How to Marry a Billionaire

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How to Marry a Billionaire Page 1

by Elise Sax




  How

  to Marry

  a Billionaire

  book one of the

  operation billionaire trilogy

  elise sax

  How to Marry a Billionaire (Operation Billionaire – Book 1) is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

  Copyright © 2017 by Elise Sax

  All rights reserved.

  Published in the United States by Elise Sax

  Cover design: Elizabeth Mackey

  Edited by: Novel Needs

  Formatted by: Jesse Kimmel-Freeman

  Printed in the United States of America

  elisesax.com

  [email protected]

  http://elisesax.com/mailing-list.php

  https://www.facebook.com/ei.sax.9

  @theelisesax

  Also by Elise Sax

  Matchmaker Mysteries Series

  Matchmaking Advice from Your Grandma Zelda

  Road to Matchmaker

  An Affair to Dismember

  Citizen Pain

  The Wizards of Saws

  Field of Screams

  From Fear to Eternity

  West Side Gory

  Scareplane

  It Happened One Fright

  The Big Kill

  It’s a Wonderful Knife

  Ship of Ghouls

  Goodnight Mysteries Series

  Die Noon

  Doom with a View

  Jurassic Dark

  Coal Miner’s Slaughter

  Operation Billionaire Trilogy

  How to Marry a Billionaire

  How to Marry Another Billionaire

  How to Marry the Last Billionaire on Earth

  Five Wishes Series

  Going Down

  Man Candy

  Hot Wired

  Just Sacked

  Wicked Ride

  Five Wishes Series

  Three More Wishes Series

  Blown Away

  Inn & Out

  Quick Bang

  Three More Wishes Series

  Standalone Books

  Forever Now

  Bounty

  Switched

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Going Down Excerpt

  Also by Elise Sax

  About the Author

  Chapter 1

  Beatrice

  This is the start of my happy ending, but I’m oblivious. I’m just seeing the sad, sad, sad ending I’m drowning in. I figure I’m screwed, but not in a good way. I have no idea that a month from now I’ll have it all. But now, well, now I can’t stop crying.

  “You have snot on your cheek.”

  I have snot on my cheek.

  “There. Right there.”

  The stranger at my door is being kind. Not only do I have snot there, but I have it there, there, and there. How could I not? There’s not enough Kleenex in the world to wipe up my… My sadness, desperation, panic, regret, hurt, rip out my heart, stomp on my joy, eat three pounds of M&Ms deep, deep depression.

  I grab a handful of the hem of my GAP blue T-shirt with sardine stains on the front after a particularly bad evening and wipe my cheek.

  “Better?” I ask.

  He arches an eyebrow, cocks his head to the side, and shrugs. “I don’t want to throw up any longer.”

  That’s better than nothing. At least I don’t make a man want to vomit. Tears sting my eyes and roll down my almost clean cheeks. I’m never going to attract a man again. I had a man—the perfect man—but now he’s gone, and I’m left with stained, clearance item clothing, over-active tear ducts, and boogers on my face.

  “Beatrice Hammersmith?” the man at the door asks me.

  “Yes,” I sob. I’m Beatrice Hammersmith, but I wanted to be Beatrice Kennedy, the last name of the perfect man who left me. And before that I wanted to be Beatrice Nicholson. And before that, Beatrice Johnson. And before that, five more before thats. All wonderful, beautiful men who left me and left me with nothing.

  “Here you go,” he says, handing me a manila envelope. He’s a courier, and he’s tall and wearing a ski hat, even though it’s July, and we’re having a heatwave here in Los Angeles.

  I shake my head and slip my hands behind my back, refusing to take the envelope. “What’s that?”

  “Take it.”

  “No.”

  He waves it under my chin. “Take it. Take it.”

  “No. No. No.”

  He rolls his eyes at me, even though he’s the one dressed for snow in the middle of the valley in ninety-degree weather. “When it’s over, it’s over,” he says, wisely, like he’s Yoda and I’ve failed Jedi school.

