by Tim Winton
‘It’s Christmas,’ she said. ‘This is where we should be.’
No, he thought, feeling himself steered like a big stupid animal, no, it’s much worse than that, much worse than Christmas. He was too dizzy to resist her, though. The entrance with its kingdom of faces and upraised fingers and sceptres and staffs rose above him like the opening of a tunnel where he joined a river of figures. They smelled of wine and burnt butter and onions, these people, the slow-moving and dreamy, half-hearted and freezing. Their coats were buttoned and their scarves tight, their midnight mass faces shining in the gloom. Sounds of feet on the smooth stones until the roar of the organ pipes as they made the vast vaulted cave of the cathedral itself with its haze of incense and candle-smoke, the perfumes of a thousand women, the feel of sweat-oiled timber and cool sepulchral air of an underground city.
Scully felt himself a man on sea legs. He sensed people making space for him as though they smelt sex and failure and theft on him. They edged politely but firmly from the sight of his weeping rogue eye, and they saw into him. They knew and it made his teeth chatter. You’re no better, their compressed lips said. No use feeling outraged anymore – you bastard. You know how easy it is to bolt and leave them sleeping.
The bodies of saints flickered all around.
The great kite of the crucified Christ loomed and caused the crowd to vibrate. Like a pyre before him the bank of burning candles waited. The hot pure smell of burning. A woman’s fan of blonde hair in front of him scented like roses as he walked. Billie beside him, her face glowing with hurt and understanding. He lit a candle and held it up before him. God, how his head soared and pitched, how rod-like his blood went in his veins. A candle for the birth of Christ, for the squirming of Job in his own shit, of Jonah running like a mad bastard from the monster he knew he was. A candle for Jennifer, just for the sake of it, for his poor deserted mother, for Alex, and Pete and Irma, poor Irma who was making him cry and laugh right in the middle of things here in the cathedral of Our Lady of Paris. Our friggin lady who let him cry and stumble into that rose-smelling hair with the writhing flame of his candle suddenly spitting and cracking and bursting hilariously into true fire right before him and the others whose mouths were open as if in adoration at the weirdness of miracles. Tongues of living fire as he went falling, falling into the yielding squelch of people, God bless them.
V
On a quiet street where old ghosts meet
I see her walk away from me
So hurriedly my reason must allow
That I have wooed not as I should
A creature made of clay . . .
‘Raglan Road’
Forty-six
WITH HIS HEAD BACK and his mouth open like a clown you put balls into, Scully snored and sprawled across the seats stinking of train stations and fire and cement and the long, horrible night. There’d been so many rotten nights for Billie, it was all rotten almost as far back as she could remember, but last night was the worst. Last night he really was the Hunchback, no pretending about it. Like a hurt animal, he was, frightened and scary, almost setting fire to that lady’s hair and falling over in church with the priest like an angry king up there in his robes. She got him out of there real fast, before people could do anything to him. It was terrible to see, him falling all over like a killed bull trying to lie down and die. He was so heavy and crying and awful that it hurt in her heart and she knew even then that only she could save him.
She swallowed her pill without water. It wormed down her neck as if it was alive. Her hands felt gritty and she needed a glass of milk or a little bottle of jus du pommes, the kind with hips that reminded her of Granma Scully. Her face didn’t hurt but her eyes were sore from staying awake and keeping watch.
There weren’t too many people in the carriage. Some men, some women, no families. Most of them looked like her Scully, as if they’d slept in a train station on Christmas Eve. She could tell they had no roast lunch to go home to, no presents waiting to be opened, no dollar coins hiding in the pudding, no afternoon at the beach, no party hats, no box of macadamia nuts to scoff on till they got crook. Billie didn’t care about all that, herself. She was a bit shocked not to care, but she had a job now. Looking around the train she bet half these people got on this morning just for something to do, somewhere to be that wasn’t Paris.
She looked at the knees of her new jeans and thought about Irma. She felt bad about her. Irma wasn’t a real grown up. She was little inside, but her heart was big. One day Scully would see that. Irma wasn’t a statue. And she would come looking again, she’d find them. She was just like Scully. Maybe that’s why Billie liked her. Yes, she’d find them and Billie wouldn’t mind at all. All anyone needed was a good heart.
