'My dear Lieutenant!' he panted. 'Wait till I tell you, what a farce, it's fantastic! Do you know what Ryker's doing? it's so simple it seems unbelievable that no one's thought of it before. It's nothing short of the most magnificent practical joke!' Gasping, he sat down on the bale of skins leaning against the gangway. 'I'll give you a clue: Narcissus.'
'Echo,' Connolly replied flatly, still staring at the instrument in his hands.
'You spotted it? Clever boy!' Pereira wiped his cap-band. 'How did you guess? It wasn't that obvious.' He took the manual Connolly handed him. 'What the - ? Ah, I see, this makes it even more clear. Of course.' He slapped his knee with the manual. 'You found this in his room? I take my hat off to Ryker,' he continued as Connolly set the altimeter down on the pier and steadied it carefully. 'Let's face it, it's something of a pretty clever trick. Can you imagine it, he comes here, finds a tribe with a strong cargo cult, opens his little manual and says "Presto, the great white bird will be arriving: NOW!'
Connolly nodded, then stood up, wiping his hands on a strip of rattan. When Pereira's laughter had subsided he pointed down to the glowing face of the altimeter at their feet. 'Captain, something else arrived,' he said quietly. 'Never mind Ryker and the satellite. This cargo actually landed.'
As Pereira knelt down and inspected the altimeter, whistling sharply to himself, Connolly walked over to the edge of the pier and looked out across the great back of the silent river at the giant trees which hung over the water, like forlorn mutes at some cataclysmic funeral, their thin silver voices carried away on the dead tide.
Half an hour before they set off the next morning, Connolly waited on the deck for Captain Pereira to conclude his interrogation of Ryker. The empty campong, deserted again by the Indians, basked in the heat, a single plume of smoke curling into the sky. The old witch doctor and his son had disappeared, perhaps to try their skill with a neighbouring tribe, but the loss of his watch was unregretted by Connolly. Down below, safely stowed away among his baggage, was the altimeter, carefully sterilized and sealed. On the table in front of him, no more than two feet from the pistol in his belt, lay Ryker's manual.
For some reason he did not want to see Ryker, despite his contempt for him, and when Pereira emerged from the bungalow he was relieved to see that he was alone. Connolly had decided that he would not return with the search parties when they came to find the capsule; Pereira would serve adequately as a guide.
'Well?'
The Captain smiled wanly. 'Oh, he admitted it, of course.' He sat down on the rail, and pointed to the manual. 'After all, he had no choice. Without that his existence here would be untenable.'
'He admitted that Colonel Spender landed here?'
Pereira nodded. 'Not in so many words, but effectively. The capsule is buried somewhere here - under the tumulus, I would guess. The Indians got hold of Colonel Spender, Ryker claims he could do nothing to help him.'
'That's a lie. He saved me in the bush when the Indians thought I had landed.'
With a shrug Pereira said: 'Your positions were slightly different. Besides, my impression is that Spender was dying anyway, Ryker says the parachute was badly burnt. He probably accepted a fait accompli, simply decided to do nothing and hush the whole thing up, incorporating the landing into the cargo cult. Very useful too. He'd been tricking the Indians with the Echo satellite, but sooner or later they would have become impatient. After the Goliath crashed, of course, they were prepared to go on watching the Echo and waiting for the next landing forever.' A faint smile touched his lips. 'It goes without saying that he regards the episode as something of a macabre joke. On you and the whole civilized world.'
A door slammed on the veranda, and Ryker stepped out into the sunlight. Bare-chested and hatless, he strode towards the launch.
'Connolly,' he called down, 'you've got my box of tricks there!'
Connolly reached forward and fingered the manual, the butt of his pistol tapping the table edge. He looked up at Ryker, at his big golden frame bathed in the morning light. Despite his still belligerent tone, a subtle change had come over Ryker. The ironic gleam in his eye had gone, and the inner core of wariness and suspicion which had warped the man and exiled him from the world was now visible. Connolly realized that, curiously, their respective roles had been reversed. He remembered Pereira reminding him that the Indians were at equilibrium with their environment, accepting its constraints and never seeking to dominate the towering arbors of the forest, in a sense of externalization of their own unconscious psyches. Ryker had upset that equilibrium, and by using the Echo satellite had brought the 20th century and its psychopathic projections into the heart of the Amazonian deep, transforming the Indians into a community of superstitious and materialistic sightseers, their whole culture oriented around the mythical god of the puppet star. It was Connolly who now accepted the jungle for what it was, seeing himself and the abortive space-flight in this fresh perspective.
