by Steve Bouser
DEATH of a
Pinehurst Princess
STEVE BOUSER
Published by The History Press
Charleston, SC 29403
www.historypress.net
Copyright © 2010 by Steve Bouser
All rights reserved
First published 2010
e-book edition 2011
ISBN 978.1.61423.023.6
Library of Congress Cataloging-in-Publication Data
Bouser, Steve.
Death of a Pinehurst princess : the 1935 Elva Statler Davidson mystery / Steve Bouser.
p. cm.
print edition: ISBN 978-1-59629-180-5
1. Davidson, Henry Bradley, 1892-1972. 2. Murder--Investigation--North Carolina--
Pinehurst--Case studies. 3. Davidson, Elva Statler, 1912-1935. 4. Victims--North Carolina-
-Pinehurst--Case studies. 5. Pinehurst (N.C.)--History. I. Title.
HV8079.H6B68 2010
364.152’3092--dc22
2010045210
Notice: The information in this book is true and complete to the best of our knowledge. It is offered without guarantee on the part of the author or The History Press. The author and The History Press disclaim all liability in connection with the use of this book.
All rights reserved. No part of this book may be reproduced or transmitted in any form whatsoever without prior written permission from the publisher except in the case of brief quotations embodied in critical articles and reviews.
Contents
Prologue
1. Occurrence at Edgewood Cottage
2. A Melancholy Gypsy Tune
3. Not Conceivably an Accident
4. Touched by the Breath of Scandal
5. A Shadow of Ugly Suspicion
6. No Bible to Take an Oath On
7. Waiting for the Hole Card
8. No Other Foreign Matter
9. Looking On with a Pained Expression
10. Electrifying the Courtroom
11. His Thin Face Smilelessly Imperturbable
12. Nobody Dies in Pinehurst
13. The Style to Which He Was Accustomed
14. Poor Little Rich Girl
15. The Many Faces of Elva
16. To Parts and Places Unknown
17. Shrouded in Verdure and Mystery
18. Why Did He Get the Catbird Seat?
19. Let Him Beware
20. A Chance to Blow Out the Candles
21. So Cunningly and Craftily
22. The One-Hundred-Pound Bulldog
23. A Faded Summer Love
24. A Distant and Faraway Look
25. The Shore of that Eternal Sea
About the Author
Prologue
Diane McLellan might seem an unlikely cold-case detective. If Central Casting went looking for someone to play a contemporary woman who becomes obsessed with the idea that a wealthy young socialite who died under suspicious circumstances three-quarters of a century ago is crying out to her from the grave to get to the bottom of her story and tell it to the world, Diane might not get the part.
But on a spring day a few years ago, it was that peculiar, unrelenting, near-supernatural sense of mission that first compelled Diane to drive from her home near the resort village of Pinehurst, North Carolina, to the nearby town of Southern Pines and call on the local newspaper editor.
That would be me.
Diane came to my office in the company of the late Mary Evelyn de Nissoff—who, before retiring, had spent many years covering Pinehurst for our thrice-weekly paper, The Pilot. Mary Evelyn thought Diane’s determined effort to solve the obscure but tantalizing old mystery she had stumbled upon might make a good feature story for us. It didn’t take me long to see that it was more than that.
Diane McLellan once described herself as “just an average person that you’d probably walk by on the street and never notice.” After growing up in a blue-collar Ohio community and graduating from high school in 1970, she married a career army noncom who spent a good part of his military career with the Eighty-second Airborne Division based at Fort Bragg, which occupies a sprawling section of real estate between Southern Pines and Fayetteville to the southeast. After he closed out his enlistment elsewhere, they decided to return to this area and hang it up.
“When we were on the way back here for the last time,” she told me, “someone told us, ‘Hey, you ought to check out Moore County.’ So we came here, and it was like a whole different planet! And we stayed. We lived in Aberdeen, then Southern Pines, and now we’ve built a home on the outskirts of Pinehurst, buried in the woods.”
Compared with its surroundings, lower Moore County is, indeed, a whole different planet. I’ve heard it described as “an island of wealth in the middle of a sea of poverty, an oasis of sophistication in the middle of a southern desert.” Moore always ranks a couple of clicks above its neighboring counties in any listing of things like household incomes and educational levels, mostly because so many well-off, well-schooled, well-traveled people gravitate in this direction to retire or play golf. (Some folks are even lucky enough to come here to work, as I did in 1997. I had interrupted a conventional newspaper career to spend three or four years involved in idealistic and adventurous media assistance work in immediate post-Soviet Russia and Eastern Europe, until my wife and daughter, tired of being dragged all over, finally announced: “Okay, you’ve saved the world. Now we want a normal life again.”)
