by George Eliot
“No; he wished me to hear it from you, I suppose.”
Gwendolen in fact had been very anxious to have some definite knowledge of what would be done for her mother, but at no moment since her marriage had she been able to overcome the difficulty of mentioning the subject to Grandcourt. Now, however, she had a sense of obligation which would not let her rest without saying to him, “It is very good of you to provide for mamma. You took a great deal on yourself in marrying a girl who had nothing but relations belonging to her.”
Grandcourt was smoking, and only said carelessly, “Of course I was not going to let her live like a gamekeeper’s mother.”
“At least he is not mean about money,” thought Gwendolen, “and mamma is the better off for my marriage.”
She often pursued the comparison between what might have been, if she had not married Grandcourt, and what actually was, trying to persuade herself that life generally was barren of satisfaction, and that if she had chosen differently she might now have been looking back with a regret as bitter as the feeling she was trying to argue away. Her mother’s dullness, which used to irritate her, she was at present inclined to explain as the ordinary result of woman’s experience. True, she still saw that she would “manage differently from mamma;” but her management now only meant that she would carry her troubles with spirit, and let none suspect them. By and by she promised herself that she should get used to her heart-sores, and find excitements that would carry her through life, as a hard gallop carried her through some of the morning hours. There was gambling: she had heard stories at Leubronn of fashionable women who gambled in all sorts of ways. It seemed very flat to her at this distance, but perhaps if she began to gamble again, the passion might awake. Then there was the pleasure of producing an effect by her appearance in society: what did celebrated beauties do in town when their husbands could afford display? All men were fascinated by them: they had a perfect equipage and toilet, walked into public places, and bowed, and made the usual answers, and walked out again, perhaps they bought china, and practiced accomplishments. If she could only feel a keen appetite for those pleasures—could only believe in pleasure as she used to do! Accomplishments had ceased to have the exciting quality of promising any preeminence to her; and as for fascinated gentlemen—adorers who might hover round her with languishment, and diversify married life with the romantic stir of mystery, passion, and danger, which her French reading had given her some girlish notion of—they presented themselves to her imagination with the fatal circumstance that, instead of fascinating her in return, they were clad in her own weariness and disgust. The admiring male, rashly adjusting the expression of his features and the turn of his conversation to her supposed tastes, had always been an absurd object to her, and at present seemed rather detestable. Many courses are actually pursued—follies and sins both convenient and inconvenient—without pleasure or hope of pleasure; but to solace ourselves with imagining any course beforehand, there must be some foretaste of pleasure in the shape of appetite; and Gwendolen’s appetite had sickened. Let her wander over the possibilities of her life as she would, an uncertain shadow dogged her. Her confidence in herself and her destiny had turned into remorse and dread; she trusted neither herself nor her future.
This hidden helplessness gave fresh force to the hold Deronda had from the first taken on her mind, as one who had an unknown standard by which he judged her. Had he some way of looking at things which might be a new footing for her—an inward safeguard against possible events which she dreaded as stored-up retribution? It is one of the secrets in that change of mental poise which has been fitly named conversion, that to many among us neither heaven nor earth has any revelation till some personality touches theirs with a peculiar influence, subduing them into receptiveness. It had been Gwendolen’s habit to think of the persons around her as stale books, too familiar to be interesting. Deronda had lit up her attention with a sense of novelty: not by words only, but by imagined facts, his influence had entered into the current of that self-suspicion and self-blame which awakens a new consciousness.
“I wish he could know everything about me without my telling him,” was one of her thoughts, as she sat leaning over the end of a couch, supporting her head with her hand, and looking at herself in a mirror—not in admiration, but in a sad kind of companionship. “I wish he knew that I am not so contemptible as he thinks me; that I am in deep trouble, and want to be something better if I could.” Without the aid of sacred ceremony or costume, her feelings had turned this man, only a few years older than herself, into a priest; a sort of trust less rare than the fidelity that guards it. Young reverence for one who is also young is the most coercive of all: there is the same level of temptation, and the higher motive is believed in as a fuller force—not suspected to be a mere residue from weary experience.
