Weasel = The weird gray fuzzy thing that sound techs put over their sticks’ mikes at scrums to keep annoying wind-noise off the audio. It looks like a large floppy mouse-colored version of a certain popular kind of fuzzy bathroom slipper. (N.B.: Weasels, which are also sometimes worn by sound techs as headgear during OTSs when it’s really cold, are thus sometimes also known as tech toupees.)
SUBSTANTIALLY FARTHER BEHIND THE SCENES THAN YOU’RE APT TO WANT TO BE
It’s now precisely 1330h on Tuesday, 8 February 2000, on Bullshit 1, proceeding southeast on I-26 back toward Charleston SC. There’s now so much press and staff and techs and stringers and field producers and photographers and heads and pencils and political columnists and hosts of political radio shows and local media covering John McCain and the McCain2000 phenomenon that there’s more than one campaign bus. Here in South Carolina there are three, a veritable convoy of Straight Talk, plus FoxNews’s green SUV and the MTV crew’s sprightly red Corvette and two much-antenna’d local TV vans (one of which has muffler trouble). On DTs like this, McCain’s always in his personal red recliner next to pol. consultant Mike Murphy’s red recliner in the little press salon he and Murphy have in the back of the lead bus, the well-known Straight Talk Express, which is up ahead and already drawing away. The Straight Talk Express’s driver is a leadfoot and the other drivers hate him. Bullshit 1 is the caravan’s second bus, a luxury Grumman with good current and workable phone jacks, and a lot of the national pencils use it to pound out copy on their laptops and send faxes and e-mail stuff to their editors. The campaign’s logistics are dizzyingly complex, and one of the things the McCain2000 staff has to do is rent different buses and decorate the nicest one with STRAIGHT TALK EXPRESS and McCAIN2000.COM in each new state. In Michigan yesterday there was just the STE plus one bus for non-elite press, which had powder-gray faux-leather couches and gleaming brushed-steel fixtures and a mirrored ceiling from front to back; it creeped everyone out and was christened the Pimpmobile. The two press buses in South Carolina are known as Bullshit 1 and Bullshit 2, names conceived as usual by the extremely cool and laid-back NBC News cameraman Jim C. and—to their credit—immediately seized on and used with great glee at every opportunity by McCain’s younger Press Liaisons, who are themselves so cool and unpretentious it’s tempting to suspect that they are professionally cool and unpretentious.
Right now Bullshit l’s Press Liaison, Travis—23, late of Georgetown U and a six-month backpack tour of Southeast Asia during which he says he came to like fried bugs—is again employing his single most important and impressive skill as a McCain2000 staffer, which is the ability to sleep anywhere, anytime, and in any position for ten-to-fifteen-minute intervals, with a composed face and no unpleasant sounds or fluids, and then to come instantly and unfuzzily awake the moment he’s needed. It’s not clear whether he thinks people can’t tell he’s sleeping or what. Travis, who wears wide-wale corduroys and a sweater from Structure and seems to subsist entirely on Starburst Fruit Chews, tends to speak with the same deprecatory irony that is the whole staff’s style, introducing himself to new media today as either “Your press lackey” or “The Hervé Villechaize of Bullshit 1,” or both. His latest trick is to go up to the front of the bus and hook his arm over the little brushed-steel safety bar above the driver’s head and to lean against it so that from behind it looks as if he’s having an involved navigational conversation with the driver, and to go to sleep, and the driver—a 6'7" bald black gentleman named Jay, whose way of saying goodnight to a journalist at the end of the day is “Go on and get you a woman, boy!”—knows exactly what’s going on and takes extra care not to change lanes or brake hard, and Travis, whose day starts at 0500 and ends after midnight just like all the other staffers, lives this way.
