Harrow the Ninth

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by Tamsyn Muir

Ortus leant forward on the edge of his chair, his restive, long-fingered hands locking together. His hands were big and soft—all of Ortus was big and soft, like a squashy black pillow—and he spread them open, beseeching. She was intrigued, despite herself. This was more than he had heretofore dared.

  “Lady,” ventured Ortus, voice deepening with timidity, “I would not venture it—but if a cavalier’s duty is to hold the sword—if a cavalier’s duty is to protect with the sword—if a cavalier’s duty is to die by the sword—have you never considered ORTUS NIGENAD?”

  “What?” said Harrow.

  “Lady, it is only to honour my father that I call myself a cavalier,” said Ortus. “It is for my mother’s pride and my House’s scarcity that I call myself a cavalier. I have none of a cavalier’s virtues.”

  “I feel as though we have had this conversation before,” said Harrowhark, pressing her thumbs together, testing with risky pleasure how malleable she might make her distal phalange. One misstep, and her nerves might split. It was an old exercise her parents had set her. “Each time, the news that you have not spent your life in acquiring martial virtues comes as a little less of a shock to me. But have a go. Surprise me. My body is ready.”

  “I wish that our House had produced some swordsman more worthy of our glory days,” said Ortus meditatively, who always found enthusiasm for alternate histories where he was not pressed into service or asked to do anything he found difficult. “I wish that our House had not been diminished to ‘those who are fit but to hold their blade in the scabbard.’”

  Harrowhark congratulated herself on not pointing out how this lack of production was directly due to three things: his mother, himself, and The Noniad, his ongoing verse epic devoted to Matthias Nonius. She had a vile suspicion that the quotation, around which he had somehow contrived to pronounce quotation marks, was from that very same verse epic, which she knew was already on its eighteenth book and showed no signs of slowing down. If anything it seemed to be gaining momentum, like a very boring avalanche. She was composing a rejoinder when she noticed that a serving sister had arrived in her father’s library.

  Harrow had not noticed her knocking, or her passage in; this wasn’t the problem. The problem was that the sister’s ashen paint was decorating the lovely dead face of the Body.

  Her palms felt wet. In this scenario, either the sister was real and her face was not, or the sister was herself unreal. One couldn’t simply gauge all the osseous mass in the room and do a best guess; bones in meat generated so much deceptive soft thalergy, only a fool would try. She flicked her eyes over to Ortus in the faint hope that he would betray her reality one way or another. But his gaze was still levelled at the ground.

  “Our House has received good service from ‘those who are fit but to hold their blade in the scabbard,’” said Harrowhark, keeping her voice even. “Which is not a line that scans, just so you know. Nobody will be surprised to find you a laggard.”

  “It’s enneameter. The traditional form. Those who are fit but to hold their blade in the scabbard—”

  “That’s not nine feet of anything.”

  “—never to draw it forth for the battle.”

  “You will train with Captain Aiglamene for the next twelve weeks,” said Harrowhark, rubbing her fingers back and forth, back and forth, until the pad of her thumb felt very hot. “You will meet the very minimum that is expected of a Ninth House cavalier primary, which is now, fortunately, that you be as broad as you are tall with arms that can carry a weight. But I need … significantly more from you … than the edge of a sword, Nigenad.”

  The serving sister shadowed the edge of Harrow’s peripheral vision. Ortus had raised his head and did not acknowledge the sister, which complicated things. He looked at Harrow with the faint kind of pity she always suspected he held her in: the pity that marked him as an outsider in his own House, and would mark him as all the more an outsider in the House of his mother’s line. She did not know what made Ortus Ortus. He was a mystery too boring to solve.

  “What more is there?” he asked, a little bitterly.

  Harrowhark closed her eyes, which shut out Ortus’s tremulous, worried face and the shadow of the Body-faced serving girl that fell over the desk. The shadow told her nothing. Physical evidence was often a trap. She shut out the new and rusty rapier that now creaked in the scabbard at Ortus’s hip. She shut out the comforting smell of dust made hot by the whirring heater in the corner of the room, mixing with the just-milled ink in her inkwell. Tannic acid, human salts.

