“But that’s not the Virgin either.”
“But it is a woman. I’m sure your mother will be with her. She wouldn’t be with a man who wasn’t your father, would she?”
They went down Calle de la Ciutat to the La Mar gateway, which was part of the old Roman wall near Regomir castle. It was from here that a path led to the Santa Clara convent, built in the eastern corner of the new walls close to the shore. They left Regomir castle behind them, turned left, and walked down until they came to Calle de la Mar, which led from Plaza del Blat to the church of Santa Maria de la Mar before splitting into small parallel alleyways that came out onto the beach. From there, crossing Plaza del Born and Pla d’en Llull, they reached the Santa Clara convent by taking the street of the same name.
In spite of their anxiety to find the church, neither of the two boys could resist stopping to look at the silversmiths’ stalls ranged on either side of Calle de la Mar. Barcelona was a prosperous, rich city, as was obvious from the array of valuable objects on display: silverware; jewel-encrusted jugs and cups made of precious metals; necklaces; bracelets and rings; belts—an endless range of fine objects glinting in the summer sun. Arnau and Joanet tried to examine them more closely, but were chased away by the artisans, who shouted at them and threatened them with their fists.
Chased by one of the apprentices, they ran off and eventually came to Plaza de Santa Maria. On their right was a small cemetery, the fossar Mayor, and on their left was the church.
“Santa Clara is down ... ,” Joanet started to say, then suddenly fell silent. What they could see in front of them was truly amazing.
It was a powerful, sturdy church. Sober, stern-looking even, it was windowless and had exceptionally thick walls. The land around the building had been cleared and leveled, and it was surrounded by a huge number of stakes driven into the ground, forming geometrical shapes.
Ten slender columns, sixteen yards high, were placed around the small church’s apse. The white stone shone through the scaffolding rising around them.
The wooden scaffolding that covered the rear of the church rose and rose like an immense set of steps. Even from the distance they were at, Arnau had to raise his eyes to see the top, which was much higher than the columns.
“Let’s go,” Joanet urged him when they had seen their fill of the men laboring on the wooden boards. “This must be another cathedral.”
“No, this isn’t a cathedral,” they heard a voice say behind them. Arnau and Joanet looked at each other and smiled. They turned and looked inquiringly at a strong man who was toiling under the weight of an enormous block of stone. So what is it then? Joanet seemed to be asking as he smiled at him. “The cathedral is paid for by the nobles and the city authorities, but this church, which will be more important and beautiful than the cathedral, is paid for and built by the people.”
The man had not even paused: the weight of the stone seemed to push him forward. Yet he had smiled back at them.
The two boys followed him down the side of the church, which was next to another cemetery, the fossar Menor.
“Would you like us to help you?” asked Arnau.
The man panted, then turned and smiled at them again.
“Thank you, my lad, but you had better not.”
Eventually, he bent down and deposited the stone on the ground. The boys stared at it, and Joanet went over to try to push it, but it did not move. At this, the man burst out laughing. Joanet smiled back at him.
“If it’s not a cathedral,” Arnau said, pointing to the tall octagonal columns, “what is it?”
“This is the new church that the La Ribera neighborhood is building in thanks and devotion to Our Lady the Virgin—”
Arnau gave a start.
“The Virgin Mary?” he interrupted the man, eyes opened wide.
“Of course, my lad,” the man replied, ruffling his hair. “The Virgin Mary, Our Lady of the Sea.”
“And ... where is the Virgin Mary?” Arnau asked again, staring at the church.
“In there, in that small building. But when we finish the new one, she will have the best church that the Virgin has ever had.”
In there! Arnau did not even hear the rest of what the man was saying. His Virgin was in there. All at once, a sound made them all look up: a flock of birds had flown out from the topmost scaffolding.
