Texts for Nothing and Other Shorter Prose 1950-1976

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Texts for Nothing and Other Shorter Prose 1950-1976 Page 14

by Samuel Beckett


  So on infinitely until towards the unthinkable end if this notion is maintained a last body of all by feeble fits and starts is searching still. There is nothing at first sight to distinguish him from the others dead still where they stand or sit in abandonment beyond recall. Lying down is unheard of in the cylinder and this pose solace of the vanquished is for ever denied them here. Such privation is partly to be explained by the dearth of floor space namely a little under one square metre at the disposal of each body and not to be eked out by that of the niches and tunnels reserved for the search alone. Thus the prostration of those withered ones filled with the horror of contact and compelled to brush together without ceasing is denied its natural end. But the persistence of the twofold vibration suggests that in this old abode all is not yet quite for the best. And sure enough there he stirs this last of all if a man and slowly draws himself up and some time later opens his burnt eyes. At the foot of the ladders propped against the wall with scant regard to harmony no climber waits his turn. The aged vanquished of the third zone has none about him now but others in his image motionless and bowed. The mite still in the white-haired woman’s clasp is no more than a shadow in her lap. Seen from the front the red head sunk to the uttermost exposes part of the nape. There he opens then his eyes this last of all if a man and some time later threads his way to that first among the vanquished so often taken for a guide. On his knees he parts the heavy hair and raises the unresisting head. Once devoured the face thus laid bare the eyes at a touch of the thumbs open without demur. In those calm wastes he lets his wander till they are the first to close and the head relinquished falls back into its place. He himself after a pause impossible to time finds at last his place and pose whereupon dark descends and at the same instant the temperature comes to rest not far from freezing point. Hushed in the same breath the faint stridulence mentioned above whence suddenly such silence as to drown all the faint breathings put together. So much roughly speaking for the last state of the cylinder and of this little people of searchers one first of whom if a man in some unthinkable past for the first time bowed his head if this notion is maintained.

