Collected Works of Rafael Sabatini

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by Rafael Sabatini


  The thing befell some three months after the coming of Falcone to Mondolfo.

  That the old man-at-arms should have exerted a strong attraction upon my young mind, you will readily understand. His intimate connection with that dimly remembered father, who stood secretly in my imagination in the position that my mother would have had St. Augustine occupy, drew me to his equerry like metal to a lodestone.

  And this attraction was reciprocal. Of his own accord old Falcone sought me out, lingering in my neighbourhood at first like a dog that looks for a kindly word. He had not long to wait. Daily we had our meetings and our talks and daily did these grow in length; and they were stolen hours of which I said no word to my mother, nor did others for a season, so that all was well.

  Our talks were naturally of my father, and it was through Falcone that I came to know something of the greatness of that noble-souled, valiant gentleman, whom the old servant painted for me as one who combined with the courage of the lion the wiliness of the fox.

  He discoursed of their feats of arms together, he described charges of horse that set my nerves a-tingle as in fancy I heard the blare of trumpets and the deafening thunder of hooves upon the turf. Of escalades, of surprises, of breaches stormed, of camisades and ambushes, of dark treacheries and great heroisms did he descant to fire my youthful fancy, to fill me first with delight, and then with frenzy when I came to think that in all these things my life must have no part, that for me another road was set — a grey, gloomy road at the end of which was dangled a reward which did not greatly interest me.

  And then one day from fighting as an endeavour, as a pitting of force against force and astuteness against astuteness, he came to talk of fighting as an art.

  It was from old Falcone that first I heard of Marozzo, that miracle-worker in weapons, that master at whose academy in Bologna the craft of swordsmanship was to be acquired, so that from fighting with his irons as a beast with its claws, by sheer brute strength and brute instinct, man might by practised skill and knowledge gain advantages against which mere strength must spend itself in vain.

  What he told me amazed me beyond anything that I had ever heard, even from himself, and what he told me he illustrated, flinging himself into the poises taught by Marozzo that I might appreciate the marvellous science of the thing.

  Thus was it that for the first time I made the acquaintance — an acquaintance held by few men in those days — of those marvellous guards of Marozzo’s devising; Falcone showed me the difference between the mandritto and the roverso, the false edge and the true, the stramazone and the tondo; and he left me spellbound by that marvellous guard appropriately called by Marozzo the iron girdle — a low guard on the level of the waist, which on the very parry gives an opening for the point, so that in one movement you may ward and strike.

  At last, when I questioned him, he admitted that during their wanderings, my father, with that recklessness that alternated curiously with his caution, had ventured into the city of Bologna notwithstanding that it was a Papal fief, for the sole purpose of studying with Marozzo that Falcone himself had daily accompanied him, witnessed the lessons, and afterwards practised with my father, so that he had come to learn most of the secrets that Marozzo taught.

  One day, at last, very timidly, like one who, whilst overconscious of his utter unworthiness, ventures to crave a boon which he knows himself without the right to expect, I asked Falcone would he show me something of Marozzo’s art with real weapons.

  I had feared a rebuff. I had thought that even old Falcone might laugh at one predestined to the study of theology, desiring to enter into the mysteries of sword-craft. But my fears were far indeed from having a foundation. There was no laughter in the equerry’s grey eyes, whilst the smile upon his lips was a smile of gladness, of eagerness, almost of thankfulness to see me so set.

  And so it came to pass that daily thereafter did we practise for an hour or so in the armoury with sword and buckler, and with every lesson my proficiency with the iron grew in a manner that Falcone termed prodigious, swearing that I was born to the sword, that the knack of it was in the very blood of me.

  It may be that affection for me caused him to overrate the progress that I made and the aptitude I showed; it may even be that what he said was no more than the good-natured flattery of one who loved me and would have me take pleasure in myself. And yet when I look back at the lad I was, I incline to think that he spoke no more than sober truth.