The contrast between the Pinehurst area and environs is especially dramatic for people who, like Diane and her husband, Mike, come here from Fort Bragg/Fayetteville. The image that lingers with outsiders after they drive through the latter is one of an unrelieved urbanscape of traffic-clogged, four-lane roads lined with bars, garish fast-food emporiums, pawnshops, tattoo parlors and neon-lit topless joints that have signs outside urging you to “Support Our Troops.” Cross over into Moore County and you feel the stress quickly falling away as you begin to encounter peaceful horse farms, well-groomed golf courses and quaint tree-lined streets flanked with funky old resort dwellings that often have forest floors of low-maintenance pine straw where their lawns should be. We support our troops, among other ways, by giving some of them a decent, normal, civilized place to live. A great many Special Forces officers and noncoms quietly raise their families here, just as quietly vanishing from our church pews and our PTA meetings when there’s a crisis abroad. You lie in bed and hear wave after wave of heavy troop transport planes taking off and rumbling overhead at night, and you can only wonder what’s going on half a world away.
It was a single old photograph, picked up at a yard sale, that turned Diane McLellan into a history detective. She found it among a mixed bag of old black-and-white scenes from the golden age of Pinehurst, most of which involved golfers, racehorses and hunting dogs. But she kept coming back to that one battered old print, bent and torn around the edges and aged to subtle tones of sepia and walnut brown.
At first glance, the image looked like little more than a snapshot of a half-dozen guys killing time in front of a low building. But a more careful look revealed layer after layer of detail, and there were intriguingly cryptic, handwritten inscriptions around the edges.
It wasn’t hard to guess who the six men in the foreground were: hotshot photographers, apparently from big-city newspapers and wire services. But what were they doing down south in Smallsville? Covering a major story of some kind, perhaps. They wore well-pressed three-piece suits with razor-sharp creases in the pants and folded handkerchiefs in their breast pockets. They were standing in a dirt street or yard in front of a simple one-story wooden building, evidently during a recess in some kind of official proceeding. All six proudly displayed
the latest thing in state-of-the-art imaging devices: bulky Speed Graphic cameras with shiny new leather gadget bags and identical flash attachments the size of satellite dishes.
This photograph, purchased at a yard sale, first set Diane McLellan off on her investigative quest. Her curiosity was piqued by its mysterious inscription. Courtesy of Diane McLellan.
The ample margins of the photograph displayed a random assortment of semi-decipherable notes. “Larry ‘Nuts’ Byrd” read the large, flourishing signature at the bottom. Somebody named Al identified himself as “the city boy from the country.” In the lower right corner was this message: “Hope you are in Cuba when I spend honeymoon in N.Y.—A.E. Scott, Wash DC.”
But it was the scribbled notation angled across the upper left, with one word she could only guess at, that grabbed Diane and wouldn’t let her go.
Trial of the [questioned?] Davidson story—It may be murder but who can tell. One of those things. Pinehurst, N.C.
The inscription on the picture of photographers taken during the Davidson inquest in 1935 reads, “Trial of the [questioned?] Davidson story—It may be murder but who can tell. One of those things. Pinehurst, N.C.” Courtesy of Diane McLellan.
The Davidson story? Murder? What was that all about? Unable to put that riddle out of her mind, Diane asked around about who might be able to shed some light on it. A couple of people directed her toward Khris Januzik at the Tufts Archives in the heart of Pinehurst, who knew where most of the figurative bones were buried in the village. The archives, named for the resort’s founding family, contained a wealth of documents and artifacts.
Once Khris (who happened to be in her last day on the job) had had a look at the stack of old photos, she was quickly able to identify many of the people in them. But when she looked at the picture of the guys standing in front of the building and read the inscription in the corner, she exclaimed, “Oh, my God! That’s the Elva Statler Davidson case!”
Khris then pulled her chair closer to Diane’s and began filling her in: “Have you heard of the Statler hotel chain? Well, Elva was an adopted daughter of Ellsworth Statler. She married Henry Bradley Davidson in January 1935, right after inheriting the better part of $1 million. On Valentine’s Day, about six weeks after their marriage, Elva got on a train from Pinehurst to Boston and had her will changed, leaving all she had to Brad. Two weeks later, she was found dead in her garage out here off Linden Road, alongside her 1934 Packard. It hit every newspaper front page in the country. There was an inquest, but they never officially determined what happened to her. It has been rumored that the Tufts family wanted this case buried. It was the Depression, and the last thing their little resort needed was trouble. A lot of people thought Brad did it—or at least played some kind of role in her death. But it was never solved.”
Like most contemporary residents of the Pinehurst area, Diane had never heard even a whisper about Elva Statler Davidson or the lingering mystery of what happened to her on that cold morning in 1935. But even in those early moments, with only a beat-up old photograph to go on, she thought she knew.
“Sounds like he did it, don’t you think?” she said. “He killed her. He had to have killed her for the money.”
“I don’t know if he did or not,” Khris said, standing up to signal that she had other business to attend to. “Why don’t you see if you can find out?”
Diane ended up spending years doing just that. She pursued every possible aspect of the Davidson case down a seemingly endless trail that led from courthouse basements to archive rooms in Washington, D.C., to a dozen libraries and newspaper morgues up and down the eastern seaboard, to a couple of distant cemeteries, to personal interviews with numerous aged witnesses or their descendants and to dozens of websites. She amassed boxes and filing cabinets bulging with court documents, diaries, newspaper clippings, photographs, maps, merchandise receipts, interview notes, e-mail printouts and books ordered from eBay, each contributing some new element to her meticulous reconstruction of the Davidson story in minute detail—all the way down to the color of the panties Elva wore on her wedding day: peach.
