He scarcely gives any but men's parties, and invites the whole club home to dinner. What is the compliment of being asked, when the whole club is asked too, I should like to know? Men's parties are only good for boys. I hate a dinner where there are no women. Bragg sits at the head of his table, and bullies the solitary Mrs. Bragg.
He entertains us with stories of storms which he, Bragg, encountered—of dinners which he, Bragg, has received from the Governor-General of India—of jokes which he, Bragg, has heard; and however stale or odious they may be, poor Mrs. B. is always expected to laugh.
Woe be to her if she doesn't, or if she laughs at anybody else's jokes. I have seen Bragg go up to her and squeeze her arm with a savage grind of his teeth, and say, with an oath, "Hang it, madam, how dare you laugh when any man but your husband speaks to you? I forbid you to grin in that way. I forbid you to look sulky. I forbid you to look happy, or to look up, or to keep your eyes down to the ground. I desire you will not be trapesing through the rooms. I order you not to sit as still as a stone." He curses her if the wine is corked, or if the dinner is spoiled, or if she comes a minute too soon to the club for him, or arrives a minute too late. He forbids her to walk, except upon his arm. And the consequence of his ill treatment is, that Mrs. Cammysole and Mrs. Bragg respect him beyond measure, and think him the first of human beings.
"I never knew a woman who was constantly bullied by her husband who did not like him the better for it," Miss Clapperclaw says. And though this speech has some of Clapp's usual sardonic humor in it, I can't but think there is some truth in the remark.
LEVANT HOUSE CHAMBERS.
MR. RUMBOLD, A.R.A., AND MISS RUMBOLD.
When Lord Levant quitted the country and this neighborhood, in which the tradesmen still deplore him, No. 56, known as Levantine House, was let to the "Pococurante Club," which was speedily bankrupt (for we are too far from the centre of town to support a club of our own); it was subsequently hired by the West Diddlesex Railroad; and is now divided into sets of chambers, superintended by an acrimonious housekeeper, and by a porter in a sham livery: whom, if you don't find him at the door, you may as well seek at the "Grapes" public-house, in the little lane round the corner. He varnishes the japan-boots of the dandy lodgers; reads Mr. Pinkney's Morning Post before he lets him have it; and neglects the letters of the inmates of the chambers generally.
The great rooms, which were occupied as the salons of the noble Levant, the coffee-rooms of the "Pococurante" (a club where the play was furious, as I am told), and the board-room and manager's-room of the West Diddlesex, are tenanted now by a couple of artists: young Pinkney the miniaturist, and George Rumbold the historical painter. Miss Rumbold, his sister lives with him, by the way; but with that young lady of course we have nothing to do.
I knew both these gentlemen at Rome, where George wore a velvet doublet and a beard down to his chest, and used to talk about high art at the "Caffe Greco." How it smelled of smoke, that velveteen doublet of his, with which his stringy red beard was likewise perfumed! It was in his studio that I had the honor to be introduced to his sister, the fair Miss Clara: she had a large casque with a red horse-hair plume (I thought it had been a wisp of her brother's beard at first), and held a tin-headed spear in her hand, representing a Roman warrior in the great picture of "Caractacus" George was painting—a piece sixty-four feet by eighteen. The Roman warrior blushed to be discovered in that attitude: the tin-headed spear trembled in the whitest arm in the world. So she put it down, and taking off the helmet also, went and sat in a far corner of the studio, mending George's stockings; whilst we smoked a couple of pipes, and talked about Raphael being a good deal overrated.
I think he is; and have never disguised my opinion about the "Transfiguration.". And all the time we talked, there were Clara's eyes looking lucidly out from the dark corner in which she was sitting, working away at the stockings. The lucky fellow! They were in a dreadful state of bad repair when she came out to him at Rome, after the death of their father, the Reverend Miles Rumbold.
George, while at Rome, painted "Caractacus;" a picture of "Non Angli sed Angeli" of course; a picture of "Alfred in the Neatherd's Cottage," seventy-two feet by forty-eight—(an idea of the gigantic size and Michel-Angelesque proportions of this picture may be formed, when I state that the mere muffin, of which the outcast king is spoiling the baking, is two feet three in diameter) and the deaths of Socrates, of Remus, and of the Christians under Nero respectively. I shall never forget how lovely Clara looked in white muslin, with her hair down, in this latter picture, giving herself up to a ferocious Carnifex (for which Bob Gaunter the architect sat), and refusing to listen to the mild suggestions of an insinuating Flamen: which character was a gross caricature of myself.
