'Kandinski's Super-Ego must be in difficulties,' Ward remarked. 'You haven't told me your explanation yet.'
'What explanation?'
'Well, what's really at the bottom of this Venusian he claims to have seen?'
'Nothing is at the bottom of it. Why?'
Ward smiled helplessly. 'You will tell me next that you really believe him.'
Professor Cameron chuckled. They reached his car and climbed in. 'Of course I do,' he said.
When, three days later, Ward borrowed Professor Cameron's car and drove down to the rail depot in Vernon Gardens to collect a case of slides which had followed him across the Atlantic, he had no intention of seeing Charles Kandinski again. He had read one or two chapters of Kandinski's book before going to sleep the previous night and dropped it in boredom. Kandinski's description of his encounter with the Venusian was not only puerile and crudely written but, most disappointing of all, completely devoid of imagination. Ward's work at the Institute was now taking up most of his time. The Annual Congress of the International Geophysical Association was being held at Mount Vernon in little under a month, and most of the burden for organizing the three-week programme of lectures, semesters and dinners had fallen on Professor Cameron and himself.
But as he drove away from the depot past the cafs in the square he caught sight of Kandinski on the terrace of the Site Tycho. It was 3 o'clock, a time when most people in Vernon Gardens were lying asleep indoors, and Kandinski seemed to be the only person out in the sun. He was scrubbing away energetically at the abstract tables with his long hairy arms, head down so that his beard was almost touching the metal tops, like an aboriginal halfman prowling in dim bewilderment over the ruins of a futuristic city lost in an inversion of time.
On an impulse, Ward parked the car in the square and walked across to the Site Tycho, but as soon as Kandinski came over to his table he wished he had gone to another of the cafs. Kandinski had been reticent enough the previous day, but now that Cameron was absent he might well turn out to be a garrulous bore.
After serving him, Kandinski sat down on a bench by the bookshelves and stared moodily at his feet. Ward watched him quietly for five minutes, as the mobiles revolved delicately in the warm air, deciding whether to approach Kandinski. Then he stood up and went over to the rows of magazines. He picked in a desultory way through half a dozen and turned to Kandinski. 'Can you recommend any of these?'
Kandinski looked up. 'Do you read science fiction?' he asked matterof-factly.
'Not as a rule,' Ward admitted. When Kandinski said nothing he went on: 'Perhaps I'm too sceptical, but I can't take it seriously.'
Kandinski pulled a blister on his palm. 'No one suggests you should. What you mean is that you take it too seriously.'
Accepting the rebuke with a smile at himself, Ward pulled out one of the magazines and sat down at a table next to Kandinski. On the cover was a placid suburban setting of snugly eaved houses, yew trees and children's bicycles. Spreading slowly across the roof-tops was an enormous pulpy nightmare, blocking out the sun behind it and throwing a weird phosphorescent glow over the roofs and lawns. 'You're probably right,' Ward said, showing the cover to Kandinski. 'I'd hate to want to take that seriously.'
Kandinski waved it aside. 'I have seen 11th-century illuminations of the Pentateuch more sensational than any of these covers.' He pointed to the cinema theatre on the far side of the square, where the four-hour Biblical epic Cain and Abel was showing. Above the trees an elaborate technicolored hoarding showed Cain, wearing what appeared to be a suit of Roman armour, wrestling with an immense hydraheaded boa constrictor.
Kandinski shrugged tolerantly. 'If Michelangelo were working for MGM today would he produce anything better?'
Ward laughed. 'You may well be right. Perhaps the House of the Medicis should be re-christened "16th CenturyFox".'
Kandinski stood up and straightened the shelves. 'I saw you here with Godfrey Cameron,' he said over his shoulder. 'You're working at the Observatory?'
'At the Hubble.'
Kandinski came and sat down beside Ward. 'Cameron is a good man. A very pleasant fellow.'
'He thinks a great deal of you,' Ward volunteered, realizing that Kandinski was probably short of friends.
