The telling or reading of ghost stories during long, dark and cold Christmas nights is a yuletide ritual which dates to at least the eighteenth century, and was once as much a part of Christmas tradition as decorating fir trees, feasting on goose and the singing of carols. During the Victorian era many magazines printed ghost stories specifically for the Christmas season. These “winter tales” did not necessarily explore Christmas themes in any manner. Rather, they were offered as an eerie pleasure to be enjoyed on Christmas eve with the family, adding a supernatural shiver to the seasonal chill.
This tradition remained strong in the British Isles (and her colonies) throughout much of the twentieth century, though in recent years it has been on the wane. Certainly, few people in Canada or the United States seem to know about it any longer. This series of small books seeks to rectify this, to revive a charming custom for the long, dark nights we all know so well here at Christmastime.
THE GREEN ROOM
Only Mr. Elliott’s choicer customers were in his own due season let into his little secret—namely, that at the far end of his shop—beyond, that is, the little table on which he kept his account books, his penny bottle of ink and his rusty pen, there was an annexe. He first allowed his victims to ripen; and preferred even to see their names installed in the pages of his fat dumpy ledger before he decided that they were really worthy of this little privilege.
Alan, at any rate, though a young man of ample leisure and moderate means, had been browsing and pottering about on and off in the shop for weeks before he even so much as suspected there was a hidden door. He must, in his innocence, have spent pounds and pounds on volumes selected from the vulgar shelves before his own initiation.
This was on a morning in March. Mr. Elliott was tying up a parcel for him. Having no scissors handy he was burning off the ends of the string with a lighted match. And as if its small flame had snapped at the same moment both the string and the last strands of formality between them, he glanced up almost roguishly at the young man through his large round spectacles with the remark, “P’raps, sir, you would like to take a look at the books in the parlour?” And a birdlike jerk of his round bald head indicated where the parlour was to be found.
Alan had merely looked at him for a moment or two out of his blue eyes with his usual pensive vacancy. “I didn’t know there was another room,” he said at last. “But then, I suppose it wouldn’t have occurred to me to think there might be. I fancied these books were all the books you had.’ He glanced over the dingy hugger-mugger of second-hand literature that filled the shelves and littered the floor—a mass that would have twenty-fold justified the satiety of a Solomon.
“Oh, dear me, no, sir,” said Mr. Elliott, with the pleasantest confidentiality. “All this is chiefly riff-raff. But I don’t mention it except to those gentlemen who are old clients, in a manner of speaking. What’s in there is all in the printed catalogue and I can always get what’s asked for. Apart from that, there’s some who—well, at any rate, I don’t, sir. But if by any chance you should care to take a look round at any time, you would, I’m sure, be very welcome. This is an oldish house, as you may have noticed, sir, and out there are the oldest part of it. We call it the parlour—Mrs. Elliott and me; we got it from the parties that were here before we came. Take a look now, sir, if you please, it’s a nice little place.”
Mr. Elliott drew aside. Books—and particularly old books—tend to be dusty company. This may account for the fact that few antiquarian booksellers are of Falstaffian proportions. They are more usually lean, ruminative, dryish spectators of life. The gnawing of the worm in the tome is among the more melancholy of nature’s lullabies; and the fluctuations in price of “firsts” and of “mint states” must incline any temperament if not towards cynicism, at least towards the philosophical. Herodotus tells of a race of pygmies whose only diet was the odour of roses; and though morocco leather is sweeter than roses, it is even less fattening.
Mr. Elliott, however, flourished on it. He was a rotund little man, with a silver watch-chain from which a gold locket dangled, and he had uncommonly small feet. He might have been a ballet-master. “You make your way up those four stairs, sir,” he went on, as he ushered his customer beneath the curtain, “turn left down the passage, and the door’s on the right. It’s quiet in there, but that’s no harm done. No hurry, sir.”
