by Stephen King
He who Is--the dark man, the hardcase. He waited for Trashcan Man in Cibola, and his were the armies of the night, his were the white-faced riders of the dead who would sweep out of the west and into the very face of the rising sun. They would come raving and grinning and stinking of sweat and gunpowder. There would be shrieks, and Trashcan cared very little for shrieks, there would be rape and subjugation, things about which he cared even less, there would be murder, which was immaterial--
--and there would be a Great Burning.
About that he cared very much. In the dreams the dark man came to him and spread out his arms from a high place and showed Trashcan a country in flames. Cities going up like bombs. Cultivated fields drawn in lines of fire. The very rivers of Chicago and Pittsburgh and Detroit and Birmingham ablaze with floating oil. And the dark man had told him a very simple thing in his dreams, a thing which had brought him running: I will set you high in my artillery. You are the man I want.
He rolled on his side, his cheeks and eyelids chafed and irritated from the blowing sand. He had been losing hope--yes, ever since the wheel had fallen off his bike he had been losing hope. God, the God of father-killing sheriffs, the God of Carley Yates, was stronger than the dark man after all, it seemed. Yet he had kept his faith and had kept on. And at last, when it seemed he was going to burn up in this desert before he ever got to Cibola where the dark man waited, he had seen it far below, dreaming in the sun.
"Cibola!" he whispered, and slept.
The first dream had come to him in Gary, over a month ago, after he had burned his arm. He had gone to sleep that night sure that he was going to die; no one could be burned as badly as he was and live. A refrain had beaten its way into his head: Live by the torch, die by the torch. Live by it, die by it.
His legs had given out in a small city park and he had fallen down, his left arm sprawled out and away from him like a dead thing, the shirtsleeve smoked off. The pain was giant, incredible. He had never dreamed there could be such pain in the world. He had been running gleefully from one set of oil tanks to the next, setting up crude timing devices, each constructed of a steel pipe and a flammable paraffin mixture separated from a little pool of acid by a steel tab. He had been pushing these devices into the outflow pipes on top of the tanks. When the acid ate through the steel the paraffin would ignite, and that would cause the tanks to blow. He had planned to get over to the west side of Gary, near the confusion of interchanges leading various roads toward Chicago or Milwaukee, before any of them blew. He wanted to watch the show as the entire dirty city went up in a firestorm.
But he had misjudged the last device or constructed it badly. It had gone off while he worked at opening the cap on the outflow with a pipewrench. There had been a blinding white flare as burning paraffin belched out of the tube, coating his left arm with fire. This was no painless flameglove of lighter fluid, to be waved in the air and then shaken out like a big match. This was agony, like having your arm in a volcano.
Shrieking, he had run wildly around the top of the oiltank, careering off the waist-high railings like a human pinball. If the railings had not been there, he would have plunged over the side and fallen, turning over and over, like a torch dropped down a well. Only accident saved his life; his feet tangled in each other and he fell with his left arm pinned under him, smothering the flames.
He sat up, still half-crazy with the pain. Later he would think that only blind luck--or the dark man's purpose--had saved him from being burned to death. Most of the paraffin jet had missed him. So he was thankful--but his thankfulness only came later. At the time he could only cry out and rock back and forth, holding his crisped arm out from his body as the skin smoked and crackled and contracted.
Vaguely, as the light faded from the sky, it occurred to him that he had already set a dozen of the time-devices. They might go anytime. Dying and being out of his exquisite misery would be wonderful; dying in flames would be utter horror.
Somehow he had crawled down from the tank and had staggered away, weaving and lunging in and out of the dead traffic, holding his barbecued left arm away from his body.
By the time he reached a small park near the center of town, it was sunset. He sat on the grass between two shuffleboard courts, trying to think what you did for burns. Put butter on them, that's what Donald Merwin Elbert's mother would have said. But that was for a scald, or when the bacon fat jumped extra high and spattered you with hot grease. He couldn't imagine putting butter on the cracked and blackened mess between his elbow and shoulder; couldn't even imagine touching it.