But the coercion is often stronger on the one who takes the reverence. Those who trust us educate us. And perhaps in that ideal consecration of Gwendolen’s, some education was being prepared for Deronda.
CHAPTER XXXVI.
“Rien ne pese tant qu’un secret Le porter loin est difficile aux dames: Et je scais mesme sur ce fait Bon nombre d’hommes qui sont femmes.” —LA FONTAINE.
Meanwhile Deronda had been fastened and led off by Mr. Vandernoodt, who wished for a brisker walk, a cigar, and a little gossip. Since we cannot tell a man his own secrets, the restraint of being in his company often breeds a desire to pair off in conversation with some more ignorant person, and Mr. Vandernoodt presently said—
“What a washed-out piece of cambric Grandcourt is! But if he is a favorite of yours, I withdraw the remark.”
“Not the least in the world,” said Deronda.
“I thought not. One wonders how he came to have a great passion again; and he must have had—to marry in this way. Though Lush, his old chum, hints that he married this girl out of obstinacy. By George! it was a very accountable obstinacy. A man might make up his mind to marry her without the stimulus of contradiction. But he must have made himself a pretty large drain of money, eh?”
“I know nothing of his affairs.”
“What! not of the other establishment he keeps up?”
“Diplow? Of course. He took that of Sir Hugo. But merely for the year.”
“No, no; not Diplow: Gadsmere. Sir Hugo knows, I’ll answer for it.”
Deronda said nothing. He really began to feel some curiosity, but he foresaw that he should hear what Mr. Vandernoodt had to tell, without the condescension of asking.
“Lush would not altogether own to it, of course. He’s a confident and go-between of Grandcourt’s. But I have it on the best authority. The fact is, there’s another lady with four children at Gadsmere. She has had the upper hand of him these ten years and more, and by what I can understand has it still—left her husband for him, and used to travel with him everywhere. Her husband’s dead now; I found a fellow who was in the same regiment with him, and knew this Mrs. Glasher before she took wing. A fiery dark-eyed woman—a noted beauty at that time—he thought she was dead. They say she has Grandcourt under her thumb still, and it’s a wonder he didn’t marry her, for there’s a very fine boy, and I understand Grandcourt can do absolutely as he pleases with the estates. Lush told me as much as that.”
“What right had he to marry this girl?” said Deronda, with disgust.
Mr. Vandernoodt, adjusting the end of his cigar, shrugged his shoulders and put out his lips.
“She can know nothing of it,” said Deronda, emphatically. But that positive statement was immediately followed by an inward query—”Could she have known anything of it?”
“It’s rather a piquant picture,” said Mr. Vandernoodt—”Grandcourt between two fiery women. For depend upon it this light-haired one has plenty of devil in her. I formed that opinion of her at Leubronn. It’s a sort of Medea and Creuesa business. Fancy the two meeting! Grandcourt is a new kind of Jason: I wonder what sort of a part he’ll make of it. It’s a dog’s part at best.
I think I hear Ristori now, saying, ‘Jasone! Jasone!’ These fine women generally get hold of a stick.”
“Grandcourt can bite, I fancy,” said Deronda. “He is no stick.”
“No, no; I meant Jason. I can’t quite make out Grandcourt. But he’s a keen fellow enough—uncommonly well built too. And if he comes into all this property, the estates will bear dividing. This girl, whose friends had come to beggary, I understand, may think herself lucky to get him. I don’t want to be hard on a man because he gets involved in an affair of that sort. But he might make himself more agreeable. I was telling him a capital story last night, and he got up and walked away in the middle. I felt inclined to kick him. Do you suppose that is inattention or insolence, now?”
“Oh, a mixture. He generally observes the forms: but he doesn’t listen much,” said Deronda. Then, after a moment’s pause, he went on, “I should think there must be some exaggeration or inaccuracy in what you have heard about this lady at Gadsmere.”
