by Eric Flint
Ed Piazza shrugged inside his parka—carefully, when cold made the old wound ache. "Don't ask me now. I did this on your word, remember."
"Yeah. I don't doubt him—I might not be able to outthink a Jesuit, but I know he wasn't lying or faking, not half-cooked like that. Another hour and I'd have filled him with aspirin. Winter journeys are a bitch—must have triggered the relapse."
"Ah," said Piazza. "About that. I talked to Margritte for a while—"
"Hang on. I figured something out this morning. Amazing what sleep will do . . . Mbandi said that Father Gustav would 'die in his place.' " Nichols shortened his stride to climb the slope. "Let me play Jesuit for a second. Assume that the Jesuits got everything they could from us about their own history, and that Montoya gets a good part of that relayed to him as a provincial father. He knows he will ordain Mbandi in a few more years . . . but he sees that in our history, no black Jesuit appears until Healy in 1850."
Piazza sighed. "I get it. If Mbandi died fighting at the missions before he was ordained, then he disappeared from history. Down in the grain, just another foot soldier who changed sides."
They both paused at the crest. "Right," said Nichols, trying not to puff. I'm not old, just need four hundred years to catch my breath. "Maybe that got to Montoya after a while. So he sent Mbandi away, broke the timeline—and somehow Mbandi found out, or figured it out. That's hard on a man—because you always feel relief first. Always." He stared at the horizon as he spoke, a thousand yards away; hearing the burr of a mortar fragment flying past his own ear, the impact into another man's flesh, the instant's thought: Thank the Lord it was him and not me.
"No wonder he tried so hard to convince me, then, is it? No letters, no proof. Just the sickness he was carrying himself, and the bark to cure it."
Piazza stuffed his hands in his coat pockets. "Well—as I said, I talked to Margritte, and she mentioned something that seemed peculiar. She was chatting with the coachman who'd driven Mbandi into town, and the coachman said this 'schwartzenjesuit' was riding on the roof the whole last day in; no coat, no robe, just shirtsleeves. In that terrible cold! The guy said he could practically hear the Jesuit's teeth chattering over the noise of the coach wheels. Now, tell me what that was about."
Nichols closed his eyes for a moment, smiled. "Oh, I can tell you. He wanted to make sure." He shook his head ruefully, kicked a clot of frozen earth loose. "Damn! You see? No letters, no backing from the Company—more likely the opposite—and everyone knows Jesuits are tricksy, right? How could we trust him? But nobody lies through a high fever—so he tried to bring one on, kick-start the 'quartan fever.' No logic games, just humanity. Not many'd take that sort of chance, just to save a year." His smile faded. "Of course, he knew that he doesn't have that many years, carrying falciparium. Not many like him around. Not many malungu. One less, now." That leaves just about one.
"I should get back," said Piazza. "You can freeze yourself like him if you want . . . But this 'malungu' thing. It sounded familiar, so I checked. Anyone told you about the Gowens, that family owned a farm a bit north of the Ring?"
"No. What's the point? I sure can't meet 'em now."
"They called themselves Melungeons—mixed-race, bit of everything; Indian, European . . . African. Angolan."
He nodded to Nichols' stare. "Yeah. That was the story, anyway. A lot of folks around here know it. When the Portuguese hit Angola, and started shipping people to Brazil, English privateers hit them along the way. Captured some slavers and took them into the Virginia colony to sell off."
"To sell," said Nichols flatly. "Not just the ships, then. The people got sold too."
"Into indentured labor, just like everyone else without money, white or black. But, James—after a few years, they were free. And no Jim Crow laws yet, no real racism until the eighteenth century. They bought land, married whomever they liked—they settled."
"Do you think it's true?"
"Maybe." Piazza shrugged. "Bob Gowen used to claim he was part Turk, for God's sake. We'll never know. Still . . . I think it was 1620," he added thoughtfully. "Ought to be raising the next generation about now. Sure sounds like African-Americans to me. If not them, it'll be someone else; even oceans don't hold out forever. Maybe some of those kids hear about a famous foreign 'Moorish physician' now and then, hey?"
"Well. That's . . . something." Nichols stared back toward Grantville's steam plumes. Seeds, across oceans.
Piazza shivered, stamped his feet. "C'mon, malungu, let's go home. We've got work to do."
Trials
Jay Robison
The young woman put her hands together in front of her chest, as if praying. The stone-faced prison guard wove the cords of the sibille around the thumbs of her joined hands. The guard held onto the whipcords, ready to tighten them.
She looked at the man who had caused her so much pain, both physical and emotional. He looked back. Was the sneer on his face real or imagined? She looked down again at her hands; it would be a small thing to endure if she could inflict pain in equal measure on the man whom she now confronted.
The judge asked her, "Is what you have said in your prior examination true?"
The cord tightened. Pain.
"It is true."
"Is the confirmation you have given here today the truth?"
Tighter now. More pain. The young woman steeled herself. She would be damned if she would cry out.
"It is true!"
The cord tightened yet again. The pain was nearly unbearable.
"It is true, it is true, it is true, everything I said!"