Kill himself. That was it, that was the ticket. He would put himself out of his misery like an old dog--
There was a sudden gigantic explosion on the east side of town, as if the fabric of existence had been torn briskly in two. A liquid pillar of fire shot up against dusk's deepening indigo. He had to squeeze his eyes to watering, protesting slits against it.
Even in his agony, the fire pleased him ... more, it delighted, fulfilled him. The fire was the best medicine, even better than the morphine he found the next day (as a trusty in prison he had worked in the infirmary as well as the library and the motorpool, and he knew about morphine and Elavil and Darvon Complex). He did not connect his present agony to the pillar of fire. He only knew that the fire was good, the fire was beautiful, the fire was something he needed and would always need. Wonderful fire!
Moments later a second oiltank exploded and even here, three miles away, he could feel the warm push of expanding air. Another tank went, and another. A slight pause, and then six of them went up in a rattling string and now it was too bright over there to look at but he looked anyway, grinning, his eyes full of yellow flames, his wounded arm forgotten, thoughts of suicide forgotten.
It took better than two hours for all of them to go up, and by then dark had fallen but it wasn't dark, the night was yellow and orange and feverish with flames. The entire eastern arc of the horizon danced with fire. It reminded him of a Classic funnybook he had owned as a child, an adaptation of H. G. Wells's The War of the Worlds. Now, years later, the boy who had owned that funnybook was gone, but the Trashcan Man was here, and Trash owned the wonderful, terrible secret of the Martians' deathray.
It was time to leave the park. Already the temperature had risen ten degrees. He ought to go west, stay ahead of the fire the way he had in Powtanville, racing the expanding arc of destruction. But he was in no condition to race. And so he fell asleep on the grass, and the firelight played over the face of a tired, ill-used child.
In his dream, the dark man came in his hooded robe, his face invisible ... yet the Trashcan Man thought he had seen this man before. When the loungers in the candy store and the beer parlor back in Powtanville catcalled at him, it seemed that this man had been among them, silent and thoughtful. When he had worked at the Scrubba-Dubba (soap the headlights, knock the wipers, soap the rocker panels, hey mister you want hotwax on that?), wearing the sponge glove on his right hand until the hand beneath looked like a pale dead fish, the nails as white as fresh ivory, it seemed he had seen this man's face, fiery and grinning with lunatic joy from beneath the rippling film of water rolling down the windshield. When the sheriff had sent him away to the nuthatch in Terre Haute, he had been the grinning psych aide standing above his head in the room where they gave you the shocks, his hands on the controls (I'm gonna fry your brains out, boy, help you on your way as you change from Donald Merwin Elbert into the Trashcan Man, would you like hotwax on that?), ready to send about a thousand volts zizzing into his brain. He knew this dark man all right, his was the face you could never quite see, his the hands which dealt all spades from a dead deck, his the eyes beyond the flames, his the grin from beyond the grave of the world.
"I'll do whatever you want," he said gratefully in the dream. "My life for you!"
The dark man had lifted his arms inside his robe, turning the robe into the shape of a black kite. They stood on a high place, and below them, America lay in flames.
Then he saw an army of ten thousand raggle-taggle castoff men and women driving east, driving across the desert and into the mountains, a rough beast of an army whose time had come round at last; they loaded down trucks and jeeps and Wagoneers and campers and tanks; each man and woman wore a dark stone about his or her neck, and deep in some of those stones was a red shape that might have been an Eye or might have been a Key. And riding in their van, atop a giant tanker with pillow tires, he saw himself, and knew that the truck was filled with jellied napalm ... and behind him, in column, were trucks loaded with pressure bombs and Teller mines and plastic explosive; flame throwers and flares and heat-seeking missiles; grenades and machine guns and rocket launchers. The dance of death was about to begin, and already the strings of the fiddles and guitars were smoking and the stench of brimstone and cordite filled the air.
The dark man lifted his arms again and when he dropped them everything was cold and silent, the fires gone, even the ashes cold, and for just a moment he was only Donald Merwin Elbert again, small and afraid and confused. For just that moment he suspected he was just another pawn in the dark man's huge chess game, that he had been deceived.