'You mustn't believe everything that Cameron says about me,' Kandinski said suddenly. He hesitated, apparently uncertain whether to confide further in Ward, and then took the magazine from him. 'There are better ones here. You have to exercise some discrimination.'
'It's not so much the sensationalism that puts me off,' Ward explained, as the psychological implications. Most of the themes in these stories come straight out of the more unpleasant reaches of the unconscious.'
Kandinski glanced sharply at Ward, a trace of amusement in his eyes. 'That sounds rather dubious and, if I may say so, second-hand. Take the best of these stories for what they are: imaginative exercises on the theme of tomorrow.'
'You read a good deal of science fiction?' Ward asked.
Kandinski shook his head. 'Never. Not since I was a child.'
'I'm surprised,' Ward said. 'Professor Cameron told me you had written a science fiction novel.'
'Not a novel,' Kandinski corrected.
'I'd like to read it,' Ward went on. 'From what Cameron said it sounded fascinating, almost Swiftian in concept. This space-craft which arrives from Venus and the strange conversations the pilot holds with a philosopher he meets. A modern morality. Is that the subject?'
Kandinski watched Ward thoughtfully before replying. 'Loosely, yes. But, as I said, the book is not a novel. It is a factual and literal report of a Venus landing which actually took place, a diary of the most significant encounter in history since Paul saw his vision of Christ on the road to Damascus.' He lifted his huge bearded head and gazed at Ward without embarrassment. 'As a matter of interest, as Professor Cameron probably explained to you, I was the man who witnessed the landing.'
Still maintaining his pose, Ward frowned intently. 'Well, in fact Cameron did say something of the sort, but I...'
'But you found it difficult to believe?' Kandinski suggested ironically.
'Just a little,' Ward admitted. 'Are you seriously claiming that you did see a Venusian space-craft?'
Kandinski nodded. 'Exactly.' Then, as if aware that their conversation had reached a familiar turning he suddenly seemed to lose interest in Ward. 'Excuse me.' He nodded politely to Ward, picked up a length of hose-pipe connected to a faucet and began to spray one of the big mobiles.
Puzzled but still sceptical, Ward sat back and watched him critically, then fished in his pockets for some change. 'I must say I admire you for taking it all so calmly,' he told Kandinski as he paid him.
'What makes you think I do?'
'Well, if I'd seen, let alone spoken to a visitor from Venus I think I'd be running around in a flat spin, notifying every government and observatory in the world.'
'I did,' Kandinski said. 'As far as I could. No one was very interested.'
Ward shook his head and laughed. 'It is incredible, to put it mildly.'
'I agree with you.'
'What I mean,' Ward said, 'is that it's straight out of one of these science fiction stories of yours.'
Kandinski rubbed his lips with a scarred knuckle, obviously searching for some means of ending the conversation. 'The resemblance is misleading. They are not my stories,' he added parenthetically. 'This caf is the only one which would give me work, for a perhaps obvious reason. As for the incredibility, let me say that I was and still am completely amazed. You may think I take it all calmly, but ever since the landing I have lived in a state of acute anxiety and foreboding. But short of committing some spectacular crime to draw attention to myself I don't see now how I can convince anyone.'
Ward gestured with his glasses. 'Perhaps. But I'm surprised you don't realize the very simple reasons why people refuse to take you seriously. For example, why should you be the only person to witness an event of such staggering implications
? Why have you alone seen a Venusian?'
'A sheer accident.'
'But why should a space-craft from Venus land here?'
'What better place than near Mount Vernon Observatory?'
'I can think of any number. The UN Assembly, for one.'
Kandinski smiled lightly. 'Columbus didn't make his first contacts with the North-American Indians at the IroquoisSioux Tribal Conference.'
'That may be,' Ward admitted, beginning to feel impatient. 'What did this Venusian look like?'
Kandinski smiled wearily at the empty tables and picked up his hose again. 'I don't know whether you've read my book,' he said, 'but if you haven't you'll find it all there.'
'Professor Cameron mentioned that you took some photographs of the Venusian space-craft. Could I examine them?'
'Certainly,' Kandinski replied promptly. 'I'll bring them here tomorrow. You're welcome to test them in any way you wish.'