None of George's pictures sold. He has enough to tapestry Trafalgar Square. He has painted, since he came back to England, "The Flaying of Marsyas," "The Smothering of the Little Boys in the Tower," "A Plague Scene during the Great Pestilence," "Ugolino on the Seventh Day after he was deprived of Victuals," &c. For although these pictures have great merit, and the writhings of Marsyas, the convulsions of the little prince, the look of agony of St. Lawrence on the gridiron, &c. are quite true to nature, yet the subjects somehow are not agreeable; and if he hadn't a small patrimony, my friend George would starve.
Fondness for art leads me a great deal to his studio. George is a gentleman, and has very good friends, and good pluck too. When we were at Rome, there was a great row between him and young Heeltap, Lord Boxmoor's son, who was uncivil to Miss Rumbold; (the young scoundrel—had I been a fighting man, I should like to have shot him myself!). Lady Betty Bulbul is very fond of Clara; and Tom Bulbul, who took George's message to Heeltap, is always hanging about the studio. At least I know that I find the young jackanapes there almost every day, bringing a new novel, or some poisonous French poetry, or a basket of flowers, or grapes, with Lady Betty's love to her dear Clara—a young rascal with white kids, and his hair curled every morning. What business has HE to be dangling about George Rumbold's premises, and sticking up his ugly pug-face as a model for all George's pictures?
Miss Clapperclaw says Bulbul is evidently smitten, and Clara too. What! would she put up with such a little fribble as that, when there is a man of intellect and taste who—but I won't believe it. It is all the jealousy of women.
SOME OF THE SERVANTS IN OUR STREET.
These gentlemen have two clubs in our quarter—for the butlers at the "Indiaman," and for the gents in livery at the "Pocklington Arms"—of either of which societies I should like to be a member. I am sure they could not be so dull as our club at the "Poluphloisboio," where one meets the same neat, clean, respectable old fogies every day.
But with the best wishes, it is impossible for the present writer to join either the "Plate Club" or the "Uniform Club" (as these reunions are designated); for one could not shake hands with a friend who was standing behind your chair, or nod a How-d'ye-do? to the butler who was pouring you out a glass of wine;—so that what I know about the gents in our neighborhood is from mere casual observation. For instance, I have a slight acquaintance with (1) Thomas Spavin, who commonly wears an air of injured innocence, and is groom to Mr. Joseph Green, of Our Street. "I tell why the brougham 'oss is out of condition, and why Desperation broke out all in a lather! 'Osses will, this 'eavy weather; and Desperation was always the most mystest hoss I ever see.—I take him out with Mr. Anderson's 'ounds—I'm above it. I allis was too timid to ride to 'ounds by natur; and Colonel Sprigs' groom as says he saw me, is a liar," &c. &c.
Such is the tenor of Mr. Spavin's remarks to his master. Whereas all the world in Our Street knows that Mr. Spavin spends at least a hundred a year in beer; that he keeps a betting-book; that he has lent Mr. Green's black brougham horse to the omnibus driver; and, at a time when Mr. G. supposed him at the veterinary surgeon's, has lent him to a livery stable, which has let him out to that gentleman himself, and actually driven him to dinner behind his own horse.
This conduct I can understand, but I cannot excuse—Mr. Spavin may; and I leave the matter to be settled betwixt himself and Mr. Green.
The second is Monsieur Sinbad, Mr. Clarence Bulbul's man, whom we all hate Clarence for keeping.
Mr. Sinbad is a foreigner, speaking no known language, but a mixture of every European dialect—so that he may be an Italian brigand, or a Tyrolese minstrel, or a Spanish smuggler, for what we know. I have heard say that he is neither of these, but an Irish Jew.
He wears studs, hair-oil, jewellery, and linen shirt-fronts, very finely embroidered, but not particular for whiteness. He generally appears in faded velvet waistcoats of a morning, and is always perfumed with stale tobacco. He wears large rings on his hands, which look as if he kept them up the chimney.
