Shielded by the coat over his head, Sheppard paid off the uneasy cab driver. As he fumbled with his wallet the unlatched suitcase burst at his feet, exposing its contents to the driver's quizzical gaze: a framed reproduction of Magritte's The March ofSummer, a portable video-cassette projector, two tins of soup, a well-thumbed set of six Kamera Klassic magazines, a clutch of cassettes labelled Elaine/Shower Stall I-XXV, and a paperback selection of Marey's Chronograms.
The driver nodded pensively. 'Samples? Exactly what is all that - a survival kit?'
'Of a special kind.' Unaware of any irony in the man's voice, Sheppard explained: 'They're the fusing device for a time-machine. I'll make one up for you...'
'Too late. My son...'With a half-smile, the driver wound up his tinted windows and set off for Tampa in a cloud of glassy dust.
Picking the Starlight Motel at random, Sheppard let himself into an intact cabin overlooking the drained pool, the only guest apart from the elderly retriever that dozed on the office steps. He sealed the blinds and spent the next two days resting in the darkness on the musty bed, the suitcase beside him, this 'survival kit' that would help him to find Elaine.
At dusk on the second day he left the bed and went to the window for his first careful look at Cocoa Beach. Through the plastic blinds he watched the shadows bisecting the empty pool, drawing a broken diagonal across the canted floor. He remembered his few words to the cab driver. The complex geometry of this three-dimensional sundial seemed to contain the operating codes of a primitive time-machine, repeated a hundred times in all the drained swimming pools of Cape Kennedy.
Surrounding the motel was the shabby coastal town, its derelict bars and stores shielded from the sub-tropical dusk by the flamingo-tinted parasols of the palm trees that sprang through the cracked roads and sidewalks. Beyond Cocoa Beach ws the Space Centre, its rusting gantries like old wounds in the sky. Staring at them through the sandy glass, Sheppard was aware for the first time of the curious delusion that he had once been an astronaut, lying on his contour couch atop the huge booster, dressed in a suit of silver foil... An absurd idea, but the memory had come from somewhere. For all its fearfulness, the Space Centre was a magnetic zone.
But where was the visionary world which Elaine had described, filled with jewelled birds? The old golden retriever sleeping under the diving board would never walk the Banana River on golden hooves.
Although he rarely left the cabin during the day - the Florida sunlight was still far too strong for him to attempt a head-on confrontation Sheppard forced himself to put together the elements of an organized life. First, he began to take more care of his own body. His weight had been falling for years, part of a long decline that he had never tried to reverse. Standing in front of the bathroom mirror, he stared at his unsavoury reflection - his wasted shoulders, sallow arms and inert hands, but a fanatic's face, unshaven skin stretched across the bony points of his jaw and cheeks, orbits like the entrances to forgotten tunnels from which gleamed two penetrating lights. Everyone carried an image of himself that was ten years out of date, but Sheppard felt that he was growing older and younger at the same time - his past and future selves had arranged a mysterious rendezvous in this motel bedroom.
Still, he forced down the cold soup. He needed to be strong enough to drive a car, map the forests and runways of Cape Kennedy, perhaps hire a light aircraft and carry out an aerial survey of the Space Centre.
At dusk, when the sky seemed to tilt and, thankfully, tipped its freight of cyclamen clouds into the Gulf of Mexico, Sheppard left the motel and foraged for food in the abandoned stores and supermarkets of Cocoa Beach. A few of the older townspeople lived on in the overgrown side-streets, and one bar was still open to the infrequent visitors. Derelicts slept in the rusting cars, and the occasional tramp wandered like a schizophrenic Crusoe among the wild palms and tamarinds. Long-retired engineers from the Space Centre, they hovered in their shabby whites by the deserted stores, forever hesitating to cross the shadowy streets.
As he carried a battery charger from an untended appliance store, Sheppard almost bumped into a former mission controller who had frequently appeared on television during the campaign to prevent the disbandment of NASA. With his dulled face, eyes crossed by the memories of forgotten trajectories, he resembled one of Chirico's mannequins, heads marked with mathematical formulae.