Along the way, Diane made the acquaintance of the brilliant, colorful and sometimes cantankerous Mary Evelyn de Nissoff, who had learned everything there was to know about Pinehurst in her decades of reporting for The Pilot—not to mention a great many things that Pinehurst would rather not have known. And not only that, but she had actually had a casual acquaintance with Elva Statler as a child. Tall and angular and given to severely short haircuts and outrageously clunky, dangling earrings of pink and aqua, Mary Evelyn also had a strong streak of the mystical and paranormal in her and believed in ghosts and predestination. By the time the two of them showed up at my office, Mary Evelyn had succeeded in infecting Diane with the notion that it may have been no accident that that old picture of the photographers at the inquest had found its way into her hands and one thing had led to another.
“I think things are intended,” she later told me. “Somebody said coincidence is God’s way of remaining anonymous. I think things have a pattern. I’ve found it to be so. Why would Diane, from the middle of Squedunk or wherever she’s from—why would she find this picture at a yard sale and feel like this girl was calling out to her to solve the mystery? They say murder victims do not rest easily until the murderer is found. So I can see Elva pushing to get this story out—to get people to really look into it and find out if she really was done wrong by this guy.”
Caught up in the “Elva Thing” myself, I, too, did quite a bit of independent snooping into it and remained convinced that it was more than a newspaper feature story. Still, I never knew quite what to do with it and, busy with my day job, found excuses to let it lie around for too long. Then my friend Jim Dodson, three-time New York Times bestselling author and editor of our sister publication, PineStraw magazine, persuaded me to do a cover story on it for him, which he headlined “Death of a Pinehurst Princess.” The positive response from readers ultimately got me off my backside and sparked the expansion of that article into this book.
One important note: Diane McLellan prefers to stay in the background (“it’s not about me, it’s about her”), but it is she who single-handedly sparked the current revival of interest in the Davidson case. The research materials she gathered so painstakingly lie behind the bulk of the content presented here. Because she’s not comfortable being part of the story herself, the reader will hear nothing more directly about Diane in this book. But she remains its sine qua non—“without which, nothing.”
CHAPTER 1
Occurrence at Edgewood Cottage
Shortly after 7:30 a.m. on Wednesday, February 27, 1935, butler Emanuel Birch went to the front room of Edgewood Cottage, parted a curtain and glanced outside. It was going to be a cold, sunny morning—downright frigid for the normally temperate little inland resort colony of Pinehurst, North Carolina.
The diminutive Birch, a black man of indeterminate age whom everyone called “Mannie,” expected to see an automobile sitting out there—the twelve-cylinder 1934 Packard convertible roadster whose upkeep was his responsibility. But on this morning, the horseshoe drive stood empty, except for a scattering of longleaf pine needles that had fallen onto the white pea gravel.
Birch’s newlywed employers, Mr. and Mrs. Henry Bradley Davidson, had come home from a night of partying at who knew what hour. Normally they would leave the car in the driveway. But they had the use of a garage at the back of the next-door neighbor’s house, and on this night they apparently had decided to drive the Packard back there and put it away before they and their houseguests came inside to sleep off their hangovers.
After doing some routine chores, the butler made his morning drive to the Pinehurst Post Office to check on the box the Davidsons maintained there. It was well after 8:00 a.m. when he pulled back into the rear yard of the leased “cottage,” really a ten-room mansion. He walked toward the porch with the frosty grass crunching under his feet. As he stepped into the kitchen nex
t to his servant’s quarters and took off his jacket, the aroma of freshly brewed coffee greeted him. Pearl Watson, the cook and maid, was girding for the descent of the white folks. As they waited, the two domestics exchanged clucks of disapproval about the sometimes scandalous goings-on involving the girlish mistress and older master of the house and their racy circle of friends, who acted as if this were still the Jazz Age of the twenties instead of the Great Depression of the thirties.
The usual practice at Edgewood Cottage was for the two servants to awaken the residents and guests at 9:00 a.m. if they weren’t already up by then. As that hour approached, Birch helped Pearl start breakfast. But he kept going to the window and looking out at the garage across the way. Was the car there or not? What if Mrs. Davidson had taken one of her early morning drives and fallen into some kind of trouble? In any case, if the car was there, he ought to see if it needed cleaning up.
Birch put his jacket back on, went outside and crossed to the garage. Arriving at the rightmost of the three segmented wooden doors, he took hold of its steel handle and hefted it upward, waiting as it completed its smooth course along the curved metal tracks and stopped overhead. The twang of the vibrating springs faded to silence. The black Packard sat there against the right wall, having been backed in. Birch took a step inside the dim building and reached up to begin pulling the door closed behind him. Then, as the warm air inside started flowing out, it hit him in the face: the powerful, stifling odor of trapped exhaust fumes.
Birch coughed and covered his mouth. He pushed the door back open again and stepped outside to take a few gasps of fresh, cold air. Then, turning back toward the garage, he saw that the driver’s side door of the Packard was open. And something was protruding from beneath it: a woman’s foot, wearing a house slipper.
