height of a roof-level balcony, into the interior of the Temple of Cran.
Fifty feet below lay a circular, tessellated pavement, some nine or ten yards across, slightly sunk below a surround of veined, gray marble. Immediately within this surround the tiles formed a border depicting a crested serpent with red, green and blue scales, which stretched entirely round the edge of the pavement until, at the eastern point, it grasped its own tail between its jaws. Round its body was twined an intricate design of vines, fruit and corn, the various motifs being repeated at regular intervals throughout the circle. Within this again was a variant of the divine group represented on the inner sphere of the Tamarrik Gate. Upon a ground of green malachite inlaid with colored blooms and with animals, birds and fishes, the golden-bearded figure of Cran stretched out its arms, whilst opposite, Airtha of the Diadem extended hers towards him. Each of their hands rested upon the base of one corner of • a rectangular marble slab, about two feet high, standing in the center of the pavement.
Maia was so much fascinated by the design and by the brilliant colors in the pavement-of which, of course, looking directly down from above, she had the best possible view-that it was some little time before she began to notice the less ornate central altar-slab and the figure lying upon it. When she did so, however, her first reaction was one of bewilderment and disappointment. Somnolence and passivity was not what she would have expected at the very core of the empire's worship. She had always imagined the god in his temple armed with lightning, majestic, vigilant and mighty to protect the empire. The reality was much unlike.
The low, marble slab was carved in the form of a couch resting upon scrolled clouds. Upon this lay a life-sized, bronze figure of Cran; but very different from that of the Tamarrik dial with its attendant circle of ecstatic nymphs. The god, his head and shoulders raised on marble pillows, was supine, in the posture of one asleep. Indeed, he plainly was asleep, for his eyelids were closed, giving him-since his body was unmoved by breathing-the appearance almost of one dead. He was naked, and his flaccid zard, like any mortal man's, lay across the hollow of his thigh. Something about its appearance puzzled Maia, though from this height she could not quite make out what it might be: it
was flexed, and seemed to be fashioned out of narrow, overlapping, cylindrical scales. But apart from this, she had never before seen the god represented without his attributes-crown, lightning and serpent torques. She would hardly have recognized him. The figure, in fact, displeased her. It seemed an unworthy, almost impious, representation, not at all god-like, inappropriate in its resemblance to mere humanity.
The three of them were standing, she now realized, near the top of an octagonal lantern tower, the whole of the interior of which was open to and visible from the floor of the temple. This was supported upon the lintels and square columns of a circular arcade surrounding the pavement below. At a height of about thirty feet, a narrow gallery ran round the lantern (their own standpoint was a mere box just below the roof), and below it were narrow windows admitting daylight to the floor of the temple below. This was augmented by eight branched candlesticks, each carrying some twenty or thirty candles, which had been placed round the edge of the pavement, one in front of each column.
Looking between the columns to the further side of the arcading, Maia could glimpse tiers of stone seats rising one above the other. It seemed strange to her that the temple should apparently not be lit by windows at ground-floor level. She was not to know that these had all been shuttered, to intensify the effect of the lit central pavement and the sleeping figure of Cran.
The temple was filling. As the girls continued looking down, a scarlet-robed priest, carrying a staff, entered beneath one of the lintels, followed by Durakkon and a train of barons and other nobles. These, conducted round the edge of the pavement to the west side of the arcade, passed between the columns and seated themselves within. On Durakkon's right, Maia noticed, was her admirer Ran-dronoth, the governor of Lapan. Sencho himself she could not see anywhere, and could only suppose that special arrangements must have been made to spare him the unendurable discomfort of having to sit upright.
The placing of the various notables, their wives (who occupied a separate bay of the arcade) and the remainder of those eligible for admission, took a considerable time, the priests continually disappearing between the columns, re-emerging, conferring under the candelabra, and once
or twice leading out some important personage to seat him more befittingly. The assembly, however, showed no impatience and there was no noise above a low murmur of talk as they waited for the ceremony to begin.
