'Emerelda! We'll leave here - take you away from Lagoon West and this insane place.' I pointed to my car, parked by the beach among the dunes. 'We'll go to Vermilion Sands or Red Beach, you'll be able to forget Dr Gruber for ever.'
We hurried towards the car, Emerelda's gown gathering up the insects as we swept past them. I heard her short cry in the moonlight and she tore away from me. I stumbled among the flickering insects. From my knees I saw her disappear into the screens.
For the next ten minutes, as I watched from the darkness by the beach, the jewelled insects moved towards her across the terrace, their last light fading like a vanishing night river.
I walked back to my car, and a quiet, white-suited figure appeared among the dunes and waited for me in the cool amber air, hands deep in his jacket pockets.
'You're a better painter than you know,' Charles said when I took my seat behind the wheel. 'On the last two nights she has made the same escape from me.'
He stared reflectively from the window as we drove back to Ciraquito, the sculptures in the canyon keening behind us like banshees.
The next afternoon, as I guessed, Charles Van Stratten at last played the screen game. He arrived shortly after the game had begun, walking through the throng of extras and cameramen near the car park, hands still thrust deep into the pockets of his white suit as if his sudden appearance among the dunes the previous night and his present arrival were continuous in time. He stopped by the balustrade on the opposite side of the terrace, where I sat with Tony Sapphire and Raymond Mayo, and stared pensively at the slow shuttling movements of the game, his grey eyes hidden below their blond brows.
By now there were so many screens in the game - over forty (I had secretly added more in an attempt to save Emerelda) - that most of the movement was confined to the centre of the group, as if emphasizing the selfimmolated nature of the ritual. What had begun as a pleasant divertimento, a picturesque introduction to Aphrodite 80, had degenerated into a macabre charade, transforming the terrace into the exercise area of a nightmare.
Discouraged or bored by the slowness of the game, one by one the extras taking part began to drop out, sitting down on the balustrade beside Charles. Eventually only Emerelda was left - in my mind I could see her gliding in and out of the nexus of corridors, protected by the zodiacal deities I had painted - and now and then one of the screens in the centre would tilt slightly.
'You've designed a wonderful trap for her, Paul,' Raymond Mayo mused. 'A cardboard asylum.'
'It was Van Stratten's suggestion. We thought they might help her.'
Somewhere, down by the beach, a sculpture had begun to play, and its plaintive voice echoed over our heads. Several of the older sculptures whose sonic cores had corroded had been broken up and left on the beach, where they had taken root again. When the heat gradients roused them to life they would emit a brief strangled music, fractured parodies of their former song.
'Paul!' Tony Sapphire pointed across the terrace. 'What's going on? There's something - '
Fifty yards from us, Charles Van Stratten had stepped over the balustrade, and now stood out on one of the black marble squares, hands loosely at his sides, like a single chess piece opposing the massed array of the screens. Everyone else had gone, and the three of us were now alone with Charles and the hidden occupant of the screens.
The harsh song of the rogue sculpture still pierced the air. Two miles away, through the haze which partly obscured the distant shore, the beach-houses jutted among the dunes, and the fused surface of the lake, in which so many objects were embedded, seams of jade and obsidian, was like a segment of embalmed time, from which the music of the sculpture was a slowly expiring leak. The heat over the vermilion surface was like molten quartz, stirring sluggishly to reveal the distant mesas and reefs.
The haze cleared and the spires of the sand reefs seemed to loom forward, their red barbs clawing towards us through the air. The light drove through the opaque surface of the lake, illuminating its fossilized veins, and the threnody of the dying sculpture lifted to a climax.
'Emerelda!'
As we stood up, roused by his shout, Charles Van Stratten was running across the terrace. 'Emerelda!'
Before we could move he began to pull back the screens. toppling them backwards on to the ground. Within a few moments the terrace was a mle of tearing canvas and collapsing trestles, the huge emblems flung left and right out of his path like disintegrating floats at the end of a carnival.
Only when the original nucleus of half a dozen screens was left did he pause, hands on hips.