So Alan proceeded on his way. The drugget on the passage floor showed little trace of wear. The low panelled walls had been whitewashed. He came at last to the flowered china handle of the door beyond the turn of the passage, then stood for a moment lost in surprise. But it was the trim cobbled garden beyond the square window on his right that took his glance rather than the room itself. Yellow crocuses, laden with saffron pollen, stood wide agape in the black mould; and the greening buds of a bush of lilac were tapping softly against the glass. And above was a sky of the gentlest silken blue; wonderfully still.
He turned and looked about him. The paint on wainscot and cornice must once have been of a bright apple green. It had faded now. A gate-leg table was in the far corner beyond the small-paned window; and on his left, with three shallow steps up to it, was another door. And the shelves were lined from floor to ceiling with the literary treasures which Mr. Elliott kept solely for his elect.
So quiet was the room that even the flitting of a clothes-moth might be audible, though the brightness of noonday now filled it to the brim. For the three poplars beyond the lilac bush were still almost as bare as the frosts of winter had made them.
In spite of the flooding March light, in spite of this demure sprightliness after the gloom and disorder of the shop he had left behind him, Alan—as in his languid fashion he turned his head from side to side—became conscious first and foremost or the age of Mr. Elliott’s pretty parlour. The paint was only a sort of “Let’s pretend.” The space between its walls seemed, indeed, to be as much a reservoir of time as of light. The panelled ceiling, for example, was cracked and slightly discoloured; so were the green shutter-cases to the windows; while the small and beautiful chimney-piece—its carved marble lintel depicting a Cupid with pan pipes dancing before a smiling goddess under a weeping willow—enshrined a grate that at this moment contained nothing, not even the ashes of a burnt-out fire. Its bars were rusty, and there were signs of damp in the moulded plaster above it.
A gentle breeze was now brisking the tops of the poplar trees, but no murmur of it reached Alan where he stood. With his parcel tucked under his arm, he edged round softly from shelf to shelf and even after so cursory an examination as this—and it was one of Mr. Elliott’s principles to mark all his books in plain figures—he realized that his means were much too moderate for his appetite. He came to a standstill, a little at a loss. What was he to do next? He stifled a yawn. Then, abstracting a charming copy of Hesperides, by that “Human and divine” poet, Robert Herrick, he seated himself idly on the edge of the table and began to turn over its leaves. They soon became vocal:
Aske me, why I do not sing
To the tension of the string,
As I did not long ago,
When my numbers full did flow?
Griefe (ay me!) hath struck my Lute
And my tongue—at one time—mute.
His eye strayed on, and he read slowly—muttering the words to himself as he did so—“The departure of the good Dæmon”:
What can I do in Poetry,
Now the good Spirit’s gone from me?
Why nothing now, but lonely sit,
And over-read what I have writ.
Alan’s indolence was even more extreme; he was at this moment merely over-reading what he had read—and what he had read aga
in and again and again. For the eye may be obedient while the master of the mind sits distrait and aloof. His wits had gone wool-gathering. He paused, then made yet another attempt to fix his attention on the sense of this simple quatrain. But in vain. For in a moment or two his light clear eyes had once more withdrawn themselves from the printed page and were once more, but now more intently, exploring the small green room in which he sat.
And as he did so—though nothing of the bright external scene around him showed any change—out of some daydream, it seemed, of which until then he had been unaware, there had appeared to him from the world of fantasy the image of a face.
No known or remembered face—a phantom face, as alien and inscrutable as are the apparitions that occasionally visit the mind in sleep. This in itself was not a very unusual experience. Alan was a young man of an imaginative temperament, and possessed that inward eye which is often, though not unfailingly, the bliss of solitude. And yet there was a difference. This homeless image was at once so real in effect, so clear, and yet so unexpected. Even the faint shadowy colours of the features were discernible—the eyes dark and profound, the hair drawn back over the rather narrow temples of the oval head; a longish, quiet, intent face, veiled with reverie and a sort of vigilant sorrowfulness, and yet possessing little of what at first sight might be called beauty—or what at least is usually accepted as beauty.
