After another unproductive hour had gone by, its tedium broken only by the spread of an occasional ink blot upon the paper, Mr Edgerton rose and determined to amuse himself by emptying, and then refilling, his pen. Still devoid of inspiration, he wondered if there was some part of the arcane ritual of fuelling one's pen from the inkpot that he had somehow neglected to perform. He reached down and gently grasped the monkey in order to raise the lid, but something pricked his skin painfully. He drew back his hand immediately and examined the wounded digit. A small, deep cut lay across the pad of his index finger, and blood from the abrasion was running down the length of his pen and congregating at the nib, from which it dripped into the inkpot with soft, regular splashes. Mr Edgerton began to suck the offended member, meanwhile turning his attention to the monkey in an effort to ascertain the cause of his injury. The lamplight revealed a small raised ridge behind the creature's neck, where a section of curved spine had burst through its tattered fur. A little of Mr Edgerton's blood could be perceived on the yellowed pallor of the bone.
The unfortunate writer retrieved a small bandage from his medicine cabinet, then cleaned and bound his finger before resuming his seat at his desk. He regarded the monkey warily as he filled his pen, then put it to paper and began to write. At first, the familiarity of the act overcame any feelings of surprise at its sudden return, so that Mr Edgerton had dispensed with two pages of close script and was about to embark upon a third before he paused and looked in puzzlement first at his pen, then at the paper. He reread what he had written, the beginning of a tale of a man who sacrifices love at the altar of success, and found it more than satisfactory; it was, in fact, as fine as anything he had ever written, although he was baffled as to the source of his inspiration. Nevertheless, he shrugged and continued writing, grateful that his old talent had apparently woken from its torpor. He wrote long into the night, refilling his pen as required, and so bound up was he in his exertions that he failed entirely to notice that his wound had reopened and was dripping blood on to pen and page and, at those moments when he replenished his instrument, into the depths of the small Chinese inkpot.
Mr Edgerton slept late the following morning, and awoke to find himself weakened by his efforts of the night before. It was, he supposed, the consequence of months of inactivity, and after coffee and some hot buttered toast he felt much refreshed. He returned to his desk to find that the inkpot monkey had fallen from its perch and now lay on its back amid his pencils and pens. Gingerly, Mr Edgerton lifted it from the desk and found that it weighed considerably more than the inkpot itself and that physics, rather than any flaw in the inkpot's construction, had played its part in dislodging the monkey from its seat. He also noted that the creature's fur was far more lustrous than it had appeared in the window of the antique shop, and now shimmered healthily in the morning sunlight.
And then, quite suddenly, Mr Edgerton felt the monkey move. It stretched wearily, as though waking from some long slumber, and its mouth opened in a wide yawn, displaying small blunt teeth. Alarmed, Mr Edgerton dropped the monkey and heard it emit a startled squeak as it landed on the desk. It lay there for a moment or two, then slowly raised itself on its haunches and regarded Mr Edgerton with a slightly hurt expression before ambling over to the inkpot and squatting down gently beside it. With its left hand, it raised the lid of the inkpot and waited patiently for Mr Edgerton to fill his pen. For a time, the bewildered writer was unable to move, so taken aback was he at this turn of events. Then, when it became clear that he had no other option but to begin writing or go mad, he reached for his pen and filled it from the well. The monkey watched him impassively until the reservoir was replenished and Mr Edgerton had begun to write, then promptly fell fast asleep.
Despite his unnerving encounter with the newly animated monkey, Mr Edgerton put in a most productive day and quickly found himself with the bulk of five chapters written, none of them requiring more than a cursory rewrite. It was only when the light had begun to fade and Mr Edgerton's arm had started to ache that the monkey awoke and padded softly across a virgin page to where Mr Edgerton's pen lay in his hand. The monkey grasped his index finger with its tiny hands, then placed its mouth against the cut and began to suck. It took Mr Edgerton a moment to realize what was occurring, at which point he rose with a shout and shook the monkey from his finger. It bounced against the inkpot, striking its head soundly upon its base, and lay unmoving upon a sheet of paper.
