by Stephen King
Nick waited until he got tired and then pushed the food through the slots in the bottoms of the cells with the broomhandle. Billy Warner looked at him dully for a moment, then began to eat.
Mike threw his glass of milk against the bars. It shattered and milk sprayed everywhere. He slammed his two burgers against the graffiti-covered rear wall of his cell. One of them stuck in a splat of mustard, ketchup, and relish that was grotesquely cheery, like a Jackson Pollock painting. He jumped up and down on his slice of apple pie, boogying on it. Apple chunks flew every which way. The white plastic plate splintered.
"I'm on a hunger strike!" he yelled. "Fuckin hunger strike! I won't eat nothing! You'll eat my dingle before I eat anything you bring me, you fuckin deaf-mute retard asshole! You'll--"
Nick turned away and silence immediately descended. He went back out into the office, not knowing what to do, scared. If he could drive, he would take them up to Camden himself. But he couldn't drive. And there was Vince to think about. He couldn't just let him lie there, drawing flies.
There were two doors opening off the office. One was a coat closet. The other led down a flight of stairs. Nick went down and saw it was a combination cellar and storage room. It was cool down there. It would do, at least for a while.
He went back upstairs. Mike was sitting on the floor, morosely picking up squashed apple slices, brushing them off and eating them. He didn't look up at Nick.
Nick gathered the body up in his arms and tried to lift it. The sick smell coming off the corpse was making his stomach do cartwheels and handstands. Vince was too heavy for him. He looked at the body helplessly for a moment, and became aware that both of the others were now standing at their cell doors, watching with a dreadful fascination. Nick could guess what they were thinking. Vince had been one of them, a whiny gasbag, maybe, but someone they hung with, just the same. He had died like a rat in a trap with some horrible swelling sickness they didn't understand. Nick wondered, not for the first time that day, when he would start to sneeze and run a fever and develop those peculiar swellings on his neck.
He laid hold of Vince Hogan's meaty forearms and dragged him out of the cell. Vince's head leaned toward him because of the weight on his shoulders, and he seemed to be looking at Nick, wordlessly telling him to be careful, not to joggle him too much.
It took ten minutes to get the big man's remains down the steep stairs. Panting, Nick laid him on the concrete under the fluorescents, and then covered him quickly with a frayed army blanket from the cot in his cell.
He tried to sleep then, but sleep only came in the early hours of the morning after June twenty-third had become the twenty-fourth, yesterday. His dreams had always been very vivid, and sometimes he was afraid of them. He rarely had out-and-out nightmares, but more and more often lately they were ominous, giving him the feeling that no one in them was exactly as they seemed, and that the normal world had skewed into a place where babies were sacrificed behind closed blinds and stupendous black machines roared on and on in locked basements.
And, of course, there was the very personal terror--that he would wake up with it himself.
He did sleep a little, and the dream that came was one he had had before recently: the cornfield, the smell of warm growing things, the feel that something--or someone--very good and safe was close. A sense of home. And that began to fade into cold terror as he became aware that something was in the corn, watching him. He thought: Ma, weasel's got in the henhouse! and awoke to early morning light, sweat standing out on his body.
He put coffee on and went in to check on his two prisoners.
Mike Childress was in tears. Behind him, the hamburger was still stuck on the wall in its drying glue of condiments.
"You satisfied now? I got it too. Ain't that what you wanted? Ain't that your revenge? Listen to me, I sound like a fuckin freight train goin up a hill!"
But Nick's first concern had been for Billy Warner, who lay comatose on his bunk. His neck was swelled and black, his chest rising in fits and starts.
He hurried back to the office, looked at the telephone, and in a fit of rage and guilt he knocked it off the desk and onto the floor, where it lay meaninglessly at the end of its cord. He turned the hotplate off and ran down the street to the Baker house. He pushed the bell for what seemed an hour before Jane came down, wrapped in her robe. The fever-sweat was back on her face. She was not delirious, but her words were slow and slurry and her lips were blistered.
"Nick. Come in. What is it?"
"V. Hogan died last night. Warner's dying, I think. He's awful sick. Have you seen Dr. Soames?"