McCain just got done giving a Major Policy Address on crime and punishment at the South Carolina Criminal Justice Academy in Columbia, which is where the caravan is heading back to Charleston from. It was a resoundingly scary speech, delivered in a large airless cinderblock auditorium surrounded by razor wire and guard towers (the SCCJA adjoined a penal institution so closely that it wasn’t clear where one left off and the other began) and introduced by some kind of very high-ranking Highway Patrol officer whose big hanging gut and face the color of rare steak seemed right out of southern-law-enforcement central casting and who spoke approvingly and at some length about Senator McCain’s military background and his 100 percent conservative voting record on crime, punishment, firearms, and the war on drugs. This wasn’t a Town Meeting Q&A-type thing; it was a Major Policy Address, one of three this week prompted by Bush2000’s charges that McCain is fuzzy on policy, that he’s image over substance. The speech’s putative audience was 350 neckless young men and women sitting at attention (if that’s possible) in arrow-straight rows of folding chairs, with another couple hundred law enforcement pros in Highway Patrol hats and mirrored shades standing at parade-rest behind them, and then behind and around them the media—the real audience for the speech—including NBC’s Jim C. and his soundman Frank C. (no relation) and the rest of the network techs on the ever-present fiberboard riser facing the stage and filming McCain, who as is SOP first thanks a whole lot of local people nobody’s heard of and then w/o ado jumps right into what’s far and away the most frightening speech of the week, backed as always by a 30' ¥ 50' American flag so that when you see B-film of these things on TV it’s McCain and the flag, the flag and McCain, a visual conjunction all the candidates try to hammer home. The seated cadets—none of whom fidget or scratch or move in any way except to blink in what looks like perfect sync—wear identical dark-brown khakis and junior models of the same round big-brimmed hats their elders wear, so that they look like ten perfect rows of brutal and extremely attentive forest rangers. McCain, who does not ever perspire, is wearing a dark suit and wide tie and has the only dry forehead in the hall. US congressmen Lindsey Graham (R-SC, of impeachment-trial fame) and Mark Sanford (R-SC, rated the single most fiscally conservative member of the ’98-’00 Congress) are up there onstage behind McCain, as is also SOP; they’re sort of his living letters of introduction down here this week. Graham, as usual, looks like he slept in his suit, whereas Sanford is tan and urbane in a V-neck sweater and Guccis whose shine you could read by. Mrs. Cindy McCain is up there too, brittly composed and smiling at the air in front of her and thinking about God knows what. Half the buses’ press don’t listen to the speech; most of them are at different spots at the very back of the auditorium, walking in little unconscious circles with their cellular phones. (You should be apprised up front that national reporters spend an enormous amount of time either on their cell phones or waiting for their cell phones to ring. It is not an exaggeration to say that when somebody’s cell phone breaks they almost have to be sedated.) The techs for CBS, NBC, CNN, ABC, and Fox will film the whole speech plus any remarks afterward, then they’ll unbolt their cameras from the tripods and go mobile and scrum McCain’s exit and the brief Press-Avail at the door to the Straight Talk Express, and then the field producers will call network HQ and summarize the highlights and HQ will decide which five- or ten-second snippet gets used for their news’s nightly bit on the GOP campaign.
It helps to conceive a campaign week’s events in terms of boxes, boxes inside other boxes, etc. The national voting audience is the great huge outer box, then the SC-electorate audience, mediated respectively by the inner layers of national and local press, just inside which lie the insulating boxes of McCain’s staff’s High Command who plan and stage events and spin stuff for the layers of press to interpret for the layers of audience, and the Press Liaisons who shepherd the pencils and heads and mediate their access to the High Command and control which media get rotated onto the ST Express (which is itself a box in motion) and then decide (the Liaisons do) which of these chosen media then get to move all the way into the extreme rear’s salon to interface with McCain himself, who is the campaign’s narrator and narrative at once, a candidate whose biggest dr
aw of course is that he’s an anticandidate, someone who’s open and accessible and “thinks outside the box,” but who is in fact the campaign’s Chinese boxes’ central and inscrutable core box, and whose own intracranial thoughts on all these boxes and layers and lenses and on whether this new kind of enclosure is anything like Hoa Lo’s dark box are pretty much anyone in the media’s guess, since all he’ll talk about is politics.