At once, Mr Edgerton reached for it and raised it in the palm of his left hand. The monkey was obviously stunned, for its eyes were now half-closed and it moved its head slowly from side to side as it tried to focus. Instantly, Mr Edgerton was seized with regret at his hasty action. He had endangered the monkey, which he now acknowledged to be the source of his new-found inspiration. Without it, he would be lost. Torn between fear and disgust, Mr Edgerton reluctantly made his decision: he squeezed together his thumb and forefinger, causing a droplet of blood to emerge from the cut and then, his gorge rising, allowed it to drip into the monkey's mouth.
The effect was instantaneous. The little mammal's eyes opened fully, it rose on to its haunches, and then reached for, and grasped, the wounded finger. There it suckled happily, undisturbed by the revolted Mr Edgerton, until it had taken its fill, whereupon it burped contentedly and resumed its slumbers. Mr Edgerton gently laid it beside the inkpot and then, taking up his pen, wrote another two chapters before retiring early to his bed.
Thus it continued. Each day Mr Edgerton rose, fed the monkey a little blood, wrote, fed the monkey once again in the evening, wrote some more, then went to bed and slept like a dead man. The monkey appeared to require little in the way of affection or attention beyond its regular feeds, although it would often touch fascinatedly the miniature of itself that dangled from Mr Edgerton's wrist. Mr Edgerton, in turn, decided to ignore the fact that the monkey was growing at quite an alarming rate, so that it was now obliged to sit beside him on a small chair while he worked and had taken to dozing on the sofa after its meals. In fact, Mr Edgerton wondered if it might not be possible to train the monkey to do some light household duties, thereby allowing him more time to write, although when he suggested this to the monkey through the use of primitive sign language it grew quite irate and locked itself in the bathroom for an entire afternoon.
In fact, it was not until Mr Edgerton returned home one afternoon from a visit to his publisher to find the inkpot monkey trying on one of his suits that he began to experience serious doubts about their relationship. He had noticed some new and especially disturbing changes in the monkey. It had started to moult, leaving clumps of unsightly grey hair on the carpets and exposing sections of pink-white skin. It had also lost some weight from its face; that, or its bone structure had begun to alter, for it now presented a more angular aspect than it had previously done. In addition, the monkey was now over four feet tall and Mr Edgerton had been forced to open veins in his wrists and legs in order to keep it sated. The more Mr Edgerton considered the matter, the more convinced he became that the creature was undergoing some significant transformation. Yet there were still chapters of the book to be completed, and the writer was reluctant to alienate his mascot. So he suffered in silence, sleeping now for much of the day and emerging only to write for increasingly short periods of time before returning to his bed and collapsing into a dreamless slumber.
On the 29th day of August, he delivered his completed manuscript to his publisher. On the 4th of September, which was Mr Edgerton's birthday, he was gratified to receive a most delightful communication from his editor, praising him as a genius and promising that this novel, long anticipated and at last delivered, would place Mr Edgerton in the pantheon of literary greats and assure him of a most comfortable and well-regarded old age.
That night, as Mr Edgerton prepared to drift off into contented sleep, he felt a tug at his wrist and looked down to see the inkpot monkey fastened upon it, its cheeks pulsing as it sucked away at the cut. Tomorrow, thought Mr E
dgerton, tomorrow I will deal with it. Tomorrow I will have it taken to the zoo and our bargain will be concluded for ever. But as he grew weaker and his eyes closed, the inkpot monkey raised its head and Mr Edgerton realized at last that no zoo would ever take the inkpot monkey, for the inkpot monkey had become something very different indeed . . .
