It did make sense, though Jolie had little confidence that a real upgrading of Incarnations would come of it, because unanimity among the Incarnations was virtually impossible.
"We shall be glad to stay here, if it is really all right with you," she said, returning to the earlier subject. "But Orlene does wish to resume her quest, and we have decided that the three of us will remain together to see that through. That means that we hope to go physically to see the remaining Incarnations. So if we have to travel—"
Luna laughed. "You will not have to travel! All the Incarnations have residences in Purgatory."
"But in mortal form we can't get there," Jolie pointed out. "As ghosts, Orlene and I can go, and indeed have already been. But Vita—"
"Oh, you need to leave her unchaperoned for a time! Certainly she may remain here; Muir will watch her and prevent her from leaving, and the griffins will be happy for company."
You know, that might not be so bad. Vita thought. But Jolie could feel her disappointment; she did like the animals and the house, but she very much wanted to participate in the larger adventure. Also, she was aware that Roque might not visit her alone, and feared that if he did, she would make some romantic blunder that would turn him off. She wanted to remain with Jolie and Orlene, but was afraid she couldn't. She was trying to be nice about it. That, for her, was significant progress; she was learning self-sacrifice, perhaps inspired by Orlene's example.
"We intend to do it together," Jolie said firmly, and felt the thrill of Vita's joy. "We two ghosts like the experience of being alive again, and Vita likes our company. We have a viable combination, and will keep it as long as all of us agree."
Luna nodded, unsurprised. "It is possible for mortals to visit Purgatory; indeed, the Incarnations are mortal in certain respects, such as their normal solidity. But you will need the intercession of an Incarnation to get there."
"As it happens, I am on good terms with an Incarnation or two," Jolie said. "I happen to know that Satan doesn't use his residence in Purgatory, so it would be available for a temporary stay. But if we were to ask his aid..."
Again there was a knowing nod. "I would not forbid you this earthly residence,, in that case. Though it is true that I oppose Satan, and expect to be instrumental in defeating his major ploy not far hence, it is also true that we must have his cooperation for what we intend in the longer run. In earlier days I believed that the conflict between Good and Evil was absolute, but with time and experience I have learned that it is relative. It is as if we are playing an important game, with each side wanting very much to win but both sides agreeing that without adherence to certain ground rules, there will be no game to win. Even enemies need to cooperate in certain respects and to honor each other's prerogatives."
"Thank you," Jolie said. "We shall remain here, except when visiting Purgatory. May the game continue.
"May the game continue," Luna agreed, smiling.
Chapter 7 - TIME
Luna gave them fare for a commercial rocket flight to another city. While they waited for the taxi carpet to arrive. Vita went out to give each griffin a farewell hug, then came inside to do the same for Muir, who put up with this in gentlemanly fashion though it evidently wasn't his idea of fun. Orlene then embraced Aunt Luna. In her life she had known none of her blood ancestry; now it was sustaining her in death.
The carpet arrived, and Jolie took over, because she knew where they were going. "Rocketport," she announced, and it sailed up, carrying them away. Jolie looked back and waved to Luna, feeling sentiment herself. She had known Luna for many years, and liked her, but this was the first time in mortal guise, and it had a special impact. The considerations of food and lodging and physical protection loomed far more important in the living state. Living was so physical'. In a few days she had come to a much more acute appreciation of the woman's qualities. Luna was very like Gaea, who had been her sister-cousin Orb, but significantly different too. She seemed older, because she had aged normally while Gaea hadn't, but that wasn't it. She was in many respects what Gaea would have been had she remained mortal, and that was a precious insight.
She was also like Orlene in her former life: quite attractive, and sensitive to the feelings of others. Jolie knew that she had seen Orlene in her worst stage, that of emaciation, death, horror and despair. But she remembered how petite and lovely she had been in her life and happiness, and how nice. Now those qualities were returning, though she was in a different body; Vita was becoming pretty in the ways that Orlene had been. Luna showed how Orlene would be in later life, and that was attractive too.
I really regret having died, Orlene thought. I acted hastily and thoughtlessly. Only now that it is too late do I appreciate what continuing life had to offer.
"Perhaps I should have told you your heritage," Jolie said. "I tried to avoid interfering in your life, other than watching you and being your dream-friend, and now I regret that."
Had I known, I might have acted quite differently, Orlene agreed. But I cannot blame you for leaving me my freedom to find my own way.
Vita did not chip in. She was dreaming of Roque.
The carpet arrived at the rocketport. They entered at ground level and rode the carpeted belts to the interior ticket counter. Then they took the old-fashioned escalator to the launching area at the roof.
The rocket was sitting there in its harness. Jets of steam hissed from nozzles, making it seem like a monstrous hot dragon. A ramp led up to a tiny mouth in its base.
Vita took an interest. Science is so scary! she commented.
Jolie could not argue. Back in her days of life, science had been relatively backward, while magic, for some few practitioners, had been advanced. But she had to admit that science had its place; it nicely complimented magic as a way of getting things done. Both had their liabilities, of course, but that was a concomitant of power.
