppy.
&nbs
p; (Poor Smith don't polk.)
GRAND POLKA.
Though a quadrille seems to me as dreary as a funeral, yet to look at a polka, I own, is pleasant. See! Brown and Emily Bustleton are whirling round as light as two pigeons over a dovecot; Tozer, with that wicked whisking little Jones, spins along as merrily as a May-day sweep; Miss Joy is the partner of the happy Fred Sparks; and even Miss Ranville is pleased, for the faultless Captain Grig is toe and heel with her. Beaumoris, with rather a nonchalant air, takes a turn with Miss Trotter, at which Lord Methuseleh's wrinkled chops quiver uneasily. See! how the big Baron de Bobwitz spins lightly, and gravely, and gracefully round; and lo! the Frenchman staggering under the weight of Miss Bunion, who tramps and kicks like a young cart-horse.
But the most awful sight which met my view in this dance was the unfortunate Miss Little, to whom fate had assigned THE MULLIGAN as a partner. Like a pavid kid in the talons of an eagle, that young creature trembled in his huge Milesian grasp. Disdaining the recognized form of the dance, the Irish chieftain accommodated the music to the dance of his own green land, and performed a double shuffle jig, carrying Miss Little along with him. Miss Ranville and her Captain shrank back amazed; Miss Trotter skirried out of his way into the protection of the astonished Lord Methuselah; Fred Sparks could hardly move for laughing; while, on the contrary, Miss Joy was quite in pain for poor Sophy Little. As Canaillard and the Poetess came up, The Mulligan, in the height of his enthusiasm, lunged out a kick which sent Miss Bunion howling; and concluded with a tremendous Hurroo!—a war-cry which caused every Saxon heart to shudder and quail.
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