by Dean Koontz
He received lots of face time on TV. His name was better known than that of the mayor of Los Angeles.
With Billy’s admission, John Palmer does not see an opportunity to pursue the truth but instead sees an opportunity.
“Who did you shoot, son? Him or her?”
“I s-shot him. I shot her. He beat her so bad with the wrench, I had to s-shoot them both.”
As other sirens swell in the distance, Lieutenant Palmer leads Billy out of the kitchen, into the living room. He directs the boy to sit on the sofa.
His question no longer is What happened here, son? His question now is, “What have you done, boy? What have you done?”
For too long, young Billy Wiles does not hear the difference.
Thus begins sixty hours of hell.
At fourteen, he cannot be made to stand trial as an adult. With the death penalty and life imprisonment off the table, the pressures of interrogation should be less than with an adult offender.
John Palmer, however, is determined to break Billy, to wring from him a confession that he himself beat his mother with the lug wrench, shot his father when his father tried to protect her, then finished her, too, with a bullet.
Because the punishment for juvenile offenders is so much less severe than for adults, the system sometimes guards their rights less assiduously than it should. For one thing, if the suspect does not know he should demand an attorney, he might not be informed of that right on as timely a basis as would be ideal.
If the suspect’s lack of resources requires a public defender, there is always the chance that the one assigned will be feckless. Or foolish. Or badly hungover.
Not every lawyer is as noble as those who champion the oppressed in TV dramas, just as the oppressed themselves are seldom as noble in real life.
An experienced officer like John Palmer, with the cooperation of selected superiors, guided by reckless ambition and willing to put his career at risk, has a sleeve full of tricks to keep a suspect away from legal counsel and available for unrestricted interrogation in the hours immediately after taking him into custody.
One of the most effective of these ploys is to make Billy into a “busboy.” A public defender arrives at the holding facility in Napa only to discover that because of limited cell space or for other bogus reasons, his client has been moved to the Calistoga substation. On arriving in Calistoga, he hears that a regrettable mistake has been made: The boy has actually been taken to St. Helena. In St. Helena, they send the attorney chasing back to Napa.
Furthermore, while transporting a suspect, a vehicle sometimes has mechanical problems. An hour’s drive becomes three hours or four depending on the required repairs.
During these two and a half days, Billy passes through a blur of drab offices, interrogation rooms, and cells. Always, his emotions are raw, and his fears are as constant as his meals are irregular, but the worst moments occur in the patrol car, on the road.
Billy rides in back, behind the security barrier. His hands are cuffed, and a chain shackles his cuffs to a ring bolt in the floor.
There is a driver who never has a thing to say. In spite of regulations forbidding this arrangement, John Palmer shares the backseat with his suspect.
The lieutenant is a big man, and his suspect is a fourteen-year-old boy. In these close quarters, the disparity in their sizes is of itself disturbing to Billy.
In addition, Palmer is an expert at intimidation. Ceaseless talk and questions are punctuated only by accusing silences. By calculated looks, by carefully chosen words, by ominous mood shifts, he wears on the spirit as effectively as a power sander wears on wood.
The touching is the worst.
Palmer sits closer some times than others. Occasionally he sits as close as a boy might want to sit to a girl, his left side pressed to Billy’s right.
He ruffles Billy’s hair with patently false affection. He rests one big hand on Billy’s shoulder, now on his knee, now on his thigh.
“Killing them isn’t a crime if you had a good reason, Billy. If your father molested you for years and your mother knew, no one could blame you.”
“My father never touched me like that. Why do you keep saying he did?”
“I’m not saying, Billy. I’m asking. You’ve nothing to be ashamed about if he’s been poking you since you were little. That makes you a victim, don’t you see? And even if you liked it—”
“I wouldn’t like it.”
“Even if you did like it, you’ve no reason to be ashamed.” The hand on the shoulder. “You’re still a victim.”
“I’m not. I wasn’t. Don’t say that.”