They rode the ramp up to the mouth and into the maw of the monster. Inside it was like a small, cramped building, much higher than wide. A moving ladder hauled them up to their berth, about midway along the length of the rocket.
A harness awaited them there. Just like the big one! Vita thought.
"For different reason," Jolie explained. "The big harness holds the ship vertical and above the building, so that no actual landing field is necessary and there is room for the rocket jets to flow. Our small harness is to hold us in place for the pressures of the takeoff and landing. Springs allow it to give way, cushioning the worst of the acceleration. This will be a short, violent hop."
That's my kind of trip, the girl agreed.
They got into the harness and clamped it on around arms, legs and torso. There was a brace for the neck, and a helmet to hold the head secure.
In due course there was a shrill warning beep. Then the rocket took off. First they felt the rising power of its jet, causing the entire vessel to shudder. Then the motion commenced, slow at first, but rapidly accelerating.
Hooo! Vita thought, feeling their jaw, breasts, and stomach sag with the abrupt increase in weight.
A vision screen came on, showing a fisheye-lens view of the outside. They were rising, the building and surrounding city of Kilvarough dropping down. In moments they had a panoramic view of the region.
I like Mortis better. Vita announced.
Neither Orlene nor Jolie cared to argue with that.
The rocket blast cut off. Their harness bounced up, its springs recovering their compactness. They were in freefall.
Wheee! Vita thought.
But in a moment the rocket spun about, its business end pointing forward. Then the blast resumed, just as if they were still rising. But now they were slowing and descending, as the screen showed. The rocket was efficient, which meant the ride was short.
"I would have preferred a modern saucer," Jolie said. "They are as fast, but they use antigravity instead of jet propulsion, so are a lot easier to ride, I understand. Of course, as a ghost I never had occasion to ride one."
Ma
ybe on the way back! Vita thought eagerly. She loved experience of any kind.
The ship backed down to its rocketport and dropped into its harness. The safe-to-debark gong sounded. They got out of their harness and waited for a vacant slot on the moving ladder. Naturally, all the other passengers were trying to leave at once, so they had to wait some time.
A slot appeared. Jolie grabbed a rung and swung her feet across. She glanced up and found herself peering up the skirt of another woman. It was foolish to wear such clothing to travel!
Then she looked down and spied the man below looking up her skirt. Ouch!
They should make men wear skirts. Vita thought.
Orlene, silent so far, caught that and went into a mental giggle. Jolie tried to contain it, but a peep leaked out. "Maybe we can get Luna to pass a law," she murmured between suppressed heaves. "But who would want to look at that?"
That, of course, was the problem: turnabout was not fair play, because women had little interest in looking at men the way men looked at women. Life was inherently unfair.
No it isn't. Vita thought. It gives us power, because we've got what they want.
At the bottom they let go and rode the ramp out and down. At the roof of the rocketport they transferred to the express escalator, which took them down at a slant to the main door. They had no baggage, so beat most of the crowd out.
The taxi carpets were lined up. Jolie took the first one. "Mock Hell," she said.
Soon they were there: at the megabuilding devoted to the follies of damnation. Satan had set it up decades ago as an exhibit, in an attempt to show mortals that Hell was really a fun place. This had been successful, and it had become a major tourist attraction. People of all ages flocked to sample evils that were not encouraged elsewhere.
Jolie walked through the gambling den, where the customer always won. Piles of silver and gold coins abounded. Sure looks like fun! Vita thought.
"Wait till you see the next level!" Jolie replied. She was, of course, long familiar with this setup; it was an excellent initial sorting place for potential evil. Satan got early warning here of forthcoming clients.
The next level was devoted to gluttony: clients were stuffing themselves with all manner of pastries and confections and tasty beverages. Ooooo! Vita thought.
Jolie approached one of the chefs. "May I borrow your glasses a moment?"
"We don't let clients—" he began.
"Pierre, don't you know me?" she asked, extending her ghost face in front of the host face.
He did a double-take. "Of course. Mistress of Satan!" he agreed hastily, extending his glasses.
Jolie put them on. They were not prescription lenses, but magic spectacles, and what they showed was a spectacle indeed: the reality behind the fostered illusion. The clients were eating garbage, literally, and drinking reeking sewer dip. For this privilege they were paying not with money, but with percentages of their souls. They were committing themselves to Hell by stages, for pleasures which were no more genuine than those of sin itself.
Ugh! Vita thought, her gorge rising.
Jolie quickly removed the glasses, as it was she who would vomit if this went too far. "The wages of sin are garbage," she said, returning the glasses. "Thank yea, Pierre; this client is not going to Hell anyway."
"I don't know why Satan keeps company with the likes of you!" Pierre said, smiling.
"There's an ineradicable bit of good in the worst of us," she responded. "His bit of good relates to me. But don't worry; I happen to know that he's having an affair with an Incarnation."
"But that's even more extreme!" Pierre protested. "She's bound to be good!"
"But think of how far he can drag her toward evil!"
He nodded, seeing the point. Jolie walked on.
Is Satan really—? Vita asked, her interest quickening.
"He really is," Jolie said. "It's a terrific scandal."