  I have alluded to the curious, almost inexplicable delight it afforded me to feel in my hands the balance of a pike for the first time. Fain would I tell you something of all that I felt when first my fingers closed about a sword-hilt, the forefinger passed over the quillons in the new manner, as Falcone showed me. But it defies all power of words. The sweet seduction of its balance, the white gleaming beauty of the blade, were things that thrilled me with something akin to the thrill of the first kiss of passion. It was not quite the same, I know; yet I can think of nothing else in life that is worthy of being compared with it.

  I was at the time a lad in my thirteenth year, but I was well-grown and strong beyond my age, despite the fact that my mother had restrained me from all those exercises of horsemanship, of arms, and of wrestling by which boys of my years attain development. I stood almost as tall then as Falcone himself — who was accounted of a good height — and if my reach fell something short of his, I made up for this by the youthful quickness of my movements; so that soon — unless out of good nature he refrained from exerting his full vigour — I found myself Falcone’s match.

  Fra Gervasio, who was then my tutor, and with whom my mornings were spent in perfecting my Latin and giving me the rudiments of Greek, soon had his suspicions of where the hour of the siesta was spent by me with old Falcone. But the good, saintly man held his peace, a matter which at that time intrigued me. Others there were, however, who thought well to bear the tale of our doings to my mother, and thus it happened that she came upon us that day in the armoury, each of us in shirt and breeches at sword-and-target play.

  We fell apart upon her entrance, each with a guilty feeling, like children caught in a forbidden orchard, for all that Falcone held himself proudly erect, his grizzled head thrown back, his eyes cold and hard.

  A long while it seemed ere she spoke, and once or twice I shot her a furtive comprehensive glance, and saw her as I shall ever see her to my dying day.

  Her eyes were upon me. I do not believe that she gave Falcone a single thought at first. It was at me only that she looked, and with such a sorrow in her glance to see me so vigorous and lusty, as surely could not have been fetched there by the sight of my corpse itself. Her lips moved awhile in silence; and whether she was at her everlasting prayers, or whether she was endeavouring to speak but could not for emotion, I do not know. At last her voice came, laden with a chill reproach.

  “Agostino!” she said, and waited as if for some answer from me.

  It was in that instant that rebellion stirred in me. Her coming had turned me cold, for all that my body was overheated from the exercise and I was sweating furiously. Now, at the sound of her voice, something of the injustice that oppressed me, something of the unreasoning bigotry that chained and fettered me, stood clear before my mental vision for the first time. It warmed me again with the warmth of sullen indignation. I returned her no answer beyond a curtly respectful invitation that she should speak her mind, couched — as had been her reproof — in a single word of address.

  “Madonna?” I challenged, and emulating something of old Falcone’s attitude, I drew myself erect, flung back my head, and brought my eyes to the level of her own by an effort of will such as I had never yet exerted.

  It was, I think, the bravest thing I ever did. I felt, in doing it, as one feels who has nerved himself to enter fire. And when the thing was done, the ease of it surprised me. There followed no catastrophe such as I expected. Before my glance, grown suddenly so very bold, her own eyes drooped and fell away as was her habit.
She spoke thereafter without looking at me, in that cold, emotionless voice that was peculiar to her always, the voice of one in whom the founts of all that is sweet and tolerant and tender in life are for ever frozen.

  “What are you doing with weapons, Agostino?” she asked me.

  “As you see, madam mother, I am at practice,” I answered, and out of the corner of my eye I caught the grim approving twitch of old Falcone’s lips.

  “At practice?” she echoed, dully as one who does not understand. Then very slowly she shook her sorrowful head. “Men practise what they must one day perform, Agostino. To your books, then, and leave swords for bloody men, nor ever let me see you again with weapons in your hands if you respect me.”

  “Had you not come hither, madam mother, you had been spared the sight to-day,” I answered with some lingering spark of my rebellious fire still smouldering.