Mr Edgerton's book was published the following year, to universal acclaim. A reception was held in his honour by his grateful publishers, to which the brightest lights of London's literary community flocked to pay tribute. It would be Mr Edgerton's final public appearance. From that day forth, he was never again seen in London and retired to the small country estate that he purchased with the royalties from his great, valedictory work. Even his previous sentimentality appeared to be in the past, for his beloved charm bracelet could now be found in the window of a small antique shop in Covent Garden where, due to some imaginative pricing, it seemed destined to remain.
That night, speeches were made, and an indifferent poem recited by one of Mr Edgerton's new admirers, but the great man himself remained silent throughout. When called upon to give his speech, he replied simply with a small but polite bow to his guests, accepting their applause with a gracious smile, then returned to toying with the small gold monkey that hung from a chain around his neck.
And while all those around him drank the finest champagne and feasted on stuffed quail and smoked salmon, Mr Edgerton could be found sitting quietly in a corner, stroking some unruly hairs on his chest and munching contentedly on a single ripe banana.
ACTS OF CORPORAL
CHARITY
Jane Haddam
Later, John Robert Mortimer would remember that it had all happened by accident, and because it had happened by accident, it couldn't possibly be his fault. God only knows that he hadn't intended to be in England, ever. When he was growing up, sitting by himself at a long table in the cafeteria at lunch, sitting in the back of one classroom or another so that no teacher would even think of calling on him, the only travelling he had ever imagined himself doing was to Florida or Los Angeles. He was a child of northern New England. Cold was his heritage. Sometimes he thought the only thing he could count on in life was snow.
This morning, standing on an unfamiliar street still mostly empty at the start of work-day traffic, he was not only cold but tired. Last night had been worse than hideous. Whatever had given him the idea that he could make a life teaching English to adolescents? Whatever had given him the idea that he could function on less than three hours' sleep? But no, he'd never had that idea. He'd known as soon as he'd seen the time on his bedside clock that he was going to have a horrible day. It wouldn't even matter that this was his one day 'off. There was no 'off, not really. To be 'off, he'd have to be home in New Hampshire, barricaded into his faculty apartment by books and a wall of noise, the 'Emperor' Concerto pumping through his headset, the ringers on all the phones made mute. Today he was not so much off as in hiding. He hated the idea of going back to the hotel.
'You'll have some time to yourself while you're there,' Mr Cadwallader had told him when he'd been assigned as a chaperone for the Senior trip. 'You'll have a day to yourself in the city. The only concern we have is that our students should be protected at all times.'
Protected, my ass, John Robert had thought at the time, and he hadn't changed his mind. He was more in need of being protected from his students than his students were in need of being protected from London. That's what happened when you had to deal with kids who had no concept of the value of money – or of the fact that it was limited, for most people. That was a problem he hadn't considered when he'd signed on to teach at Meredith Academy. He'd thought that between his college, which had been both famous and infamously expensive, and his childhood, which had taken place in one of the most excruciatingly 'normal' towns in all of the North-east, he'd perfected the song and dance a poor boy had to do to survive among people much richer than himself. He'd been wrong about that, too.
'Look,' Lisa Hardwick had said the night before, hanging on to the door to his room as if she intended to swing on it, 'we found this. We thought you'd like it.'
'Found it where?' he'd asked, taking the slip of paper from her hand without looking at it. He was trying not to look at Lisa herself, or at her friend Marianne, who followed her around like gum stuck to a shoe. They were dressed in this year's version of cool, as far as cool was permitted within the dress code. They both had stockings on, and skirts that fell modestly to their knees. The problem was that the skirts had slits in them, cut high on their legs to the very edges of their underwear, and they wore necklines that plunged towards their navels and hugged everything too tightly to be ignored. They weren't wearing bras, either. They never did. With all that skin on display, it didn't matter that Lisa was pug-nosed and thick waisted, or that Marianne had a line of pimples along her jaw that were rough and red from handling. Hormones were hormones. He wanted to reach out and pinch Lisa's nipples until they bled.
'We found it in a phone booth,' Lisa said. Then she looked at Marianne, and they both burst out laughing.