  “This isn’t how it happens,” said the Body.

  Which gave Harrow a curious strength.

  “I need you to hide my infirmity,” said Harrowhark. “You see, I am insane.”

  ACT ONE

  1

  NINE MONTHS BEFORE THE EMPEROR’S MURDER

  IT WAS IN THE CLOSE of the myriadic year of our Lord—that far-off King of Necromancers, that blessed Resurrector of Saints!—that you picked up your sword. This was your first big mistake.

  The sword hated you to touch it. The long hilt burnt your bare hands as though heated to starlike temperatures. The vacuum of space outside yielded no thanergy and generated no thalergy, but it didn’t matter. You no longer needed either. You iced your palms over with thick bands of cartilage, and you tried again.

  Now the grip seemed cold as death, and it was just as heavy. You lifted, and your elbows locked, and you grasped the pommel to try to steady yourself. You tried a new trick—you slipped a narrow ribbon of bone up from your living metacarpal and eased the fragment gently around the flexor tendon, and you pierced it through the back of your hand. You didn’t flinch. It was never your way. From there you unfolded long fingers of bone to grasp the handle, then more, to grasp it again; you lifted it, in a manner of speaking, assisted by a seething, clattering basket of eight phalanx articulates.

  So now you could wobble the sword up in an obtuse angle before yourself. You waited. You felt nothing: no understanding, no mastery, no knowledge. You were just a necromancer, and it was just a sword. It fell away from your hands and clattered to the floor, and you folded in half, and you upchucked violently all over the hospital tiles.

  There were many uniformed people in that room, but they were used to these antics. Harrowhark the First, ninth saint to serve the Emperor Undying, might throw up as much as she cared to. You were a walking sacrament, even if your early contributions to Lyctorhood seemed to be finding new and different ways to puke. They only intervened if it looked like you might choke to death on your own vomit, a mercy that you always vaguely thought a shame.

  * * *

  The first time the man you called God had delivered you the sword—in what seemed to you his aspect of the Kindly Prince, intending only gentleness—you’d fallen into a deep stupor from which you had never really risen. Maybe the sword had reified your grief into six feet of steel. You had loathed that thrice-damned blade from sight, which might have been unfair before you knew it loathed you in return.

  You kept trying to wield it, all the same. Each touch ended with the contents of your stomach splattered colourfully on the floor. Your days dissolved like ashes in front of a fan—scattered beyond any hope of retrieval—blown back into your face or fluttering upward beyond your grasp. Sometimes you would rise, and you’d take up the blade, as though in expectation of something. Nothing ever happened; you felt nothing except the sword’s enormous, empty hate of you, which you knew to be real, even then. You and the sword would seethe in your mutual bitterness and fury, and then you would end up with blistered hands and a floor’s worth of vomit.

  Details sat at awkward angles to one another. You’d been in this bed some time, wearing clothes that weren’t yours. Occasionally ticklish rasps at your ears or forehead would frighten you numb before you realised it was your own hair. Away from Drearburh shears, it grew in a way that was almost debauched. You would cut it yourself and still find irregular little licks of it tucked behind your ears—or maybe you had n
ot cut it at all. Sometimes, in reaching up to it, you would then recall that you had no robe or skeletal mask. Nobody had given you any paint and there wasn’t a stick of grease on board the whole ship, though even if there had been it would not have been blessed properly. The first time this happened, in your hot upset and shame, you ripped a sheet to shreds and covered your head with that. This still left most of your forehead nude, discounting the hair. Also, you were wearing a bedsheet. You took the poetic way out and used a black vestal’s last-choice gambit: you opened a vein and, trembling neither from pain nor blood loss, daubed blind upon your skin the sacramental skull of the Inglorious Mask.