At length the priests retired, the central circle stood empty; and complete silence fell. It was hard to believe that nearly a thousand people were seated in the twilight beyond the columns. Maia, allowing herself a tiny, nervous cough, was overcome as the sound seemed to fill the roof and echo round the walls. Frightened, she crouched quickly down behind the balustrade. After a moment Sednil's hand, trembling slightly, and rough compared with those she had become accustomed to, caressed her shoulders and drew her back up beside him. Glancing sideways, he put a finger to his lips and then returned to watching the floor below.
Side by side two files of priests were entering in procession. Parting, they paced slowly round either edge of the pavement until the leaders met once more, whereupon all halted, turning inward to face the central stone before which their leader, advancing, had taken up his station.
Maia, though familiar from infancy with the myths and legends of the gods told her by old Drigga, had heard relatively little about the actual worship of Cran as performed in Bekla. To her, therefore, as perhaps to no other person in the entire temple, everything seemed fresh, direct and heartfelt. The chief priest, in an invocation to the god interspersed with chanted responses from his followers, told of the harsh quenching of the land and the hardships suffered by the people during Melekril. While he still slept, Cran's sacred empire had been threatened by the chaotic powers of winter-storm, rain and darkness. Of themselves his people had no resource or defense, weakened as they were by hunger and by their sins. They implored him to waken and renew the fertile year.
This opening part of the spring liturgy, which was very ancient and couched in ornate, archaic language, expressed a dignified yet heart-broken sorrow which overpowered Maia entirely, leaving her beyond even tears. The priests' hymns, supporting their leader's pleas with lyric descriptions of the failing land and of mountains, plains and forests languishing under the long weeks of cloud and rain, found a ready response both in her imagination and her memory. She even found herself feeling sorry for Morca,
huddled in the drafty hut with the mud outside stretching down to the bleak shore.
Symbolic fire was carried in-a brazier borne between two priests on an iron pole-for the burning of the past and the winter season. And now the chief priest, kneeling, again implored Cran to waken and return to his people. Yet still the god lay sleeping on his marble bed.
At this point Maia, who as an audience was never insensitive or slow in response to a story or a dance, began to feel a mounting tension and superstitious dread. This, she realized, stemmed not from the priests' expressed fear that the god would not waken, but on the contrary from her own inward realization that inevitably he would. All her life she had been listening to tales by the fire, playing singing-games and at village festivals taking part in old dance-rituals and the like. Without reflection she knew that in stories and dramas the thing that seems impossible is always the thing that finally happens. The haughty maiden, rejecting gift after gift from her suitor, finally relents; the forgotten, friendless prisoner is released, the invincible giant falls to a trick, the magically trance-bound sleeper wakes. As the next part of the ritual began, with the bringing to the god of gold and jewels-the temple treasures- as a further inducement to return, she felt the hair rising at the back of her neck. Against all course of nature and possibility, ultimately the bronze figure below was going to waken
. But how? And what would come to pass when it did? Craning forward, she looked down more intently still. No-she was certain that no human being could be concealed within that case of jointed metal.
Each episode of the service lasted for some time, for as one offering after another was vainly made to the god, the priests extolled its particular properties and merits in a succession of anthems-some solemn, some lively, but all appropriate. Their rhythmic power and melodic beauty made Maia want to dance. Swaying silently in harmony with the lilt of a song in praise of wine (while flagons were poured into crystal jars placed before the god's couch) she felt her hips gently pummefing against Sednil's and turned to smile at him, feeling a natural pleasure in being close to a young fellow before whom she did not have to act the part of the compliant slave-girl. Sednil, looking round at her and licking dry lips, put an arm round her shoulder and pressed her against his side; but to this Maia, who in
imagination was back among her younger sisters, dancing in the dust outside the door, attached for the moment little importance.