“Not a bit, depend upon it; it has all lain snug of late years. People have forgotten all about it. But there the nest is, and the birds are in it. And I know Grandcourt goes there. I have good evidence that he goes there. However, that’s nobody’s business but his own. The affair has sunk below the surface.”
“I wonder you could have learned so much about it,” said Deronda, rather drily.
“Oh, there are plenty of people who knew all about it; but such stories get packed away like old letters. They interest me. I like to know the manners of my time—contemporary gossip, not antediluvian. These Dryasdust fellows get a reputation by raking up some small scandal about Semiramis or Nitocris, and then we have a thousand and one poems written upon it by all the warblers big and little. But I don’t care a straw about the faux pas of the mummies. You do, though. You are one of the historical men—more interested in a lady when she’s got a rag face and skeleton toes peeping out. Does that flatter your imagination?”
“Well, if she had any woes in her love, one has the satisfaction of knowing that she’s well out of them.”
“Ah, you are thinking of the Medea, I see.”
Deronda then chose to point to some giant oaks worth looking at in their bareness. He also felt an interest in this piece of contemporary gossip, but he was satisfied that Mr. Vandernoodt had no more to tell about it.
Since the early days when he tried to construct the hidden story of his own birth, his mind had perhaps never been so active in weaving probabilities about any private affair as it had now begun to be about Gwendolen’s marriage. This unavowed relation of Grandcourt’s—could she have gained some knowledge of it, which caused her to shrink from the match—a shrinking finally overcome by the urgence of poverty? He could recall almost every word she had said to him, and in certain of these words he seemed to discern that she was conscious of having done some wrong—inflicted some injury. His own acute experience made him alive to the form of injury which might affect the unavowed children and their mother. Was Mrs. Grandcourt, under all her determined show of satisfaction, gnawed by a double, a treble-headed grief—self-reproach, disappointment, jealousy? He dwelt especially on all the slight signs of self-reproach: he was inclined to judge her tenderly, to excuse, to pity. He thought he had found a key now by which to interpret her more clearly: what magnifying of her misery might not a young creature get into who had wedded her fresh hopes to old secrets! He thought he saw clearly enough now why Sir Hugo had never dropped any hint of this affair to him; and immediately the image of this Mrs. Glasher became painfully associated with his own hidden birth. Gwendolen knowing of that woman and her children, marrying Grandcourt, and showing herself contented, would have been among the most repulsive of beings to him; but Gwendolen tasting the bitterness of remorse for having contributed to their injury was brought very near to his fellow-feeling. If it were so, she had got to a common plane of understanding with him on some difficulties of life which a woman is rarely able to judge of with any justice or generosity; for, according to precedent, Gwendolen’s view of her position might easily have been no other than that her husband’s marriage with her was his entrance on the path of virtue, while Mrs. Glasher represented his forsaken sin. And Deronda had naturally some resentment on behalf of the Hagars and Ishmaels.
Undeniably Deronda’s growing solicitude about Gwendolen depended chiefly on her peculiar manner toward him; and I suppose neither man nor woman would be the better for an utter insensibility to such appeals. One sign that his interest in her had changed its footing was that he dismissed any caution against her being a coquette setting snares to involve him in a vulgar flirtation, and determined that he would not again evade any opportunity of talking to her. He had shaken off Mr. Vandernoodt, and got into a solitary corner in the twilight; but half an hour was long enough to think of those possibilities in Gwendolen’s position and state of mind; and on forming the determination not to avoid her, he remembered that she was likely to be at tea with the other ladies in the drawing-room. The conjecture was true; for Gwendolen, after resolving not to go down again for the next four hours, began to feel, at the end of one, that in shutting herself up she missed all chances of seeing and hearing, and that her visit would only last two days more. She adjusted herself, put on her little air of self-possession, and going down, made herself resolutely agreeable. Only ladies were assembled, and Lady Pentreath was amusing them with a description of a drawing-room under the Regency, and the figure that was cut by ladies and gentlemen in 1819, the year she was presented—when Deronda entered.