  Ping

  All known all white bare white body fixed one yard legs joined like sewn. Light heat white floor one square yard never seen. White walls one yard by two white ceiling one square yard never seen. Bare white body fixed only the eyes only just. Traces blurs light grey almost white on white. Hands hanging palms front white feet heels together right angle. Light heat white planes shining white bare white body fixed ping fixed elsewhere. Traces blurs signs no meaning light grey almost white. Bare white body fixed white on white invisible. Only the eyes only just light blue almost white. Head haught eyes light blue almost white silence within. Brief murmurs only just almost never all known. Traces blurs signs no meaning light grey almost white. Legs joined like sewn heels together right angle. Traces alone unover given black light grey almost white on white. Light heat white walls shining white one yard by two. Bare white body fixed one yard ping fixed elsewhere. Traces blurs signs no meaning light grey almost white. White feet toes joined like sewn heels together right angle invisible. Eyes alone unover given blue light blue almost white. Murmur only just almost never one second perhaps not alone. Given rose only just bare white body fixed one yard white on white invisible. All white all known murmurs only just almost never always the same all known. Light heat hands hanging palms front white on white invisible. Bare white body fixed ping fixed elsewhere. Only the eyes only just light blue almost white fixed front. Ping murmur only just almost never one second perhaps a way out. Head haught eyes light blue almost white fixed front ping murmur ping silence. Eyes holes light blue almost white mouth white seam like sewn invisible. Ping murmur perhaps a nature one second almost never that much memory almost never. White walls each its trace grey blur signs no meaning light grey almost white. Light heat all known all white planes meeting invisible. Ping murmur only just almost never one second perhaps a meaning that much memory almost never. White feet toes joined like sewn heels together right angle ping elsewhere no sound. Hands hanging palms front legs front legs joined like sewn. Head haught eyes holes light blue almost white fixed front silence within. Ping elsewhere always there but that known not. Eyes holes light blue alone unover given blue light blue almost white only colour fixed front. All white all known white planes shining white ping murmur only just almost never one second light time that much memory almost never. Bare white body fixed one yard ping fixed elsewhere white on white invisible heart breath no sound. Only the eyes given blue light blue almost white fixed front only colour alone unover. Planes meeting invisible one only shining white infinite but that known not. Nose ears white holes mouth white seam like sewn invisible. Ping murmurs only just almost never one second always the same all known. Given rose only just bare white body fixed one yard invisible all known without within. Ping perhaps a nature one second with image same time a little less blue and white in the wind. White ceiling shining white one square yard never seen ping perhaps way out there one second ping silence. Traces alone unover given black grey blurs signs no meaning light grey almost white always the same. Ping perhaps not alone one second with image always the same same time a little less that much memory almost never ping silence. Given rose only just nails fallen white over. Long hair fallen white invisible over. White scars invisible same white as flesh torn of old given rose only just. Ping image only just almost never one second light time blue and white in the wind. Head haught nose ears white holes mouth white seam like sewn invisible over. Only the eyes given blue fixed front light blue almost white only colour alone unover. Light heat white planes shining white one only shining white infinite but that known not. Ping a nature only just almost never one second with image same time a little less blue and white in the wind. Traces blurs light grey eyes holes light blue almost white fixed front ping a meaning only just almost never ping silence. Bare white one yard fixed ping fixed elsewhere no sound legs joined like sewn heels together right angle hands hanging palms front. Head haught eyes holes light blue almost white fixed front silence within. Ping elsewhere always there but that known not. Ping perhaps not alone one second with image same time a little less dim eye black and white half closed long lashes imploring that much memory almost never. Afar flash of time all white all over all of old ping flash white walls shining white no trace eyes holes light blue almost white last colour ping white over. Ping fixed last elsewhere legs joined like sewn heels together right angle hands hanging palms front head haught eyes white invisible fixed front over. Given rose only just one yard invisible bare white all known without within over. White ceiling never seen ping of old only just almost never one second light time white floor never seen ping of old perhaps there. Ping of old only just perhaps a meaning a nature one second almost never blue and white in the wind that much memory henceforth never. White planes no trace shining white one only shining white infinite but that known now. Light heat all known all white heart breath no sound. Head haught eyes white fixed front old ping last murmur one second perhaps not alone eye unlustrous black and white half closed long lashes imploring ping silence ping over.

  Lessness

  Ruins true refuge long last towards which so many false time out of mind. All sides endlessness earth sky as one no sound no stir. Grey face two pale blue little body heart beating only upright. Blacked out fallen open four walls over backwards true refuge issueless.

  Scattered ruins same grey as the sand ash grey true refuge. Four square all light sheer white blank planes all gone from mind. Never was but grey air timeless no sound figment the passing light. No sound no stir ash grey sky mirrored earth mirrored sky. Never but this changelessness dream the passing hour.

  He will curse God again as in the blessed days face to the open sky the passing deluge. Little body grey face features crack and little holes two pale blue. Blank planes sheer white eye calm long last all gone from mind.

  Figment light never was but grey air timeless no sound.
Blank planes touch close sheer white all gone from mind. Little body ash grey locked rigid heart beating face to endlessness. On him will rain again as in the blessed days of blue the passing cloud. Four square true refuge long last four walls over backwards no sound.

  Grey sky no cloud no sound no stir earth ash grey sand. Little body same grey as the earth sky ruins only upright. Ash grey all sides earth sky as one all sides endlessness.

  He will stir in the sand there will be stir in the sky the air the sand. Never but in dream the happy dream only one time to serve. Little body little block heart beating ash grey only upright. Earth sky as one all sides endlessness little body only upright. In the sand no hold one step more in the endlessness he will make it. No sound not a breath same grey all sides earth sky body ruins.

  Slow black with ruin true refuge four walls over backwards no sound. Legs a single block arms fast to sides little body face to endlessness. Never but in vanished dream the passing hour long short. Only upright little body grey smooth no relief a few holes. One step in the ruins in the sand on his back in the endlessness he will make it. Never but dream the days and nights made of dreams of other nights better days. He will live again the space of a step it will be day and night again over him the endlessness.