Pereira gestured to the helmsman, and with a muffled roar the engine started. The launch pulled lightly against its lines.
'Connolly!' Ryker's voice was shriller now, his bellicose shout overlaid by a higher note. For a moment the two men looked at each other, and in the eyes above him Connolly glimpsed the helpless isolation of Ryker, his futile attempt to identify himself with the forest.
Picking up the manual, Connolly leaned forward and tossed it through the air on to the pier. Ryker tried to catch it, then knelt down and picked it up before it slipped through the springing poles. Still kneeling, he watched as the lines were cast off and the launch surged ahead.
They moved out into the channel and plunged through the bowers of spray into the heavier swells of the open current.
As they reached a sheltering bend and the figure of Ryker faded for the last time among the creepers and sunlight, Connolly turned to Pereira. 'Captain - what actually happened to Colonel Spender? You said the Indians wouldn't eat a white man.'
'They eat their gods,' Pereira said.
1963
The Time-Tombs
One
Usually in the evenings, while Traxel and Bridges drove off into the sand-sea, Shepley and the Old Man would wander among the gutted time-tombs, listening to them splutter faintly in the dying light as they recreated their fading personas, the deep crystal vaults flaring briefly like giant goblets.
Most of the tombs on the southern edge of the sand-sea had been stripped centuries earlier. But Shepley liked to saunter through the straggle of half-submerged pavilions, the ancient sand playing over his bare feet like wavelets on an endless beach. Alone among the flickering tombs, with the empty husks of the past ten thousand years, he could temporarily forget his nagging sense of failure.
Tonight, however, he would have to forego the walk. Traxel, who was nominally the leader of the group of tombrobbers, had pointedly warned him at dinner that he must pay his way or leave. For three weeks Shepley had put off going with Traxel and Bridges, making a series of progressively lamer excuses, and they had begun to get impatient with him. The Old Man they would tolerate, for his vast knowledge of the sand-sea - he had combed the decaying tombs for over forty years and knew every reef and therm-pool like the palm of his hand - and because he was an institution that somehow dignified the lowly calling of tomb-robber, but Shepley had been there for only three months and had nothing to offer except his morose silences and self-hate.
'Tonight, Shepley,' Traxel told him firmly in his hard clipped voice, you must find a tape. We cannot support you indefinitely. Remember, we're all as eager to leave Vergil as you are.'
Shepley nodded, watching his reflection in the gold finger-bowl. Traxel sat at the head of the tilting table, his highcollared velvet jacket unbuttoned. Surrounded by the battered gold plate filched from the tombs, red wine spilling across the table from Bridges' tankard, he looked more like a Renaissance princeling than a cashiered PhD. Once Traxel had been a Professor of Semantics, and Shepley wondered what scandal had brought him to Vergil. Now,
like a grave-rat, he hunted the time-tombs with Bridges, selling the tapes to the Psycho-History Museums at a dollar a foot. Shepley found it impossible to come to terms with the tall, aloof man. By contrast Bridges, who was just a thug, had a streak of blunt good humour that made him tolerable, but with Traxel he could never relax. Perhaps his coldly abrupt manner represented authority, the high-faced, stern-eyed interrogators who still pursued Shepley in his dreams.
Bridges kicked back his chair and lurched away around the table, pounding Shepley across the shoulders.
'You come with us, kid. Tonight we'll find a megatape.'
Outside, the low-hulled, camouflaged half-track waited in a saddle between two dunes. The old summer palace was sinking slowly below the desert, and the floor of the banqueting hall shelved into the white sand like the deck of a subsiding liner, going down with lights blazing from its staterooms.
'What about you, Doctor?' Traxel asked the Old Man as Bridges swung aboard the half-track and the exhaust kicked out. 'It would be a pleasure to have you along.' When the Old Man shook his head Traxel turned to Shepley. 'Well, are you coming?'