He does not appear to do anything earthly for Clarence Bulbul, except to smoke his cigars, and to practise on his guitar. He will not answer a bell, nor fetch a glass of water, nor go of an errand on which, au reste, Clarence dares not send him, being entirely afraid of his servant, and not daring to use him, or to abuse him, or to send him away.
3. Adams—Mr. Champignon's man—a good old man in an old livery coat with old worsted lace—so very old, deaf, surly, and faithful, that you wonder how he should have got into the family at all; who never kept a footman till last year, when they came into the street.
Miss Clapperclaw says she believes Adams to be Mrs. Champignon's father, and he certainly has a look of that lady; as Miss C. pointed out to me at dinner one night, whilst old Adams was blundering about amongst the hired men from Gunter's, and falling over the silver dishes.
4. Fipps, the buttoniest page in all the street: walks behind Mrs. Grimsby with her prayer-book, and protects her.
"If that woman wants a protector" (a female acquaintance remarks), "heaven be good to us! She is as big as an ogress, and has an upper lip which many a cornet of the Lifeguards might envy. Her poor dear husband was a big man, and she could beat him easily; and did too. Mrs. Grimsby indeed! Why, my dear Mr. Titmarsh, it is Glumdalca walking with Tom Thumb."
This observation of Miss C.'s is very true, and Mrs. Grimsby might carry her prayer-book to church herself. But Miss Clapperclaw, who is pretty well able to take care of herself too, was glad enough to have the protection of the page when she went out in the fly to pay visits, and before Mrs. Grimsby and she quarrelled at whist at Lady Pocklington's.
After this merely parenthetic observation, we come to 5, one of her ladyship's large men, Mr. Jeames—a gentleman of vast stature and proportions, who is almost nose to nose with us as we pass her ladyship's door on the outside of the omnibus. I think Jeames has a contempt for a man whom he witnesses in that position. I have fancied something like that feeling showed itself (as far as it may in a well-bred gentleman accustomed to society) in his behavior, while waiting behind my chair at dinner.
But I take Jeames to be, like most giants, good-natured, lazy, stupid, soft-hearted, and extremely fond of drink. One night, his lady being engaged to dinner at Nightingale House, I saw Mr. Jeames resting himself on a bench at the "Pocklington Arms:" where, as he had no liquor before him, he had probably exhausted his credit.
Little Spitfire, Mr. Clarence Bulbul's boy, the wickedest little varlet that ever hung on to a cab, was "chaffing" Mr. Jeames, holding up to his face a pot of porter almost as big as the young potifer himself.
"Vill you now, Big'un, or von't you?" Spitfire said. "If you're thirsty, vy don't you say so and squench it, old boy?"
"Don't ago on making fun of me—I can't abear chaffin'," was the reply of Mr. Jeames, and tears actually stood in his fine eyes as he looked at the porter and the screeching little imp before him.
Spitfire (real name unknown) gave him some of the drink: I am happy to say Jeames's face wore quite a different look when it rose gasping out of the porter; and I judge of his dispositions from the above trivial incident.
The last boy in the sketch, 6, need scarcely be particularized. Doctor's boy; was a charity-boy; stripes evidently added on to a pair of the doctor's clothes of last year—Miss Clapperclaw pointed this out to me with a giggle. Nothing escapes that old woman.
As we were walking in Kensington Gardens, she pointed me out Mrs. Bragg's nursery-maid, who sings so loud at church, engaged with a Lifeguardsman, whom she was trying to convert probably. My virtuous friend rose indignant at the sight.
"That's why these minxes like Kensington Gardens," she cried. "Look at the woman: she leaves the baby on the grass, for the giant to trample upon; and that little wretch of a Hastings Bragg is riding on the monster's cane."
Miss C. flew up and seized the infant, waking it out of its sleep, and causing all the gardens to echo with its squalling. "I'll teach you to be impudent to me," she said to the nursery-maid, with whom my vivacious old friend, I suppose, has had a difference; and she would not release the infant until she had rung the bell of Bungalow Lodge, where she gave it up to the footman.
The giant in scarlet had slunk down towards Knightsbridge meanwhile. The big rogues are always crossing the Park and the Gardens, and hankering about Our Street.
WHAT SOMETIMES HAPPENS IN OUR STREET.