Gee, she thought, awed. Who—?
"Oh, I wouldn't blab her name to just anyone."
You're teasing me!
Jolie laughed. "I am, dear! But see, we're here." For they had come to the Infernal Elevator, which served as a convenient conduit between Purgatory, the mortal realm, and Hell. This was what she had been headed for all along.
She touched the entry panel, again extending her ghostly identity. The panel recognized it, for she had free access to all Satan's works, in any form, if she could handle them. It slid aside and the steamy interior of the Hellevator showed.
She stepped in. "Purgatory," she said.
The panel slid across again. Flames erupted from the edges of the floor. The elevator moved up in a cloud of smoke which somehow didn't choke. It was mostly illusion, to provide the proper flavor for an artifact of the nether region.
This is more like it! Vita thought enthusiastically. Where else does this crate go?
"It connects everything except Heaven," Jolie said. "For some reason, Satan couldn't get God's permission to put a stop there."
Fancy that, Orlene thought dryly.
"Something you should keep in mind about the supernatural realms, Vita," Jolie said. "They are not quite like the mortal one. They are not actually physical, they are two dimensional, and cannot normally be detected or interacted with by living mortals. But to those in them, they seem three or four dimensional, and therefore solid. The folk there will seem alive, but they are not; all are spirits except the Incarnations, who are of neither the natural or supernatural realms. The folk of Purgatory don't need to eat or sleep, and anything we eat there will not sustain us. Only by special dispensation can mortals enter any of the supernatural realms."
How come this elevator is taking us there, then?
"It is really a mechanism for translation," Jolie explained. "The Incarnations don't need translation, but your body does. We seem to be rising, but we are instead changing, becoming two dimensional. Such a process represents a strain on the system, so is seldom authorized. But because I am close to an Incarnation, I am allowed to do this, and I am taking your physical body to Purgatory. While there I will never depart from your body, for that would leave you there without authority, which would be extremely awkward. I will turn the body over to Orlene for the duration, for this is her quest. You may observe and comment, but you will not be put in charge."
Yeah, I can see why. I won't pester you for anything.
"And Orlene—are you going to be able to handle an encounter with your lover, in his new role?"
I have no choice, Orlene replied grimly.
The Hellevator flamed up again and stopped. The panel slid aside. They were at the fringe of Purgatory, its seemingly natural landscape opening out before them.
Jolie stepped out. Behind her the device disappeared in another dramatic gout of flame and smoke, leaving only a brooding funeral. Ahead was a path leading windingly toward a mansion in the distance. "That is Chronos' residence," Jolie said. "It will take us at least an hour to reach it, and we won't hurry; in fact we may be best advised to take a nap before we start."
No, I am ready to tackle this now, Orlene thought.
"You misunderstand. It is not your courage in question, but the nature of the structure. Time runs backwards within it. You will thus emerge before you enter. Rather than meet yourself and get fouled up, it is better to allow sufficient time around the edges, before and after, so that you are not put in difficulty. We can proceed with a series of scheduled pauses, during which we sleep or at least pay no attention to what is around us, so that whoever may pass before us knows what times and places to avoid."
This is crazy! Vita thought.
I don't care about any of that, Orlene thought. I just want to get there and explain about the time Thanatos used on my behalf, and beg for a grain of sand.
"But this man was your lover!"
Her what? Vita asked. Did I miss something juicy when I wasn't paying attention?
I will apologize to him for leaving him as I did. I see no reason to delay; it will only er
ode my nerve.
"As you wish," Jolie said, realizing that one way might be as good as another, and if not, that the woman simply had to go her own route. She released the host body to her.
Orlene took over and began walking briskly toward the castle. Jolie realized, belatedly, that the last time they had been to Purgatory, on their way to see an Incarnation, Orlene had become a man and horribly embarrassed herself; she could be nervous about such experience and want to get through as quickly as possible.
Because this was Purgatory, the body did not tire. Orlene, discovering this, picked up her pace, and soon she was almost running. Thus it was that she reached the castle in half the time Jolie had estimated. Flushed with nervousness rather than exertion, she lifted the ornate door knocker and let it fall.
In a moment a butler opened the door. "And who may I announce to Chronos?" he inquired.
"Just a supplicant for a favor."
"Please wait in the foyer."
She entered and waited, while the butler departed for the interior. There was a scenic mural on the wall that looked almost real enough for her to walk into. The furniture was comfortable, and the floor was polished hardwood. You're right. Vita thought. This seems awfully real and solid!
Don't be deceived; its reality is on a different plane from that of the living host.
The butler returned. "Chronos will see you now."
She followed the man to the main chamber. Her breath caught in her throat. There stood Norton, exactly as she had known him in life!
He turned and looked at her. "May I ask who you are?"
He did not recognize her—because she wore Vita's body! Her appearance was that of a pretty teenage black girl. "I will tell you—but first let me plead my case. Thanatos took me to see how he drew out souls, and he had to borrow time from you to do it. I hope you will approve this, for I did learn something significant."
"Thanatos was kind to me before I assumed this office," Chronos said. "I have no quarrel with his use of time, and will not question it."
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