So many and fleeting, of course, are the pictures that float into consciousness at the decoy of a certain kind of poetry that one hardly heeds them as they pass and fade. But this, surely, was no after-image of one of Herrick’s earthly yet ethereal Electras or Antheas or Dianemes, vanishing like the rainbows in a fountain’s falling waters. There are degrees of realization. And, whatever “good Sprit” this shadowy visitant may have represented, and whatever its origin, it had struck some “observer” in Alan’s mind mute indeed, and had left him curiously disquieted. It was as if in full sight of a small fishing smack peacefully becalmed beneath the noonday blue, the spars and hulk of some such phantom as the Flying Dutchman had suddenly appeared upon the smooth sea green; though this perhaps was hardly a flattering account of it. Anyhow, it had come, and now it was gone—except out of memory—as similar images do come and go.
Mere figment of a day-dream, then, though this vision must have been, Alan found himself vacantly searching the room as if for positive corroboration of it, or at least for some kind of evidence that would explain it away. Faces are but faces of course, whether real or imaginary, and whether they appear in the daytime or the dark, but there is at times a dweller behind the eye that looks out, though only now and again, from that small window. And this looker-out—unlike most—seemed to be innocent or any attempt at concealment. “Here am I… And you?” That had seemed to be the mute question it was asking; though with no appearance of needing an answer; and, well, Alan distrusted feminine influences. He had once or twice in his brief career loved not wisely but too idealistically, and for the time being he much preferred first editions. Besides, he disliked mixing things up—and how annoying to be first slightly elated and then chilled by a mere fancy!
The sun in his diurnal round was now casting a direct beam of light from between the poplars through one of the little panes of glass in Mr. Elliott’s parlour. It limned a clear-cut shadow-pattern on the fading paint of the frame and on the floor beneath. Alan watched it and was at the same time listening—as if positively in hope of detecting that shadow’s indetectable motion!
In the spell of this reverie, time seemed to have become of an almost material density. The past hung like cobwebs in the air. He turned his head abruptly; he was beginning to feel a little uneasy. And his eyes now fixed themselves on the narrow panelled door above the three stairs on the other side of the room. When consciousness is thus unusually alert it is more easily deceived by fancies. And yet so profound was the quiet around him it seemed improbable that the faint sound he had heard as of silk very lightly brushing against some material obstacle was imaginary. Was there a listener behind that door? Or was there not? If so, it must be one as intent as himself, but far more secret.
For a full minute, and as steadily as a cat crouching over a mouse’s hole—though there wasn’t the least trace of the predatory on his mild fair features, he scrutinized the key in the lock. He breathed again; and then with finger in book to keep his place tiptoed across the room and gently—by a mere finger’s breadth—opened the door. Another moment and he had pushed it wider. Nothing there. Exactly as he had expected, of course. And yet—why at the same moment was he both disappointed and relieved?
He had exposed a narrow staircase—unstained, uncarpeted. Less than a dozen steep steps up was another door—a shut door, with yet another pretty flowered china handle and china finger-plates to it. A rather unusual staircase, too, he realized, since, unless one or other of its two doors was open, it must continually be in darkness. But you never know what oddity is going to present itself next in an old rambling house. How many human beings, he speculated, as he scanned this steep and narrow vacancy, must in the two or three centuries gone by have ascended and descended that narrow ladder—as abrupt as that of Jacob’s dream? They had come disguised in the changing fashions of their time; they had gone, leaving apparently not a wrack behind.
Well, that was that. This March morning might be speciously bright and sunny but in spite of its sunshine it was cold. Books, too, may cheer the mind, but even when used as fuel they are apt to fail to warm the body, and rust on an empty grate diminishes any illusion of heat its bars might otherwise convey. Alan sighed, suddenly aware that something which had promised to be at least an arresting little experience had failed him. The phantasmal face so vividly seen, and even watched for a moment, had already become a little blurred in memory. And now there was a good deal more disappointment in his mind than relief. He felt like someone who has been cheated at a game he never intended to play. A particularly inappropriate simile, none the less, for he hadn’t the smallest notion what the stakes had been, or, for that matter, what the game. He took up his hat and walking-stick, and still almost on tiptoe, and after quietly but firmly shutting both doors behind him, went back into the shop.