Billie’s head ached. She rested it on the seat in front where some doodlehead had burned two holes with a cigarette. The sound of bells still went around in her head. That and him shouting and crying in the Metro tunnels. Paris exploding with bells. Even underground you could hear the bells in all the churches. Him lying across plastic chairs and on the floor in the Gare de l’Est while all those crazy people ran in the tunnels and crashed trolleys and busted bottles. And the old men sleeping in hot puddles and the sleeping bags rolled against the tile walls. Like under the bridges, it was. Paris was pretty on top and hollow underneath. Underground everyone was dirty and tired and lost. They weren’t going anywhere. They were just waiting for the Eiffel Tower and Notre Dame, the whole town, to fall in on them.
She picked up the last piece of her baguette and munched on it. No one in the carriage said anything. It rocked quietly, thumping on the rails. Rain streaked the windows. She needed to go to the toilet, so she put the tablet bottle back in her pack and took it up the aisle to the hissing glass doors.
In the toilet she listened to the roar of the tracks and felt the cold air spanking at her bum. A hopeless flap of light came in the little window and made her think of her bedroom in Fremantle. The big, big window that looked out on the boats. All the straight trees, the Norfolk pines, like arrows by the water. And the sun on the wall of her room, the block of sun with all the tiny flying things in it. When she was little she thought they were the souls of dead insects, still buzzing in the light. The wooden wall. The bare floor with little trucks parked on it and bears asleep in rows. No use thinking of it. It was all gone. There was a room in that little dolls’ house Scully had made in Ireland. And out the window a castle. And a paddock for a horse. It was all in a fog – that whole day was in a fog and she was glad, but fog always rises, she knew that. One day it would be clear, even the parts she didn’t want to see. Even the airport. Even that.
In the toilet mirror she looked dirty, like a gypsy but not so pretty.
She soaped up and cleaned her hands and face and clawed her hair back with her fingers. She was still glad she looked like Scully. He wasn’t pretty either, but pretty people weren’t the kind you need. Pretty people saw themselves in the mirror and were either too happy or too sad. People like Billie just shrugged and didn’t care. She didn’t want to turn into anyone pretty. Anyway, she had scars now, you only had to look.
Billie wet a paper towel and went back down the carriage with it. Scully had four seats now; his boots and legs were across the aisle on hers. His baggy jeans were stained and smelly, and stuff rode up in his pockets.
She stood there poised a moment, the puddles of land slipping by, before she reached into his pocket and eased out the fold of money. She left the coins right down against his leg. This was more money than they had before, much more. She slipped it into her jacket thoughtfully and took up the wet paper towel to scrub him down. He moaned and turned his head, but didn’t wake, not even when she got to his hands. When she finished there were little balls of paper on him here and there but he looked better. Billie stuffed the grey pulp into the ashtray and sat across the aisle from him with the pack on the seat beside her as she looked through their passports, at their old faces, their big watermelon smiles. She coun
ted the money again – five one- hundred francs – and stowed it in her jacket and fell quickly to sleep as Belgium trolled by and by and by without her.
• • •
THROUGH THE STRANGE, neat ornamental suburbs of Amsterdam Scully rested his head against the shuddering glass and felt Billie patting at him like a mother at a schoolboy. The headache had gone ballistic this past half-hour, so frightful that the beating glass made it no worse. His throat, raw with puking, felt like a PVC pipe lately introduced into his body and he smelled like a public toilet. The other poor bastards in the carriage looked ready to climb onto the return train the moment they pulled in. The deadly power of Christmas.
He felt in his pockets for something to chew and came up with change in four currencies.
‘I took the money,’ said Billie across the aisle before it really registered.
‘You? Why?’
She shrugged. ‘I’m scared.’
‘Of me?’
Billie looked at her boots.
‘You’ll need to change it into guilders, then. Dutch money. This is Holland.’
‘Holland.’
‘You know, the boy with his finger in the dike.’
