It was but a step or two to my hotel, where I got my lighted candle from the porter and mounted the four flights to my own room. Although I could not deny that I was drunk, I was at the same time lucidly rational and practical. I had but one preoccupation — to be up in time on the morrow for my work; and when I observed the clock on my chimney-piece to have stopped, I decided to go down stairs again and give directions to the porter. Leaving the candle burning and my door open, to be a guide to me on my return, I set forth accordingly. The house was quite dark; but as there were only the three doors on each landing, it was impossible to wander, and I had nothing to do but descend the stairs until I saw the glimmer of the porter’s night light. I counted four flights: no porter. It was possible, of course, that I had reckoned incorrectly; so I went down another and another, and another, still counting as I went, until I had reached the preposterous figure of nine flights. It was now quite clear that I had somehow passed the porter’s lodge without remarking it; indeed, I was, at the lowest figure, five pairs of stairs below the street, and plunged in the very bowels of the earth. That my hotel should thus be founded upon catacombs was a discovery of considerable interest; and if I had not been in a frame of mind entirely businesslike, I might have continued to explore all night this subterranean empire. But I was bound I must be up betimes on the next morning, and for that end it was imperative that I should find the porter. I faced about accordingly, and counting with painful care, remounted towards the level of the street. Five, six, and seven flights I climbed, and still there was no porter. I began to be weary of the job, and reflecting that I was now close to my own room, decided I should go to bed. Eight, nine, ten, eleven, twelve, thirteen flights I mounted; and my open door seemed to be as wholly lost to me as the porter and his floating dip. I remembered that the house stood but six stories at its highest point, from which it appeared (on the most moderate computation) I was now three stories higher than the roof. My original sense of amusement was succeeded by a not unnatural irritation. “My room has just GOT to be here,” said I, and I stepped towards the door with outspread arms. There was no door and no wall; in place of either there yawned before me a dark corridor, in which I continued to advance for some time without encountering the smallest opposition. And this in a house whose extreme area scantily contained three small rooms, a narrow landing, and the stair! The thing was manifestly nonsense; and you will scarcely be surprised to learn that I now began to lose my temper. At this juncture I perceived a filtering of light along the floor, stretched forth my hand which encountered the knob of a door-handle, and without further ceremony entered a room. A young lady was within; she was going to bed, and her toilet was far advanced, or the other way about, if you prefer.
“I hope you will pardon this intrusion,” said I; “but my room is No. 12, and something has gone wrong with this blamed house.”
She looked at me a moment; and then, “If you will step outside for a moment, I will take you there,” says she.
Thus, with perfect composure on both sides, the matter was arranged. I waited a while outside her door. Presently she rejoined me, in a dressing-gown, took my hand, led me up another flight, which made the fourth above the level of the roof, and shut me into my own room, where (being quite weary after these contraordinary explorations) I turned in, and slumbered like a child.
I tell you the thing calmly, as it appeared to me to pass; but the next day, when I awoke and put memory in the witness-box, I could not conceal from myself that the tale presented a good many improbable features. I had no mind for the studio, after all, and went instead to the Luxembourg gardens, there, among the sparrows and the statues and the falling leaves, to cool and clear my head. It is a garden I have always loved. You sit there in a public place of history and fiction. Barras and Fouche have looked from these windows. Lousteau and de Banville (one as real as the other) have rhymed upon these benches. The city tramples by without the railings to a lively measure; and within and about you, trees rustle, children and sparrows utter their small cries, and the statues look on forever. Here, then, in a seat opposite the gallery entrance, I set to work on the events of the last night, to disengage (if it were possible) truth from fiction.
The house, by daylight, had proved to be six stories high, the same as ever. I could find, with all my architectural experience, no room in its altitude for those interminable stairways, no width between its walls for that long corridor, where I had tramped at night. And there was yet a greater difficulty. I had read somewhere an aphorism that everything may be false to itself save human nature. A house might elongate or enlarge itself — or seem to do so to a gentleman who had been dining. The ocean might dry up, the rocks melt in the sun, the stars fall from heaven like autumn apples; and there was nothing in these incidents to boggle the philosopher. But the case of the young lady stood upon a different foundation. Girls were not good enough, or not good that way, or else they were too good. I was ready to accept any of these views: all pointed to the same conclusion, which I was thus already on the point of reaching, when a fresh argument occurred, and instantly confirmed it. I could remember the exact words we had each said; and I had spoken, and she had replied, in English. Plainly, then, the whole affair was an illusion: catacombs, and stairs, and charitable lady, all were equally the stuff of dreams.