9
BARCELONA’S RIBERA DE Mar neighborhood, where the church in honor of the Virgin Mary was being built, had grown up as an outlying suburb of the Carolingian city, surrounded and protected by the old Roman walls. At the outset it was inhabited by fishermen, stevedores, and other humble workmen. It already had a small church, known as Santa Maria de las Arenas, raised on the spot where Saint Eulàlia was said to have been martyred in the year 303. This church got its name from the fact that it was built on Barcelona’s sandy shoreline, but the same process of sedimentation that had made the city’s ports unusable led to the church becoming separated from the sands of the coast, so that its name gradually lost its meaning. That was when it became known as Santa Maria de la Mar, because although the coast was no longer close by, all the men who made their living from the sea still worshipped there.
The passage of time, which had already robbed the tiny church of its sands, also forced the city to adopt fresh land outside the walls where the emerging middle classes could settle, now that there was no longer enough room for them inside the Roman walls. And of the three boundaries of Barcelona, the middle classes chose the eastern side, where the traffic to and from the port passed by. So it was that Calle de la Mar became home to the silversmiths; other streets got their names from the money changers, the cotton traders, the butchers and bakers, wine merchants and cheese-makers, the hat and sword makers, and the multitude of other artisans who came flocking there. A corn exchange was built, and it was here that foreign traders visiting the city were lodged. Plaza del Born, behind Santa Maria, was also constructed: jousts and tourneys were held there. And it was not merely the rich artisans who were attracted to the new Ribera neighborhood; many nobles chose to live there after the count of Barcelona, Ramon Berenguer IV, granted the seneschal Guillem Ramon de Montcada the lands that later gave rise to the street bearing his name, which began at Plaza del Born close to Santa Maria de la Mar, and was filled with huge, luxurious palaces.
When the Ribera de la Mar neighborhood turned into a rich, prosperous area, the old Romanesque church where the fishermen and others who lived from the sea went to worship their patron saint became too small and poor for the new inhabitants. However, the resources of the Barcelona church authorities and of the nobility were all poured into the rebuilding of the city’s cathedral.
United by their devotion to the Virgin, both rich and poor parishioners of Santa Maria de la Mar refused to be discouraged by this lack of official support. Their newly appointed archdeacon, Bernat Llull, asked permission from the ecclesiastical authorities to build what was intended to be the greatest monument to the Virgin Mary. Permission was granted.
So from the beginning, Santa Maria de la Mar church was built by and for the common people. This was made explicit by the first stone laid for the new building, which was placed exactly where the main altar was to be raised. Unlike other constructions, supported by the authorities, on this stone all that was carved was the coat of arms of the parish. This showed that the construction, and all rights pertaining to it, belonged solely and exclusively to the parishioners who had undertaken the task: the rich, with their money; the poor, with their work. From the moment the first stone had been laid, a group of the faithful and prominent men of the city known as the Twenty-Five met each year with the rector of the parish and an official notary to hand over the keys to the church for that year.
Arnau studied the man carrying the stone. He was still sweating and out of breath, but he smiled as he looked toward the new building.
“Could I see her?” asked Arnau.
“The Virgin?” the man asked, smiling now at Arnau.<
br />
“What if children were not allowed into churches on their own?” wondered Arnau. What if they had to go with their parents? What had the priest at San Jaume told them?
“Of course the Virgin will be delighted to receive a visit from boys like you.”
Arnau laughed nervously, and looked round at Joanet.
“Shall we go?”
“Hey, wait a moment,” the man said. “I have to get back to work.” He looked over toward the other busy workmen. “Angel,” he shouted to a youngster who looked about twelve years old. He came running over. “Take these boys into the church. Tell the priest they would like to see the Virgin.”
With that, he gave Arnau’s head a last pat and disappeared back toward the sea. Arnau and Joanet were left with the boy called Angel. When he looked at them, they both stared down at the ground.
“Do you want to see the Virgin?”
He sounded sincere. Arnau nodded and asked: “Do you ... know her?”
