Halloway brushed away the last of the petals. His difficulty in talking to her stemmed partly from her ambiguity, the naively teasing sexual come-on, but more from his own inexperience. In Garden City the relations between young people were governed by the most enlightened rules, derived from the teachings of Malinowski, Margaret Mead and the anthropologists who had followed them. From the age of sixteen, in the approved Polynesian style, young people of both sexes lived together openly in the 'long house' dormitories set aside for them until they later chose their marriage partner. Halloway had opted out of this, for reasons he had never understood, so committing himself to the company of his grandparents on one side and the younger teenagers on the other. He had never regretted the decision - there was something far too amiable, far too bovine and uncritical, about the hand-holding tenants of the long house.
Now, as he watched Miranda admiring his coloured sneakers, swirling her embroidered dress around him, he was certain that he was right. That ambiguity she showed, that moody combination of challenge and allure, was exactly what the city was about.
'I saw your glider yesterday,' Miranda told him. 'Crossing the Sound. It was like part of a dream, miles away across the water. Now suddenly you're here, in your miracle shoes.'
'I dream about powered flight,' Halloway told her with some pride. 'Olds and I are rebuilding the glider. When it's ready we'll put an engine on it.'
Miranda nodded, gazing up at her hanging garden, as if waiting patiently for the jungle to return. In some way she seemed almost at odds with her father, trying to undo his work and transform it for her own purposes.
'Halloway...' She touched his arm. 'My father's very old. I want him to finish this before it's too late. Stillman's losing interest. Will you work for us for a while?'
The next day Halloway joined Stillman's one-man construction gang. He had said goodbye to Olds, who returned with the sailplane to the airport, and spent the night in one of the small hotels around the square.
Riding on the cowling of the tractor's engine, Halloway squatted in front of the driving cab as Stillman roved the city, searching for the exact models of the cars that Buckmaster had ordered. Each one they carried back to the monument, and Halloway climbed the wall of vehicles and guided Stillman as he steered the largest of the cranes and inserted the car into its place. From the observation platform the old industrialist supervised the work from behind his blueprints. Meanwhile his daughter, dressed for the day in a 1940s business suit, with boxy shoulders and a skirt of brown pin-stripe, her hair in a frizz, moved silently among the flowers in the centre of the memorial, tending the vines and blossoms in this dark, humid arbour.
His involvement with this strange trio surprised Halloway, but he soon realized that each of them played a role in certain unfolding obsessions of his own. Of the three, Stillman with his black jacket and hoodlum style most disturbed and most stimulated him, brooding over a dark dream of the city so like Halloway's own.
As they drove back through the streets on that first day Halloway had an unsettling glimpse of Stillman's unpredictable violence. The massive tractor was clanking down a wide avenue, a yellow taxi-cab held in its claw, when they passed a department store. Halloway was sitting in front of the cab, and was nearly flung to the road as Stillman slammed back the left-hand drive lever and turned the tractor towards the sidewalk. Cars were parked nose to tail along the kerb, but Stillman drove straight into them, knocking them out of his way with powerful left and right swings of the taxi. Gripped by the claw, the battered vehicle showered glass and rust on to the road. Working the levers and throttle with hard and almost spasm-like thrusts of his arms and shoulders, Stillman drove the tractor towards the store. His jaws champed rapidly on a piece of gum, but his face was deliberately expressionless, part of a continuous stylization of gesture and movement that Halloway had never seen before and that excited and disturbed him at the same time.
A group of mannequins sat in the store window around a table, part of a mock dinner-party that had started twentyfive years earlier and never proceeded beyond the waxy hors d'oeuvres. The polite poses and prim over-elegant manners clearly pulled a hair-trigger in Stiliman's mind. As the plate glass collapsed into the sidewalk he slung aside the taxi, sending it rolling across the street, and then began to sweep the mannequins out of the window, scattering them on to the sidewalk.