I had just come to this determination, when there blew a flaw of wind through the autumnal gardens; the dead leaves showered down, and a flight of sparrows, thick as a snowfall, wheeled above my head with sudden pipings. This agreeable bustle was the affair of a moment, but it startled me from the abstraction into which I had fallen like a summons. I sat briskly up, and as I did so, my eyes rested on the figure of a lady in a brown jacket and carrying a paint-box. By her side walked a fellow some years older than myself, with an easel under his arm; and alike by their course and cargo I might judge they were bound for the gallery, where the lady was, doubtless, engaged upon some copying. You can imagine my surprise when I recognized in her the heroine of my adventure. To put the matter beyond question, our eyes met, and she, seeing herself remembered and recalling the trim in which I had last beheld her, looked swiftly on the ground with just a shadow of confusion.
I could not tell you to-day if she were plain or pretty; but she had behaved with so much good sense, and I had cut so poor a figure in her presence, that I became instantly fired with the desire to display myself in a more favorable light. The young man besides was possibly her brother; brothers are apt to be hasty, theirs being a part in which it is possible, at a comparatively early age, to assume the dignity of manhood; and it occurred to me it might be wise to forestall all possible complications by an apology.
On this reasoning I drew near to the gallery door, and had hardly got in position before the young man came out. Thus it was that I came face to face with my third destiny; for my career has been entirely shaped by these three elements, — my father, the capitol of Muskegon, and my friend, Jim Pinkerton. As for the young lady with whom my mind was at the moment chiefly occupied, I was never to hear more of her from that day forward: an excellent example of the Blind Man’s Buff that we call life.
CHAPTER III. TO INTRODUCE MR. PINKERTON.
The stranger, I have said, was some years older than myself: a man of a good stature, a very lively face, cordial, agitated manners, and a gray eye as active as a fowl’s.
“May I have a word with you?” said I.
“My dear sir,” he replied, “I don’t know what it can be about, but you may have a hundred if you like.”
“You have just left the side of a young lady,” I continued, “towards whom I was led (very unintentionally) into the appearance of an offence. To speak to herself would be only to renew her embarrassment, and I seize the occasion of making my apology, and declaring my respect, to one of my own sex who is her friend, and perhaps,” I added, with a bow, “her natural protector.”
“You are a countryman of mine; I know it!” he cried: “I am sure of it by your delic
acy to a lady. You do her no more than justice. I was introduced to her the other night at tea, in the apartment of some people, friends of mine; and meeting her again this morning, I could not do less than carry her easel for her. My dear sir, what is your name?”
I was disappointed to find he had so little bond with my young lady; and but that it was I who had sought the acquaintance, might have been tempted to retreat. At the same time, something in the stranger’s eye engaged me.
“My name,” said I, “is Loudon Dodd; I am a student of sculpture here from Muskegon.”
“Of sculpture?” he cried, as though that would have been his last conjecture. “Mine is James Pinkerton; I am delighted to have the pleasure of your acquaintance.”
“Pinkerton!” it was now my turn to exclaim. “Are you Broken-Stool Pinkerton?”
He admitted his identity with a laugh of boyish delight; and indeed any young man in the quarter might have been proud to own a sobriquet thus gallantly acquired.
In order to explain the name, I must here digress into a chapter of the history of manners in the nineteenth century, very well worth commemoration for its own sake. In some of the studios at that date, the hazing of new pupils was both barbarous and obscene. Two incidents, following one on the heels of the other tended to produce an advance in civilization by the means (as so commonly happens) of a passing appeal to savage standards. The first was the arrival of a little gentleman from Armenia. He had a fez upon his head and (what nobody counted on) a dagger in his pocket. The hazing was set about in the customary style, and, perhaps in virtue of the victim’s head-gear, even more boisterously than usual. He bore it at first with an inviting patience; but upon one of the students proceeding to an unpardonable freedom, plucked out his knife and suddenly plunged it in the belly of the jester. This gentleman, I am pleased to say, passed months upon a bed of sickness, before he was in a position to resume his studies. The second incident was that which had earned Pinkerton his reputation. In a crowded studio, while some very filthy brutalities were being practised on a trembling debutant, a tall, pale fellow sprang from his stool and (without the smallest preface or explanation) sang out, “All English and Americans to clear the shop!” Our race is brutal, but not filthy; and the summons was nobly responded to. Every Anglo-Saxon student seized his stool; in a moment the studio was full of bloody coxcombs, the French fleeing in disorder for the door, the victim liberated and amazed. In this feat of arms, both English-speaking nations covered themselves with glory; but I am proud to claim the author of the whole for an American, and a patriotic American at that, being the same gentleman who had subsequently to be held down in the bottom of a box during a performance of L’Oncle Sam, sobbing at intervals, “My country! O my country!” While yet another (my new acquaintance, Pinkerton) was supposed to have made the most conspicuous figure in the actual battle. At one blow, he had broken his own stool, and sent the largest of his opponents back foremost through what we used to call a “conscientious nude.” It appears that, in the continuation of his flight, this fallen warrior issued on the boulevard still framed in the burst canvas.