'No...'He wavered away, and grimaced at Sheppard, the wild fracture lines in his face forming the algebra of an unrealizable future. 'Another time... seventeen seconds...' He tottered off into the dusk, tapping the palm trees with one hand, preoccupied with this private countdown.
For the most part they kept to themselves, twilight guests of the abandoned motels where no rent would ever be charged and no memories ever be repaid. All of them avoided the government aid centre by the bus depot. This unit, staffed by a psychologist from Miami University and two graduate students, distributed food parcels and medicines to the aged townspeople asleep on their rotting porches. It was also their task to round up the itinerant derelicts and persuade them to enter the state-run hospice in Tampa.
On his third evening, as he looted the local supermarket, Sheppard became aware of this alert young psychologist watching him over the dusty windshield of her jeep.
'Do you need any help breaking the law?' She came over and peered into Sheppard's carton. 'I'm Anne Godwin, hello. Avocado pure, rice pudding, anchovies, you're all set for a midnight feast. But what about a filet steak, you really look as if you could use one?'
Sheppard tried to sidestep out of her way. 'Nothing to worry about. I'm here on a working vacation... a scientific project.'
She eyed him shrewdly. 'Just another summer visitor - though you all have PhDs, the remittance men of the Space Age. Where are you staying? We'll drive you back.'
As Sheppard struggled with the heavy carton she signalled to the graduate students, who strolled across the shadowy pavement. At that moment a rusty Chevrolet turned into the street, a bearded man in a soft hat at the wheel. Blocked by the jeep, he stopped to reverse the heavy sedan, and Sheppard recognized the young physician he had last seen on the steps of the clinic overlooking the St Lawrence.
'Dr Martinsen!' Anne Godwin shouted as she released Sheppard's arm.
'I've been wanting to talk to you, doctor. Wait...! That prescription you gave me, I take it you've reached the menopause--'
Punching the locked gear shift, Martinsen seemed only interested in avoiding Anne Godwin and her questions. Then he saw Sheppard's alert eyes staring at him above the carton. He paused, and gazed back at Sheppard, with the frank and almost impatient expression of an old friend who had long since come to terms with an act of treachery. He had grown his beard, as if to hide some disease of the mouth or jaw, but his face seemed almost adolescent and at the same time aged by some strange fever.
'Doctor... I've reported -, Anne Godwin reached Martinsen's car. He made a half-hearted attempt to hide a loosely tied bundle of brass curtain-rods on the seat beside him. Was he planning to hang the forest with priceless fabrics? Before Sheppard could ask, Martinsen engaged his gear lever and sped off, clipping Anne Godwin's outstretched hand with his wing-mirror.
But at least he knew now that Martinsen was here, and their brief meeting allowed Sheppard to slip away unobserved from Anne Godwin. Followed by the doddery retriever, Sheppard carried his stores back to the motel, and the two of them enjoyed a tasty snack in the darkness beside the drained swimming pool.
Already he felt stronger, confident that he would soon have tracked down Martinsen and rescued Elaine. For the next week he slept during the mornings and spent the afternoons repairing the old Plymouth he had commandeered from a local garage.
As he guessed, Martinsen soon put in another appearance. A small, bird-shaped kite began a series of regular flights in the sky above Cocoa Beach. Its silver line disappeared into the forest somewhere to the north of the town. Two others followed it into the air, and the trio swayed across the placid sky, flo
wn by some enthusiast in the forest.
In the days that followed, other bird-emblems began to appear in the streets of Cocoa Beach, crude Picasso doves chalked on the boarded store-fronts, on the dusty roofs of the cars, in the leafy slime on the drained floor of the Starlight pool, all of them presumably cryptic messages from Martinsen.
So the neurosurgeon was trying to lure him into the forest? Finally giving in to his curiosity, Sheppard drove late one afternoon to the light airfield at Titusyille. Little traffic visited the shabby airstrip, and a retired commercial pilot dozed in his dusty office below a sign advertising pleasure trips around the Cape.
After a brief haggle, Sheppard rented a single-engined Cessna and took off into the softening dusk. He carried out a careful reconnaissance of the old Space Centre, and at last saw the strange nightclub in the forest, and caught a painful glimpse of the weird, bald-headed spectre racing through the trees. Then Martinsen sprang his surprise with the man-powered glider, clearly intending to ambush Sheppard and force him to crash-land the Cessna into the jungle. However, Sheppard escaped, and limped back to Cocoa Beach and the incoming tide. Anne Godwin virtually dragged him from the swamped plane, but he managed to pacify her and slip away to the motel.