She shook her head, shivered in the light draft, sneezed, and then swayed on her feet. Nick put an arm around her shoulders and led her to a chair. He wrote: "Can you call his office for me?"
"Yes, of course. Bring me the phone, Nick. I seem ... to have had a setback in the night."
He brought the phone over and she dialed Soames's number. After she had held the receiver to her ear for more than half a minute, he knew there was going to be no answer.
She tried his home, then the home of his nurse. No answer.
"I'll try the State Patrol," she said, but put the phone back in the cradle after dialing a single number. "The long-distance is still out of service, I guess. After I dial 1, it just goes wah-wah-wah in my ear." She gave him a pallid smile and then the tears began to flow helplessly. "Poor Nick," she said. "Poor me. Poor everybody. Could you help me upstairs? I feel so weak, and I can't catch my breath. I think I'll be with John soon." He looked at her, wishing he could speak. "I think I'll lie down, if you can help me."
He helped her upstairs, then wrote: "I'll be back."
"Thank you, Nick. You're a good boy ..." She was already drifting off to sleep.
Nick left the house and stood on the sidewalk, wondering what to do next. If he could drive, he might be able to do something. But ...
He saw a child's bicycle lying on the lawn of a house across the street. He went to it, looked at the house it belonged to with its drawn shades (so much like the houses in his confused dreams), then went and knocked on the door. There was no answer, although he knocked several times.
He went back to the bike. It was small, but not too small for him to ride, if he didn't mind his knees whamming the handlebars. He would look ludicrous, of course, but he was not at all sure there was anyone left in Shoyo to see ... and if there was, he didn't think many of them would be in a laughing frame of mind.
He got on the bike and pedaled clumsily up Main Street, past the jail, then east on Route 63, toward where Joe Rackman had seen the soldiers masquerading as a road crew. If they were still there, and if they really were soldiers, Nick would get them to take care of Billy Warner and Mike Childress. If Billy was still alive, that was. If those men had quarantined Shoyo, then surely the sick of Shoyo were their responsibility.
It took him an hour to pedal out to the roadwork, the bike weaving crazily back and forth across the center line, his knees thumping the handlebars with monotonous regularity. But when he got there the soldiers, or road crew, or whatever they had been, were gone. There were a few smudgepots, one of them still flickering. There were two orange sawhorses. And the road had been torn up, although Nick judged it would still be passable, if you weren't too choosy about the springs of your car.
Black flickering movement caught the tail of his eye, and at the same instant the wind stirred around a little, just a soft summer breath, but enough to bring a ripe and sickening odor of corruption to his nostrils. The black movement was a cloud of flies, constantly forming and reforming itself. He walked the bike over to the ditch at the far side of the road. In it, next to a shiny new corrugated culvert pipe, were the bodies of four men. Their necks and swollen faces were black. Nick didn't know if they were soldiers or not, and he didn't go any closer. He told himself he would walk back to the bike, there was nothing here to be scared about, they were dead, and dead people couldn't hurt you. He was running by the time he was twe
nty feet from the ditch, anyway, and he was in a panic as he rode back toward Shoyo. On the outskirts of town he hit a rock and crashed the bike. He went over the handlebars, bumped his head, and scraped his hands. He only hunkered there for a moment in the middle of the road, shivering all over.
For the next hour and a half of that morning, yesterday morning, Nick knocked on doors and rang bells. There would be someone well, he told himself. He himself felt all right, and surely he could not be the only one. There would be someone, a man, a woman, maybe a teenager with a learner's permit, and he or she would say: Oh, hey, yes. Let's get them to Camden. We'll take the station wagon. Or words to that effect.
But his knocking and ringing were answered less than a dozen times. The door would open to the length of a latch-chain, a sick but hopeful face would look out, see Nick, and hope would die. The face would move back and forth in negation, and then the door would shut. If Nick could talk, he would have argued if they could still walk, they could drive. That if they took his prisoners to Camden, they could go themselves, and there would be a hospital. They would be made well. But he couldn't speak.