  In four split asunder over backwards true refuge issueless scattered ruins. Little body little block genitals overrun arse a single block grey crack overrun. True refuge long last issueless scattered down four walls over backwards no sound. All sides endlessness earth sky as one no stir not a breath. Blank planes sheer white calm eye light of reason all gone from mind. Scattered ruins ash grey all sides true refuge long last issueless.

  Ash grey little body only upright heart beating face to endlessness. Old love new love as in the blessed days unhappiness will reign again. Earth sand same grey as the air sky ruins body fine ash grey sand. Light refuge sheer white blank planes all gone from mind. Flatness endless little body only upright same grey all sides earth sky body ruins. Face to white calm touch close eye calm long last all gone from mind. One step more one alone all alone in the sand no hold he will make it.

  Blacked out fallen open true refuge issueless towards which so many false time out of mind. Never but silence such that in imagination this wild laughter these cries. Head through calm eye all light white calm all gone from mind. Figment dawn dispeller of figments and the other called dusk.

  He will go on his back face to the sky open again over him the ruins the sand the endlessness. Grey air timeless earth sky as one same grey as the ruins flatness endless. It will be day and night again over him the endlessness the air heart will beat again. True refuge long last scattered ruins same grey as the sand.

  Face to calm eye touch close all calm all white all gone from mind. Never but imagined the blue in a wild imagining the blue celeste of poesy. Little void mighty light four square all white blank planes all gone from mind. Never was but grey air timeless no stir not a breath. Heart beating little body only upright grey face features overrun two pale blue. Light white touch close head through calm eye light of reason all gone from mind.

  Little body same grey as the earth sky ruins only upright. No sound not a breath same grey all sides earth sky body ruins. Blacked out fallen open four walls over backwards true refuge issueless.

  No sound no stir ash grey sky mirrored earth mirrored sky. Grey air timeless earth sky as one same grey as the ruins flatness endless. In the sand no hold one step more in the endlessness he will make it. It will be day and night again over him the endlessness the air heart will beat again.

  Figment light never was but grey air timeless no sound. All sides endlessness earth sky as one no stir not a breath. On him will rain again as in the blessed days of blue the passing cloud. Grey sky no cloud no sound no stir earth ash grey sand.

  Little void mighty light four square all white blank planes all gone from mind. Flatness endless little body only upright same grey all sides earth sky body ruins. Scattered ruins same grey as the sand ash grey true refuge. Four square true refuge long last four walls over backwards no sound. Never but this changelessness dream the passing hour. Never was but grey air timeless no sound figment the passing light.

  In four split asunder over backwards true refuge issueless scattered ruins. He will live again the space of a step it will be day and night again over him the endlessness. Face to white calm touch close eye calm long last all gone from mind. Grey face two pale blue little body heart beating only upright. He will go on his back face to the sky open again over him the ruins the sand the endlessness. Earth sand same grey as the air sky ruins body fine ash grey sand. Blank planes touch close sheer white all gone from mind.

  Heart beating little body only upright grey face features overrun two pale blue. Only upright little body grey smooth no relief a few holes. Never but dream the days and nights made of dreams of other nights better days. He will stir in the sand there will be stir in the sky the air the sand. One step in the ruins in the sand on his back in the endlessness he will make it. Never but silence such that in imagination this wild laughter these cries.

  True refuge long last scattered ruins same grey as the sand. Never was but grey air timeless no stir not a breath. Blank planes sheer white calm eye light of reason all gone from mind. Never but in vanished dream the passing hour long short. Four square all light sheer white blank planes all gone from mind.

  Blacked out fallen open true refuge issueless towards which so many false time out of mind. Head through calm eye all light white calm all gone from mind. Old love new love as in the blessed days unhappiness will reign again. Ash grey all sides earth sky as one all sides endlessness. Scattered ruins ash grey all sides true refuge long last issueless. Never but in dream the happy dream only one time to serve. Little body grey face features crack and little holes two pale blue.

  Ruins true refuge long last towards which so many false time out of mind. Never but imagined the blue in a wild imagining the blue celeste of poesy. Light white touch close head through calm eye light of reason all gone from mind.