Plus Bullshit 1 is also a box, of course, just the way anything you can’t exit till somebody else lets you out is, and right now there are 27 members of the national political media on board, halfway to Charleston. A certain percentage of them aren’t worth introducing you to because they’ll get rotated back off the Trail tonight and be gone tomorrow, replaced by others you’ll just be starting to recognize by the time they too rotate out. That’s what these pros call it, the Trail, the same way musicians talk about the Road. The schedule is fascist: wake-up call and backup alarm at 0600h, express check-out, Baggage Call at 0700 to throw bags and techs’ gear under the bus, haul ass to McCain’s first THM at 0800, then another, then another, maybe an hour off to F&F someplace if ODTs permit, then usually two big evening events, plus hours of dead highway DT between functions, finally getting into that night’s Marriott or Hampton Inn at like 2300 just when room service closes so that you’re begging rides from FoxNews to find a restaurant still open, then an hour at the hotel bar to try to shut your head off so you can hit the rack at 0130 and get up at 0600 and do it all again. Usually it’s four to six days for the average pencil and then you go off home on a gurney and your editor rotates in fresh meat. The network techs, who are old hands at the Trail, stay on for months at a time. The McCain2000 staff have all been doing this full-time since Labor Day, and even the young ones look like the walking dead. Only McCain seems to thrive. He’s 63 and practically Rockette-kicks onto the Express every morning. It’s either inspiring or frightening.
Here’s a quick behind-the-scenes tour of everything that’s happening on BS1 at 1330h. A few of the press are slumped over sleeping, open-mouthed and twitching, using their topcoats for pillows. The CBS and NBC techs are in their usual place on the couches way up front, their cameras and sticks and boom mikes and boxes of tapes and big Duracells piled around them, discussing obscure stand-up comedians of the early 70s and trading press badges from New Hampshire and Iowa and Delaware, which badges are laminated and worn around the neck on nylon cords and apparently have value for collectors. Jim C., who looks like a chronically sleep-deprived Elliott Gould, is also watching Travis’s leather bookbag swing metronomically by its over-shoulder strap as Travis leans against the safety bar and dozes. All the couches and padded chairs face in, perpendicular to BS1’s length, instead of a regular bus’s forward-facing seats. So everyone’s legs are always out in the aisle, but there’s none of the normal social anxiety about your leg maybe touching somebody else on a bus’s leg because nobody can help it and everyone’s too tired to care. Right behind each set of couches are small white plastic tables with recessed cup-receptacles and AC outlets that work if Jay can be induced to turn on the generator (which he will unless he’s low on fuel); and the left side’s table has two pencils and two field producers at it, and one of the pencils is Alison Mitchell, as in the Alison Mitchell, who is the NY Times’s daily eye on McCain and a very high-end journalist but not (refreshingly) one of the Twelve Monkeys, a slim calm kindly lady of maybe 45 who wears dark tights, pointy boots, a black sweater that looks home-crocheted, and a perpetual look of concerned puzzlement, as if life were one long request for clarification. Alison Mitchell is usually a regular up on the Straight Talk Express but today has a tight 1500h deadline and is using BS1’s superior current to whip out the story on her Apple PowerBook. (Even from outside the bus it’s easy to tell who’s banging away on a laptop right then, because their window shades are always down against daytime glare, which is every laptop-journalist’s great nemesis.) An ABC field producer across the table from A. Mitchell is trying to settle a credit card dispute on his distinctive cell phone, which is not a headset phone per se but consists of an earplug and a tiny hanging podular thing he holds to his mouth with two fingers to speak, a device that manages to make him look simultaneously deaf and schizophrenic. People in both seats behind the table are reading USA Today (and this might be worth noting—the only news daily read by every single member of the national campaign press is, believe it or not, USA Today, which always appears as if by dark magic under everybody’s hotel door with their express check-out bill every morning, and is free, and media are as susceptible to shrewd marketing as anybody else). The local TV truck’s muffler gets louder the farther back you go. About two-thirds of the way down the aisle is a little area that has the bus’s refrigerator and the liquor cabinets (the latter unbelievably well stocked on yesterday’s Pimpmobile, totally empty on BS1) and the bathroom with the hazardous door. There’s also a little counter area piled with Krispy Kreme doughnut boxes, and a sink whose water nobody ever uses (for what turn out to be good reasons). Krispy Kremes are sort of the Deep South equivalent of Dunkin’ Donuts, ubiquitous and cheap and great in a sort of what-am-I-doing-eating-dessert-for-breakfast way, and are a cornerstone of what Jim C. calls the Campaign Diet.