  “It was God’s will that I should come to set a term to such vanities before they take too strong a hold upon you,” answered she. “Lay down those weapons.”

  Had she been angry, I think I could have withstood her. Anger in her at such a time must have been as steel upon the flint of my own nature. But against that incarnation of sorrow and sadness, my purpose, my strength of character were turned to water. By similar means had she ever prevailed with my poor father. And I had, too, the habit of obedience which is not so lightly broken as I had at first accounted possible.

  Sullenly then I set down my sword upon a bench that stood against the wall, and my target with it. As I turned aside to do so, her gloomy eyes were poised for an instant upon Falcone, who stood grim and silent. Then they were lowered again ere she began to address him.

  “You have done very ill, Falcone,” said she. “You have abused my trust in you, and you have sought to pervert my son and to lead him into ways of evil.”

  He started under that reproof like a fiery stallion under the spur. His face flushed scarlet. The habit of obedience may have been strong in Falcone too; but it was obedience to men; with women he had never had much to do, old warrior though he was. Moreover, in this he felt that an affront had been put upon the memory of Giovanni d’Anguissola, who was my father and who went nigh to being Falcone’s god. And this his answer plainly showed.

  “The ways into which I lead your son, Madonna,” said he in a low voice that boomed up and echoed in the groined ceiling overhead, “are the ways that were trod by my lord his father. And who says that the ways of Giovanni d’Anguissola were evil ways lies foully, be he man or woman, patrician or villein, pope or devil.” And upon that he paused magnificently, his eyes aflash.

  She shuddered under his rough speech. Then answered without looking up, and with no trace of anger in her voice:

  “You are restored to health and strength by now, Messer Falcone. The seneschal shall have orders to pay you ten gold ducats in discharge of all that may be still your due from us. See that by night you have left Mondolfo.”

  And then, without changing her deadly inflection, or even making a noticeable pause, “Come, Agostino,” she commanded.

  But I did not move. Her words had fixed me there with horror. I heard from Falcone a sound that was between a growl and a sob. I dared not look at him, but the eye of my fancy saw him standing rigid, pale, and self-contained.

  What would he do, what would he say? Oh, she had done a cruel, a bitterly cruel wrong. This poor old warrior, all scarred and patched from wounds that he had taken in my father’s service, to be turned away in his old age, as we should not have turned away a dog! It was a monstrous thing. Mondolfo was his home. The Anguissola were his family, and their honour was his honour, since as a villein he had no honour of his own. To cast him out thus!

  All this flashed through my anguished mind in one brief throb of time, as I waited, marvelling what he would do, what say, in answer to that dismissal.

  He would not plead, or else I did not know him; and I was sure of that, without knowing what else there was that must make it impossible for old Falcone to stoop to ask a favour of my mother.

  Awhile he just stood there, his wits overthrown by sheer surprise. And then, when at last he moved, the thing he did was the last thing that I had looked for. Not to her did he turn; not to her, but to me, and he dropped on one knee before me.

  “My lord!” he cried, and before he added another word I knew already what else he was about to say. For never yet had I been so addressed in my lordship of Mondolfo. To all there I was just the Madonnino. But to Falcone, in that supreme hour of his need, I was become his lord.

  “My lord,” he said, then. “Is it your wish that I should go?”

  I drew back, still wrought upon by my surprise; and then my mother’s voice came cold and acid.

  “The Madonnino’s wish is not concerned in this, Mester Falcone. It is I who order your departure.”

  Falcone did not answer her; he affected not to hear her, and continued to address himself to me.

  “You are the master here, my lord,” he urged. “You are the law in Mondolfo. You carry life and death in your right hand, and against your will no man or woman in your lordship can prevail.”

  He spoke the truth, a mighty truth which had stood like a mountain before me all these months, yet which I had not seen.