She nodded gravely.
‘Beats having your head down the dike, I guess,’ he murmured against himself.
‘Why are we here?’
‘I have to see Dominique. She’s got a houseboat here.’
She sighed and looked out the window. Scully gathered his limbs brittlely to him and nursed his nausea. Call me Rasputin, he thought. Poison me, chain me up, kick the hell out of me, but I’ll get up and keep coming. A crooked grin came to his lips. Come to think of it I can do it all to myself and still keep coming, so don’t underestimate me, Christmas Day. But deep down he knew he had nothing left. Last night was a dark cloud at the back of his head. His teeth ached, his chest was hollow. Anywhere he walked today, he knew, would just be walking to keep from sinking. The whole earth slurped and waited. It was no use pretending. He had nothing left. Jennifer would be here. He’d find her, he knew it now, but he’d be an empty vessel. She’d get her way in the end.
• • •
CENTRAAL STATION was empty of passengers, its kiosks and shops shuttered, but it was crowded with people who looked as though they lived there. Ghetto blasters and guitars reverberated in every corner. Junkies and drunks lay nodding in hallways. Dreadlocked touts hustled limply by the deserted escalators, disheartened by the holiday. A madman in fluorescent tights shrieked at his own reflection in the windows of the closed-up Bureau de Change. Hippies of seventeen and eighteen who looked German to Scully swilled Amstel and laughed theatrically amongst themselves. Scully snarled at them and pushed by. The air was warm and foul with body odour, smoke and urine so that the street air was a sweet blast to be savoured a second or two. It revived him long enough to sling the pack over one shoulder, raise his eyebrows doubtfully at Billie and stump out dazedly into the feeble light and the unravelling plait of tramlines in the square before them.
A canal, hundreds of uptilted bicycles, a stretch of pretty buildings encrusted and disfigured by neon. A fish sky low enough to make Scully hunch a few moments until he got into some kind of stride that never graduated beyond a victim’s shuffle, a lunatic’s scoot, the derro walk. He was a mess. He was ratshit.
The city was beautiful, you had to notice it. Beautiful but subdued to the point of spookiness. There was almost no one on the streets. Now and then bells rang uncertainly and a pretty cyclist, male or female, whirred past dressed to the gills and intent on being somewhere.
They went down the wide boulevard of closed-up cafés and cheap hotels, change joints, souvenir pits until they came to a big square. Beneath the monument in the square a few dark-skinned men smoked handrolled cigarettes and a sharp young Arab offered cocaine in a hoarse whisper.
‘Piss off,’ said Scully, feeling the spastic twinge of the newcomer, the fear of being in a city he didn’t know. He was surprised to feel anything at all, but there it was, the bowel-clenching sensation he remembered from London the first time, Paris the first time, Athens. An emotion, by God. It was worse without crowds, without currents he could simply slip into, hide in and follow while he got his bearings. Every door was closed to the street. Their footfalls rang clear on the sharp air. Scully had to stand there and look like a rube without a shred of cover. Why should he care? Screw them all. The hell with Amsterdam and Christmas Day.
In time they came to a Turkish joint where they flopped into plastic chairs and ate ancient hommus and tabouleh. They drank coffee and chocolate while young women swept and wiped around them. Scully stared out at bell gables and wrought-iron and immense paned windows. He tried to produce a lasting thought.
‘Where’s the houseboat?’ said Billie, cleaning her teeth with a paper napkin.
‘Dunno,’ he murmured, watching her eyes widen in disbelief.
‘You haven’t got the address?’
‘Nope.’
‘This is a city!’
‘Nice work, Einstein.’
‘Don’t make a joke of me!’ She looked at him with such fury that he shifted in his chair.
‘I’m sorry.’
‘I could leave you,’ she murmured. ‘I’ve got the money.’
‘Don’t.’
‘Don’t make me a joke.’
She got up and went to pay their bill. He watched as she carefully unpeeled a hundred-franc note and was amazed that the Turkish girls decided to accept it. They thought she was a scream, you could see. How doggedly she waited for her change. His kid. Billie turned over the bright guilder notes in her hands and thanked them politely before returning to the table.