“Some men, they do awful things to defenseless boys, and some of the boys get to like it.” The hand on the thigh. “But that makes the boy no less innocent, Billy. The sweet boy is still innocent.”
Billy almost wishes that Palmer would hit him. The touching, the gentle touching and the insinuation are worse than a blow because it seems that the fist might come anyway when the touching fails.
On more than one occasion, Billy nearly confesses just to escape the maddening rhythms of Lieutenant John Palmer’s voice, to be free from the touching.
He begins to wonder why…After he put an end to his mother’s suffering, why had he called the police instead of jamming the muzzle of the revolver in his mouth?
Billy is saved at last by the good work of the medical examiner and the CSI technicians, and by the second thoughts of other officers who have let Palmer whip the case as he wishes. The evidence indicts the father; none points to the son.
The only print on the revolver is one of Billy’s, but one clear fingerprint and a partial palm on the long handle of the polished-steel wrench belong to Billy’s father.
The killer swung the lug wrench with his left hand. Unlike his father, Billy is right-handed.
Billy’s clothes were marked by a small amount of blood but not a liberal spattering. A back-spray of blood stippled the sleeves of his father’s shirt.
Clawing, she had tried to fend off her husband. His blood and skin, not Billy’s, were under her fingernails.
In time, two members of the department are forced to resign, and another is fired. When the smoke dissipates, Lieutenant John Palmer somehow remains standing without sear or singe.
Billy considers accusing the lieutenant, but fears testifying and, most of all, fears the consequences of not prevailing in court. Prudence suggests withdrawal.
Stay low, stay quiet, keep it simple, don’t expect much, enjoy what you have. Move on.
Amazingly, moving on eventually means moving in with Pearl Olsen, the widow of one deputy and the mother of another.
She makes the offer to rescue Billy from the limbo of child-service custody, and in their first meeting, he knows instinctively that she will always be no more and no less than she appears to be. Although he is only fourteen, he has learned that harmony between reality and appearance may be more rare than any child imagines, and is a quality he may hope to foster in himself.
chapter 58
PARKED IN THE BRIGHT LIGHTS OF THE TRUCK stop, outside the diner, Billy Wiles ate Hershey’s, ate Planters, and brooded about Steve Zillis.
The evidence against Zillis, while circumstantial, seemed to support suspicion far more than anything that John Palmer had used to justify targeting Billy.
Nevertheless, he worried that he might be about to move against an innocent man. The mannequins, the bondage pornography, and the general condition of Zillis’s house proved he was a creep and perhaps even deranged, but none of it proved he had killed anyone.
Billy’s experience at the hands of Palmer left him yearning for certainty.
Hoping to turn up one case-fortifying fact, even something as thin as the wisp of crescent moon above the diner, Billy picked up the paper that he had bought in Napa and had heretofore had no time to read. The front-page story about Giselle Winslow’s murder.
Crazily, he hoped that the cops had found a cherry stem tied in a knot near
the corpse.
Instead, what leaped at him from the article, what flew at him as quick as a bat to a moth, was the fact that Winslow’s left hand had been cut off. The freak had taken a souvenir, not a face this time, but a hand.
Lanny had not mentioned this. But when Lanny had driven into the tavern parking lot as Billy took the second note off the Explorer’s windshield, Winslow’s body had only recently been found. Not all of the details had yet been shared on the sheriff’s-department hotline.
Inevitably, Billy remembered the note that had been taped to his refrigerator seventeen hours earlier and that he had secreted in his copy of In Our Time. The message warned him that “An associate of mine will come to see you at 11:00. Wait for him on the front porch.”
In memory, he could see the last two lines of that note, which had been baffling at the time, but were less so now.
You seem so angry. Have I not extended to you the hand of friendship? Yes, I have.
Even on first reading, those lines had seemed to be mocking, taunting. Now they jeered him, challenged him to accept that he was hopelessly outclassed.
Somewhere in his house, the severed hand awaited discovery by the police.
chapter 59
A MAN AND WOMAN, A TRUCKER COUPLE IN jeans and T-shirts and baseball caps—his said PETER-BILT; hers said ROAD GODDESS—came out of the diner. The man probed his incisors with a toothpick, while the woman yawned, rolled her shoulders, and stretched her arms.
