The Archduke soon decided it was a fake, that Kelly had been fooled. The Archduke is not gullible. Rather, he has a boundless desire to know everything and an exceptional generosity of belief. At night, he stands on top of the tower and watches the stars in the company of Tycho Brahe and Johann Kepler, yet by day, he makes no move nor judgement before he consults the astrologers in their zodiacal hats and yet, in those days, either an astrologer or an astronomer would be hard put to it to describe the difference between their disciplines.
He is not gullible. But he has his peculiarities.
The Archduke keeps a lion chained up in his bedroom as a species of watch-dog or, since the lion is a member of the Felis family and not a member of the Cave canem family, a giant guard-cat. For fear of the lion’s yellow teeth, the Archduke had them pulled. Now that the poor beast cannot chew, he must subsist on slop. The lion lies with his head on his paws, dreaming. If you could open up his brain this moment, you would find nothing there but the image of a beefsteak.
Meanwhile, the Archduke, in the curtained privacy of his bed, embraces something, God knows what.
Whatever it is, he does it with such energy that the bell hanging over the bed becomes agitated due to the jolting and rhythmic lurching of the bed, and the clapper jangles against the sides.
Ting-a-ling!
The bell is cast out of electrum magicum. Paracelsus said that a bell cast out of electrum magicum would summon up the spirits. If a rat gnaws the Archduke’s toe during the night, his involuntary start will agitate the bell immediately so the spirits can come and chase the rat away, for the lion, although sui generis a cat, is not sufficiently a cat in spirit to perform the domestic functions of a common mouser, not like the little calico beastie who keeps the good Doctor company and often, out of pure affection, brings him furry tributes of those she has slain.
Though the bell rings, softly at first, and then with increasing fury as the Archduke nears the end of his journey, no spirits come. But there have been no rats either.
A split fig falls out of the bed on to the marble floor with a soft, exhausted plop, followed by a hand of bananas, that spread out and go limp, as if in submission.
“Why can’t he make do with meat, like other people,” whined the hungry lion.
Can the Archduke be effecting intercourse with a fruit salad?
Or with Carmen Miranda’s hat?
Worse.
The hand of bananas indicates the Archduke’s enthusiasm for the newly discovered Americas. Oh, brave new world! There is a street in Prague called “New World” (Novy Svei). The hand of bananas is freshly arrived from Bermuda via his Spanish kin, who know what he likes. He has a particular enthusiasm for weird plants, and every week comes to converse with his mandrakes, those warty, shaggy roots that originate (the Archduke shudders pleasurably to think about it) in the sperm and water spilled by a hanged man.
The mandrakes live at ease in a special cabinet. It falls to Ned Kelly’s reluctant duty to bathe each of these roots once a week in milk and dress them up in fresh linen nightgowns. Kelly, reluctantly, since the roots, warts and all, resemble so many virile members, and he does not like to handle them, imagining they raucously mock his manhood as he tends them, believing they unman him.
The Archduke’s collection also boasts some magnificent specimens of the coco-de-mer, or double coconut, which grows in the shape, but exactly the shape, of the pelvic area of a woman, a foot long, heft and clefted, I kid you not. The Archduke and his gardeners plan to effect a vegetable marriage and will raise the progeny—man-de-mer or coco-drake— in his own greenhouses. (The Archduke himself is a confirmed bachelor.)
The bell ceases. The lion sighs with relief and lays his head once more upon his heavy paws: “Now I can sleep!”
Then, from under the bed curtains, on either side of the bed, begins to pour a veritable torrent that quickly forms into dark, viscous, livid puddles on the floor.
But, before you accuse the Archduke of the unspeakable, dip your finger in the puddle and lick it.
Delicious!
For these are sticky puddles of freshly squeezed grape juice, and apple juice, and peach juice, juice of plum, pear, or raspberry, strawberry, cherry ripe, blackberry, black currant, white currant, red … The room brims with the delicious ripe scent of summer pudding, even though, outside, on the frozen tower, the raven still creaks out his melancholy call:
“Poor Tom’s a-cold!”