That evening he rested in his chair beside the empty pool, watching the video-cassettes of his wife projected on to the wall at the deep end. Somewhere in these intimate conjunctions of flesh and geometry, of memory, tenderness and desire, was a key to the vivid air, to that new time and space which the first astronauts had unwittingly revealed here at Cape Kennedy, and which he himself had glimpsed that evening from the cockpit of the drowned aircraft.
At dawn Sheppard fell asleep, only to be woken two hours later by a sudden shift of light in the darkened bedroom. A miniature eclipse of the sun was taking place. The light flickered, trembling against the window. Lying on the bed, Sheppard saw the profile of a woman's face and plumed hair projected on to the plastic blinds.
Bracing himself against the eager morning sunlight, and any unpleasant phobic rush, Sheppard eased the blinds apart. Two hundred feet away, suspended above the chairs on the far side of the swimming pool, a large man-carrying kite hung in the air. The painted figure of a winged woman was silhouetted against the sun's disc, arms outstretched across the canvas panels. Her shadow tapped the plastic blinds, only inches from Sheppard's fingers, as if asking to be let into the safety of the darkened bedroom.
Was Martinsen offering him a lift in this giant kite? Eyes shielded behind his heaviest sunglasses, Sheppard left the cabin and made his way around the drained pool. It was time now to make a modest challenge to the sun. The kite hung above him, flapping faintly, its silver wire disappearing behind a boat-house half a mile along the beach.
Confident of himself, Sheppard set off along the beach road. During the night the Cessna had vanished, swept away by the sea. Behind the boat-house the kite-flier was winding in his huge craft, and the woman's shadow kept Sheppard company, the feathered train of her hair at his feet. Already he was sure that he would find Martinsen among the derelict speedboats, ravelling in whatever ambiguous message he had sent up into the fierce air.
Almost tripping over the woman's shadow, Sheppard paused to gaze around him. After so many weeks and months of avoiding the daylight, he felt uncertain of the overlit perspectives, of the sea lapping at the edges of his mind, its tongues flicking across the beach like some treacherous animal's. Ignoring it, he ran along the road. The kite-flier had vanished, slipping away into the palm-filled streets.
Sheppard threw away his sunglasses and looked up into the air. He was surprised that the sky was far closer to him than he remembered. It seemed almost vertical, constructed of cubicular blocks a mile in width, the wall of an immense inverted pyramid.
The waves pressed themselves into the wet sand at his feet, flattering courtiers in this palace of light. The beach seemed to tilt, the road reversed its camber. He stopped to steady himself against the roof of an abandoned car. His retinas smarted, stung by thousands of needles. A feverish glitter rose from the roofs of the bars and motels, from the rusty neon signs and the flinty dust at his feet, as if the whole landscape was at the point of ignition.
The boat-house swayed towards him, its roof tilting from side to side. Its cavernous doors opened abruptly, like the walls of an empty mountain. Sheppard stepped back, for a moment blinded by the darkness, as the figure of a winged man burst from the shadows and raced past him across the sand towards the safety of the nearby forest. Sheppard saw a bearded face under the feathered head-dress, canvas wings on a wooden frame attached to the man's arms. Waving them up and down like an eccentric aviator, he sprinted between the trees, hindered more than helped by his clumsy wings, one of which sheared from his shoulder when he trapped himself among the palms. He vanished into the forest, still leaping up and down in an attempt to gain the air with his one wing.
Too surprised to laugh at Martinsen, Sheppard ran after him. He followed the line of metal thread that unravelled behind the neurosurgeon. The man-carrying kite had collapsed across the roof of a nearby drugstore, but Sheppard ignored it and ran on through the narrow streets. The line came to an end under the rear wheel of an abandoned truck, but he had already lost Martinsen.
On all sides were the bird-signs, chalked up on the fences and treetrunks, hundreds of them forming a threatening aviary, as if Martinsen was trying to intimidate the original tenants of the forest and drive them away from the Cape. Sheppard sat on the running-board of the truck, holding the broken end of the kite-line between his fingers.