From behind the wheel of the Explorer, Billy found himself staring at the woman’s hands, thinking how small they were, how easily one of them could be hidden.
In the attic. Under a floorboard. Behind the furnace. In the back of a closet. In the crawlspace under one of the porches, front or back. Perhaps in the garage, in a workshop drawer. Preserved in formaldehyde or not.
If one victim’s hand had been secreted on his property, why not a part of another victim, too? What had the freak harvested from the redhead, and where had he put it?
Billy was tempted to drive home at once, to search the house thoroughly from top to bottom. He might need the rest of the night and all of the morning to find these incriminating horrors.
And if he did not find them, would he spend the coming afternoon in the search, as well? How could he not?
Once the quest had begun, he would be compelled, obsessed to continue until he discovered the grisly grail.
According to his wristwatch, it was 1:36 A.M., Thursday morning. The pertinent midnight lay little more than twenty-two hours away.
My last killing: midnight Thursday.
Already Billy was functioning on caffeine and chocolate, Anacin and Vicodin. If he spent his day in a frantic search for body parts, if by twilight he had neither identified the freak nor gotten any rest, he would be physically, mentally, and emotionally exhausted; in that condition, he would not be a reliable guardian for Barbara.
He must not waste time searching for the hand.
Besides, as he read about it in the newspaper for the second time, he was reminded of something other than the note taped to his refrigerator. The mannequin with six hands.
With the fists at the ends of its arms, it had held steak knives that were rammed into its throat.
Its feet had been replaced with hands, the better to grip the spear-point iron stave with which it abused itself.
A third pair of hands had been severed from a donor mannequin. They sprouted from the breasts of the six-handed specimen as if it were an obscene depiction of the Hindu goddess Kali.
Although the three other mannequins in that room had featured the usual number of hands, the one with six suggested Zillis might have a hand fetish.
In the photos on the covers of those pornographic videos, the women’s hands had often been restrained. With handcuffs. With rope. With tightly cinched leather straps.
The fact that a hand had been harvested from Giselle Winslow seemed meaningful if not damning.
Billy was reaching. Stretching. He didn’t have enough rope to fashion a legitimate noose for Steve Zillis.
Have I not extended to you the hand of friendship? Yes, I have.
Gross, juvenile humor. Billy could see Zillis smirking, could hear him saying those very words. He could hear them said in that cocky, jokey, performing-bartender voice.
Suddenly it seemed that so much of Zillis’s act at the tavern involved his hands. He was unusually dexterous. He juggled the olives and other items. He knew card tricks, all sleight-of-hand. He could “walk” a coin across his knuckles, make it disappear.
None of this helped Billy tie a better noose.
Soon it would be two o’clock. If he was going after Zillis, he preferred to do it under the cover of darkness.
The liquid bandage on the puncture wounds in his hand had been put to a thorough test. It had cracked at the edges, frayed.
He opened the bottle and painted another layer over the first, wondering if it was significant that the promised second wound had been a nail through his hand.
If he went after Zillis, he would first have a conversation with him. Nothing more. Nothing worse. Just a serious talk.
In case Zillis was the freak, the questions would have to be asked at the point of a gun.
Of course, if Zillis proved to be just a sick creep but not a killer, he would not be understanding; he would be pissed. He might want to press charges for forced entry, whatever.
The only way to keep him quiet might be to intimidate him. He wouldn’t likely be intimidated unless Billy hurt him seriously enough to get his attention and unless he believed that he would be hurt even worse if he called the police.
Before he went after Zillis, Billy had to be sure that he had the capacity to assault an innocent man and brutalize him to keep him silent.
He flexed and opened his slightly stiff left hand. Flexed and opened.
Here was a choice not entirely forced upon him: He could put himself in a position where he might have to hurt and intimidate an innocent man—or delay, think, wait for events to unfold, and thereby possibly place Barbara in greater danger.