Behind the buses’ digestive areas is another little lounge, which up on the Express serves as McCain’s press salon but which on Bullshit 1 is just an elliptic table of beige plastic ringed with a couch it’s just a bit too high for, plus a fax machine and multiple jacks and outlets, the whole area known to the Press Liaisons as the ERPP (=Extreme Rear Press Palace). Right now Mrs. McCain’s personal assistant on the Trail, Wendy—who has electric-blue contact lenses and rigid blond hair and immaculate makeup and accessories and French nails and can perhaps best be described as a very Republican-looking young lady indeed—is back here at the beige table eating a large styrofoam cup of soup and using her cell phone to try to find someplace in downtown Charleston where Mrs. McCain can get her nails done. All three walls in the ERPP are mirrored, an unsettling echo of yesterday’s reflective bus (except here the mirrors have weird little white ghostly shapes embedded in the plate, apparently as decorations), so that you can see not only everybody’s reflections but all sorts of multi-angled reflections of those reflections, and so on, which on top of all the jouncing and swaying keeps most folks up front despite the ERPP’s wealth of facilities. Just why Wendy is arranging for her mistress’s manicure here on Bullshit 1 is unclear, but Mrs. McC.’s sedulous attention to her own person’s dress and grooming is already a minor legend among the press corps, and some of the techs speculate that things like getting her nails and hair done, together with being almost Siametically attached to Ms. Lisa Graham Keegan (who is AZ’s education superintendent and supposedly traveling with the senator as his “Advisor on Issues Affecting Education” but is quite plainly really along because she’s Cindy McCain’s friend and confidante and the one person in whose presence Mrs. McC. doesn’t look like a jacklighted deer), are the only things keeping this extremely fragile person together on the Trail, where she’s required to stand under hot lights next to McCain at every speech and THM and Press-Avail and stare cheerfully into the middle distance while her husband speaks to crowds and lenses—in fact some of the cable-network techs have a sort of running debate about what Cindy McCain’s really looking at as she stands onstage being scrutinized but never getting to say anything … and anyway, everybody understands and respects the enormous pressure Wendy’s under to help Mrs. McC. keep it together, and nobody makes fun of her for things like getting more and more stressed as it becomes obvious that there’s some special Southeast idiom for manicure that Wendy doesn’t know, because nobody she talks to on the cell phone seems to have any idea what she means by “manicure.” Also back here, directly across from Wendy, is a ridiculously handsome guy in a green cotton turtleneck, a photographer for Reuters, sitting disconsolate in a complex nest of wires plugged into just about every jack in the ERPP; he’s got digital photos o
f the Columbia speech in his Toshiba laptop and has his cell phone plugged into both the wall and the laptop (which is itself plugged into the wall) and is trying to file the pictures via some weird inter-Reuters e-mail, except his laptop has decided it doesn’t like his cell phone anymore (“like” = his term), and he can’t get it to file.
If this all seems really static and dull, by the way, then understand that you’re getting a bona fide look at the reality of media life on the Trail, much of which consists of wandering around killing time on Bullshit 1 while you wait for the slight meaningful look from Travis that means he’s gotten the word from his immediate superior, Todd (28 and so obviously a Harvard alum it wasn’t ever worth asking), that after the next stop you’re getting rotated up into the big leagues on the Express to sit squished and paralyzed on the crammed red press-couch in back and listen to John S. McCain and Mike Murphy answer the Twelve Monkeys’ questions, and to look up-close and personal at McCain and the way he puts his legs way out on the salon’s floor and crosses them at the ankle and sucks absently at his right bicuspid and swirls the coffee in his McCain2000.com mug, and to try to penetrate the innermost box of this man’s thoughts on the enormous hope and enthusiasm he’s generating in press and voters alike … which you should be told up front does not and cannot happen, this penetration, for two reasons. The smaller reason (1) is that when you are finally rotated up into the Straight Talk salon you discover that most of the questions the Twelve Monkeys ask back here are simply too vapid and obvious for McCain to waste time on, and he lets Mike Murphy handle them, and Murphy is so funny and dry and able to make such deliciously cruel sport of the 12M—
Consider the Lobster: And Other Essays Page 17