Then he saw the dark man's face was no longer entirely hidden; two dark red coals burned in the sunken pits where his eyes should have been, and illuminated a nose as narrow as a blade.
"I'll do whatever you want," Trash said gratefully in the dream. "My life for you! My soul for you!"
"I will set you to burn," the dark man said gravely. "You must come to my city and there all will be made clear."
"Where? Where?" He was in an agony of hope and expectation.
"West," the dark man said, fading. "West. Beyond the mountains."
He woke up then, and it was still night and still bright. The flames were closer. The heat was stifling. Houses were exploding. The stars were gone, shrouded in a thick pall of oilsmoke. A fine rain of soot had begun. The shuffleboard courts were dusted with black snow.
Now that he had a purpose, he found he could walk. He limped west, and from time to time he saw a few others leaving Gary, looking back over their shoulders at the conflagration. Fools, Trash thought, almost affectionately. You'll burn. In good time, you'll burn. They took no notice of him; to them, the Trashcan Man was only another survivor. They disappeared into the smoke and sometime after dawn Trashcan Man limped across the Illinois state line. Chicago was north of him, Joliet to the southwest, the fire lost in its own horizon-blotting smoke behind. That had been the dawn of July 2.
He had forgotten his dreams of burning Chicago to the ground--his dreams of more oiltanks and freightcars full of LP gas tucked away on railroad sidings and the tinder-dry tenements. He didn't care a fig for the Windy City. That afternoon he broke into a Chicago Heights doctor's office and stole a case of morphine syrettes. The morphine drove back the pain a little, but it had a more important side-effect: it made him care less about the pain he did feel.
He took a huge jar of Vaseline from a drugstore that night and packed the burned part of his arm in an inch of the jelly. He was very thirsty; it seemed he wanted to drink all of the time. Fantasies of the dark man buzzed in and out of his mind like blowflies. When he collapsed at dusk, he had already begun to think that the city the dark man was directing him to must be Cibola, Seven-in-One, the City that is Promised.
That night the dark man came to him again in his dreams, and with a sardonic giggle confirmed that this was so.
Trashcan Man awoke from these confused dream-memories of what had been to shivering desert cold. In the desert it was always ice or fire; there was no in-between.
Moaning a little, he stood up, holding himself as close to himself as he could. Overhead a trillion stars gleamed, seeming almost close enough to touch, bathing the desert in their cold witchlight.
He walked back to the road, wincing at his chafed and tender skin, and his many aches and pains. They were little to him now. He paused for a moment looking down at the city, dreaming in the night (there were little sparks of light here and there, like electric campfires). Then he began to walk.
When dawn began to color the sky hours later, Cibola seemed almost as distant as it had when he first came over the rise and saw it. And he had foolishly drunk all of his water, forgetting how magnified things looked out here. He didn't dare walk for long after sunrise because of the dehydration. He would have to lie up again before the sun rose in all its power.
An hour past dawn he came to a Mercedes-Benz off the road, its right side drifted in sand up to the door panels. He opened one of the left side doors and pulled the two wrinkled, monkeylike occupants out--an old woman wearing a lot of bangled jewelry, an old man with theatrical-looking white hair. Muttering, Trash took the keys from the ignition, went around, and opened the trunk. Their suitcases were not locked. He hung a variety of clothes over the windows of the Mercedes, weighting them down with rocks. Now he had a cool, dim cave.
He crawled in and went to sleep. Miles to the west, the city of Las Vegas gleamed in the light of the summer sun.
He couldn't drive a car, they had never taught him that in prison, but he could ride a bike. On July 4, the day that Larry Underwood discovered Rita Blakemoor had overdosed and died in her sleep, Trashcan Man took a ten-speed and began to ride. At first his progress was slow, because his left arm wasn't much good to him. He fell off twice that first day, once squarely on his burn, causing terrible agony. By then the burn was suppurating freely through the Vaseline and the smell was terrific. He wondered from time to time about gangrene but would not allow himself to wonder for long. He began to mix the Vaseline with an antiseptic ointment, not knowing if it would help, but feeling it certainly couldn't hurt any. It made a milky, viscous gloop that looked like semen.