  I know it’s over. It’s really over. The perfect man sent me the “I never loved you” text while I was at work and when I got home, my Pottery Barn-decorated home had turned into an empty two-bedroom apartment. Completely empty. He took the furniture, the area rugs, and the dishes. Even the lightbulbs were gone.

  Over.

  But I keep looking out the window and listening at the door, waiting for his perfect self to come back to me, to bring back my bread maker and loveseat and to tell me that it was all a mistake, that he really does love me. That I’m the only one for him. But he hasn’t come back. Instead, there’s the stranger at the door with the envelope.

  “But…” I say.

  “Over,” he repeats and tucks the envelope under my shirt. He waves goodbye and skips down the hall and out of my life.

  Just like every person I meet with a penis.

  I rip open the envelope. Order to evacuate. There’s a lot of fine print, but the bold is pretty clear. I have a week to get the hell out of my love nest. Like the pathetic dumped woman I am, I scan the envelope for personal notes from him, an “I miss you” card or an “I really do love you” Post-It note. Something. Anything. A tiny sign that I’m love-worthy.

  I tear apart the envelope, searching the corners, but there’s nothing except for the scent of rejection and downtown law office.

  Because he’s a lawyer. A perfect lawyer.

  Missed it by that much.

  Again.

  My phone rings, and I jump for it. “Ms. Hammersmith?” a man asks. He informs me about my maxed-out credit cards. A little voice in my head chastises me for letting my perfect boyfriend borrow my three Visas.

  “Nobody loves me,” I tell the debt collector.

  “So, can you send a payment today?”

  I hang up the phone and toss it on the floor next to the order to evacuate. I grab my purse and evacuate my apartment.

  A week early with nowhere to go and snot on my face.

  Olivia

  “What are you doing?” my mother asks.

  “I’m having a nervous breakdown. It’s very time-consuming. Leave me alone.”

  “No, I mean, what are you doing right this second?”

  I may be sitting on my cold kitchen tile, eating Cheez-Its off of the floor, but I won’t admit it. “I’m cleaning,” I say.

  My mother taps the heel of her glittery blue house slipper. She’s a big believer in couch potato fashion… Housecoats, slippers, the occasional head of curlers. She’s always on top of her housew
ife couture. Mom has been living with me ever since the evil monster, lowlife, sadistic jerk from h-e-double-toothpicks left me and our four kids. That was a month ago, and I’ve only seen my mother dressed in actual outside dress clothes three times since then.

  “You’re eating cookies from off the floor,” she accuses.

  “They’re not cookies. They’re a wholesome cheesy cracker.”

  “Wholesome” is a stretch, but I don’t drink or take drugs. So, this is it. I refuse to be criticized for eating Cheez-Its or Ho-Ho’s or Nutella sandwiches. I deserve it. A woman’s got to cope, right? Some meditate; I carbo load.

  My mother picks up my two-year old son Ronnie, who has been eating Cheez-Its off the floor with me. Oh yeah, did I mention that?

  “I’m worried about you,” Mom says.

  “The baby knocked the box off the counter. I didn’t pour them on the floor for him to eat,” I explain. I mean, I do have my limits.

  Sort of.

  “You have a beautiful body. You can get another husband,” she says, but she’s distracted when the theme music to Judge Judy comes on the television in the other room, which is this room, too…It’s a kitchen, dining room, living room combo.

  “I have stretch marks. There’s a map of Los Angeles on my belly.”

  Besides, I don’t dare go near another man. I have super, bionic, Olympic-miracle ovaries, and I get pregnant if a man even sneezes near me. My last two children were conceived while I was on the pill and the monster was wearing double condoms.

  I have alien Thor-like ovaries.

  Superman, Batman ovaries.

  I carry pregnancy tests in my purse, and I throw a party when I get my period…which is not often.

