Soon we reached an overgrown path that took us to a gate set in a garden wall where there was an old-fashioned bell-pull and, dangling above it, a bell stained with moss and rust. The girl with the rifle rang this bell before she opened the gate as if to warn whoever was at home that visitors were arriving. The gate led into a graceful and dilapidated walled garden full of the herbaceous splendours of early summer, hollyhocks, wallflowers, roses. There was a mossed sundial and a little stone statue of a nude youth stretching his arms up out of a cuirass of ivy. But, though the bees hummed among the flower bells, the grass was as long as it had been in the wood and just as full of buttercups and daisies. Dandelions expired in airy seed heads in the flowerbeds; ragged robin and ground elder conspired to oust the perennials from the borders and a bright sadness of neglect touched everything as though with dust, just as it did the ancient brick house, almost covered with creepers, that slept within the garden, an ancient, tumbledown place with a look of oracular blindness in windows that were stopped up with vines and flowers. The roof was lichened quite over, so that it seemed upholstered in sleek, green fur. Yet there was no peace in the dishevelled loveliness of the place; the very plants that grew there seemed tensed in a curious expectancy, as though the garden were a waiting room. There was a short, crumbling flight of steps that led to a weathered front door, ajar like the door of a witch’s house.
Before the door, I involuntarily halted; a dreadful vertigo seized me, as if I stood on the edge of an abyss. My heart had been thumping far too hard and far too fast since I had picked up the shell and now it seemed about to burst from too much strain. Faintness and terror of death swept over me; but the girl prodded me cruelly in the buttocks with her rifle so I was forcibly marched into a country-house hall with dark stained floorboards, a Persian carpet and a Jacobean oak chest with an antique bowl on it, all complete—yet all as if untouched for years, for decades. A maze of dust danced in the beam of sunshine that disturbed the choked indoors air when we broke into it. Every corner was softened by cobwebs while the industrious spiders had wound filaments of geometric lace this way and that between the crumbling furniture. A sweet, rank smell of damp and decay filled the house; it was cold, inside, and dark. The door swung to behind us but did not close and we went up a staircase of worm-eaten oak, I first, she after and then the dog, whose claws clattered on the bare wood.
At first I thought the spiders had cast their nets on both sides of the stair but then I saw the workmanship that wound down the inner side of the staircase was not that of the spiders for, though it was the same colour, this web had a determinate pattern that resembled nothing so much as open-work knitting, the kind of featherlike, floating stuff from which they make courtesans’ bedjackets. This knitting was part of an interminable muffler that, as I watched it, crept, with vegetable slowness, little by little downstairs towards the hall. Yard upon yard of the muffler was coiled up in airy folds on the landing and there I could hear the clack, clack, clack of a pair of knitting needles ticking away monotonously near at hand. The muffler came out of a door that, like the front door, stood a little open; it edged through the gap like a tenuous serpent.
My captress motioned me aside with the muzzle of her rifle and knocked firmly on the door.
Inside the room, someone coughed dryly, then invited us: “Come in.”
It was a soft, rustling, unemphatic, almost uninflected, faded, faintly perfumed voice, like very old lace handkerchiefs put away long ago in a drawer with potpourri and forgotten.
My captress thrust me through the door before her; when I was close to her, my nostrils quivered at the vicious odour of her skin. It was a large room, part drawing room, part bedroom, for the being who lived in it was crippled. She, he, it—whoever, whatever my host or hostess may have been—lay in an old-fashioned wicker Bath chair beside a cracked marble fireplace bossed with swags and cupids. Her white hands finished in fingers indecently long, white and translucent as candles on a cathedral altar; those tapering fingers were the source of the bewildering muffler, for they held two bone needles and never ceased to move.