After the gold, jewels and wine, fine robes and then weapons and food were offered to the god; ornamental spears of silver; tasselled, polished bows and an inlaid, damascene sword and shield; roasted haunches from a goat, a sheep and a bull-calf, while the priests sang in praise of food and feasting. The smell of the roast meat, wafted up to the roof, made Maia's mouth water, for she and Occula, both become accustomed to good living, had today eaten nothing since an hour or so before setting out from the upper city.
At last the worshippers seemed driven to despair. The priestly chorus, prostrating themselves round the edge of the pavement, proclaimed, in a sobbing lament, that the god must himself have become the victim of winter and accordingly would never return. The chief priest, casting off his robes to reveal, beneath, the leather jerkin of a slave, called aloud upon any man or woman whatsoever who would come forward to save the empire in its peril. At the same time the candles round the arcade were extinguished and from outside the wailing of mourners was heard. As they ceased and all became silent, the god, in the dim daylight slanting down from above, lay alone among his unavailing gifts.
After a pause, during which the frightened weeping of a young girl-too young to be present, perhaps-could be plainly heard from among the women's seats, the silence was broken by a sudden, heavy knocking on the great door of the temple. The chief priest, rising to his feet, looked about him in apparent surprise. Taking up his staff, he made his way out and could be heard ordering the door to be opened. A few moments later rose the sound of girls' voices singing as they approached. Then a beautiful little child, about eight years old, crowned with spring flowers, ran into the middle of the pavement, flung out her arms and cried, "The Sacred Queen! The Sacred Queen!"
The girls, dressed alternately in green and in white, their arms laden with blossom (the scent of which rose up to Maia), entered, as had the priests, in two files, singing, as they came, that the empire was about to be delivered, since they were now bringing to the god the most precious gift in heaven and earth. When at length they too halted,
each was standing beside one of the prostrate priests, whom she raised to his feet, smiling at him in comfort and reassurance.
The girls, all young and beautiful, mimed this part of the ceremony with an air of happy gaiety, to which the priests responded by showing first astonishment, then disbelief and finally, puzzled expectation as their new companions turned towards the eastern entry, each raising one arm, both in indication and in greeting. The chief priest resumed his robes. Then, as he knelt to receive her, trumpets sounded and Queen Fornis herself entered alone.
Since becoming Sacred Queen of Airtha, Fornis had had the shrewdness to modify considerably the ways of her youth and to appear in public only to planned effect. (Maia, for example, had never yet set eyes on her.) She took the greatest care of her appearance and now, although in her thirty-fourth year, still possessed the flawless skin and almost luminous auburn hair which had made so deep an impression on the eleven-year-old Occula in the palace of Senda-na-Say. Together with these she had retained an extraordinary, energetic vitality, which was manifest in her manner, her movements and everything she did. A kind of swift, confident power and domination emanated from her, exhilarating in their effect and to most of the people evidence enough, together with her beauty, that she must be god-favored, the veritable talisman and luck of the empire.
As she now appeared, pausing for a few moments under the eastern arch, Maia heard Occula, beside her, utter a kind of stifled moan. She turned quickly towards her, but the black girl had already controlled herself and was once more looking down in silence, biting her lip.
Queen Fornis was dressed in the white, full-skirted robe of a Beklan bride and carried a long, trailing bouquet of green-and-white golian lilies, the first flowers of spring. In this she conformed to tradition. Like Sencho, however, she did not hesitate to modify old forms of dress to her taste. Her present robe, like the one in which Occula had first seen her, was half-transparent, ornamented with green ribbons at the sleeves and shoulders and gathered at the waist with a broad, green sash. Upon her head was the crown of Airtha, most sacred and costly of the temple treasures, its aquamarines and huge, irregular emeralds catching the light of the re-lit candles as she stepped for-
ward onto the central pavement. Maia, staring, caught her breath.
"Never seen her before?" murmured Sednil in her ear.
Shaking her head, Maia became aware of Occula leaning towards her on the other side.