  “I don’t need a husband,” I say with all the dignity I can muster sitting on my knees on the floor with cracker crumbs in my bra. “I’m going to make it on my own.”

  But she’s gone, walking like The Walking Dead toward live flesh, but in her case, it’s a loud woman in a black robe on TV that’s got her attention. I watch her put the baby on the floor –carpeted this time—and give him a toy fire truck to play with and then she plops down on the couch and turns up the television to blaring levels. I’m not a fan of the show, but I figure my mom relates to Judge Judy’s robe.

  With baby Ronnie occupied, I drag myself up and shuffle my bare feet to the kids’ bedroom to check on them. Children one and two—Mick and Keith--are playing with Legos, and number four Bianca is asleep in her crib.

  Peace.

  It’s like a disruption in the space-time continuum. A disturbance in the Force. Normally, it’s never peaceful in the two-bedroom apartment I share with my mother and four children under five years old. The quiet is so odd that I almost check them for fevers, but I decide to accept this moment of quiet and serenity and leave well enough alone. Besides, the doorbell rings, and I answer it.

  I’m surprised to see the private investigator, who I hired to find the monster. He’s old and short with garlic breath and no neck. He’s not exactly Magnum PI, but he was cheaper than everyone else. I guess good looks cost extra. Typical. But I’m filled with a rush of hope. He hands me an envelope and eyes my orange-stained cleavage.

  “Is this his address?” I ask, holding up the envelope. The PI’s been looking for the monster for two weeks. My ex-husband left without a trace, and I’m living off of my mother’s disability check and selling all of my belongings, including my shoes, one by one, in order to pay for baby formula and Cheez-Its. I won’t ask for government assistance until I’m sure that I can’t get the monster to give me support.

  So, I’m down to two-hundred and fifty dollars and a pair of Uggs.

  “No, that’s your bill. Mr. Skeazo disappeared without a trace. I thought I tracked him down in Nevada, but he’s on the run. He’s smoke. He’s a ghost. He’s never coming back.”

  I don’t want him to come back. I want him to pay child support. Four kids worth of child support. Enough child support so that I can wear shoes and pay the electric bill. Maybe I could get my car back, too.

  “You’re not giving up, are you?” My voice comes out an octave higher than normal. I’m panicking, and it’s constricting my airwaves. My blood pressure must be through the roof.

  “I feel sort of guilty about taking any more of your money,” he says, eyeing my cleavage, again. “This is a dud case. Just give up. He’s not worth it.”

  He is worth it. He’s worth child support. I can’t find a job that will pay enough for childcare. I’m in a Catch-22 situation. Can’t afford to work; can’t afford not to work.

  “Please,” I moan, but he shakes my hand and says goodbye.

  I’m so screwed.

  I watch the back of the private detective as he walks away, and all hell breaks loose. My four children start crying at the same time. There’s all kinds of hungry, dirty, and tired going on, and for the first time since I became a mother, I can’t hack it.

  Maybe it’s the five years of sleep deprivation. Maybe it’s the overriding sense of doom. Maybe it’s the knowledge that I can’t find a job where I can take four children to work with me. Whatever it is, I give up. I can’t take it. I can’t change another diaper. I can’t read “Goodnight Moon” one more time. I have to get some air.

  I need a break.

  “Can you watch the kids for a little while?” I ask my mother and leave the apartment without waiting for her answer.

  Rosalind

  I riffle through my Birkin bag for a bottle of Xanax. “I know you’re in here, you little bastard,” I say out loud in the office bathroom. I’ve already checked under the stalls to make sure that I’m alone because there’s no way that anybody’s going to see this junior executive, who wants to be a senior executive, freak out.

  And by freak out, I mean, take a sledgehammer to the walls, scream “go to hell” at every member of the board, throw the Xerox machines out the window to crash down the twenty flights to the ground below, and pee into the punchbowl, which is on the conference room table to celebrate Howard Ward’s promotion.

  Howard Ward.