It will be understood how much talk the incident aroused in the students’ quarter, and that I was highly gratified to make the acquaintance of my famous countryman. It chanced I was to see more of the quixotic side of his character before the morning was done; for as we continued to stroll together, I found myself near the studio of a young Frenchman whose work I had promised to examine, and in the fashion of the quarter carried up Pinkerton along with me. Some of my comrades of this date were pretty obnoxious fellows. I could almost always admire and respect the grown-up practitioners of art in Paris; but many of those who were still in a state of pupilage were sorry specimens, so much so that I used often to wonder where the painters came from, and where the brutes of students went to. A similar mystery hangs over the intermediate stages of the medical profession, and must have perplexed the least observant. The ruffian, at least, whom I now carried Pinkerton to visit, was one of the most crapulous in the quarter. He turned out for our delectation a huge “crust” (as we used to call it) of St. Stephen, wallowing in red upon his belly in an exhausted receiver, and a crowd of Hebrews in blue, green, and yellow, pelting him — apparently with buns; and while we gazed upon this contrivance, regaled us with a piece of his own recent biography, of which his mind was still very full, and which he seemed to fancy, represented him in a heroic posture. I was one of those cosmopolitan Americans, who accept the world (whether at home or abroad) as they find it, and whose favourite part is that of the spectator; yet even I was listening with ill-suppressed disgust, when I was aware of a violent plucking at my sleeve.
“Is he saying he kicked her down stairs?” asked Pinkerton, white as St. Stephen.
“Yes,” said I: “his discarded mistress; and then he pelted her with stones. I suppose that’s what gave him the idea for his picture. He has just been alleging the pathetic excuse that she was old enough to be his mother.”
Something like a sob broke from Pinkerton. “Tell him,” he gasped— “I can’t speak this language, though I understand a little; I never had any proper education — tell him I’m going to punch his head.”
“For God’s sake, do nothing of the sort!” I cried. “They don’t understand that sort of thing here.” And I tried to bundle him out.
“Tell him first what we think of him,” he objected. “Let me tell him what he looks in the eyes of a pure-minded American”
“Leave that to me,” said I, thrusting Pinkerton clear through the door.
“Qu’est-ce qu’il a?” inquired the student.
“What’s the matter with him?”
“Monsieur se sent mal au coeur d’avoir trop regarde votre croute,” said I, and made my escape, scarce with dignity, at Pinkerton’s heels.
“The gentleman is sick at his stomach from having looked too long at your daub.”
“What did you say to him?” he asked.
“The only thing that he could feel,” was my reply.
After this scene, the freedom with which I had ejected my new acquaintance, and the precipitation with which I had followed him, the least I could do was to propose luncheon. I have forgot the name of the place to which I led him, nothing loath; it was on the far side of the Luxembourg at least, with a garden behind, where we were speedily set face to face at table, and began to dig into each other’s history and character, like terriers after rabbits, according to the approved fashion of youth.
Pinkerton’s parents were from the old country; there too, I incidentally gathered, he had himself been born, though it was a circumstance he seemed prone to forget. Whether he had run away, or his father had turned him out, I never fathomed; but about the age of twelve, he was thrown upon his own resources. A travelling tin-type photographer picked him up, like a haw out of a hedgerow, on a wayside in New Jersey; took a fancy to the urchin; carried him on with him in his wandering life; taught him all he knew himself — to take tin-types (as well as I can make out) and doubt the Scriptures; and died at last in Ohio at the corner of a road. “He was a grand specimen,” cried Pinkerton; “I wish you could have seen him, Mr. Dodd. He had an appearance of magnanimity that used to remind me of the patriarchs.” On the death of this random protector, the boy inherited the plant and continued the business. “It was a life I could have chosen, Mr. Dodd!” he cried. “I have been in all the finest scenes of that magnificent continent that we were born to be the heirs of. I wish you could see my collection of tin-types; I wish I had them here. They were taken for my own pleasure and to be a memento; and they show Nature in her grandest as well as her gentlest moments.” As he tramped the Western States and Territories, taking tin-types, the boy was continually getting hold of books, good, bad, and indifferent, popular and abstruse, from the novels of Sylvanus Cobb to Euclid’s Elements, both of which I found (to my almost equal wonder) he had managed to peruse: he was taking stock by the way, of the people, the products, and the country, with an eye
unusually observant and a memory unusually retentive; and he was collecting for himself a body of magnanimous and semi-intellectual nonsense, which he supposed to be the natural thoughts and to contain the whole duty of the born American. To be pure-minded, to be patriotic, to get culture and money with both hands and with the same irrational fervour — these appeared to be the chief articles of his creed. In later days (not of course upon this first occasion) I would sometimes ask him why; and he had his answer pat. “To build up the type!” he would cry. “We’re all committed to that; we’re all under bond to fulfil the American Type! Loudon, the hope of the world is there. If we fail, like these old feudal monarchies, what is left?”
Complete Works of Robert Louis Stevenson Page 140