Some asked if he had seen Dr. Soames. One man, in a delirious rage, threw the door of his small ranch-house wide open, staggered out on the porch dressed only in his underpants, and tried to grab Nick. He said he was going to do "what I should have done to you back in Houston." He seemed to think Nick was someone named Jenner. He lurched back and forth along the porch after Nick like a zombie in a third-rate horror picture. His crotch had swelled terribly; his underpants looked as if someone had stuffed a honeydew melon into them. At last he crashed to the porch and Nick watched him from the lawn below, his heart thumping rapidly. The man shook his fist weakly, then crawled back inside, not bothering to shut the door.
But most of the houses were only silent and cryptic, and at last he could do no more. That dream-sense of ominousness was creeping up on him and it became impossible to dismiss the idea that he was knocking on the doors of tombs, knocking to wake the dead, and that sooner or later the corpses might begin to answer. It didn't help much to tell himself that most of the houses were empty, their occupants already fled to Camden or El Dorado or Texarkana.
He went back to the Baker house. Jane Baker was sleeping deeply, her forehead cool. But this time he wasn't as hopeful.
It was noon. Nick went back to the truck-stop, feeling his night's broken rest now. His body seemed to throb all over from his spill off the bike. Baker's .45 banged his hip. At the truck-stop he heated two cans of soup and put them in thermos jugs. The milk in the fridge still seemed fine, so he took a bottle of that, too.
Billy Warner was dead, and when Mike saw Nick, he began to giggle hysterically and point his finger. "Two down and one to go! Two down and one to go! You're gettin your revenge! Right? Right?"
Nick carefully pushed the thermos of soup through the slot with the broomhandle, and then a big glass of milk. Mike began to drink soup directly from the thermos in small sips. Nick took his own thermos and sat down in the hallway. He would take Billy downstairs, but first he would have lunch. He was hungry. As he drank his soup he looked at Mike thoughtfully.
"You wondering how I am?" Mike asked.
Nick nodded.
"Just the same as when you left this morning. I must have hawked out a pound of snot." He looked at Nick hopefully. "My mom always said that when you hawked snot like that, you was gettin better. Maybe I just got a mild case, huh? You think that might be?"
Nick shrugged. Anything was possible.
"I got the constitution of a brass eagle," Mike said. "I think it's nothing. I think I'll throw it off. Listen, man, let me out. Please. I'm fuckin beggin you now."
Nick thought about it.
"Hell, you got the gun. I don't want you for nothing, anyway. I just want to get out of this town. I want to check on my wife first--"
Nick pointed to Mike's left hand, which was bare of rings.
"Yeah, we're divorced, but she's still here in town, out on the Ridge Road. I'd like to look in on her. What do you say, man?" Mike was crying. "Give me a chance. Don't keep me locked up in this rat-trap."
Nick stood up slowly, went out into the office, and opened the desk drawer. The keys were there. The man's logic was inexorable; there was no sense in believing that someone was going to come and bail them out of this terrible mess. He got the keys and went back. He held up the one Big John Baker had shown him, with the tag of white tape on it, and tossed them through the bars to Mike Childress.
"Thanks," Mike babbled. "Oh, thanks. I'm sorry we beat up on you, I swear to God, it was Ray's idea, me and Vince tried to stop him but he gets drinkin and he gets crazy--" He rattled the key in the lock. Nick stood back, his hand on the gunbutt.
The cell door opened and Mike stepped out. "I meant it," he said. "All I want to do is get out of this town." He sidled past Nick, a grin twitching at his lips. Then he bolted through the door between the small cell-block and the office. Nick followed just in time to see the office door closing behind him.
Nick went outside. Mike was standing on the curb, his hand on a parking meter, looking at the empty street.
"My God," he whispered, and turned his stunned face to look at Nick. "All this? All this?"
Nick nodded, his hand still on the gunbutt.
Mike started to say something, and it turned into a coughing spasm. He covered his mouth, then wiped his lips.
"I'm getting to Christ out of here," he said. "You're wise, you'll do the same thing, mutie. This is like the black death, or somethin."