“Shall I be acceptable?” he said. “Perhaps I had better go back and look for the others. I suppose they are in the billiard-room.”
“No, no; stay where you are,” said Lady Pentreath. “They were all getting tired of me; let us hear what you have to say.”
“That is rather an embarrassing appeal,” said Deronda, drawing up a chair near Lady Mallinger’s elbow at the tea-table. “I think I had better take the opportunity of mentioning our songstress,” he added, looking at Lady Mallinger—”unless you have done so.”
“Oh, the little Jewess!” said Lady Mallinger. “No, I have not mentioned her. It never entered my head that any one here wanted singing lessons.”
“All ladies know some one else who wants singing lessons,” said Deronda. “I have happened to find an exquisite singer,”—here he turned to Lady Pentreath. “She is living with some ladies who are friends of mine—the mother and sisters of a man who was my chum at Cambridge. She was on the stage at Vienna; but she wants to leave that life, and maintain herself by teaching.”
“There are swarms of those people, aren’t there?” said the old lady. “Are her lessons to be very cheap or very expensive? Those are the two baits I know of.”
“There is another bait for those who hear her,” said Deronda. “Her singing is something quite exceptional, I think. She has had such first-rate teaching—or rather first-rate instinct with her teaching—that you might imagine her singing all came by nature.”
“Why did she leave the stage, then?” said Lady Pentreath. “I’m too old to believe in first-rate people giving up first-rate chances.”
“Her voice was too weak. It is a delicious voice for a room. You who put up with my singing of Schubert would be enchanted with hers,” said Deronda, looking at Mrs. Raymond. “And I imagine she would not object to sing at private parties or concerts. Her voice is quite equal to that.”
“I am to have her in my drawing-room when we go up to town,” said Lady Mallinger. “You shall hear her then. I have not heard her myself yet; but I trust Daniel’s recommendation. I mean my girls to have lessons of her.”
“Is it a charitable affair?” said Lady Pentreath. “I can’t bear charitable music.”
Lady Mallinger, who was rather helpless in conversation, and felt herself under an engagement not to tell anything of Mirah’s story, had an embarrassed smile on her face, and glanced at Deronda.
“It is a charity to those who want to have
a good model of feminine singing,” said Deronda. “I think everybody who has ears would benefit by a little improvement on the ordinary style. If you heard Miss Lapidoth”—here he looked at Gwendolen—”perhaps you would revoke your resolution to give up singing.”
“I should rather think my resolution would be confirmed,” said Gwendolen. “I don’t feel able to follow your advice of enjoying my own middlingness.”
“For my part,” said Deronda, “people who do anything finely always inspirit me to try. I don’t mean that they make me believe I can do it as well. But they make the thing, whatever it may be, seem worthy to be done. I can bear to think my own music not good for much, but the world would be more dismal if I thought music itself not good for much. Excellence encourages one about life generally; it shows the spiritual wealth of the world.”
“But then, if we can’t imitate it, it only makes our own life seem the tamer,” said Gwendolen, in a mood to resent encouragement founded on her own insignificance.
“That depends on the point of view, I think,” said Deronda. “We should have a poor life of it if we were reduced for all our pleasure to our own performances. A little private imitation of what is good is a sort of private devotion to it, and most of us ought to practice art only in the light of private study—preparation to understand and enjoy what the few can do for us. I think Miss Lapidoth is one of the few.”
“She must be a very happy person, don’t you think?” said Gwendolen, with a touch of sarcasm, and a turn of her neck toward Mrs. Raymond.
“I don’t know,” answered the independent lady; “I must hear more of her before I say that.”
“It may have been a bitter disappointment to her that her voice failed her for the stage,” said Juliet Fenn, sympathetically.
