The Devil—"You desire that God should not be God; for, if He experienced love, anger, or pity, He would pass from His perfection to a greater or less perfection. He cannot descend to a sentiment, or be contained under a form."
Antony—"One day, however, I shall see Him!"
The Devil—"With the Blessèd, is it not? When the finite shall enjoy the Infinite, enclosing the Absolute in a limited space!"
Antony—"No matter! There must be a Paradise for the good, as well as a Hell for the wicked!"
The Devil—"Does the exigency of your reason constitute the law of things? Without doubt, evil is a matter of indifference to God, seeing that the earth is covered with it!
"Is it from impotence that He endures it, or from cruelty that He preserves it?
"Do you think that He can be continually putting the world in order like an imperfect work, and that He watches over all the movements of all beings, from the flight of the butterfly to the thought of man?[Pg 149]
"If He created the universe His providence is superfluous. If Providence exists, creation is defective.
"But good and evil only concern you—like day and night, pleasure and pain, death and birth, which have relationship merely to a corner of space, to a special medium, to a particular interest. Inasmuch as what is infinite alone is permanent, the Infinite exists; and that is all!"
The Devil has gradually extended his huge wings, and now they cover space.
Antony can no longer see. He is on the point of fainting:
"A horrible chill freezes me to the bottom of my soul. This exceeds the utmost pitch of pain. It is, as it were, a death more profound than death. I wheel through the immensity of darkness. It enters into me. My consciousness is shivered to atoms under this expansion of nothingness."
The Devil—"But things happen only through the medium of your mind. Like a concave mirror, it distorts objects, and you need every resource in order to verify facts.
"Never shall you understand the universe in its full extent; consequently you cannot form an idea as to its cause, so as to have a just notion of God, or even say that the universe is infinite, for you should first comprehend the Infinite!
"Form is perhaps an error of your senses, substance an illusion of your intellect. Unless it be that the world, being a perpetual flux of things, appearances, by a sort of contradiction, would not be a test of truth, and illusion would be the only reality.
"But are you sure that you see? Are you sure that you live? Perhaps nothing at all exists!"[Pg 150]
The Devil has seized Antony, and, holding him by the extremities of his arms, stares at him with open jaws ready to swallow him up.
"Come, adore me! and curse the phantom that you call God!"
Antony raises his eyes with a last movement of lingering hope.
The Devil quits him.[Pg 151]
* * *
CHAPTER VII.
The Chimera and the Sphinx.
NTONY finds himself stretched on his back at the edge of the cliff. The sky is beginning to grow white.
"Is this the brightness of dawn? or is it the reflection of the moon?" He tries to rise, then sinks back, and with chattering teeth:
"I feel fatigued ... as if all my bones were broken!
"Why?
"Ah! it is the Devil! I remember; and he even repeated to me all I had learned from old Didymus concerning the opinions of Xenophanes, of Heraclitus, of Melissus, and of Anaxagoras, as well as concerning the Infinite, the creation, and the impossibility of knowing anything!
"And I imagined that I could unite myself to God!"
Laughing bitterly:
"Ah! madness! madness! Is it my fault? Prayer is intolerable to me! My heart is drier than a rock! Formerly it overflowed with love! ...[Pg 152]
"The sand, in the morning, used to send forth exhalations on the horizon, like the fumes of a censer. At the setting of the sun blossoms of fire burst forth from the cross, and, in the middle of the night, it often seemed to me that all creatures and all things, gathered in the same silence, were with me adoring the Lord. Oh! charm of prayer, bliss of ecstasy, gifts of Heaven, what has become of you?
"I remember a journey I made with Ammon in search of a solitude in which we might establish monasteries. It was the last evening, and we quickened our steps, murmuring hymns, side by side, without uttering a word. In proportion as the sun went down, the shadows of our bodies lengthened, like two obelisks, always enlarging and marching on in front of us. With the pieces of our staffs we planted the cross here and there to mark the site of a cell. The night came on slowly, and black waves spread over the earth, while an immense sheet of red still occupied the sky.