  Slow black with ruin true refuge four walls over backwards no sound. Earth sky as one all sides endlessness little body only upright. One step more one alone all alone in the sand no hold he will make it. Ash grey little body only upright heart beating face to endlessness. Light refuge sheer white blank planes all gone from mind. All sides endlessness earth sky as one no sound no stir.

  Legs a single block arms fast to sides little body face to endlessness. True refuge long last issueless scattered down four walls over backwards no sound. Blank planes sheer white eye calm long last all gone from mind. He will curse God again as in the blessed days face to the open sky the passing deluge. Face to calm eye touch close all calm all white all gone from mind.

  Little body little block heart beating ash grey only upright. Little body ash grey locked rigid heart beating face to endlessness. Little body little block genitals overrun arse a single block grey crack overrun. Figment dawn dispeller of figments and the other called dusk.

  Fizzles

  He is barehead

  He is barehead, barefoot, clothed in a singlet and tight trousers too short for him, his hands have told him so, again and again, and his feet, feeling each other and rubbing against the legs, up and down calves and shins. To this vaguely prison garb none of his memories answer, so far, but all are of heaviness, in this connexion, of fullness and of thickness. The great head where he toils is all mockery, he is forth again, he’ll be back again. Some day he’ll see himself, his whole front, from the chest down, and the arms, and finally the hands, first rigid at arm’s length, then close up, trembling, to his eyes. He halts, for the first time since he knows he’s under way, one foot before the other, the higher flat, the lower on its toes, and waits for a decision. Then he moves on. Spite of the dark he does not grope his way, arms outstretched, hands agape and the feet held back just before the ground. With the result he must often, namely at every turn, strike against the walls that hem his path, ag
ainst the right-hand when he turns left, the left-hand when he turns right, now with this foot, now with the crown of his head, for he holds himself bowed, because of the rise, and because he always holds himself bowed, his back humped, his head thrust forward, his eyes cast down. He loses his blood, but in no great quantity, the little wounds have time to close before being opened again, his pace is so slow. There are places where the walls almost meet, then it is the shoulders take the shock. But instead of stopping short, and even turning back, saying to himself, This is the end of the road, nothing now but to return to the other terminus and start again, instead he attacks the narrow sideways and so finally squeezes through, to the great hurt of his chest and back. Do his eyes, after such long exposure to the gloom, begin to pierce it? No, and this is one of the reasons why he shuts them more and more, more and more often and for ever longer spells. For his concern is increasingly to spare himself needless fatigue, such as that come of staring before him, and even all about him, hour after hour, day after day, and never seeing a thing. This is not the time to go into his wrongs, but perhaps he was wrong not to persist, in his efforts to pierce the gloom. For he might well have succeeded, in the end, up to a point, which would have brightened things up for him, nothing like a ray of light, from time to time, to brighten things up for one. And all may yet grow light, at any moment, first dimly and then – how can one say? – then more and more, till all is flooded with light, the way, the ground, the walls, the vault, without his being one whit the wiser. The moon may appear, framed at the end of the vista, and he in no state to rejoice and quicken his step, or on the contrary wheel and run, while there is yet time. For the moment however no complaints, which is the main. The legs notably seem in good shape, that is a blessing, Murphy had first-rate legs. The head is still a little weak, it needs time to get going again, that part does. No sign of insanity in any case, that is a blessing. Meagre equipment, but well balanced. The heart? No complaints. It’s going again, enough to see him through. But see how now, having turned right for example, instead of turning left a little further on he turns right again. And see how now again, yet a little further on, instead of turning left at last he turns right yet again. And so on until, instead of turning right yet again, as he expected, he turns left at last. Then for a time his zigzags resume their tenor, deflecting him alternately to right and left, that is to say bearing him onward in a straight line more or less, but no longer the same straight line as when he set forth, or rather as when he suddenly realized he was forth, or perhaps after all the same. For if there are long periods when the right predominates, there are others when the left prevails. It matters little in any case, so long as he keeps on climbing. But see how now a little further on the ground falls away so sheer that he has to rear violently