That evening Ward had dinner with the Camerons. Professor Renthall, Director of the Hubble, and his wife completed the party. The table-talk consisted almost entirely of good-humoured gossip about their colleagues retailed by Cameron and Renthall, and Ward was able to mention his conversation with Kandinski.
'At first I thought he was mad, but now I'm not so certain. There's something rather too subtle about him. The way he creates an impression of absolute integrity, but at the same time never gives you a chance to tackle him directly on any point of detail. And when you do manage to ask him outright about this Venusian his answers are far too pat. I'm convinced the whole thing is an elaborate hoax.'
Professor Renthall shook his head. 'No, it's no hoax. Don't you agree, Godfrey?'
Cameron nodded. 'Not in Andrew's sense, anyway.'
'But what other explanation is there?' Ward asked. 'We know he hasn't seen a Venusian, so he must be a fraud. Unless you think he's a lunatic. And he certainly doesn't behave like one.'
'What is a lunatic?' Professor Renthall asked rhetorically, peering into the faceted stem of his raised hock glass. 'Merely a man with more understanding than he can contain. I think Charles belongs in that category.'
'The definition doesn't explain him, sir,' Ward insisted. 'He's going to lend me his photographs and when I prove those are fakes I think I'll be able to get under his guard.'
'Poor Charles,' Edna Cameron said. 'Why shouldn't he have seen a space-ship? I think I see them every day.'
'That's just what I feel, dear,' Cameron said, patting his wife's matronly, brocaded shoulder. 'Let Charles have his Venusian if he wants to. Damn it, all it's trying to do is ban Project Apollo. An excellent idea, I have always maintained; only the professional astronomer has any business in space. After the Rainbow tests there isn't an astronomer anywhere in the world who wouldn't follow Charles Kandinski to the stake.' He turned to Renthall. 'By the way, I wonder what Charles is planning for the Congress? A Neptunian? Or perhaps a whole delegation from Proxima Centauri. We ought to fit him out with a space-suit and a pavilion - "Charles Kandinski - New Worlds for Old".'
'Santa Claus in a space-suit,' Professor Renthall mused. 'That's a new one. Send him a ticket.'
The next weekend Ward returned the twelve plates to the Site Tycho.
'Well?' Kandinski asked.
'It's difficult to say,' Ward answered. 'They're all too heavily absorbed. They could be clever montages of light brackets and turbine blades. One of them looks like a close-up of a clutch plate. There's a significant lack of any real corroborative details which you'd expect somewhere in so wide a selection.' He paused. 'On the other hand, they could be genuine.'
Kandinski said nothing, took the paper package, and went off into the caf.
The interior of the Site Tycho had been designed to represent the control room of a space-ship on the surface of the Moon. Hidden fluorescent lighting glimmered through plastic wall fascia and filled the room with an eerie blue glow. Behind the bar a large mural threw the curving outline of the Moon on to an illuminated star-scape. The doors leading to the rest-rooms were circular and bulged outwards like air-locks, distinguished from each other by the symbols cj and.
The total effect was ingenious but somehow reminiscent to Ward of a twenty-fifth-century cave.
He sat down at the bar and waited while Kandinski packed the plates away carefully in an old leather briefcase.
'I've read your book,' Ward said. 'I had looked at it the last time I saw you, but I read it again thoroughly.' He waited for some comment upon this admission, but Kandinski went over to an old portable typewriter standing at the far end of the bar and began to type laboriously with one finger. 'Have you seen any more Venusians since the book was published?' Ward asked.
'None,' Kandinski said.
'Do you think you will?'
'Perhaps.' Kandinski shrugged and went on with his typing.
'What are you working on now?' Ward asked.
'A lecture I am giving on Friday evening,' Kandinski said. Two keys locked together and he flicked them back. 'Would you care to come? Eight-thirty, at the high school near the Baptist chapel.'
'If I can,' Ward said. He saw that Kandinski wanted to get rid of him. 'Thanks for letting me see the plates.' He made his way out into the sun. People were walking about through the fresh morning air, and he caught the clean scent of peach blossom carried down the slopes into the town.