‘Scully?’
‘Hm?’
‘Let’s go home?’
Scully shook his head.
‘I want to stop looking.’
He shook his head again and felt the pulse jerk in his temples.
‘You don’t even know where to look.’
He smiled. ‘How hard can it be to find a houseboat?’
Billie whumped a fist onto the table and walked out into the eerie street in disgust. For a while he watched her blowing steam out there and kicking the cobbles. Pigeons kept back from her, pumping their necks cautiously. He smiled at her through the glass. She scowled back.
Forty-seven
EVENTUALLY THE KNOCKING GOES AWAY and she lifts herself onto one shaky elbow. A sick noon light lies across the twisted bedclothes. The room is strewn. Pretty red shoes. Black tights. A tartan suitcase pillaged and open. Shopping bags, gift wrap in drifts. The bathroom door is closed. Christmas Day. Of course, the little darlings, they’ll be in church. God, she needs a cigarette, but where is her bag in all this mess?
Slowly, with infinite care, she inches to her feet. Like a rolling boulder, she feels the headache coming. She kicks through the junk – no bag. She knocks on the bathroom door. Opens it slowly. All over the vanity, in the basin even, her stuff. She finds the light switch, hisses at the sudden fluorescence and sees her wallet on the floor. In her hands it still smells of Morocco. Travellers’ cheques, all signed, still there. But no cash.
Her passport, tampons, ticket stubs right there on the vanity. And on the mirror, right in her face, three X’s. Kiss, kiss, kiss.
Irma snatches up the Gauloises, finds the lighter and lights up. She takes a deep scouring drag with her head tilted back and the pain gathering at the base of her skull. XXX. You bastard. You asshole.
She begins to laugh.
Forty-eight
ALONG THE SILVERY CANALS they wandered as the weather fell, Billie and her dad, moving up streets called Prinsengracht, Herengracht, Keizersgracht, words that sounded like talking with cake in your mouth. Drizzle wept from bridges and drowned bikes meshed together beneath the clinching overhang of bald trees. Along the brick banks of the canals, dinghies, runabouts and rubber duckies were tied up beside every kind of houseboat you could dream of. They weren’t yachts, caiques and crayboats
like in Greece and Australia, but big heavy things that hardly moved. With their pots and pots of yellow flowers, the houseboats lay low in the water, creamy with paint and varnish, their rudders strapped alongside like wooden shields. They were fat and wide with rounded backsides and windows full of green plants and frilly curtains. From their chimneys rose smoke and gas heat and the smells of cooking. Dog bowls stood out on deck catching the rain and chained bikes and garden chairs and party lights dripped. To Billie they looked made up by kids, painted like dolls’ houses. The whole town looked that way – every skinny house was a cubbyhole and hideout. The little streets and canals were so small you could imagine having built them yourself.
But soon the streets just turned into streets, and the boats just more boats as the rain gave the water goosebumps and she stumped along with Scully coming alone behind like a lame horse. Billie’s collar filled with drizzle and her jeans were wet from brushing the fenders of parked cars, and she began to wonder if saving him was too much for her. The long skinny houses started to look like racks of burnt toast. The sky was misty with rain, a sky that could never hold sun or moon or stars.
Now and then someone emerged from a hatch to pull in washing or hoik a bucket of dirty water over the side or just puff a cigar with a Christmas drink in their hand, and Billie ran toward them with the photo from Scully’s wallet. The black-and-white, cut down and crooked. It was the three of them but she couldn’t look. She just held it out to them as Scully hung back in shame. It burnt her hand, that photo, but she stopped caring. Today was Jesus’ birthday and she had his hands; she felt holes burning there but couldn’t look for fear of seeing Her in the picture. If Billie laid eyes on that face with its smooth chin and black wing of hair and beautiful faraway eyes, she knew all her love, all her strength would break. Pee would run down her legs and her hands catch fire and she would turn to stone herself and be a statue by the water. So she ignored the acid sting in her hands and held up the photo to people with pink cheeks and Christmas smiles.