The volatile stitchery they produced occupied all the carpetless area of the floor and, in places, was piled up as high as the crippled knees of its maker. There were yards and yards of it in the room, perhaps even miles and miles of it, and I stepped through and across it very carefully, nudging it out of the way with my toes, to arrive where the girl directed me with her gun, in the position of a suppliant before the Bath chair. The crippled being who lay in it had the most regal cast of chin and mouth imaginable and the proud, sad air of the king of a rainy country. One of her profiles was that of a beautiful woman, the other that of a beautiful man. It is a defect in our language there is no term of reference for these indeterminate and undefinable beings; but, although she acknowledged no gender, I will call her “she” because she had put on a female garment, a loose negligee of spider-coloured lace, unless she, like the spiders, spun and wove her own thread and so had become clothed, for her shadowy hair was also the colour of the stuff she knitted and so evanescent in texture it seemed to move of its own accord on the air around her. Her eyelids and the cavernous sockets of her eyes were thickly stuck with silver sequins that glittered in the strange, subaqueous, drowned, drowning light that suffused the room, a light filtered through windows caked with grime and half covered by creeper, clairvoyant light reflected, with an enhanced strangeness, by the immense mirror in a chipped gilt frame hanging on the wall opposite the fireplace; it seemed the mirror, like the moon, was itself endowed with the light it gave back to us.
With a touching fidelity, the mirror duplicated the room and all it contained, the fireplace, the walls covered with a stained white paper stippled with fronds of greenery, every piece of neglected ormolu furniture. How pleased I was to see my experiences had not changed me! though my old tweed suit was stained with grass, my stick gone—left behind where I had dropped it in the wood. And so much dirt on my face. But I looked as if I were reflected in a forest pool rather than by silvered glass for the surface of the mirror looked like the surface of motionless water, or of mercury, as though it were a solid mass of liquid kept in place by some inversion of gravity that reminded me of the ghastly weight of the shell that now dropped at the androgyne’s feet from the dog’s mouth. She never stopped knitting for one moment as she nudged it with a beautiful toe painted with a rime of silver; woe gave her a purely female face.
“Only one little stitch! And I only dropped one little stitch!” she mourned. And she bowed her head over her work in an ecstasy of regret.
“At least it wasn’t out long,” said the girl. Her voice had a clanging resonance; mercy was a minor key that would never modify its martial music. “He found it!”
She gestured towards me with her gun. The androgyne directed upon me a pair of vague, too large, stagnant eyes that did not shine.
“Do you know where this shell comes from?” she asked me with a grave courtesy.
I shook my head.
“It comes from the Sea of Fertility. Do you know where that is?”
“On the surface of the moon,” I answered. My voice sounded coarse and rough to me.
“Ah,” she said, “the moon, the source of polarised light. Yes and no to your reply. It is an equivalence. The Sea of Fertility is a reversed system, since everything there is as dead as this shell.”
“He found it in the wood,” said the girl.
“Put it back where it belongs, Anna,” said the androgyne, who possessed a frail yet absolute air of authority. “Before any harm is done.” The girl bent and picked up the shell. She scrutinised the mirror and took aim at some spot within it that seemed to her a logical target for the shell. I saw her raise her arm to throw the shell into the mirror and I saw her mirrored arm raise the shell to throw it outside the mirror. Then she threw the duplicated shell. There was no sound in the room but the click of the knitting needles when she threw the shell into the mirror while her reflection threw the sh
ell out of the mirror. The shell, when it met its own reflection, disappeared immediately. The androgyne sighed with satisfaction. “The name of my niece is Anna,” she said to me, “because she can go both ways. As, indeed, I can myself, though I am not a simple palindrome.”
She gave me an enigmatic smile and moved her shoulders so that the lace negligee she wore fell back from her soft, pale breasts that were, each one, tipped by nipples of deep, dark pink, with the whorled crenellations of raspberries, and then she shifted her loins a little to display, savage and barbaric in their rude, red-purple repose, the phallic insignia of maleness.
“She can,” said Anna, “go both ways, although she cannot move at all. So her power is an exact equivalent of her impotence, since both are absolute.”
But her aunt looked down at her soft weapon and said gently: “Not, my darling, absolutely absolute. Potency, impotence in potentia, hence relative. Only the intermediary, since indeterminate.”