And it is midwinter.
Night was. Widow Night, an old woman in mourning, with big, black wings, came beating against the window; they kept her out with lamps and candles.
When he went back into the laboratory, Ned Kelly found that Dr Dee had nodded off to sleep as the old man often did nowadays towards the end of the day, the crystal ball having rolled from palm to lap as he lay back in the black oak chair, and now, as he shifted at the impulse of a dream, it rolled again off his lap, down on to the floor, where it landed with a soft thump on the rushes—no harm done—and the little calico cat disabled it at once with a swift blow of her right paw, then began to play with it, batting it that way and this before she administered the coup de grace.
With a gusty sigh, Kelly once more addressed his scrying disc, although today he felt barren of invention. He reflected ironically that, if just so much as one wee feathery angel ever, even the one time, should escape the scrying disc and flutter into the laboratory, the cat would surely get it.
Not, Kelly knew, that such a thing was possible.
If you could see inside Kelly’s brain, you would discover a calculating machine.
Widow Night painted the windows black.
Then, all at once, the cat made a noise like sharply crumpled paper, a noise of inquiry and concern. A rat? Kelly turned to look. The cat, head on one side, was considering, with such scrupulous intensity that its prickled ears met at the tips, something lying on the floor beside the crystal ball, so that at first it looked as if the glass eye had shed a tear.
But look again.
Kelly looked again and began to sob and gibber.
The cat rose up and backed away all in one liquid motion, hissing, its bristling tail stuck straight up, stiff as a broom handle, too scared to permit even the impulse of attack upon the creature, about the size of a little finger, that popped out of the crystal ball as if the ball had been a bubble.
But its passage has not cracked or fissured the ball; it is still whole, has sealed itself up again directly after the departure of the infinitesimal child who, suddenly released from her sudden confinement, now experimentally stretches out her tiny limbs to test the limit of the new invisible circumference around her.
Kelly stammered: “There must be some rational explanation!”
Although they were too small for him to see them, her teeth still had the transparency and notched edges of the first stage of the second set; her straight, fair hair was cut in a stern fringe; she scowled and sat upright, looking about her with evident disapproval.
The cat, cowering ecstatically, now knocked over an alembic and a quantity of elixir vitae ran away through the rushes. At the bang, the Doctor woke and was not astonished to see her.
He bade her a graceful welcome in the language of the tawny pippit.
How did she get there?
She was kneeling on the mantelpiece of the sitting room of the place she lived, looking at herself in the mirror. Bored, she breathed on the glass until it clouded over and then, with her finger, she drew a door. The door opened. She sprang through and, after a brief moment’s confusing fish-eye view of a vast, gloomy chamber, scarcely illuminated by five candles in one branched stick and filled with all the clutter in the world, her view was obliterated by the clawed paw of a vast cat extended ready to strike, hideously increasing in size as it approached her, and then, splat! she burst out of “time will be” into “time was”, for the transparent substance which surrounded her burst like a bubble and there she was, in her pink frock, lying on some rushes und
er the gaze of a tender ancient with a long, white beard and a man with a coal-scuttle on his head.
Her lips moved but no sound came out; she had left her voice behind in the mirror. She flew into a tantrum and beat her heels upon the floor, weeping furiously. The Doctor, who, in some remote time past, raised children of his own, let her alone until, her passion spent, she heaved and grunted on the rushes, knuckling her eyes; then he peered into the depths of a big china bowl on a dim shelf and produced from out of it a strawberry.
The child accepted the strawberry suspiciously, for it was, although not large, the size of her head. She sniffed it, turned it round and round, and then essayed just one little bite out of it, leaving behind a tiny ring of white within the crimson flesh. Her teeth were perfect.
At the first bite, she grew a little.
Kelly continued to mumble: “There must be some rational explanation.”
The child took a second, less tentative bite, and grew a little more. The mandrakes in their white nightgowns woke up and began to mutter among themselves.