  The uniformed attendants were always busy with things that weren’t you. Sometimes you were humbly prevailed upon to sit up and part your ad-hoc veil to struggle through a bowl of clear soup, though those memories were doubtful fragments. It did not seem right that you could ever eat again. Sometimes people would move all around you, and you lay supine on your cot, astonished and shivering before the vista of stars out the window. The thick plex barrier seemed too light and frangible to keep you safe. Beyond it the great black throat of space bared itself to you, which frightened you beyond sense. At these times you fell in and out of sleep, somehow. You had long since ceased to care for human voices, which only talked nonsense: they would murmur their prayers of Three thousand units—replenish, that’s on the provision list—dump that stock, munitions will take it.

  In your old life you might have been curious. But other noises haunted you, quite apart from the ones occurring to your ears. There was a great unmusical straining aboard ship—the sounds of wet drums—which had panicked you before you’d realised, with settling calm, that you were hearing the heave of seven hundred and eight beating hearts. You heard seven hundred and eight brains, thrumming in their cerebral fluid. You knew without checking that three hundred and four of those straining hearts belonged to necromancers; a necromancer’s heart myocardium flexed differently to your ears, worked worse, squeezed more feebly. You were sensing the living. Once you worked out what you were hearing, you became aware of everything immediate to you: the dust settling on the gleaming black plaques of the floor; the roiling of your pulmonaries; the soft marrow of your bones sucking up oxygen. Despite all this cacophony, you could not stay awake.

  Sometimes you found yourself standing, gorge risen, staring at the great sword left untidy and naked on the floor. You would not remember rising. You would not remember how you had come to be there. Sometimes you would forget who you were, and at recalling yourself, weep like a child.

  In these digestions of time the Body would come. She would put her cool, dead hands on your forehead and close your pumping eyelids with her fingertips, so that you could not see the sword nor the people.

  This was great honour. This was great mercy. She always came to you now with such easy forbearance, and you were so grateful for it, you were so relieved. The Body’s hands were grey with death and they were so soft and familiar on your skin, so much so that you were absolutely sure you could really feel them; that this time around, the dead caress was tangible. And when the Body turned so that you could see her face you were amazed, as ever, by that beauty unblemished by breath.

  Then she would draw you back to your bed and direct you to sleep. For the Body you tried to be obedient, for once in your benighted life; it seemed beneath you not to. When the Body appeared time could be relied upon to work as it ought, rather than melting away like chips of ice only to reappear in unexpected places. But at these times your brain kept nagging itself to stay conscious. The fact that the Body had come to you now seemed tremendously important, if only you could stay awake long enough to figure out why.

  And your face itched from the dried blood, and all around you the people whispered, Thousand kilos of osseo—old—keep that, that’s the first thing we run out of— No, Sergeant, ditch it; we’re behind schedule already.

  * * *

  Your world was a white and sterile box. This box was the hospital quarter on board the Erebos. The Erebos was the Behemoth-class flagship of the Emperor Undying. These facts you held on to like an asphyxiating man to a last lungful of air. You lived in a cool, colourless room of dismantled beds and cartons, and you had for your own a bed and a chair and a sword. They had tried to remove your sword, once—they had tried to take it away on some pretext you could not exactly remember—and you were perturbed in some distant way by that memory, which was red, and wet, and ill defined.

  They no longer touched your two-hander. It appeared and reappeared around the room wherever you had dropped it, usually accompanied by the mysterious smell of upchuck. You now slept beside it, like it was your large steel infant. Truth be told you would have been happy hurling the thing straight into the hot heart of Dominicus, as it was loathsome to you and you were convinced it wanted to do you harm; but it was very important that it should not be placed in anyone else’s hand.

  This didn’t stop you from dulling the blade, nicking the polish, and altogether fucking up the edge, as you vaguely knew you were. You knew so little about swords—you had never bothered to ask; you could barely differentiate between them. Some were narrow. Some were broad. Some were big, some were small. This two-handed soldier’s sword was huge and aberrant and frankly malicious, and utterly your responsibility—even if you could not touch it without power-heaving.