Artemisia Gentileschi awoke, sweating, to daylight and a concerned servant. She rubbed her thumbs, massaging away phantom pain and pushing the memory back down inside her mind. It took her a moment to realize where she was: in Rome, staying in the palazzo of Cassiano dal Pozzo, a friend and patron. She was sweating and didn't know if it was the June heat.
"Are you all right, Maestra Gentileschi?" the young woman asked. She held a bowl of water.
"I am fine. I will have breakfast after I get dressed."
The servant curtsied and left the water on a table. Artemisia rose from bed to wash her face. Her eyes fell on the letter lying on her bedside table and the news it contained. Her father, Orazio, was dead.
It had taken six months for the letter to come via agents of her patron, King Philip IV of Spain. His Most Catholic Majesty was currently an ally of England in the League of Ostend. Due to the war threatening to engulf half of Europe, communication with England was anything but quick. Six months for Artemisia to find out that her father had succumbed to plague.
Artemisia splashed cool water on her face, hoping to wash away her grief with the sweat. The sweat, at least, was cleansed. The grief remained, as well as the old memories it dredged up. She finished dressing, had breakfast, and a carriage took her to the Church of San Matteo, where Galileo's hearing was to be held.
Galileo was the reason she was even in Rome in the summer. He was an old friend, and it had pained her deeply that she had been unable to do anything for him. She was living in Naples, far from where he was being held; she had no money she could give him and no influence she could exert on his behalf. She had written him a few letters but wasn't sure if he'd ever gotten them; she'd had no response.
When Artemisia heard that Galileo was being brought to Rome to stand before the Holy Office—a de facto trial if not an official one—she decided the least she could do was to come to Rome and, if possible, be present in the church where the hearing would be held. She didn't know if Galileo would even know she was there, but at least there would be one friendly face among the spectators.
At least, she reflected as she stood in line with other noble parties, she would be able to sit in a pew rather than stand. Gian Lorenzo Bernini, the Holy Father's favorite sculptor, had made the arrangements. Artemisia couldn't help thinking, somewhat sourly, that it was another favor she owed the man. Almost two years before, he had made arrangements for
her oldest daughter, Prudentia, to travel to Grantville in the company of Giulio Mazzarini. Gian Lorenzo would, Artemisia knew, collect on his favors in due time.
As the English might say, "In for a penny, in for a pound." For Artemisia, the benefits received from a favor had to outweigh the inevitable obligations to be incurred in asking for the favor. In this case the benefits were worth it. Because supporting Galileo was not the only reason Artemisia had for wanting to be present at the hearing. She wanted to see Father Lawrence Mazzare for herself. Prudentia had written many times of his kindness; the Grantville priest had helped make satisfactory living arrangements for her daughter, and he had never asked for anything in return. Artemisia hoped to meet the American priest and thank him personally if possible.
Finally, she was let into the church. Crowded as San Matteo's was, it was cooler than standing in the street. She looked around; everyone seemed to be whispering and pointing at a nobleman in very fancy cavaliere dress and the stout priest seated with him. They were sitting not far away. The whisperers were saying something about them being Polish, but to Artemisia—who'd dealt with several agents of King Charles of England—the cavaliere had the look of a Scotsman. Still, with as many mercenaries as were on the loose these days, who could tell? Artemisia was tempted to ask them herself, but they looked distracted.
Then the hearing started. Like every one else around her, Artemisia was completely unprepared for what happened next.
She came out of San Matteo's in shock, along with most of the other bystanders. The strange cavaliere, it turned out, was not Polish but (as she had suspected) a Scotsman in the service of the United States of Europe. Artemisia, being long familiar with the politics of Rome, had no doubt that the implications of a Scots Calvinist being willing to exchange his life for the pope's would be a topic of endless conversation for the foreseeable future. The cavaliere—Lennox, his name was; he was an officer rather than a knight—had not, in fact, been killed. His cuirass had stopped the ball from the pistol of the holy father's would-be assassin. The truth was spectacular enough, but Artemisia had no doubt that before long, half of Rome would be claiming to have personally witnessed a legion of angels defending the pope against the demon servants of Lucifer (in human guise as heretical fanatics) while the holy father miraculously brought Captain Lennox back from the dead and made him see the folly of his Calvinist ways.
Artemisia herself could hardly get back to her rooms at dal Pozzo's quickly enough. The first order of business was to send a letter to Father Mazzare. She knew from what friends had told her where the American was staying; she wrote a brief note expressing to Father Mazzare her desire to meet him, in order to thank him personally for his kindness to Prudentia. As soon as a servant was dispatched to deliver the letter, Artemisia hurried to a room that had been set aside for her to work. She had to sketch.
She knew there would be hundreds, thousands, of depictions of what had just transpired at the Church of San Matteo. Works would be commissioned, and many more artists would complete works in hopes of selling them and getting noticed by the pope himself, other members of the Barberini family, or someone hoping to ingratiate himself with them.