Reassured at last, she gobbled the strawberry all up, but she had been falsely reassured; now her flaxen crown bumped abruptly against the rafters, out of the range of the candlestick so they could not see her face but a gigantic tear splashed with a metallic clang upon Ned Kelly’s helmet, then another, and the Doctor, with some presence of mind, before they needed to hurriedly construct an Ark, pressed a phial of elixir vitae into her hand. When she drank it, she shrank down again until soon she was small enough to sit on his knee, her blue eyes staring with wonder at his beard, as white as ice-cream and as long as Sunday.
But she had no wings.
Kelly, the faker, knew there must be a rational explanation but he could not think of one.
She found her voice at last.
“Tell me,” she said, “the answer to this problem: the Governor of Kgoujni wants to give a very small dinner party, and invites his father’s brother-in-law, his brother’s father-in-law, his father-in-law’s brother, and his brother-in-law’s father. Find the number of guests.”1
At the sound of her voice, which was as clear as a looking-glass, everything in the curious room gave a shake and a shudder and, for a moment, looked as if it were painted on gauze, like a theatrical effect, and might disappear if a bright light were shone on it. Dr Dee stroked his beard reflectively. He could provide answers to many questions, or knew where to look for answers. He had gone and caught a falling starre—didn’t a piece of it lie beside the stuffed dodo? To impregnate the aggressively phallic mandrake, with its masculinity to the power of two, as implied by its name, was a task which, he pondered, the omnivorous Archduke, with his enthusiasm for erotic esoterica, might prove capable of. And the answer to the other two imponderables posed by the poet were obtainable, surely, through the intermediary of the angels, if only one scried long enough.
He truly believed that nothing was unknowable. That is what makes him modern.
But, to the child’s question, he can imagine no answer.
Kelly, forced against his nature to suspect the presence of another world that would destroy his confidence in tricks, is sunk in introspection, and has not even heard her.
However, such magic as there is in this world, as opposed to the worlds that can be made out of dictionaries, can only be real when it is artificial and Dr Dee himself, whilst a member of the Cambridge Footlights at university, before his beard was white or long, directed a famous production of Aristophanes’ Peace at Trinity College, in which he sent a grocer’s boy right up to heaven, laden with his basket as if to make deliveries, on the back of a giant beetle.
Archytas made a flying dove of wood. At Nuremberg, according to Boterus, an adept constructed both an eagle and a fly and set them to flutter and flap across his laboratory, to the astonishment of all. In olden times, the statues that Daedalus built raised their arms and moved their legs due to the action of weights, and of shifting deposits of mercury. Albertus Magnus, the Great Sage, cast a head in brass that spoke.
Are they animate or not, these beings that jerk and shudder into such a semblance of life? Do these creatures believe themselves to be human? And if they do, at what point might they, by virtue of the sheer intensity of their belief, become so?
(In Prague, the city of the Golem, an image can come to life.)
The Doctor thinks about these things a great deal and thinks the child upon his knee, babbling about the inhabitants of another world, must be a little automaton popped up from God knows where.
Meanwhile, the door marked “Forbidden” opened up again.
It came in.
It rolled on little wheels, a wobbling, halting, toppling progress, a clockwork land galleon, tall as a mast, advancing at a stately if erratic pace, nodding and becking and shedding inessential fragments of its surface as it came, its foliage rustling, now stuck and perilously rocking at a crack in the stone floor with which its wheels cannot cope, now flying helter-skelter, almost out of control, wobbling, clicking, whirring, an electric juggernaut evidently almost on the point of collapse; it has been a heavy afternoon.
But, although it looked as if eccentrically self-propelled, Arcimboldo the Milanese pushed it, picking up bits of the thing as they fell off, tut-tutting at its ruination, pushing it, shoving it, occasionally picking it up bodily and carrying it. He was smeared all over with its secretions and looked forward to a good wash once it had been returned to the curious room from whence it came. There, the Doctor and his assistant will take it apart until the next time.