As he watched the destruction of these smartly attired female figures, Halloway was thinking of Miranda and her obsessive changes of costume. Was this her way of containing Stillman, or of provoking him? Stillman stared at her with a kind of humourless irony, as if forming in his mind a series of obscene jokes about her. Only his deference to the old industrialist seemed to prevent him from assaulting Miranda.
Seizing the yellow taxi again, Stillman set off down the street, the shattered mannequins lying in their tailored rags like the well-to-do victims of a terrorist attack in a fashionable shopping centre. Halloway was shaking with excitement, barely able to keep his seat on the engine cowling. For all his fear of Stiliman, he knew that he was half-hoping that he would be violent again. He imagined the city filled with people, their lives invigorated by just this kind of callous and stylized aggression. When they passed another clothing store with a group of mannequins in the window he tapped the windshield and pointed them out to Stillman.
Later, when Buckmaster and his daughter retired to their third-floor suite in a hotel facing the monument of cars, Stillman and Halloway wandered through the dusk towards a nearby park. Stillman broke into a gunshop, and from the racks behind the counter took down a sporting rifle and shotgun. Pockets filled with cartridges, they strolled into the park, and in the evening light shot quail and a small deer. The roar of gunfire, the coarse smell of the cordite and the hard recoil against his arms and shoulders, the terrified movement of thousands of birds and animals as they fled through the forest, together filled Halloway's head with fantasies of violence.
Stillman occupied a penthouse apartment on the twentieth floor of a block facing the park.
'It's a long climb,' he warned Halloway. 'But I like to sit up there in the morning and watch dinner grazing down below.'
On the open terrace they lit a fire with pieces of furniture taken from the other apartments. Around them the walls of the city rose into the night. As he roasted the quail and turned the deer on its spit Halloway could see the flames reflected in thousands of darkened windows, as if the night were on fire. They sat together in armchairs by the embers flaring in the wind, and Stiliman talked about the city, of the period he could just remember when it had been filled with more than a million people, the streets packed with traffic and the skies with helicopters, a realm of ceaseless noise and activity, competition and crime. It was here, in fact, as a young student at the school of architecture, that Stillman had first met Buckmaster. Within six months he had killed the industrialist's third wife in a lovers' quarrel. The last murderer to be tried and convicted before the emigration from the cities began in earnest, he was sentenced to twenty years' imprisonment. Eighteen years later, rotting away in an empty penitentiary, the sole prisoner looked after by one aged warder, he had been freed by Buckmaster, who took him on his own parole in a strange gesture. Now he worked for the old man, operating the heavy lifting equipment and helping him to build his monuments to a vanished age of technology. All the while he could barely contain his anger at finding the city he had longed for through so many years an empty and abandoned shell.
Halloway listened to him without speaking. When Stillman finished and lay back in his armchair, staring at the embers of the fire and the bones scattered at his feet, Halloway walked to the balustrade and looked at the dark buildings around them.
'Stillman - it isn't too late. It's all waiting for us here. We can start it up again. Olds can bring it back to life for us.'
During the next month, as he continued to work for the old industrialist on his memorials, Halloway began his selfappointed task of reanimating this huge
metropolis. The cathedral of cars now reached to a height of three hundred feet, an eccentric but impressive structure of steel, glass and chrome. As it neared completion Buckmaster began to slow down, as if aware that this last monument would mark the end of his life and career.
Free during the afternoons, Halloway returned to Stillman's apartment house. Invariably he found the slim patient figure of Olds standing beside his breakdown truck. The mute's hopes of learning to fly, his dream of escape from the thousands of cars that surrounded him at the airport and the memories of his accident, had become the central obsession of his life. On the one afternoon when Halloway could spare the time to visit the airport he found his sailplane on the roof of the car park, tethered to the sloping concrete deck like a prisoner of the sky. Olds had rebuilt the wings and fuselage, and was already preparing a fifty horse-power engine and propeller to be mounted above the cockpit.