backward in order not to fall. Where is it then that life awaits him, in relation to his starting-point, to the point rather at which he suddenly realized he was started, above or below? Or will they cancel out in the end, the long gentle climbs and headlong steeps? It matters little in any case, so long as he is on the right road, and that he is, for there are no others, unless he has let them slip by unnoticed, one after another. Walls and ground, if not of stone, are no less hard, to the touch, and wet. The former, certain days, he stops to lick. The fauna, if any, is silent. The only sounds, apart from those of the body on its way, are of fall, a great drop dropping at last from a great height and bursting, a solid mass that leaves its place and crashes down, lighter particles collapsing slowly. Then the echo is heard, as loud at first as the sound that woke it and repeated sometimes a good score of times, each time a little weaker, no, sometimes louder than the time before, till finally it dies away. Then silence again, broken only by the sound, intricate and faint, of the body on its way. But such sounds of fall are not common and mostly silence reigns, broken only by the sounds of the body on its way, of the bare feet on the wet ground, of the laboured breathing, of the body striking against the walls or squeezing through the narrows, of the clothes, singlet and trousers, espousing and resisting the movements of the body, coming unstuck from the damp flesh and sticking to it again, tattering and fluttered where in tatters already by sudden flurries as suddenly stilled, and finally of the hands as now and then they pass, back and forth, over all those parts of the body they can reach without fatigue. He himself has yet to drop. The air is foul. Sometimes he halts and leans against a wall, his feet wedged against the other. He has already a number of memories, from the memory of the day he suddenly knew he was there, on this same path still bearing him along, to that now of having halted to lean against the wall, he has a little past already, even a smatter of settled ways. But it is all still fragile. And often he surprises himself, both moving and at rest, but more often moving, for he seldom comes to rest, as destitute of history as on that first day, on this same path, which is his beginning, on days of great recall. But usually now, the surprise once past, memory returns and takes him back, if he will, far back to that first instant beyond which nothing, when he was already old, that is to say near to death, and knew, though unable to recall having lived, what age and death are, with other momentous matters. But it is all still fragile. And often he suddenly begins, in these black windings, and makes his first steps for quite a while before realizing they are merely the last, or latest. The air is so foul that only he seems fitted to survive it who never breathed the other, the true life-giving, or so long ago as to amount to never. And such true air, coming hard on that of here, would very likely prove fatal, after a few lungfuls. But the change from one to the other will no doubt be gentle, when the time comes, and gradual, as the man draws closer and closer to the open. And perhaps even now the air is less foul than when he started, than when he suddenly realized he was started. In any case little by little his history takes shape, with if not yet exactly its good days and bad, at least studded with occasions passing rightly or wrongly for outstanding, such as the straitest narrow, the loudest fall, the most lingering collapse, the steepest descent, the greatest number of successive turns the same way, the greatest fatigue, the longest rest, the longest – aside from the sound of the body on its way – silence. Ah yes, and the most rewarding passage of the hands, on the one hand, the feet, on the other, over all those parts of the body within their reach. And the sweetest wall lick. In a word all the summits. Then other summits, hardly less elevated, such as a shock so rude that it rivalled the rudest of all. Then others still, scarcely less eminent, a wall lick so sweet as to vie with the second sweetest. Then little or nothing of note till the minima, these too unforgettable, on days of great recall, a sound of fall so muted by the distance, or for want of weight, or for lack of space between departure and arrival, that it was perhaps his fancy. Or again, second example, no, not a good example. Other landmarks still are provided by first times, and even second. Thus the first narrow, for example, no doubt because he was not expecting it, impressed him quite as strongly as the straitest, just as the second collapse, no doubt because he was expecting it, was no less than the briefest never to be forgotten. So with one thing and another little by little his history takes shape, and even changes shape, as new maxima and minima tend to cast into the shade, and toward oblivion, those momentarily glorified, and as fresh elements and motifs, such as these bones of which more very shortly, and at length, in view of their importance, contribute to enrich it.

 

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