'Not tonight,' Shepley demurred hurriedly. 'I'll walk down to the tomb-beds later myself.'
'Twenty miles?' Traxel reminded him, watching reflectively. 'Very well.' He zipped up his jacket and strode away towards the half-track. As they moved off he shouted 'Shepley, I meant what I said!'
Shepley watched them disappear among the dunes. Flatly, he repeated 'He means what he says.'
The Old Man shrugged, sweeping the sand off the table. 'Traxel he's a difficult man. What are you going to do?' The note of reproach in his voice was mild, realizing that Shepley's motives were the same as those which had marooned himself on the lost beaches of the sand-sea four decades earlier.
Shepley snapped irritably. 'I can't go with him. After five minutes he drains me like a skull. What's the matter with Traxel? Why is he here?'
The Old Man stood up, staring out vaguely into the desert. 'I can't remember. Everyone has his own reasons. After a while the stories overlap.'
They walked out under the portico, following the grooves left by the half-track. A mile away, winding between the last of the lavalakes which marked the southern shore of the sand-sea, they could just see the vehicle vanishing into the darkness. The old tomb-beds, where Shepley and the Old Man usually walked, lay between them, the pavilions arranged in three lines along a low basaltic ridge. Occasionally a brief flare of light flickered up into the white, bonelike darkness, but most of the tombs were silent.
Shepley stopped, hands falling limply to his sides. 'The new beds are by the Lake of Newton, nearly twenty miles away. I can't follow them.'
'I shouldn't try,' the Old Man rejoined. 'There was a big sand-storm last night. The time-wardens will be out in force marking any new tombs uncovered.' He chuckled softly to himself. 'Traxel and Bridges won't find a foot of tape - they'll be lucky if they're not arrested.' He took off his white cotton hat and squinted shrewdly through the dead light, assessing the altered contours of the dunes, then guided Shepley towards the old mono-rail whose southern terminus ended by the tomb-beds. Once it had been used to transport the pavilions from the station on the northern shore of the sand-sea, and a small gyro-car still leaned against the freight platform. 'We'll go over to Pascal. Something may have come up, you never know.'
Shepley shook his head. 'Traxel took me there when I first arrived. They've all been stripped a hundred times.'
'Well, we'll have a look.' The Old Man plodded on towards the mono-rail, his dirty white suit flapping in the low breeze. Behind them the summer palace - built three centuries earlier by a business tycoon from Ceres - faded into the darkness, the rippling glass tiles in the upper spires merging into the starlight.
Propping the car against the platform, Shepley wound up the gyroscope, then helped the Old Man on to the front seat. He prised off a piece of rusting platform rail and began to punt the car away. Every fifty yards or so they stopped to clear the sand that submerged the track, but slowly they wound off among the dunes and lakes. Here and there the onion-shaped cupola of a solitary time-tomb reared up into the sky beside them, fragments of the crystal casements twinkling in the sand like minuscule stars.
Half an hour later, as they rode down the final long incline towards the Lake of Pascal, Shepley went forward to sit beside the Old Man, who emerged from his private reverie to ask pointedly, 'And you, Shepley, why are you here?'
Shepley leaned back, letting the cool air drain the sweat off his face. 'Once I tried to kill someone,' he explained tersely. 'After they cured me I found I wanted to kill myself instead.' He reached down to the hand-brake as they gathered speed. 'For ten thousand dollars I can go back on probation. Here I thought there would be a freemasonry of sorts. But then you've been kind enough, Doctor.'
'Don't worry, we'll get you a winning tape.' He leaned forward, shielding his eyes from the stellar glare, gazing down at the little cantonment of gutted time-tombs on the shore of the lake. In all there were about a dozen pavilions, their roofs holed, the group Traxel had shown to Shepley after his arrival when he demonstrated how the vaults were robbed.
'Shepley! Look, lad!'
'Where? I've seen them before, Doctor. They're stripped.'
The Old Man pushed him away. 'No, you fool. Three hundred yards to the west, by the long ridge where the big dunes have moved. Can you see them now?' He drummed a white fist on Shepley's knee. 'You've made it, lad. You won't need to be frightened of Traxel or anyone else.'