“I think I will take this, please,” he said almost apologetically to the old bookseller, who with his hands under his black coat-tails was now surveying the busy world from his own doorstep.
“Certainly, sir.” Mr. Elliott wheeled about and accepted the volume with that sprightly turn of his podgy wrist with which he always welcomed a book that was about to leave him forever. “Ah, the Hesperides, sir. I’ll put the three into one parcel. A nice tall clean copy, I see. It came, if memory serves me right, from the library of Colonel Anstey, sir, who purchased the Talbot letters—and at a very reasonable price too. Now if I had a first in this condition!...”
Alan dutifully smiled. “I found it in the parlour,” he said. “What a charming little room—and garden too; I had no idea the house was so old. Who lived in it before you did? I suppose it wasn’t always a bookshop?”
He tried in vain to speak naturally and not as if he had plums in his mouth.
“Lived here before me, now?” the bookseller repeated ruminatively. “Well, sir, there was first of course my immediate predecessor. He came before me; and we took over his stock. Something of a disappointment too when I came to go through with it.”
“And before him?” Alan persisted.
“Before him, sir? I fancy this was what might be called a private house. You could see if you looked round a bit how it has been converted. It was a doctor’s, I understand—a Dr. Marchmont’s. And what we call the parlour, sir, from which you have just emerged, was always, I take it, a sort of book room. Leastways some of the books there now were there then—with the book-plate and all. You see, the Mr. Brown who came before me and who, as I say, converted the house, he bought the doctor’s library. Not merely medical and professional works neither. There was some cho
ice stuff besides; and a few moderate specimens of what is known in the trade as the curious, sir. Not that I go out of my way for it, myself.”
Alan paused in the doorway, parcel in hand.
“A bachelor, I suppose?”
“The doctor, sir, or Mr. Brown?”
“The doctor.”
“Well now, that I couldn’t rightly say,” replied Mr. Elliott cheerfully. “Let us hope not. They tell me, sir, it makes things seem more homely-like to have a female about the house. And,” he raised his voice a little, “I’ll warrant that Mrs. Elliott, sir, if she were here to say so would bear me out.”
Mrs. Elliott in fact, a pasty-looking old woman, with a mouth like a cod’s and a large marketing basket on her arm, was at this moment emerging out from behind a curtained doorway. Possibly her husband had caught a glimpse of her reflection in his spectacles. She came on with a beetle-like deliberation.
“What’s that you were saying about me, Mr. Elliott?” she said.
“This gentleman was inquiring, my love, if Dr. Marchmont-as-was lived in a state of single blessedness or if there was a lady in the case.”
Mrs. Elliott fixed a slow flat look on her husband, and then on Alan.
“There was a sister or niece or something, so they say. But I never knew anything about them, and don’t want to,” she declared. And Alan, a little chilled by her demeanour, left the shop.
Not that that one fish-like glance of Mrs. Elliott’s censorious eye had by any means freed his fancy of what had passed. In the days that followed he could never for an instant be sure when or where the face that reverie had somehow conjured up out of the recesses of his mind on his first visit to the old bookseller’s parlour was not about to reappear. And it chose the oddest of moments. Even when his attention was definitely fixed on other things it would waft itself into his consciousness again—and always with the same serene yet vivid, naïve yet serious question in the eyes—a question surely that only life itself could answer, and that not always with a like candour or generosity. Alan was an obstinate young man in spite of appearances. But to have the rudiments of an imagination is one thing, to be at the beck and call of every passing fancy is quite another. He was not, he reassured himself, as silly as all that. He held out for days together; and then when he had been left for twenty-four hours wholly at peace—he suddenly succumbed.
The Green Room Page 1