Nick shrugged, and Mike started down the sidewalk. He moved faster and faster until he was nearly running. Nick watched him until he was out of sight, and then went back inside. He never saw Mike again. His heart felt lighter, and he was suddenly sure that he had done the right thing. He lay down on the cot and went to sleep almost at once.
He slept all afternoon on the blanketless couch and awoke sweaty but feeling a little better. Thunderstorms were beating the hills--he couldn't hear the thunder, but he could see the blue-white forks of light stabbing the hills--but none had come to Shoyo that night.
At dusk he walked down Main Street to Paulie's Radio & TV and committed another of his apologetic breakins. He left a note by the cash register and lugged a Sony portable back to the jail. He turned it on and flipped through the channels. The CBS affiliate was broadcasting a sign which read MICROWAVE RELAY DIFFICULTY PLEASE STAY TUNED. The ABC station was showing "I Love Lucy," and the NBC feed was a rerun episode in a current series about a perky young girl trying to be a mechanic on the stock-car circuit. The Texarkana station, an independent specializing mostly in old movies, game shows, and religious zanies of the Jack Van Impe stripe, was off the air.
Nick snapped the TV off, went down to the truck-stop, and fixed enough soup and sandwiches for two. He thought there was something eerie about the way all the streetlights still came on, stretching out both ways along Main Street in spotlit pools of white light. He put the food in a hamper, and on the way to Jane Baker's house three or four dogs, obviously unfed and ravenous, advanced on him in a pack, drawn by the smell from the hamper. Nick drew the .45 but couldn't summon up the heart to use it until one of the dogs was getting ready to bite him. Then he pulled the trigger and the bullet whined off the cement five feet in front of him, leaving a silvery streak of lead. The sound of the report did not come to him, but he felt the dull thud of vibration. The dogs broke and ran.
Jane was asleep, her forehead and cheeks hot, her breathing slow and labored. She looked dreadfully wasted to Nick. He got a cold washcloth and wiped her face. He left her share of food on the night table, and then went down into the living room and turned on the Bakers' TV, a big console color job.
CBS didn't come on all night. NBC kept to a regular broadcast schedule, but the picture on the ABC affiliate kept going hazy, sometimes fading out to snow and then snapping back suddenly. The ABC channel showed only old syndication programs, as if its line to th
e network had been severed. It didn't matter. What Nick was waiting for was the news.
When it came on, he was dumbfounded. The "superflu epidemic," as it was now being called, was the lead story, but the newscasters on both stations said it was being brought under control. A flu vaccine had been developed at the Atlanta Centers for Disease Control, and you could get a shot from your doctor by early the following week. Outbreaks were reportedly serious in New York, San Francisco, L.A., and London, but all were being contained. In some areas, the newscaster went on, public gatherings had been canceled temporarily.
In Shoyo, Nick thought, the entire town had been canceled. Who was kidding who?
The newscaster concluded by saying that travel to most of the large city areas was still restricted, but the restrictions would be lifted as soon as the vaccine was in general release. He then went on to a plane crash in Michigan and some congressional reactions to the latest Supreme Court gay-rights decision.
Nick turned off the TV and went out onto the Bakers' porch. There was a glider and he sat down in it. The back-and-forth motion was soothing, and he couldn't hear the rusty squeak that John Baker had kept forgetting to oil. He watched fireflies as they hemmed irregular seams in the dark. Lightning flashed dully inside the clouds on the horizon, making them look as if they held fireflies of their own, monster fireflies the size of dinosaurs. The night was sticky and close.
Because television was a completely visual medium for Nick, he had noticed something about the news broadcast that others might have missed. There had been no film-clips, none at all. There had been no baseball scores, maybe because no ball games had been played. A vague weather report and no weather map showing the highs and lows--it was as if the U.S. Bureau of Meteorology had closed up shop. For all Nick knew to the contrary, they had.
Both newscasters had seemed nervous and upset. One of them had a cold; he had coughed once on mike and had excused himself. Both newscasters had kept cutting their eyes to the left and right of the camera they were facing ... as if someone was in the studio with them, someone who was there to make sure they got it right.