Suddenly Ward felt how enclosed and insane it had been inside the Tycho, and how apposite had been his description of it as a cave, with its residential magician incanting over his photographs like a down-at-heel Merlin manipulating his set of runes. He felt annoyed with himself for becoming involved with Kandinski and allowing the potent charisma of his personality to confuse him. Obviously Kandinski played upon the instinctive sympathy for the outcast, his whole pose of integrity and conviction a device for drawing the gullible towards him.
Letting the light spray from the fountains fall across his face, Ward crossed the square towards his car.
Away in the distance 2,000 feet above, rising beyond a screen of fir trees, the three Mount Vernon domes shone together in the sun like a futuristic Taj Mahal.
Fifteen miles from Vernon Gardens the Santa Vera highway circled down from the foot of Mount Vernon into the first low scrub-covered hills which marked the southern edge of the desert. Ward looked out at the long banks of coarse sand stretching away through the haze, their outlines blurring in the afternoon heat. He glanced at the book lying on the seat beside him, open at the map printed between its end covers, and carefully checked his position, involuntarily slowing the speed of the Chevrolet as he moved nearer to the site of the Venus landings.
In the fortnight since he had returned the photographs to the Site Tycho, he had seen Kandinski only once, at the lecture delivered the previous night. Ward had deliberately stayed away from the Site Tycho, but he had seen a poster advertising the lecture and driven down to the school despite himself.
The lecture was delivered in the gymnasium before an audience of forty or fifty people, most of them women, who formed one of the innumerable local astronomical societies. Listening to the talk round him, Ward gathered that their activities principally consisted of trying to identify more than half a dozen of the constellations. Kandinski had lectured to them on several occasions and the subject of this latest instalment was his researches into the significance of the Venusian tablet he had been analysing for the last three years.
When Kandinski stepped onto the dais there was a brief round of applause. He was wearing a lounge suit of a curiously archaic cut and had washed his beard, which bushed out above his string tie so that he resembled a Mormon patriarch or the homespun saint of some fervent evangelical community.
For the benefit of any new members, he prefaced his lecture with a brief account of his meeting with the Venusian, and then turned to his analysis of the tablet. This was the familiar ultimatum warning mankind to abandon its preparations for the exploration of space, for the ostensible reason that, just as the sea was a
universal image of the unconscious, so space was nothing less than an image of psychosis and death, and that if he tried to penetrate the interplanetary voids man would only plunge to earth like a demented Icarus, unable to scale the vastness of the cosmic zero. Kandinski's real motives for introducing this were all too apparent the expected success of Project Apollo and subsequent landings on Mars and Venus would, if nothing else, conclusively expose his fantasies.
However, by the end of the lecture Ward found that his opinion of Kandinski had experienced a complete about-face.
As a lecturer Kandinski was poor, losing words, speaking in a slow ponderous style and trapping himself in long subordinate clauses, but his quiet, matter-of-fact tone and absolute conviction in the importance of what he was saying, coupled with the nature of his material, held the talk together. His analysis of the Venusian cryptograms, a succession of intricate philological theorems, was well above the heads of his audience, but what began to impress Ward, as much as the painstaking preparation which must have preceded the lecture, was Kandinski's acute nervousness in delivering it. Ward noticed that he suffered from an irritating speech impediment that made it difficult for him to pronounce 'Venusian', and he saw that Kandinski, far from basking in the limelight, was delivering the lecture only out of a deep sense of obligation to his audience and was greatly relieved when the ordeal was over.
At the end Kandinski had invited questions. These, with the exception of the chairman's, all concerned the landing of the alien space vehicle and ignored the real subject of the lecture. Kandinski answered them all carefully, taking in good part the inevitable facetious questions. Ward noted with interest the audience's curious ambivalence, simultaneously fascinated by and resentful of Kandinski's exposure of their own private fantasies, an expression of the same ambivalence which had propelled so many of the mana-personalities of history towards their inevitable Calvarys.
The Complete Short Stories: Volume 1 Page 70