"When I was a child, I used to amuse myself in constructing hermitages with pebbles. My mother, close beside me, used to watch what I was doing.
"She was going to curse me for abandoning her, tearing her white locks. And her corpse remained stretched in the middle of the cell, beneath the roof of reeds, between the tottering walls. Through a hole, a hyena, sniffing, thrusts forward his jaws! ... Horror! horror!"
He sobs.
"No: Ammonaria would not have left her!
"Where is Ammonaria now?
"Perhaps, in a hot bath she is drawing off her garments one by one, first her cloak, then her girdle,[Pg 153] then her outer tunic, then her inner one, then the wrappings round her neck; and the vapour of cinnamon envelops her naked limbs. At last she sinks to sleep on the tepid floor. Her hair, falling around her hips, looks like a black fleece—and, almost suffocating in the overheated atmosphere, she draws breath, with her body bent forward and her breasts projecting. Hold! here is my flesh breaking into revolt. In the midst of anguish, I am tortured by voluptuousness. Two punishments at the same time—it is too much! I can no longer endure my own body!"
He stoops down and gazes over the precipice.
"The man who falls over that will be killed. Nothing easier, by simply rolling over on the left side: it is necessary to take only one step! only one!"
Then appears an old woman.
Antony rises with a start of error. He imagines that he sees his mother risen from the dead.
But this one is much older and excessively emaciated. A winding-sheet, fastened round her head, hangs with her white hair down to the very extremities of her legs, thin as sticks. The brilliancy of her teeth, which are like ivory, makes her clayey skin look darker. The sockets of her eyes are full of gloom, and in their depths flicker two flames, like lamps in a sepulchre.
"Come forward," she says; "what keeps you back?"
Antony, stammering—"I am afraid of committing a sin!"
She resumes:
"But King Saul was slain! Razias, a just man, was slain! Saint Pelagius of Antioch was slain![Pg 154] Dominius of Aleppo and his two daughters, three more saints, were slain;—and recall to your mind all the confessors who, in their eagerness to die, rushed to meet their executioners. In order to taste death the more speedily, the virgins of Miletus strangled themselves with their cords. The philosopher, Hegesias, at Syracuse preached so well on the subject, that people deserted the brothels to hang themselves in the fields. The Roman patricians sought for death as if it were a debauch."
Antony—"Yes, it is a powerful passion! Many an anchorite has yielded to it."
The old woman—"To do a thing which makes you equal to God—think of that! He created you; you are about to destroy His work, you, by your courage, freely. The enjoyment of Erostrates was not greater. And then, your body is thus mocked by your soul in order that you may avenge yourself in the end. You will have no pain. It will soon be over. What are you afraid of? A large black hole! It is empty, perhaps!"
Antony listens without saying anything in reply;—and, on the other side, appears another woman, marvellously young and beautiful. At first, he takes her for Ammonaria. But she is taller, fair as honey, rather plump, with paint on her cheeks, and roses on her head. Her long robe, covered with spangles, is studded with metallic mirrors. Her fleshly lips have a look o
f blood, and her somewhat heavy eyelashes are so much bathed in languor that one would imagine she was blind. She murmurs:
"Come, then, and enjoy yourself. Solomon recommends pleasure. Go where your heart leads you, and according to the desire of your eyes."[Pg 155]
Antony—"To find what pleasure? My heart is sick; my eyes are dim!"
She replies:
"Hasten to the suburb of Racotis; push open a door painted blue; and, when you are in the atrium, where a jet of water is gurgling, a woman will present herself—in a peplum of white silk edged with gold, her hair dishevelled, and her laugh like sounds made by rattlesnakes. She is clever. In her caress you will taste the pride of an initiation, and the satisfaction of a want. Have you pressed against your bosom a maiden who loved you? Recall to your mind her remorse, which vanished under a flood of sweet tears. You can imagine yourself—can you not?—walking through the woods beneath the light of the moon. At the pressure of your hands joined with hers a shudder runs through both of you; your eyes, brought close together, overflow from one to the other like immaterial waves, and your heart is full; it is bursting; it is a delicious whirlwind, an overpowering intoxication."