Nodding his approval, Halloway noticed that the museum of cars was already showing signs of neglect. Dust filmed the once immaculate coachwork, leaves and tags of paper lay against the unwiped windshields. As Olds gazed at the sailplane the calculator in his hand flickered continuously.
Halloway, we'll leave soon. When I've assembled the engine.
'Of course,' Halloway reassured him. 'We're going together, I know.'
Flying lessons?
There was panic in the quivering letters.
I can't fly yet!
'Olds, naturally. You won't find it difficult - look at the way you handle machinery, you're a genius.'
But Olds was only interested in the aircraft. In the aviation section of one of the city's science museums he found a leather flying suit and helmet dating back to World War I. He took to wearing the costume, his slight figure and scarred head encased in this antique aviator's gear.
For the time being, Halloway decided to humour him. Olds was essential to his plan to restart the city, and without his electrical and mechanical skills the metropolis would remain as dead as a tomb. In return for the promise of flying lessons, Olds drove in from the airport each afternoon, equipped with his generators, cables and tool-kit.
Sceptical of Halloway's ambitious scheme, Stillman wandered through the densely forested park with his rifle, killing the birds. Meanwhile Olds fitted the apartment house with its own electricity supply. A gasolenedriven generator in the entrance hail was soon pounding away, its power supply plugged into the mains. Even this small step immediately brought the building alive. Halloway moved from one apartment to the next, flicking lights on and off, working the appliances in the kitchens. Mixers chattered, toasters and refrigerators hummed, warning lights glowed in control panels. Most of the equipment, barely used during the long period of power cuts twenty-five years earlier, was still in functioning order. Television sets came on, radios emitted a ghostly tonelessness interrupted now and then by static from the remotecontrolled switching units of the tidal pumps twenty miles away along the Sound.
However, in the tape-recorders, stereo-systems and telephone answering machines Halloway at last found the noise he needed to break the silence of the city. At first, playing through these tapes of conversations recorded by husbands and wives in the last years of the Twentieth Century, Halloway was disturbed by the anxious queries and despairing messages that described the slow collapse of an entire world. The sense of gloom and psychic entropy that came through these reminders to queue for gasolene and cooking oil were the absolute opposite of the vigour and dynamism he had expected.
But the music was different. Almost every apartment seemed to be a broadcasting station of its own. Bursting with crude confidence, the music transformed these ghost-filled rooms into a battery of nightclubs. He moved from floor to floor, blowing the dust from records and cassettes, switching on each of the apartments in turn. Rock-and-roll, big band, jazz and pop boomed through the open windows at the silent park. Even Stiliman was impressed, looking up in surprise from the waist-high grass, shotgun raised hesitantly to the air as if thinking twice about trying to make an equal noise.
'Olds, it works!' Halloway found him resting by the generator in the lobby. 'If we can switch on this building we can switch on the whole city! Take off that flying cap and we'll start now.'
Reluctantly, Olds peeled off his helmet. He smiled ungrudgingly at Halloway, clearly admiring the energy and enthusiasm of this excited young man, but at the, same time he seemed to be estimating his degree of involvement with Halloway. Although surrounded by his tools and cables, ammeters and transformers, his mind was clearly miles away, in the cockpit of the glider on the roof of the car park. He looked bored by what he was doing, hardly the mechanic to the world whom Halloway needed.
Halloway noticed that Olds had found a second calculator. The two instruments lay side by side on the floor, the fragments of an extended private dialogue flicking to and fro under the Negro's fingers. For the first time Halloway felt impatient.
'Olds - do you want flying lessons or not? If you can't help me I'll find someone else.' Enjoying his aggressive manner, he added, 'Old Buckmaster will know someone.'
I'll help you, Halloway.
For one flying lesson.
So Olds joined Halloway in his grand design. While Halloway drove over to the airport to collect the generators stored in the basement of the car park, Olds worked away at the apartment block, repairing the elevator and airconditioning units. With almost magical ease he moved around the building, opening fuse-boxes, trailing cable from a second generator to the motors in the elevator head. When Halloway returned he found Olds serenely raising the elevator like a moody but elegant trapeze artist.