  Howard son-of-a-bitch, stole-my-promotion, insipid, vapid, kiss-ass, Ward.

  I toss my cosmetic bag, wallet, and a bottle of TUMS out of my purse and into the sink, as I try to find the Xanax. “Don’t freak out, Rosalind,” I tell myself in the mirror. I still look like a good corporate soldier…put together, clothes pressed, and eyeliner in place, but there’s a touch of crazy rage oozing out of my eyes, and it’s just a matter of minutes before I blow.

  Don’t blow. Don’t blow, I urge myself. Daisy Ford in marketing blew three months ago, and we never heard from her again. I heard rumors that she was sent to corporate Siberia…Detroit.

  I can’t go to Detroit. I don’t like the cold, and I’m determined to get to the top of this company. At least, I need to get above where I am now.

  Where I’m stuck, now, I mean.

  Stuck and pounding at the glass ceiling, but the damned thing won’t break.

  I take a deep breath and search my bag again. It’s got to be in there because I put it in my purse when I had to go home for Christmas. Home equals Xanax…always. And today work equals Xanax…so that I don’t stab someone with the knife we use to cut birthday cakes. And promotion cakes.

  Howard son-of-a-bitch Ward’s promotion cake.

  “Eureka!” I shout, as I finally pull out the bottle of Xanax. I hug it to my chest, already feeling the placebo calming effects.

  I shake it gently, and it sounds like it’s almost empty. But it can’t be. It was full just a couple of weeks ago. Opening it, I’m stunned to see that I’m down to two measly pills. Just how many did I pop at Christmas?

  But I look on the bright side: there’s two pills, and two will just have to do. I empty the sink and put my stuff back in my purse. I turn on the tap, thrilled that in just a few minutes I’ll be able to cope through the miracles of modern medicine.

  Oh, chemicals, how I love you!

  I open
the child safety bottle top, getting calmer by the second. I pour the two pills out, but I overshoot my hand, and I watch with incredulous horror as the two little white pills drop into the stream of running water and with a whoosh! go down the drain.

  “No, no, no,” I moan and go after the pills, scooping out water and dipping my fingers into the drain.

  Of course, I don’t retrieve them. My calm and non-crazy is on its way to the Pacific Ocean, leaving me with all kinds of crazy.

  Motherfucker!

  In a crazed fury, I slap at the water, spraying it all over the bathroom, including the Birkin Bag that cost more than my first car.

  My brain has made the jump from educated, intelligent, sophisticated thirty-five-year-old woman to Frances, post-lobotomy. Carrie Fisher after Star Wars. One Flew Over the Cuckoo’s Nest, but wayyy over. I’ve escaped from my straitjacket. Quick, someone get some mattresses and cover the walls.

  I’m going to freak out. I’m going to blow.

  I’m probably drooling, but I’m not sure because I’ve splashed the whole front of me, and I look like I took a dip in the employee pool with my clothes on.

  The door opens—of course—and Dana White, the boss’s executive assistant walks in. She’s the gatekeeper to the billionaire owner of California Equity, the company I’ve been working at since I graduated college fourteen years ago.

  Dana White hates me.

  Dana White has blocked me at every step as I’ve tried to advance. Even though I work seventy-hour work weeks--even through mono and an appendicitis without ever going on vacation--she has prevented me, as I’ve tried every which way to get the boss’s attention, to get the appreciation I deserve.

  And the promotion.

  But I didn’t get the attention, and I didn’t get the promotion. The promotion went to Howard Ward, the weasel, fink thief jerk who stole my ideas and went to the top. My top.

  The top that was supposed to be mine.

  But I don’t have a top, now. I’m topless. I’ve only got bottom and plenty of it.

  I’m topless with a big bottom.

  “What on earth is going on in here?” Dana demands.

  I quickly turn off the faucet. “The plumbing all went to hell,” I lie. I take a handful of paper towels and dab at my blouse.

 

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