The choice is yours.
It always had been. It always would be. To act or not to act. To wait or to go. To close a door or open one. To retreat from life or to enter it.
He did not have hours or days to analyze the quandary. Anyway, given time, he would only get lost in the analysis.
He sought wisdom learned from hard experience and applicable to this situation, but he found none. The only wisdom is the wisdom of humility.
In the end, he could make his decision based on nothing more than the purity of his motive. And even the full truth of motive might not be known.
He started the engine. He drove away from the truck stop.
He couldn’t find the moon, that thinnest palest sliver of a moon. It must have been at his back.
chapter 60
AT 2:09 A.M., BILLY PARKED ON A QUIET RESIDENTIAL street, two and a half blocks from Steve Zillis’s house.
The lower limbs of Indian laurels hung under the streetlights, and across the lamp-yellowed sidewalks, leaf shadows spilled like a treasure of black coins.
He walked unhurriedly, as if he were a lifelong insomniac who regularly went strolling in these dead hours.
The windows of the houses were dark, the porch lights off. No traffic passed him.
By now the earth had given back a lot of the stored heat from the day. The night was neither hot nor cool.
The twisted neck of the bread bag was looped around his belt, and the bag, lined with a dishtowel, hung at his left side. In it were the handcuffs, the small can of Mace, and the Taser.
Depending from his belt at his right hip: the Wilson Combat holster. The loaded pistol filled it.
He had pulled his T-shirt out of his jeans, to wear it loose. The T-shirt somewhat concealed the pistol. From a distance of more than a few feet, at night, no one would recognize the telltale outline of the weapon.
When he reached Zil
lis’s place, he left the sidewalk for the driveway and then followed the wall of eucalyptus trees past the garage.
At the front, the house had been dark behind the drawn blinds; but lights shone softly at some rear windows. Zillis’s bedroom, his bathroom.
Billy stood in the backyard, studying the property, alert to every nuance of the night. He let his eyes forget the streetlamps and adapt more completely to the darkness.
He tucked his T-shirt into his jeans once more, to make the holstered pistol accessible.
From a pocket he took a pair of latex gloves, slipped his hands into them.
The neighborhood was quiet. The houses were not far apart. He would need to be careful about noise when he got inside. Screams would be heard, as would gunfire not well muffled by a pillow.
He left the yard for the covered patio, on which stood a single aluminum chair. No table, no barbecue, no potted plants.
Through the panes in the back door, he could see the kitchen lighted only by two digital clocks, one on the oven and one on the microwave.
He pulled the bread bag loose from his belt and withdrew from it the can of Mace. The dishtowel liner softened the sound of the shifting handcuffs. He twisted the neck of the bag and looped it securely around his belt again.
On his first visit, he had stolen a spare key from a kitchen drawer. He inserted the key cautiously, turned it slowly, concerned that the lock might be noisy and that sound might carry too well in the small house.
The door eased open. The hinges whispered with corrosion but did not squeak.
He stepped inside and shut the door behind him.
For a minute he did not move. His eyes were well accustomed to the dark, but he still needed to orient himself.
His heart raced. Maybe that was partly the caffeine tablets at work.
As he crossed the kitchen, the rubber soles of his Rockports squeaked slightly on the vinyl flooring. He winced but kept going.
The living room was carpeted. He took two silent steps into it before stopping again to orient himself.
Zillis’s scorn for furniture was a blessing. There weren’t many obstructions to worry about in the dark.
Billy heard faint voices. Alarmed, he listened. He couldn’t make out what they were saying.
Having expected to find Zillis alone, he considered retreating. But he had to know more.
A dim glow marked the entrance to the hallway that led off the living room to the two bedrooms and bath. The hall fixture was off, but soft light entered the far end from the open doors of the last two rooms.
Those rooms faced each other across the hall. As Billy recalled, the one on the left was the bathroom, Zillis’s bedroom on the right.
Judging by pitch and timbre, not by content, he thought there were two voices, one male and one female.