'Olds - it's unbelievable...' Halloway congratulated him, careful to add, 'Wait until you repair the jet planes at the airport.'
Olds shook his head, watching Halloway reflectively, not taken in by him for a moment.
A little too much - even for me.
'Nothing is - now, we'll help Mr Buckmaster.'
Leaving a dozen stereograms to blare their music into the empty streets, Halloway and Olds set off for the mausoleum. Buckrnaster was resting in his bedroom. Flattered by Halloway's concern, he watched with approval from his balcony as Olds manhandled a generator into the lobby and ran the cables up to his suite.
From the breakdown truck Halloway unloaded a battery of six arc-lights he had removed from the faade of the airport terminal building.
'We'll set them up around the square, sir,' Halloway explained. 'At night you'll be able to see the whole monument floodlit.'
Buckmaster strolled across the square, his sharp eyes following Halloway with some curiosity as he darted enthusiastically around the cathedral of cars, setting the arc-lights in position. Deep in the nave of the monument Miranda was at work on the terraces of her hanging garden. Dressed today in blue jeans and a hippy jacket, a child's beads around her wrists, she was placing petunias and nasturtiums among the radiator grilles thirty feet above the ground. During the previous days Halloway had been too busy to make contact with her. Besides, her fey manner unsettled him. There seemed to be something decadent about this obsessive planting of vines and flowers, an unconscious but all the more sinister attempt to bring back a lurid and over-bright nature red in tooth and claw. Halloway had begun to hate the carpets of blossoms, these creepers and climbing plants that threatened to strangle the city before he could release it. Already he was thinking of the defoliants he had noticed in a chemical supplies store.
'I'm grateful to you, Halloway,' Buckmaster told him as they walked back to the hotel. 'There's a sense of style about you that I like, all too rare these days, you belong to a vanished breed - Brunel, Eiffel, Lloyd Wright, Kaiser, Buckmaster. For once, though, don't pitch your dreams too high. What happens when the gas runs out? You're going to have a second energy crisis all your own.'
Halloway shook his head confidently. 'Sir, there are millions of cars here. The tankers at the airport - some of them are half-full of aviation fuel, enough to keep us going for a year. After
that' - Halloway gestured at the air - 'we'll find something else.'
His hand on Halloway's shoulder, Buckmaster listened to the sound of the generator coming to life in the lobby. He watched the arc-lights pulse briefly and then blaze out, almost over-heating the sunshine. For all the old industrialist's caution, Halloway could sense Buckmaster's excitement. Halloway was glad of this. For some reason he wanted to impress him. He was aware that the image of his father, which had propelled him towards the city, had recently begun to fade in his mind, confined to the sailplane tethered like an imprisoned bird on the roof of the car park.
Halloway pointed at the deserted streets around the square. 'There's so much that should have happened here that never did,' he explained to Buckmaster. 'I want to bring everything alive again, and give back to the city all that lost time.'
During the next weeks Halloway embarked on his grandiose scheme to re-animate the city. From the start he knew that the task of literally bringing back to life the whole of this huge metropolis was beyond the skills of even a hundred men like Olds. However, in a symbolic sense the task could be achieved on a more modest scale.
Adjoining the northern side of the square was a cluster of side-streets that formed a self-sufficient neighbourhood cut off from the fifty-storey buildings surrounding it. By chance, this enclave, little more than a block in extent, contained the whole city in miniature. There were modest hotels and theatres, bars and restaurants, even a police station and one television studio. Wandering around these narrow streets in the afternoons, Halloway noticed that the stores and offices, banks and supermarkets had been built to a smaller scale than in the rest of the city, and at a time before the zoning ordinances which would have excluded the light factories erected in back-yards, the auto-repair shops in converted garages. On the first floors above the bars and shops were dozens of one-man businesses, minor printing works and travel agencies, tailors and TV repairers.
The Complete Short Stories: Volume 1 Page 129