Little by little he adjusted to riding the bike mostly one-handed and found that he could make good speed. The land had flattened out and most of the time he could keep the bike speeding giddily along. He drove himself steadily in spite of the burn and the light-headedness that came from being constantly stoned on morphine. He drank gallons of water and ate prodigiously. He pondered the dark man's words: I will set you high in my artillery. You are the man I want. How lovely those words were --had anyone really wanted him before? The words played over and over in his mind as he pedaled under the hot Midwestern sun. And he began to hum the melody of a little tune called "Down to the Nightclub" under his breath. The words ("Ci-a-bola! Bumpty-bumpty-bump! ") came in their own good time. He was not then as insane as he was to become, but he was advancing.
On July 8, the day Nick Andros and Tom Cullen saw buffalo grazing in Comanche County, Kansas, Trashcan Man crossed the Mississippi at the Quad Cities of Davenport, Rock Island, Bettendorf, and Moline. He was in Iowa.
On the fourteenth, the day Larry Underwood woke up near the big white house in eastern New Hampshire, Trashy crossed the Missouri north of Council Bluffs and entered Nebraska. He had regained some use of his left hand, his leg muscles had toned up, and he pressed on, feeling a huge need to hurry, hurry.
It was on the west side of the Missouri that Trash first suspected that God Himself might intervene between Trashcan Man and his destiny. There was something wrong about Nebraska, something dreadfully wrong. Something that made him afraid. It looked about the same as Iowa ... but it wasn't. The dark man had come to him every previous night in dreams, but when Trashy crossed into Nebraska, the dark man came no more.
Instead, he began to dream about an old woman. In these dreams he would find himself belly-down in a cornfield, almost paralyzed with hate and fear. It was bright morning. He could hear flocks of crows cawing. In front of him was a screen of broad, sword-like corn-leaves. Not wanting to, but powerless to stop himself, he would spread the leaves with a shaking hand and peer between them. He saw an old house in the middle of a clearing. The house was up on blocks or jacks or something. There was an apple tree with a tire swing hanging from on
e of the branches. And sitting on the porch was an old black woman playing a guitar and singing some old-time spiritual song. The song varied from dream to dream and Trashcan knew most of them because he had once known a woman, the mother of a boy named Donald Merwin Elbert, who had sung many of the same songs as she did her housework.
This dream was a nightmare, but not just because something exceedingly horrible happened at the end of it. At first you would have said there wasn't a frightening element in the whole dream. Corn? Blue sky? Old woman? Tire swing? What could be frightening about those things? Old women didn't throw rocks and jeer, especially not old women that sang old-home Jesus-jumping songs like "In That Great Getting-Up Morning" and "Bye-and-Bye, Sweet Lord, Bye-and-Bye." It was the Carley Yateses of the world who threw rocks.
But long before the dream ended he was paralyzed with fear, as if it wasn't an old woman at all he was peeking at but at some secret, some barely concealed light that seemed ready to break out all around her, to play over her with a fiery brilliance that would make the flaming oiltanks of Gary seem like so many candles in the wind--a light so bright it would chalk his eyes to cinders. And during this part of the dream all he thought was: Oh please get me away from her, I don't want no part of that old biddy, please oh please get me out of Nebraska!
Then whatever song she had been playing would come to a discordant, jangling stop. She would look right at the place where he was peeping through a tiny loophole in the broad lattice of leaves. Her face was old and seamed with wrinkles, her hair was thin enough to show her brown skull, but her eyes were bright as diamonds, full of the light he feared.
In an old, cracked, but strong voice she would cry out: Weasels in the corn! and he would feel the change in himself and would look down to see he had become a weasel, a furry, brownish-black slinking thing, his nose grown long and sharp, his eyes melted down to beady black points, his fingers turned into claws. He was a weasel, a cowardly nocturnal thing preying on the weak and the small.