With that, she caressed her naked breasts with a stunted gesture of her forearms; she could not move her arms freely because she did not stop knitting. They looked at one another and laughed. Their laughter drove icicles of fear into my brain and I did not know which way to turn.
“You see, we must do away with you,” said the androgyne. “You know too much.”
Panic broke over me like a wave. I plunged across the room towards the door, careless of Anna’s gun in my attempted flight. But my feet were snared by the knitting and once again I plunged downwards but this time my fall half stunned me. I lay dazed while their renewed laughter darted cruelly about the room.
“Oh,” said Anna, “but we shan’t kill you. We shall send you through the mirror. We shall send you where the shell went, since that is where you belong, now.”
“But the shell vanished,” I said.
“No,” replied the androgyne. “It did not vanish in reality. That shell had no business in this world. I dropped a stitch, this morning; only one little stitch … and that confounded shell slipped through the hole the dropped stitch made, because those shells are all so very, very heavy, you see. When it met its reflection, it returned to its proper place. It cannot come back, now; and neither will you, after we have sent you through the mirror.”
Her voice was so very gentle, yet she offered me a perpetual estrangement. I let out a cry. Anna turned to her aunt and placed her hand on her genitalia, so that the cock sprang up. It was of redoubtable size.
“Oh, Auntie, don’t scare him!” she said.
Then they tittered, the weird harpies, so that I was quite beside myself with fear and bewilderment.
“It is a system of equivalences,” said the androgyne. “She carries the gun, you see; and I, too.”
She displayed her towering erection with the air of a demonstrator in a laboratory.
“In my intermediary and cohesive logic, the equivalences reside beyond symbolism. The gun and the phallus are similar in their connection with life—that is, one gives it; and the other takes it away, so that both, in essence, are similar in that the negation freshly states the affirmed proposition.”
I was more bewildered than ever.
“But do all the men in the mirror world have guns between their thighs?”
Anna exclaimed with irritation at my simplicity.
“That’s no more likely than that I could impregnate you with this—” she said, pointing her gun at me, “here or in any other world.”
“Embrace yourself in the mirror,” said the androgyne, knitting, knitting, knitting away. “You must go, now. Now!”
Anna maintained her menace; there was nothing for it but to do as they bid. I went to the mirror and examined myself in its depths. A faint ripple ran over its surface; but when I touched it with my fingers, the surface was just as smooth and hard as it should have been. I saw that my reflection was cut off at the thighs by the gilt frame and Anna said: “Climb on a stool! Who’d want you truncated, here or there?”
She grinned in an appalling fashion and slipped back the safety catch on her rifle. So I pulled a little, cane-seated, gilt-backed chair to the mirror and clambered up. I gazed at myself in the mirror; there I was, complete from head to toe, and there they were, behind me, the androgyne weaving her ethereal coils and the armed young girl, who, now that she could kill me with one little flick of her finger, looked as beautiful as a Roman soldier plundering a North African city, with her unkind eyes and her perfume of murder.
“Kiss yourself,” commanded the androgyne in a swooning voice. “Kiss yourself in the mirror, the symbolic matrix of this and that, hither and thither, outside and inside.”
Then I saw, even if I could no longer be astonished, that though she knitted in both the room and the mirror, there was, within the room, no ball of wool at all; her yarn emanated from inside the mirror and the ball of wool existed only in the medium of reflection. But I did not have time to wonder at this marvel for the rank stench of Anna’s excitement filled the room and her hand trembled. Out of rage and desperation, I advanced my own lips to meet the familiar yet unknown lips that advanced towards mine in the silent world of the glass.
I thought these lips would be cold and lifeless; that I would touch them but they could not touch me. Yet, when the twinned lips met, they cleaved, for these mirrored lips of mine were warm and throbbed. This mouth was wet and contained a tongue, and teeth. It was too much for me. The profound sensuality of this unexpected caress crisped the roots of my sex and my eyes involuntarily closed whilst my arms clasped my own tweed shoulders. The pleasure of the embrace was intense; I swooned beneath it.