"Those emeralds are Zai's," whispered the black girl through clenched teeth.
"But the crown's old, surely?" answered Maia.
"I doan' care," said Occula. "That big one in the middle- I've held it in my hand-I'd know it anywhere."
Now began a ritual of question and answer between the chief priest and the beautiful lady. Who was she, he asked, and whence had she come, professing power to save the empire and revive the year? In a clear, musical voice, with no more than a trace of Paltesh in the accent, she replied that Airtha of the Diadem had spoken to her, bidding her have no fear to put herself forward, for the goddess had appointed her as her chosen vessel.
Yet why did she think she could succeed where all other attempts had failed? Because, she answered, Airtha possessed her. This was even now Airtha of the Diadem speaking through her lips; she who had power to succor all things living, yes and even to raise the dead in the world beyond. She had come to awaken the god by bringing him the most precious gift in the world.
At this the chief priest prostrated himself; yet, giving as justification his sacred responsibility, he still wished to learn what warrant she might have for saying that she was the chosen incarnation of the goddess. To this she made no spoken reply at all, merely standing motionless while two of her maidens came forward, took her flowers and then divested her of her robe. It was fastened down the front with gold clasps, and as it fell open and was smoothly drawn away from her shoulders and arms, leaving her completely naked, neither her easy posture nor the calm, joyous expression of her face altered in the slightest degree. "Here is my warrant," she seemed to say. "Judge for yourself, since you have sought to know. Before, in using mere words, I was making a concession to your human nescience."
The chief priest, veiling his gaze, as though dazzled, with a forearm before his brow, begged her to deign to tell them what gift it might be-this greatest gift-which she
had brought to waken the god and rejuvenate his power. And to this she answered "Love."
Thereupon began, somewhere beyond, a low, barely-audible throbbing of zhuas. The chief priest and his followers withdrew, while the queen's attendants re-grouped themselves under the eastern arch, singing as they did so the wedding hymn with which all brides in Bekla were customarily escorted to the marriage-chamber. Meanwhile the little girl, unaided, extinguished the candles for the second time and then, once more raising her arms to the assembly, preceded the women out of the t
emple.
The queen, left alone with the sleeping god, turned, walked slowly to the side of the marble couch and, kneeling down, took his bronze fingers in her own. Maia, watching spellbound and recalling what it felt like to act before an audience a part of this nature, could detect in her manner no hint of artificiality or of anything that did not appear spontaneous and natural. Bending forward, Fornis kissed the god's lips and then, lying down lightly and easily beside him, put one arm round his shoulders and pressed her body against his.
And now it was all that simple Maia could do not to cry out in fear, for as she watched, the god's bronze eyelids slowly opened, disclosing blue-irised, black-pupilled eyes which, though unmoving and lacking speculation, appeared nevertheless most startlingly alert. The figure, too, seemed to be raising itself from the hips, and as it did so the queen, stretching one arm behind the head of the couch, picked up a cushion to support its shoulders.
Who will take it upbn themselves to condemn what followed as lewd or unnatural? The Shilluk of the White Nile, perhaps, whose custom it once was to wall up their king, together with a nubile virgin, to die in the dark of hunger and thirst? The ancient Carthaginians, who sacrificed children by fire to a calf-headed image, playing music the while to drown their screams? The inhabitants of Quilacare in southern India, where every twelve years the king, standing on a high scaffolding, would cut off his nose, ears, lips and genitals, scattering them among the people before cutting his own throat? Or the Christian peasants who on St Stephen's Day hunted down wrens along the hedges? The celebrant who to one is clearly nothing but a capering, mud-smeared charlatan of a witch-doctor, to another is a dread figure of power, expert by long study in dangerous
communion with ghosts and gods. What to an alien is indecency, to the devout and instructed is a symbolic enactment of the magnanimity of the immortals, by whose mercy men live and in whose grace they hope to die.
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