“Of course,” laughed Angel. “She’s the Virgin of the Sea, my Virgin. My father’s a boatman,” he added proudly. “Follow me.”
They went with him to the church entrance. Joanet looked all around him, but Arnau was still troubled, and did not raise his eyes from the ground.
“Do you have a mother?” he asked all of a sudden.
“Yes, of course,” Angel said, still striding out in front of them.
Behind his back, Arnau beamed at Joanet. They went through the doors of the church, and Arnau and Joanet paused until their eyes became accustomed to the gloom inside. There was a strong scent of wax and incense. Arnau compared the tall, slender columns being built outside with the squat, heavy ones in the interior. The only light came through a few long, narrow windows cut in the thick walls of the church, casting yellow rectangles on the floor of the nave. Everywhere—on the ceiling, on the walls—there were boats, some of them finely carved, others more rough-and-ready.
“Come on,” Angel urged them.
As they walked toward the altar, Joanet pointed to several figures kneeling on the floor that they had not seen at first. As they walked by them, the boys were surprised to hear them murmuring.
“What are they doing?” Joanet whispered in Arnau’s ear.
“Praying,” he explained.
He knew this because his aunt Guiamona had forced him to pray in front of a cross in his bedroom while she went to church with his cousins.
When they reached the altar, they were confronted by a thin priest. Joanet hid behind Arnau.
“What brings you here, Angel?” the priest asked him quietly, although his gaze was fixed on the two newcomers.
He held out his hand to Angel, who bent over it.
“These two boys, Father. They want to see the Virgin.”
The priest’s eyes gleamed as he spoke directly to Arnau. “There she is,” he said, pointing to the altar.
Arnau looked in the direction the priest was indicating, until he made out a small, simple stone statue of a woman with a baby on her right shoulder and a wooden boat at her feet. He narrowed his eyes; he liked the serenity of the woman’s features. His mother!
“What are your names?” asked the priest.
“Arnau Estanyol,” said Arnau.
“Joan, but they call me Joanet,” said Joanet.
“And your family name?”
Joanet’s smile faded. He did not know what his family name was. His mother had told him he could not use Pone the coppersmith’s name, because he would be extremely angry if he found out, but he could not use hers either. This was the first time he had been asked what his name was. Why did the priest want to know? He was still looking at Joanet expectantly.
“The same as his,” he said at length. “Estanyol.”
Surprised, Arnau turned to him, and saw the look of entreaty in his eyes.
“So you’re brothers then.”
“Ye ... yes,” Joanet stuttered. Arnau backed him up, saying nothing.
“Do you know how to pray?”
“Yes,” Arnau said.
“I don’t ... yet,” Joanet admitted.
“Get your older brother to teach you then,” said the priest. “You can pray to the Virgin. Angel, you come with me. I’ve got a message for your master. There are some stones over there ...”
The priest’s voice died away as the two of them walked off, leaving the two boys by the altar.
“Do we have to get on our knees to pray?” Joanet whispered to Arnau.
Arnau looked back at the shadowy figures that Joanet had pointed out to him. As his friend headed for the red silk prayer cushions in front of the altar, he grabbed him by the arm.
“Those people are kneeling on the floor,” he whispered, pointing toward the others, “but they are praying as well.”
“What are you going to do?”
“I’m not going to pray. I’m talking to my mother. You don’t kneel down when you’re talking to your mother, do you?”
Joanet looked at him. No, of course not...
“But the priest didn’t say we could talk to her. He said we could pray.”
“Don’t say a word to him then. If you do, I’ll tell him you were lying, and that you aren’t really my brother.”
Joanet stood next to Arnau and enjoyed studying all the boats decorating the inside of the church. How he would have liked to have one! He wondered if they could really float. They must be able to: otherwise, why would anyone have carved them? He could put one of them at the water’s edge, and then ...
Arnau was staring at the stone figure. What could he say to her? Had the birds taken her his message? He had told them that he loved her. He had told them that time and again.