Shepley jerked the car to a halt. As he ran ahead of the Old Man towards the escarpment he could see several of the time-tombs glowing along the sky lines, emerging briefly from the dark earth like the tents of a spectral caravan.
Two
For ten millennia the Sea of Vergil had served as a burial ground, and the 1,500 square miles of restless sand were estimated to contain over twenty thousand tombs. All but a minute fraction had been stripped by the successive generations of tomb-robbers, and an intact spool of the 17th Dynasty could now be sold to the Psycho-History Museum at Tycho for over 3,000 dollars. For each preceding dynasty, though none older than the 12th had ever been found, there was a bonus.
There were no corpses in the time-tombs, no dusty skeletons. The cyber-architectonic ghosts which haunted them were embalmed in the metallic codes of memory tapes, three-dimensional molecular transcriptions of their living originals, stored among the dunes as a stupendous act of faith, in the hope that one day the physical re-creation of the coded personalities would be possible. After five thousand years the attempt had been reluctantly abandoned, but out of respect for the tomb-builders their pavilions were left to take their own hazard with time in the Sea of Vergil. Later the tomb-robbers had arrived, as the historians of the new epochs realized the enormous archives that lay waiting for them in this antique limbo. Despite the time-wardens, the pillaging of the tombs and the illicit traffic in dead souls continued.
'Doctor! Come on! Look at them!'
Shepley plunged wildly up to his knees in the silver-white sand, diving from one pavilion to the next like a frantic puppy.
Smiling to himself, the Old Man climbed slowly up the melting slope, submerged to his waist as the fine crystals poured away around him, feeling for spurs of firmer rock. The cupola of the nearest tomb tilted into the sky, only the top six inches of the casements visible below the overhang. He sat for a moment on the roof, watching Shepley dive about in the darkness, then peered through the casement, brushing away the sand with his hands.
The tomb was intact. Inside he could see the votive light burning over the altar, the hexagonal nave with its inlaid gold floor and drapery, the narrow chancel at the rear which held the memory store. Low tables surrounded the chancel, carrying beaten goblets and gold bowls, token offerings intended to distract any pillager who stumbled upon the tomb.
Shepley came leaping over to him. 'Let's get into them, Doctor! What are we waiting for?'
The Old Man looked out over the plain below, at the cluster of stripped tombs by the edge of the lake, at the dark ribbon of the gyro-rail winding away among the hills. The thought of the fortune that lay at his fingertips left him unmoved. For so long now he had lived among the tombs that he had begun to assume something of their ambience of immortality and timelessness, and Shepley's impatience seemed to come out of another dimension. He hated stripping the tombs. Each one robbed represented, not just the final extinction of a surviving personality, but a diminution of his own sense of eternity. Whenever a new tomb-bed emerged from the sand he felt something within himself momentarily rekindled, not hope, for he was beyond that, but a serene acceptance of the brief span of time left to him.
'Right,' he nodded. They began to cleave away the sand piled around the door, Shepley driving it down the slope where it spilled in a white foam over the darker basaltic chips. When the narrow portico was free the Old Man squatted by the timeseal. His fingers cleaned away the crystals embedded between the tabs, then played lightly over them.
Like dry sticks breaking, an ancient voice crackled Orion, Betelgeuse, Altair, What twice-born star shall be my heir, Doomed again to be this scion - 'Come on, Doctor, this is a quicker way.' Shepley put one leg up against the door and lunged against it futilely. The Old Man pushed him away. With his mouth close to the seal, he rejoined.
'Of Altair, Betelgeuse, Orion.'
As the doors accepted this and swung back he murmured: 'Don't despise the old rituals. Now, let's see.' They paused in the cool, unbreathed air, the votive light throwing a pale ruby glow over the gold drapes parting across the chancel.
The air became curiously hazy and mottled. Within a few seconds it began to vibrate with increasing rapidity, and a succession of vivid colours rippled across the surface of what appeared to be a cone of light projected from the rear of the chancel. Soon this resolved itself into a three-dimensional image of an elderly man in a blue robe.
The Complete Short Stories: Volume 1 Page 66