The picture Artemisia began to sketch was different. For her the enduring image of the day's events would not be Lawrence Mazzare's eloquent defense of Galileo or Lennox's heroism, but a young man comforting his brother after the boy accidentally killed a man.
It was just as well Artemisia had work to occupy her. After the spectacular events surrounding Galileo's hearing, everyone in Rome wanted to meet Father—soon thereafter Cardinal—Lawrence Mazzare. Artemisia counted herself lucky that only a week later, she received an invitation from Cardinal Antonio Barberini the Younger to dine with himself and the brand-new cardinal-protector of the United States of Europe.
Artemisia made sure she was looking her best when she went to Palazzo Barberini. As soon as she was shown into the sitting room, she executed a smooth and practiced curtsy, kissing the rings of both cardinals.
"Your Eminence. Your Eminence."
Mazzare laughed. "I'm afraid, Maestra Gentileschi, that I'm not used to being called that yet. I'm not sure I ever will be. And I wanted to tell you what an honor it is to meet you. I've long been an admirer of your work and have been looking forward to this ever since I received your letter. Cardinal Barberini was kind enough to arrange it for me." Cardinal Mazzare spoke excellent, if oddly accented, Italian.
"And I am hoping to be able to discuss some business with you, Maestra, if you would not object," said Antonio the Younger.
"Of course I would not object, Your Eminence." She turned to Cardinal Mazzare. "I am still known, Your Eminence? Where you came from?"
Mazzare sipped his wine. "Not to the extent you deserve, alas. But I have a feeling that's going to change. And your daughter is becoming quite well-known in her own right. She's made quite an impression on Grantville, I can tell you."
Artemisia felt her cheeks warm at this compliment to herself and her daughter. She was sure she was blushing. "You do me too much honor, Your Eminence. I am grateful that you made arrangements for her, and though you have never asked for anything in return, I am your servant if you should ever need me. It was hard to send Prudentia away, but I felt it would be too good an opportunity for her to miss. I wanted her to be appreciated for who she was, not be looked on as an exotic animal in a menagerie."
From the looks on their faces, neither man seemed to know how to handle that remark. Artemisia regretted saying it. Now was not the time to bring up old hurts.
A model of tact, Cardinal Mazzare decided not to comment on that sentiment. "Tino Nobili and I have had our differences over the years, but he's one of the most generous men I know. And Prudentia has been a model of good behavior."
"In her letters, my daughter has spoken highly of Signor Nobili and his household. They have treated her like a member of the family. She also tells me," she said, with a significant look at Cardinal Mazzare, "that she has become quite enamored of a young man. A young soldier by the name of James Byron McDougal. Do you know him, Your Eminence?"
"Not as well as I'd like," Mazzare responded candidly. "Pete, Jabe's father, never grew up in a church. Zula, his mother, was raised Catholic and had her kids baptized, but she doesn't come to church very often now." The American cardinal looked rather sad at this. "Still, they're a well-regarded family in Grantville. Pete and Zula both are good parents and hard workers."
"But he's a soldier," said Artemisia with not a little scorn.
"In Grantville all the young men are expected to have some military training. The girls too, if they can pass the physical tests and wish to volunteer. They complete their training and for most of them, that's it. They're available as a reserve force if they're needed, but most of them go on to other things. Jabe has enlisted for a year, but I'm quite sure he doesn't plan to make a career in the military. You should also know," said Mazzare, with a significant look of his own, "that Pete McDougal is an old friend of Prime Minister Stearns. They used to work closely together."
Artemisia seemed mollified by this explanation. If the young man in question was well regarded, with good connections, perhaps she would not object to a match with her daughter—if one was proposed.
They were summoned to the dining room. The meal was served, and the conversation drifted into small talk. Cardinal Mazzare was fascinated by Artemisia's stories of her time in Florence, her opinions on the notoriously difficult Galileo, as well as her admiration of Caravaggio—another of the American cardinal's favorite painters. Antonio, for the most part, observed; Mazzare was turning out to be quite cultured for a man who, by his own admission, had been a priest in a small provincial town until fairly recently. After the meal, Antonio the Younger broached the topic that had been on his mind.
"Maestra," the pope's nephew said, "I should be most annoyed with you. If you'd wanted to send Prudentia to Grantville, you should have come to me, not Bernini."
"Gian Lore
nzo is an old friend. I did not want to disturb Your Eminence with such trifles." Artemisia surprised herself by keeping a straight face while saying that.
"The fact is, Maestra, that I would much rather have you owing me a favor than owing Bernini one." The three laughed. Antonio continued, "I am hoping, and my family is hoping, that you would consent to accept our patronage once again."
"That will mean severing my ties with King Philip," she said.
"That miser isn't paying you half as much as you deserve. You know we are a generous family."
"And you have better taste," Artemisia said. The remark sparked more laughter. "You know, Your Eminence, that I would love nothing more to have the Barberini back as my patrons. I am hoping, however, to go to Grantville. Perhaps permanently."
"Why? Meaning no offense to my brother in Christ, but it is my understanding the artistic world in Grantville, and the USE as a whole, is practically nonexistent." Antonio didn't sound angry, merely curious.