“My father said that even though she was a Moorish slave, Habiba is with you, but said I was not to tell anyone that, because people say Moors cannot go to heaven,” he murmured. “She was very good to me. She was not to blame for anything. It was Margarida.”
Arnau continued to stare intently at the Virgin. Dozens of candles were lit all around her, making the air quiver.
“Is Habiba with you? If you see her, tell her I love her too. You’re not angry that I love her, are you? Even if she is a Moor.”
Through the darkness and the air wavering round the candles, he was sure he saw the lips of the small stone figure curve into a smile.
“Joanet!” he shouted to his friend.
“What?”
Arnau pointed to the Virgin, but now her lips were ... Perhaps she did not want anyone else to see her smile? Perhaps it was their secret.
“What?” Joanet insisted.
“Nothing, nothing.”
“Have you prayed already?”
They were surprised to find that the priest and Angel were back.
“Yes,” said Arnau.
“I haven’t—” Joanet apologized.
“I know, I know ...,” the priest interrupted him in a kindly fashion, stroking his head. “And you, what did you pray?”
“The Ave Maria,” Arnau replied.
“A wonderful prayer. Let’s go then,” the priest said, accompanying them to the church door.
“Father,” said Arnau once they were all outside, “can we come back?”
The priest smiled at them. “Of course, but I hope that by the time you do, you’ll have taught your brother to pray as well.” Joanet looked serious as the priest tapped him on both cheeks. “Come back whenever you like,” the priest added. “You will always be welcome.”
Angel started off toward the pile of large building stones. Arnau and Joanet followed him.
“Where are you going now?” he asked, turning back to them. The two boys looked at each other and shrugged. “You can’t come into our work area. If the overseer ...”
“The man with the stone?” Arnau butted in.
“No,” laughed Angel. “That was Ramon. He’s a bastaix.”
Joanet and Arnau both looked at him inquisitively.
“The bastaixos are the laborers of t
he sea; they carry goods from the beach to the merchants’ warehouses, or the other way round. They load and unload merchandise after the boatmen have brought it to the beach.”
“So they don’t work in Santa Maria?” asked Arnau.
“Yes, they work the hardest.” Angel laughed at their puzzled expressions. “They are poor people. They have little money, but they are among those who are most devoted to the Virgin of the Sea. They cannot contribute any funds to the new church, so their guild has promised they will transport the stones free from the royal quarry at Montjuic to here. They carry them all on their backs,” Angel said, his face showing no emotion. “They travel miles under the loads. Afterward, it takes two of us just to move them.”
Arnau remembered the huge stone that the bastaix had left on the ground.
“Of course they work for the Virgin!” Angel insisted. “More than anyone else. Now go and play,” he said, before continuing on his way.
10
“WHY DO THEY keep building the scaffolding higher and higher?”
Arnau pointed to the rear of Santa Maria church. Angel looked up and, his mouth full of bread and cheese, muttered an explanation neither of them could understand. Joanet burst out laughing, Arnau joined in, and in the end Angel himself could not avoid chuckling along with them, until he choked and the laughter turned into a coughing fit.
Arnau and Joanet went to Santa Maria every day. They entered the church and kneeled down. Urged on by his mother, Joanet had decided to learn to pray, and he repeated the phrases Arnau had taught him over and over again. Then, when the two of them split up, he would race to his mother’s window and tell her all he had prayed that day. Arnau talked to his mother, except when Father Albert (they had found out that was his name) appeared, in which case he joined Joanet in murmuring his devotions.
Whenever they left the church, they would stand some distance away and survey the carpenters, stonemasons, and masons at work on the new building. Afterward they would sit in the square waiting for Angel to have a break and join them to eat his bread and cheese. Father Albert treated them affectionately; the men working on Santa Maria always smiled at them; even the bastaixos, who came by bent under the weight of their stones, would glance over at the two little boys sitting next to the church.
Cathedral of the Sea Page 10