When my eyes opened, I had become my own reflection. I had passed through the mirror and now I stood on a little, cane-seated, gilt-backed chair with my mouth pressed to an impervious surface of glass I had misted with my own breath and moistened with my own saliva.
Anna cried: “Hurrah!” She dropped her rifle and clapped her hands while her aunt, continuing, all the time, to knit, gave me a peculiarly sultry smile.
“So,” she said. “Welcome. This room is the half-way house between here and there, between this and that, because, you understand, I am so ambiguous. Stay in the field of force of the mirror for a while, until you are used to everything.”
The first thing that struck me was, the light was black. My eyes took a little time to grow accustomed to this absolute darkness for, though the delicate apparatus of cornea and aqueous humour and crystalline lens and vitreous body and optic nerve and retina had all been reversed when I gave birth to my mirror self through the mediation of the looking-glass, yet my sensibility remained as it had been. So at first, through the glass, I saw darkly and all was confusion but for their faces, which were irradiated by familiarity. But, when the inside of my head could process the information my topsy-turvy senses retrieved for me, then my other or anti-eyes apprehended a world of phosphorescent colour etched as with needles of variegated fire on a dimensionless opacity. The world was the same; yet absolutely altered. How can I describe it … almost as if this room was the colour negative of the other room. Unless—for how could I ever be certain which was the primary world and which the secondary—the other room, the other house, the other wood that I saw, transposed yet still peeping through the window in the other mirror—all that had been the colour negative of the room in which I now stood, where the exhalations of my breath were the same as the inhalations of my mirror anti-twin who turned away from me as I turned away from him, into the distorted, or else really real, world of this room beyond the mirror, reflected all of this room’s ambiguities and was no longer the room I had left. That endless muffler or web wound round the room, still, but now it wound round contrariwise and Anna’s aunt was knitting from left to right, instead of from right to left, with hands that, I realised, had they wished, could have pulled a right-hand glove over the left hand and vice versa, since she was truly ambidexterous.
But when I looked at Anna, I saw she was exactly the same as she had been on the other side of the m
irror and knew her face for one of those rare faces that possess an absolute symmetry, each feature the exact equivalent of the other, so one of her profiles could serve as the template for both. Her skull was like a proposition in geometry. Irreducible as stone, finite as a syllogism, she was always indistinguishable from herself whichever way she went.
But the imperturbably knitting androgyne had turned its face contrariwise. One half of its face was always masculine and the other, no matter what, was feminine; yet these had been changed about, so that all the balances of the planes of the face and the lines of the brow were the opposite of what they had been before, although one half of the face was still feminine and the other masculine. Nevertheless, the quality of the difference made it seem that this altered yet similar face was the combination of the reflection of the female side of the face and the masculine side of the face that did not appear in the face I had seen beyond the mirror; the effect was as of the reflection of a reflection, like an example of perpetual regression, the perfect, self-sufficient nirvana of the hermaphrodite. She was Tiresias, capable of prophetic projection, whichever side of the mirror she chose to offer herself to my sight upon; and she went on knitting and knitting and knitting, with an infernal suburban complacency.
When I turned from the mirror, Anna was holding out her right or left hand towards me but, although I felt sure I was walking towards her and lifted up my legs and set them down again with the utmost determination, Anna receded further and further away from me. Niece and aunt emitted a titter and I guessed that, in order to come to Anna, I must go away from her. Therefore I stepped sturdily backwards and, in less than a second, her hard, thin, sunburned hand grasped mine. The touch of her hand filled me with a wild loneliness. With her other hand, she opened the door. I was terribly afraid of that door, for the room that contained the mirror was all that I knew, and therefore my only safety, in this unknown world that Anna, who now smiled inscrutably at me, negotiated as skilfully as if she herself, the solstice in person, went on curious hinges between this place and that place unlike her aunt, who, since she was crippled, could not move unless her condition of permanent stasis meant she was moving too fast for me to see, with a speed the inertia of the eye registered as immobility.
Burning Your Boats: The Collected Short Stories Page 12