'Emerelda!' he shouted thickly.
Raymond turned to me. 'Paul, stop him, for heaven's sake!'
Striding forward, Charles pulled back the last of the screens. We had a sudden glimpse of Emerelda Garland retreating from the inrush of sunlight, her white gown flared around her like the broken wings of some enormous bird. Then, with an explosive flash, a brilliant vortex of light erupted from the floor at Emerelda's feet, a cloud of jewelled spiders and scorpions rose through the air and engulfed Charles Van Stratten.
Hands raised helplessly to shield his head, he raced across the terrace, the armada of jewelled insects pursuing him, spinning and diving on to his head. Just before he disappeared among the dunes by the beach, we saw him for a last terrifying moment, clawing helplessly at the jewelled helmet stitched into his face and shoulders. His voice rang out, a sustained cry on the note of the dying sculptures, lost on the stinging flight of the insects.
We found him among the sculptures, face downwards in the hot sand, the fabric of his white suit lacerated by a hundred punctures. Around him were scattered the jewels and crushed bodies of the insects he had killed, their knotted legs and mandibles like abstract ideograms, the sapphires and zircons dissolving in the light.
His swollen hands were filled with the jewels. The cloud of insects returned to the summer-house, where Dr Gruber's blacksuited figure was silhouetted against the sky, poised on the white ledge like some minatory bird of nightmare. The only sounds came from the sculptures, which had picked up Charles Van Stratten's last cry and incorporated it into their own selfrequiem.
'..."She... killed"...' Raymond stopped, shaking his head in amazement. 'Paul, can you hear them, the words are unmistakable.'
Stepping through the metal barbs of the sculpture, I knelt beside Charles, watching as one of the jewelled scorpions crawled from below his chin and scuttled away across the sand.
'Not him,' I said. 'What he was shouting was "She killed - Mrs Van Stratten." The old dowager, his mother. That's the real clue to this fantastic menage. Last night, when we saw Gruber by the rail outside her room - I realize now that was where the old harridan was standing when Emerelda pushed her. For years Charles kept her alone with her guilt here, probably afraid that he might be incriminated if the truth emerged - perhaps he was more responsible than we imagine. What he failed to realize was that Emerelda had lived so long with her guilt that she'd confused it with the person of Charles himself. Killing him was her only release - '
I broke off to find that Raymond and Tony had gone and were already half way back to the terrace. There was the distant sound of raised voices as members of the film company approached, and whistles shrilled above the exhaust of cars.
The bulky figure of Kanin came through the dunes, flanked by a trio of assistant producers. Their incredulous faces gaped at the prostrate body. The voices of the sculptures faded for the last time, carrying with them into the depths of the fossil lake the final plaintive cry of Charles Van Stratten.
A year later, after Orpheus Productions had left Lagoon West and the scandal surrounding Charles's death had subsided, we drove out again to the summer-house. It was one of those dull featureless afternoons when the desert is without lustre, the distant hills illuminated by brief flashes of light, and the great summer-house seemed drab and lifeless. The servants and Dr Gruber had left, and the estate was beginning to run down. Sand covered long stretches of the roadwa
y, and the dunes rolled across the open terraces, toppling the sculptures. These were silent now, and the sepulchral emptiness was only broken by the hidden presence of Emerelda Garland.
We found the screens where they had been left, and on an impulse spent the first afternoon digging them out of the sand. Those that had rotted in the sunlight we burned in a pyre on the beach, and perhaps the ascending plumes of purple and carmine smoke first brought our presence to Emerelda. The next afternoon, as we played the screen game, I was conscious of her watching us, and saw a gleam of her blue gown among the shadows.
However, although we played each afternoon throughout the summer, she never joined us, despite the new screens I painted and added to the group. Only on the night I visited Lagoon West alone did she come down, but I could hear the voices of the sculptures calling again and fled at the sight of her white face.