  Sometimes you knelt by your bed and tried to pray. With the Body there, you had nobody to thank and no intercession to request. Your greatest peace you found in that half-asleep, druglike state on the bed, holding your heartbeat low before the cold white stars, sick with a fury you kept forgetting existed and were corrupted by possessing. Around you, people would go back and forth, giving you the widest berth possible, ignoring you so entirely that at one point you were convinced you were dead. With that conviction, you had felt only intense relief.

  2

  GOD STOOD IN YOUR DOORWAY and said, “You’ve thrown up again, Harrowhark.”

  You always tried to thrust yourself back into full consciousness for the Emperor of the Nine Houses, who regularly had the grace to knock on the door and wait for entry to be granted, proving by itself his divinity. He stood now at the threshold with his ever-present flimsy and ever-present tablet; a cluster of uniformed people tailed him, but his monstrous eyes, oil on carbon, were only for you. “You’re losing all your muscle,” he said, “and you didn’t have much to start with.”

  Your mouth said, with gratifying clarity: “Why does a Lyctor need a sword? Lord, what use can we have of one? I can control bone. I can shape flesh and evoke spirit. I no longer need outside thanergy. Why anything so crude as a sword?”

  “Nice to hear you’re feeling better,” he said. “I’m not going to talk philosophy with you, not when you’ve spent the last three hours venting your gut.” (Had you?) “I’m not a monster. Go rinse your teeth. I don’t care that you can fill your own cavities, not looking after those things seems wasteful.”

  Swaying on your feet, you rose from the bed like a ghost from the tomb and went over to the nearby sink, where you parted your shitty veil and resentfully rinsed your teeth with antiplaque. There was an urgent murmuring from the asteroid belt of aggravated Cohort officers, with the Emperor saying, “Yes,” then, “No,” and “Don’t bother with new plating. They’ll be using the Erebos for transport.”

  Another officer said, “My gracious lord, the loyal Saint of Joy…”

  “Has not yet learned to wait,” said God. “Hold the comms. I answered three of them just this morning.”

  “But her order countermands—”

  “A Lyctor’s order is the order of God and should be carried out with the same grace you would have honoured me with,” he said. “Except for right now. Station the last person to graduate Trentham on the stele and tell them to make static noises if she keeps it up.”

  “Lord?”

  “Air blown through the teeth, tongue high, hand flaps up and down over the mouth. Sounds
suspect, I know, but she’s never caught on when I’ve done it.”

  You spat into the sink. In the mirror, you perceived the Body, waiting quietly beside you; she wore a turquoise hospital shift exactly the same as your own, her hair shimmered over with frost, her exquisite mouth a hard and ready line. There was a sword strapped to the Body’s back—you met God’s gaze in the mirror, and for a moment you were convinced he could see her too, that he beheld you both—but it was a trick of the eye.

  “Harrowhark,” he said, “I would like you to come with me.”

  The grave and unslept faces of the officers surrounding him gave a sort of communal wince. One said, very low and very quiet: “Forgive me, Kindly Prince, but let me bring to your awareness that the Admiral of the Dead Sea and the Admiral of the Ceaseless Fleet began their meeting … ten minutes ago.”

  The Emperor said: “No meeting will raise eighteen thousand dead. I need time with Harrowhark the First. Please attend to me in the Old Chamber ten minutes hence.”

  The attachés drifted apart as though they had suddenly lost fixity, all moving down the corridor at barely less than a run. You were afraid someone might take your sword away from you if you left it; rather than lifting it, you lay down next to where it glowered at you blackly from the bed. You rolled over onto its flat steel breadth and bound crisscross straps of dense bone across your back, around the blade, around the hilt. Straining beneath its weight, with nothing but a ripped-up sheet to mask you, pathetic in your turquoise nudity, you found yourself accompanying the Emperor down long black corridors, trying to fix yourself in time and space.

  You were basically naked. The sword weighed you down so much that you were affecting a hump. Your Inglorious Mask was a patchwork of flaking osteology. You looked like an imbecile.

 

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