This thing before us, although it is not, was not and never will be alive, has been animate and will be animate again, but, at the moment, not, for now, after one final shove, it stuck stock-still, wheels halted, wound down, uttering one last, gross, mechanical sigh.
A nipple dropped off. The Doctor picked it up and offered it to the child. Another strawberry! She shook her head.
The size and prominence of the secondary sexual characteristics indicate this creature is, like the child, of the feminine gender. She lives in the fruit bowl where the Doctor found the first strawberry. When the Archduke wants her, Arcimboldo, who designed her, puts her together again, arranging the fruit of which she is composed on a wicker frame, always a little different from the last time according to what the greenhouse can provide. Today, her hair is largely composed of green muscat grapes, her nose a pear, eyes filbert nuts, cheeks russet apples somewhat wrinkled—never mind! The Archduke has a penchant for older women. When the painter got her ready, she looked like Carmen Miranda’s hat on wheels, but her name was “Summer”.
But now, what devastation! Hair mashed, nose squashed, bosom pureed, belly juiced. The child observed this apparition with the greatest interest. She spoke again. She queried earnestly:
“If 70 per cent have lost an eye, 75 per cent an ear, 80 per cent an arm, 85 per cent a leg: what percentage, at least, must have lost all four?”2
Once again, she stumped them. They pondered, all three men, and at last slowly shook their heads. As if the child’s question were the last straw, “Summer” now disintegrated—subsided, slithered, slopped off her frame into her fruit bowl, whilst shed fruit, some almost whole, bounced to the rushes around her. The Milanese, with a pang, watched his design disintegrate.
It is not so much that the Archduke likes to pretend this monstrous being is alive, for nothing inhuman is alien to him; rather, he does not care whether she is alive or no, that what he wants to do is to plunge his member into her artificial strangeness, perhaps as he does so imagining himself an orchard and this embrace, this plunge into the succulent flesh, which is not flesh as we know it, which is, if you like, the living metaphor—“fica”— explains Arcimboldo, displaying the orifice—this intercourse with the very flesh of summer will fructify his cold kingdom, the snowy country outside the window, where the creaking raven endlessly laments the inclement weather.
“Reason becomes the enemy which withholds from us so many possibilities of p
leasure,” said Freud.
One day, when the fish within the river freeze, the day of the frigid lunar noon, the Archduke will come to Dr Dee, his crazy eyes resembling, the one, a blackberry, the other, a cherry, and say: transform me into a harvest festival!
So he did; but the weather got no better.
Peckish, Kelly absently demolished a fallen peach, so lost in thought he never noticed the purple bruise, and the little cat played croquet with the peach stone while Dr Dee, stirred by memories of his English children long ago and far away, stroked the girl’s flaxen hair.
“Whither comest thou?” he asked her.
The question stirred her again into speech.
“A and B began the year with only £1,000 apiece,” she announced, urgently.
The three men turned to look at her as if she were about to pronounce some piece of oracular wisdom. She tossed her blonde head. She went on.
“They borrowed nought; they stole nought. On the next New Year’s Day they had £60,000 between them. How did they do it?”3
They could not think of a reply. They continued to stare at her, words turning to dust in their mouths.
“How did they do it?” she repeated, now almost with desperation, as if, if they only could stumble on the correct reply, she would be precipitated back, diminutive, stern, rational, within the crystal ball and thence be tossed back through the mirror to “time will be”, or, even better, to the book from which she had sprung.
“Poor Tom’s a-cold,” offered the raven. After that, came silence.
NOTE:
The answers to Alice’s conundrums:
One.
Ten.
They went that day to the Bank of England. A stood in front of it, while B went round and stood behind it.
Problems and answers from A Tangled Tale, Lewis Carroll, London, 1885.
Alice was invented by a logician and therefore she comes from the world of nonsense, that is, from the world of non-sense—the opposite of common sense; this world is constricted by logical deduction and is created by language, although language shivers into abstractions within it.
Burning Your Boats: The Collected Short Stories Page 53