  “I shall go or remain as you decree, my lord,” he added; and then, almost in a snarl of defiance, “I obey none other,” he concluded, “nor pope nor devil.”

  “Agostino, I am waiting for you,” came my mother’s voice from the doorway.

  Something had me by the throat. It was Temptation, and old Falcone was the tempter. More than that was he — though how much more I did not dream, nor with what authority he acted there. He was the Mentor who showed me the road to freedom and to manhood; he showed me how at a blow I might shiver the chains that held me, and shake them from me like the cobwebs that they were. He tested me, too; tried my courage and my will; and to my undoing was it that he found me wanting in that hour. My regrets for him went near to giving me the resolution that I lacked. Yet even these fell short.

  I would to God I had given heed to him. I would to God I had flung back my head and told my mother — as he prompted me — that I was lord of Mondolfo, and that Falcone must remain since I so willed it.

  I strove to do so out of my love for him rather than out of any such fine spirit as he sought to inspire in me. Had I succeeded I had established my dominion, I had become arbiter of my fate; and how much of misery, of anguish, and of sin might I not thereafter have been spared!

  The hour was crucial, though I knew it not. I stood at a parting of ways; yet for lack of courage I hesitated to take the road to which so invitingly he beckoned me.

  And then, before I could make any answer such as I desired, such as I strove to make, my mother spoke again, and by her tone, which had grown faltering and tearful — as was her wont in the old days when she ruled my father — she riveted anew the fetters I was endeavouring with all the strength of my poor young soul to snap.

  “Tell him, Agostino, that your will is as your mother’s. Tell him so and come. I am waiting for you.”

  I stifled a groan, and let my arms fall limply to my sides. I was a weakling and contemptible. I realized it. And yet to-day when I look back I see how vast a strength I should have needed. I was but thirteen and of a spirit that had been cowed by her, and was held under her thrall.

  “I... I am sorry, Falcone,” I faltered, and there were tears in my eyes.

  I shrugged again — shrugged in token of my despair and grief and impotence — and I moved down the long room towards the door where my mother waited.

  I did not dare to bestow another look upon that poor broken old warrior, that faithful, lifelong servant, turned thus cruelly upon the world by a woman whom bigotry had sapped of all human feelings and a boy who was a coward masquerading under a great name.

  I heard his gasping sob, and the sound smote upon my heart and hurt me as if it had been iron. I had failed him. He must suffer
more in the knowledge of my unworthiness to be called the son of that master whom he had worshipped than in the destitution that might await him.

  I reached the door.

  “My lord! My lord!” he cried after me despairingly. On the very threshold I stood arrested by that heartbroken cry of his. I half turned.

  “Falcone... “ I began.

  And then my mother’s white hand fell upon my wrist.

  “Come, my son,” she said, once more impassive.

  Nervelessly I obeyed her, and as I passed out I heard Falcone’s voice crying:

  “My lord, my lord! God help me, and God help you!” An hour later he had left the citadel, and on the stones of the courtyard lay ten golden ducats which he had scattered there, and which not one of the greedy grooms or serving-men could take courage to pick up, so fearful a curse had old Falcone laid upon that money when he cast it from him.

  CHAPTER III. THE PIETISTIC THRALL

  That evening my mother talked to me at longer length than I remember her ever to have done before.

  It may be that she feared lest Gino Falcone should have aroused in me notions which it was best to lull back at once into slumber. It may be that she, too, had felt something of the crucial quality of that moment in the armoury, just as she must have perceived my first hesitation to obey her slightest word, whence came her resolve to check this mutiny ere it should spread and become too big for her.

  We sat in the room that was called her private dining-room, but which, in fact, was all things to her save the chamber in which she slept.

  The fine apartments through which I had strayed as a little lad in my father’s day, the handsome lofty chambers, with their frescoed ceilings, their walls hung with costly tapestries, many of which had come from the looms of Flanders, their floors of wood mosaics, and their great carved movables, had been shut up these many years.

 

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