The old woman—"You need not experience joys to feel their bitterness! You need only see them from afar, and disgust takes possession of you. You must needs be wearied with the monotony of the same actions, the duration of the days, the ugliness of the world, and the stupidity of the sun!"
Antony—"Oh! yes; all that it shines upon is displeasing to me."
The young woman—"Hermit! hermit! you shall find diamonds among the pebbles, fountains beneath the sand, a delight in the dangers which you despise; and there are even places on the earth so beautiful that you are filled with a longing to embrace them."[Pg 156]
The old woman—"Every evening when you lie down to sleep on the earth, you hope that it may soon cover you."
The young woman—"Nevertheless, you believe in the resurrection of the flesh, which is the transport of life into eternity."
The old woman, while speaking, has been growing more emaciated, and, above her skull, which has no hair upon it, a bat has been making circles in the air.
The young woman has become plumper. Her robe changes colour; her nostrils swell; her eyes roll softly.
The first says, opening her arms:
"Come! I am consolation, rest, oblivion, eternal peace!"
And the second offering her breast:
"I am the soother, the joy, the life, the happiness inexhaustible!"
Antony turns on his heel to fly. Each of them places a hand upon his shoulder.
The winding-sheet flies open, and reveals the skeleton of Death. The robe bursts open, and presents to view the entire body of Lust, which has a slender figure, with an enormous development behind, and great, undulating masses of hair, disappearing towards the end.
Antony remains motionless between the pair, contemplating them.
Death says to him—
"This moment, or a little later—what does it matter? You belong to me, like the suns, the nations, the cities, the kings, the snow on the mountains, and the grass in the fields. I fly higher than[Pg 157] the sparrow-hawk, I run more quickly than the gazelle; I keep pace even with hope; I have conquered God!"
Lust—"Do not resist; I am omnipotent. The forests echo with my sighs; the waves are stirred by my agitations. Virtue, courage, piety, are dissolved in the perfume of my breath. I accompany man at every step he takes; and on the threshold of the tomb he comes back to me."
Death—"I will reveal to you what you tried to grasp by the light of torches on the features of the dead—or when you rambled beyond the Pyramids in those vast sand-heaps composed of human remains. From time to time, a piece of skull rolled under your sandal. You took it out of the dust; you made it slip between your fingers; and your mind, becoming absorbed in it, was plunged into nothingness."
Lust—"Mine is a deeper gulf! Marble slabs have inspired impure loves. People rush towards meetings that terrify them, and rivet the very chains which they curse. Whence comes the witchery of courtesans, the extravagance of dreams, the immensity of my sadness?"
Death—"My irony surpasses that of all other things. There are convulsions of joy at the funerals of kings and at the extermination of peoples; and they make war with music, plumes, flags, golden harnesses, and a display of ceremony to pay me the greater homage."
Lust—"My anger is as strong as yours. I howl, I bite, I have sweats of agony, and corpse-like appearances."
Death—"It is I who make you serious; let us embrace each other!"[Pg 158]
Death chuckles; Lust roars. They seize each other's figures, and sing together:
"I hasten the dissolution of matter."
"I facilitate the scattering of germs!"
"Thou destroyest that I may renew!"
"Thou engenderest that I may destroy!"
"Active my power!"
"Fruitful my decay!"
And their voices, whose echoes, rolling forth, fill the horizon, become so powerful that Antony falls backward.
A shock, from time to time, causes him to half open his eyes; and he perceives, in the midst of the darkness, a kind of monster before him.
It is a death's-head with a crown of roses. It rises above the torso of a woman white as mother-of-pearl. Beneath, a winding-sheet, starred with points of gold, makes a kind of train;—and the entire body undulates, like a gigantic worm holding itself erect.
The vision grows fainter, and then fades away.
Antony, rises again—"This time, once more, it was the Devil, and under his two-fold aspect—the spirit of voluptuousness and the spirit of destruction. Neither terrifies me. I thrust happiness aside, and feel that I am eternal.