By some acoustic freak, the dead sculptures along the beach had revived themselves, and once again I heard the faint haunted echoes of Charles Van Stratten's last cry before he was killed by the jewelled insects. All over the deserted summer-house the low refrain was taken up by the statues, echoing through the empty galleries and across the moonlit terraces, carried away to the mouths of the sand reefs, the last dark music of the painted night.
1963
Time of Passage
Sunlight spilled among the flowers and tombstones, turning the cemetery into a bright garden of sculpture. Like two large gaunt crows, the gravediggers leaned on their spades between the marble angels, their shadows arching across the smooth white flank of one of the recent graves.
The gilt lettering was still fresh and untarnished.
JAMES FALKMAN 1963-1901 'The End is but the Beginning'
Leisurely they began to pare back the crisp turf, then dismantled the headstone and swathed it in a canvas sheet, laying it behind the graves in the next aisle. Biddle, the older of the two, a lean man in a black waistcoat, pointed to the cemetery gates, where the first mourning party approached.
'They're here. Let's get our backs into it.'
The younger man, Biddle's son, watched the small procession winding through the graves. His nostrils scented the sweet broken earth. 'They're always early,' he murmured reflectively. 'It's a strange thing, you never see them come on time.'
A clock tolled from the chapel among the cypresses. Working swiftly, they scooped out the soft earth, piling it into a neat cone at the grave's head. A few minutes later, when the sexton arrived with the principal mourners, the polished teak of the coffin was exposed, and Biddle jumped down on to the lid and scraped away the damp earth clinging to its brass rim.
The ceremony was brief and the twenty mourners, led by Falkman's sister, a tall white-haired woman with a narrow autocratic face, leaning on her husband's arm, soon returned to the chapel. Biddle gestured to his son. They jerked the coffin out of the ground and loaded it on to a cart, strapping it down under the harness. Then they heaped the earth back into the grave and relaid the squares of turf.
As they pushed the cart back to the chapel the sunlight shone brightly among the thinning graves.
Forty-eight hours later the coffin arrived at James Falkman's large grey-stoned house on the upper slopes of Mortmere Park. The high-walled avenue was almost deserted and few people saw the hearse enter the tree-lined drive. The blinds were drawn over the windows, and huge wreaths rested among the furniture in the hail where Falkman lay motionless in his coffin on a mahogany table. Veiled by the dim light, his square strong-jawed face seemed composed and unblemished, a short lock of hair over his forehead making his expression less severe than his sister's.
A solitary beam of sunlight, finding its way through the dark sycamores which guarded the house, slowly traversed the room as the morning progressed, and shone for a few minutes upon Falkman's open eyes. Even after the beam had moved away a faint glimmer of light still remained in the pupils, like the reflection of a star glimpsed in the bottom of a dark well.
All day, helped by two of her friends, sharp-faced women in long black coats, Falkman's sister moved quietly about the house. Her quick deft hands shook the dust from the velvet curtains in the library, wound up the miniature Louis XV clock on the study desk, and reset the great barometer on the staircase. None of the women spoke to each other, but within a few hours the house was transformed, the dark wood in the hall gleaming as the first callers were admitted.
'Mr and Mrs Montefiore...'
'Mr and Mrs Caldwell..
'Miss Evelyn Jermyn and Miss Elizabeth..
'Mr Samuel Banbury...'
One by one nodding in acknowledgement as they were announced, the callers trooped into the hail and paused over the coffin, examining Falkman's face with discreet interest, then passed into the dining room where they were presented with a glass of port and a tray of sweetmeats. Most of them were elderly, over-dressed in the warm spring weather, one or two obviously ill at ease in the great oak-panelled house, and all unmistakably revealed the same air of hushed expectancy.
The following morning Falkman was lifted from his coffin and carried upstairs to the bedroom overlooking the drive. The winding sheet was removed from his frail body dressed in a pair of thick woollen pyjamas. He lay quietly between the cold sheets, his grey face sightless and reposed, unaware of his sister crying softly on the high-backed chair beside him. Only when Dr Markham called and put his hand on her shoulder did she contain herself, relieved to have given way to her feelings.