Why was Martinsen wearing his ludicrous wings, trying to turn himself into a bird? At the end of the road he had even constructed a crude bird-trap, large enough to take a condor or a small winged man, a cage the size of a garden shed tilted back on a trip-balance of bamboo sticks.
Shielding his eyes from the glare, Sheppard climbed on to the bonnet of the truck and took his bearings. He had entered an unfamiliar part of Cocoa Beach, a maze of roads invaded by the forest. He was well within that zone of vibrant light he had seen from the Cessna, the dim lantern that seemed to extend outwards from the Space Centre, illuminating everything it touched. The light was deeper but more resonant, as if every leaf and flower were a window into a furnace.
Facing him, along the line of shabby bars and stores, was a curious laundromat. Sandwiched between a boarded-up appliance store and a derelict cafeteria, it resembled a miniature temple, with a roof of gilded tiles, chromium doors and windows of finely etched glass. The whole structure was suffused with a deep interior light, like some lamp-lit grotto in a street of shrines.
The same bizarre architecture was repeated in the nearby roads that lost themselves in the forest. A dry-goods store, a filling station and a car-wash glittered in the sunlight, apparently designed for some group of visiting space enthusiasts from Bangkok or Las Vegas. Overgrown by the tamarinds and Spanish moss, the gilded turrets and metalled windows formed a jewelled suburb in the forest.
Giving up his search for Martinsen, who by now could be hiding atop one of the Apollo gantries, Sheppard decided to return to his motel. He felt exhausted, as if his body were swathed in a heavy armour. He entered the pavilion beside the cafeteria, smiling at the extravagant interior of this modest laundromat. The washing machines sat within bowers of ironwork and gilded glass, a series of side-chapels set aside for the worship of the space engineers' overalls and denims.
A ruby light glimmered around Sheppard, as if the pavilion were vibrating above a mild ground-quake. Sheppard touched the glassy wall with one hand, surprised to find that his palm seemed to merge with the surface, as if both were images being projected on to a screen. His fingers trembled, a hundred outlines superimposed upon one another. His feet drummed against the floor, sending the same rapid eddies through his legs and hips, as if he were being transformed into a holographic image, an infinity of replicas of himself. In the mirror above the cashier's metal desk, now a Byzantine throne, he glowed
like an archangel. He picked up a glass paperweight from the desk, a tremulous jewel of vibrating coral that suddenly flushed within its own red sea. The ruby light that radiated from every surface within the laundromat was charged by his own bloodstream as it merged into the flicker of multiplying images.
Staring at his translucent hands, Sheppard left the pavilion and set off along the street through the intense sunlight. Beyond the tilting fences he could see the drained swimming pools of Cocoa Beach, each a complex geometry of light and shadow, canted decks encoding the secret entrances to another dimension. He had entered a city of yantras, cosmic dials sunk into the earth outside each house and motel for the benefit of devout time-travellers.
The streets were deserted, but behind him he heard a familiar laboured pad. The old retriever plodded along the sidewalk, its coat shedding a tremulous golden fur. Sheppard stared at it, for a moment certain that he was seeing the unicorn Elaine had described in her last letter. He looked down at his wrists, at his incandescent fingers. The sun was annealing plates of copper light to his skin, dressing his arms and shoulders in a coronation armour. Time was condensing around him, a thousand replicas of himself from the past and future had invaded the present and clasped themselves to him.
Wings of light hung from his shoulders, feathered into a golden plumage drawn from the sun, the reborn ghosts of his once and future selves, conscripted to join him here in the streets of Cocoa Beach.
Startled by Sheppard, an old woman stared at him from the door of a shack beside the boat-house. Brittle hands felt her blue-rinsed hair, she found herself transformed from a shabby crone into a powdered beauty from the forgotten Versailles of her youth, her thousand younger selves from every day of her life gladly recruited to her side, flushing her withered cheeks and warming her stick-like hands. Her elderly husband gazed at her from his rocker chair, recognizing her for the first time in decades, himself transformed into a conquistador half-asleep beside a magical sea.
The Complete Short Stories: Volume 1 Page 154