"Thus, death is only an illusion, a veil, masking at certain points the continuity of life. But substance, being one, why is there a variety of forms? There must be somewhere primordial figures, whose bodies are only images. If one could see, one would know the bond between mind and matter, wherein Being consists!
"There are those figures which were painted at Babylon on the wall of the temple of Belus, and they[Pg 159] covered a mosaic in the port of Carthage. I, myself, have sometimes seen in the sky what seemed like forms of spirits. Those who traverse the desert meet animals passing all conception ..."
And, opposite him, on the other side of the Nile, lo! the Sphinx appears.
It stretches out its feet, shakes the fillets on its forehead, and lies down upon its belly.
Jumping, flying, spirting fire through its nostrils, and striking its wings with its dragon's tail, the Chimera with its green eyes, winds round, and barks. The curls of its head, thrown back on one side, intermingle with the hair on its haunches; and on the other side they hang over the sand, and move to and fro with the swaying of its entire body.
The Sphinx is motionless, and gazes at the Chimera:
"Here, Chimera; stop!"
The Chimera—"No, never!"
The Sphinx—"Do not run so quickly; do not fly so high; do not bark so loud!"
The Chimera—"Do not address me, do not address me any more, since you remain forever silent!"
The Sphinx—"Cease casting your flames in my face and flinging your yells in my ears; you shall not melt my granite!"
The Chimera—"You will not get hold of me, terrible Sphinx!"
The Sphinx—"You are too foolish to live with me!"
The Chimera—"You are too clumsy to follow me!"
The Sphinx—"And where are you going that you run so quickly?"[Pg 160]
The Chimera—"I gallop into the corridors of the labyrinth; I hover over the mountains; I skim along the waves; I yelp at the bottoms of precipices; I hang by my jaws on the skirts of the clouds. With my trailing tail I scratch the coasts, and the hills have taken their curb according to the form of my shoulders. But as for you, I find you perpetually motionless; or, rather, with the end of your claw tracing letters on the sand."
The Sphinx—"T
hat is because I keep my secret! I reflect and I calculate. The sea returns to its bed; the blades of corn balance themselves in the wind; the caravans pass; the dust flies off; the cities crumble;—but my glance, which nothing can turn aside, remains concentrated on the objects which cover an inaccessible horizon."
The Chimera—"As for me, I am light and joyous! I discover in men dazzling perspectives, with Paradises in the clouds and distant felicities. I pour into their souls the eternal insanities, projects of happiness, plans for the future, dreams of glory, and oaths of love, as well as virtuous resolutions. I drive them on perilous voyages and on mighty enterprises. I have carved with my claws the marvels of architecture. It is I that hung the little bells on the tomb of Porsenna, and surrounded with a wall of Corinthian brass the quays of the Atlantides.
"I seek fresh perfumes, larger flowers, pleasures hitherto unknown. If anywhere I find a man whose soul reposes in wisdom, I fall upon him and strangle him."
The Sphinx—"All those whom the desire of God torments, I have devoured.
"The strongest, in order to climb to my royal[Pg 161] forehead, mount upon the stripes of my fillets as on the steps of a staircase. Weariness takes possession of them, and they fall back of their own accord."
Antony begins to tremble. He is not before his cell, but in the desert, having at either side of him those two monstrous animals, whose jaws graze his shoulders.
The Sphinx—"O Fantasy, bear me on thy wings to enliven thy sadness!"
The Chimera—"O Unknown One, I am in love with thine eyes! I turn round thee, soliciting allayment of that which devours me!"
The Sphinx—"My feet cannot raise themselves. The lichen, like a ringworm, has grown over my mouth. By dint of thinking, I have no longer anything to say."
The Chimera—"You lie, hypocritical Sphinx! How is it that you are always addressing me and abjuring me?"
The Sphinx—"It is you, unmanageable caprice, who pass and whirl about."
The Chimera—"Is that my fault? Come, now, just let me be!"
It barks.
The Sphinx—"You move away; you avoid me!"
The Temptation of St. Antony Page 13