It was before old Hunkington's house that the mutes were standing, as I passed and saw this group at the door. The charity-boy with the hoop is the son of the jolly-looking mute; he admires his father, who admires himself too, in those bran-new sables. The other infants are the spawn of the alleys about Our Street. Only the parson and the typhus fever visit those mysterious haunts, which lie crouched about our splendid houses like Lazarus at the threshold of Dives.
Those little ones come crawling abroad in the sunshine, to the annoyance of the beadles, and the horror of a number of good people in the street. They will bring up the rear of the procession anon, when the grand omnibus with the feathers, and the line coaches with the long-tailed black horses, and the gentleman's private carriages with the shutters up, pass along to Saint Waltheof's.
You can hear the slow bell tolling clear in the sunshine already, mingling with the crowing of "Punch," who is passing down the street with his show; and the two musics make a queer medley.
Not near so many people, I remark, engage "Punch" now as in the good old times. I suppose our quarter is growing too genteel for him.
Miss Bridget Jones, a poor curate's daughter in Wales, comes into all Hunkington's property, and will take his name, as I am told. Nobody ever heard of her before. I am sure Captain Hunkington, and his brother Barnwell Hunkington, must wish that the lucky young lady had never been heard of to the present day.
But they will have the consolation of thinking that they did their duty by their uncle, and consoled his declining years. It was but last month that Millwood Hunkington (the Captain) sent the old gentleman a service of plate; and Mrs. Barnwell got a reclining carriage at a great expense from Hobbs and Dobbs's, in which the old gentleman went out only once.
"It is a punishment on those Hunkingtons," Miss Clapperclaw remarks: "upon those people who have been always living beyond their little incomes, and always speculating upon what the old man would leave them, and always coaxing him with presents which they could not afford, and he did not want. It is a punishment upon those Hunkingtons to be so disappointed."
"Think of giving him plate," Miss C. justly says, "who had chests-full; and sending him a carriage, who could afford to buy all Long Acre. And everything goes to Miss Jones Hunkington. I wonder will she give the things back?" Miss Clapperclaw asks. "I wouldn't."
And indeed I don't think Miss Clapperclaw would.
SOMEBODY WHOM NOBODY KNOWS.
That pretty little house, the last in Pocklington Square, was lately occupied by a young widow lady who wore a pink bonnet, a short silk dress, sustained by a crinoline, and a light blue mantle, or over-jacket (Miss C. is not here to tell me the name of the garment); or else a black velvet pelisse, a yellow shawl, and a white bonnet; or else—but never mind the dress, which seemed to be of the handsomest sort mone
y could buy—and who had very long glossy black ringlets, and a peculiarly brilliant complexion,—No. 96, Pocklington Square, I say, was lately occupied by a widow lady named Mrs. Stafford Molyneux.
The very first day on which an intimate and valued female friend of mine saw Mrs. Stafford Molyneux stepping into a brougham, with a splendid bay horse, and without a footman, (mark, if you please, that delicate sign of respectability,) and after a moment's examination of Mrs. S. M.'s toilette, her manners, little dog, carnation-colored parasol, &c., Miss Elizabeth Clapperclaw clapped to the opera-glass with which she had been regarding the new inhabitant of Our Street, came away from the window in a great flurry, and began poking her fire in a fit of virtuous indignation.
"She's very pretty," said I, who had been looking over Miss C.'s shoulder at the widow with the flashing eyes and drooping ringlets.
"Hold your tongue, sir," said Miss Clapperclaw, tossing up her virgin head with an indignant blush on her nose. "It's a sin and a shame that such a creature should be riding in her carriage, forsooth, when honest people must go on foot."
Subsequent observations confirmed my revered fellow-lodger's anger and opinion. We have watched Hansom cabs standing before that lady's house for hours; we have seen broughams, with great flaring eyes, keeping watch there in the darkness; we have seen the vans from the comestible-shops drive up and discharge loads of wines, groceries, French plums, and other articles of luxurious horror. We have seen Count Wowski's drag, Lord Martingale's carriage, Mr. Deuceace's cab drive up there time after time; and (having remarked previously the pastry-cook's men arrive with the trays and entrees), we have known that this widow was giving dinners at the little house in Pocklington Square—dinners such as decent people could not hope to enjoy.
My excellent friend has been in a perfect fury when Mrs. Stafford Molyneux, in a black velvet riding-habit, with a hat and feather, has come out and mounted an odious gray horse, and has cantered down the street, followed by her groom upon a bay.
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