A moment later they were gone, trailing beer fumes he should have recognized as soon as they'd appeared in the hall. He could hear them in the stairwell, stumbling and giggling. He looked down at the scrap of paper. It had a fringe of phone numbers at the bottom. They'd taken down somebody's posted advertisement. Whoever it was would get no answer now. He turned the paper over and over in his hands. Are you a naughty boy? it said, in bright red letters. The rest of it was not so bright, and for a moment he didn't understand what he was seeing. Mistress Pamela knows what you are. You need discipline. Come up to my office and take your punishment – now.
He let the paper fall to the floor. Could they really have found that in a phone booth? He bent down and picked it up. The last thing he needed was for somebody to find it directly outside his door. He went back into his room and locked himself in. He sat down on the edge of the bed and wondered what Mistress Pamela looked like. To make it really work, she'd have to be a middle-aged woman who wore the kind of button-to-the-neck dress they sold at home in J. C. Penney's, and those shoes that nobody wore anymore, the thick ones with the ties. Better yet, she'd have to be really fat, the way his foster mother had been fat, enormous, so that she could only fit into shifts and knee-high stockings that were always rolling down. It was very close in this room, very hot. The hotel must have turned up the heat after they'd all complained. He had sweat on his forehead and on the palms of his hands. He was finding it very hard to breathe.
He went into the bathroom and turned on the shower as hard as he could make it. That wasn't very hard. There didn't seem to be any decent water pressure in the entire city of London. He put his head under the water and left it there until the wet seeped down his neck and chest and soaked through his white button-down shirt and ratty thin tie. He'd bought the tie in a knock-off place in Boston. He'd bought the shirt at Sears. His foster mother had ended up in a pool of blood at the bottom of the long driveway that led to her house, stabbed forty-six times by a man she thought she was going to sell cordwood to. He could still hear the sound of the knife going in and coming out, the thud and the suck, thud and suck, thud and suck, over and over again, like the metronome on the piano in the music room at school.
He went back into the bedroom and sat down on the bed again. It was cold instead of hot. His head hurt. He took Mistress Pamela's advertisement and set fire to it with his green Bic lighter. He let it curl into his hand until the last moment. Then he dropped it into the empty tin of Myntz he'd brought all the way from the airport in New York. Thud and suck was a sound lots of things made. It was the sound sex made. It was probably the sound Mistress Pamela made when she did whatever she did to the men who called her number. He found he couldn't imagine what she did without imagining other things, and the other things he was imagining were all wrong. He wondered if she let men reverse the roles if they paid her enough to do it.
'You'll have a day
to yourself in the city,' Mr Cadwallader had said, and it was true. He had this day, the day before they were due to go home. He could walk around as much as he wanted. He had no obligations but to be back at the hotel first thing tomorrow morning, to help supervise the packing up and getting to the airport. Lisa and Marianne would sit together at the back of the plane and giggle all the way to New York. The other teachers would huddle together towards the front and try to pretend they didn't know what the students were getting up to. All in all, both England and American Airlines would be left with the impression that the students of Meredith Academy were spoiled brats with no consideration for anybody but themselves. It was true.
Mistress Pamela could do a job on you, John Robert thought, meaning Lisa, or Marianne, or even himself, or nobody at all. Thud and suck. Thud and suck. It was the sound of the waves going in and out on the New Hampshire shore.
There were crowds on the street now. John Robert was being pushed against the buildings and their windows, odd windows, not what he was used to. He looked at the people going by and thought they were no different from the people he saw in Boston, or Nashua. He inched along the pavement, looking at things that didn't interest him: newspapers, candy, small grocery items called garlic pickle and Marmite and mushy peas. He wished he knew where he was, in what part of the city. That way, he would know what to think of the women who were passing him. They didn't attract him. Most of them were too old. All of them were too hard. He could feel their hardness when they brushed against him, and they always did.
Like a Charm Page 20