Almost as if this were a signal, Falkman opened his eyes. For a moment they wavered uncertainly, the pupils weak and watery. Then he gazed up at his sister's tear-marked face, his head motionless on the pillow. As she and the doctor leaned forward Falkman smiled fleetingly, his lips parting across his teeth in an expression of immense patience and understanding. Then apparently exhausted he lapsed into a deep sleep.
After securing the blinds over the windows, his sister and the doctor stepped from the room. Below, the doors closed quietly into the drive, and the house became silent. Gradually the sounds of Falkman's breathing grew more steady and filled the bedroom, overlaid by the swaying of the dark trees outside.
So James Falkman made his arrival. For the next week he lay quietly in his bedroom, his strength increasing hourly, and managed to eat his first meals prepared by his sister. She sat in the blackwood chair, her mourning habit exchanged for a grey woollen dress, examining him critically.
'Now James, you'll have to get a better appetite than that. Your poor body is completely wasted.'
Falkman pushed away the tray and let his long slim hands fall across his chest. He smiled amiably at his sister. 'Careful, Betty, or you'll turn me into a milk pudding.'
His sister briskly straightened the eiderdown. 'If you don't like my cooking, James, you can fend for yourself.'
A faint chuckle slipped between Falkman's lips. 'Thank you for telling me, Betty, I fully intend to.'
He lay back, smiling weakly to himself as his sister stalked out with the tray. Teasing her did him almost as much good as the meals she prepared, and he felt the blood reaching down into his cold feet. His face was still grey and flaccid, and he conserved his strength carefully, only his eyes moving as he watched the ravens alighting on the window ledge.
Gradually, as his conversations with his sister became more frequent, Falkman gained sufficient strength to sit up. He began to take a fuller interest in the world around him, watching the people in the avenue through the french windows and disputing his sister's commentary on them.
'There's Sam Banbury again,' she remarked testily as a small leprechaunlike old man hobbled past. 'Off to the Swan as usual. When's he going to get a job, I'd like to know.'
'Be more charitable, Betty. Sam's a very sensible fellow. I'd rather go to the pub than have a job.'
His sister snorted sceptically, her assessment of Falkman's character apparently at variance with this statement. 'You've got one of the finest houses in Mortmere Park,' she told him. 'I think you should b
e more careful with people like Sam Banbury. He's not in your class, James.'
Falkman smiled patiently at his sister. 'We're all in the same class, or have you been here so long you've forgotten, Betty.'
'We all forget,' she told him soberly. 'You will too, James. It's sad, but we're in this world now, and we must concern ourselves with it. If the church can keep the memory alive for us, so much the better. As you'll find out though, the majority of folk remember nothing. Perhaps it's a good thing.'
She grudgingly admitted the first visitors, fussing about so that Falkman could barely exchange a word with them. In fact, the visits tired him, and he could do little more than pass a few formal pleasantries. Even when Sam Banbury brought him a pipe and tobacco pouch he had to muster all his energy to thank him and had none left to prevent his sister from making off with them.
Only when the Reverend Matthews called did Falkman manage to summon together his strength, for half an hour spoke earnestly to the parson, who listened with rapt attention, interjecting a few eager questions. When the Reverend left he seemed refreshed and confident, and strode down the stairs with a gay smile at Falkman's sister.
Within three weeks Falkman was out of bed, and managed to hobble downstairs and inspect the house and garden. His sister protested, dogging his slow painful footsteps with sharp reminders of his feebleness, but Falkman ignored her. He found his way to the conservatory, and leaned against one of the ornamental columns, his nervous fingers feeling the leaves of the miniature trees, the scent of flowers flushing his face. Outside, in the grounds, he examined everything around him, as if comparing it with some Elysian paradise in his mind.
He was walking back to the house when he twisted his ankle sharply in the crazy paving. Before he could cry for help he had fallen headlong across the hard stone.
'James Falkman will you never listen?' his sister protested, as she helped him across the terrace. 'I warned you to stay in bed!'
The Complete Short Stories: Volume 1 Page 80
