Rendezvous with Horror & Nightmare Tales (2 in 1)

by Ruskin Bond

  "Oh, brother!" he saluted, "what word from Mar Singh, shikaree?"

  "Kowta, there is no word from the mouth of Mar Singh, thy brother, seeing that but an hour after thy departure he was slain by the White Tiger on the outskirts of the grazing plain, and Merijhan; the cow-herd, saw it happen. I bring the evil news to thee fresh from thy village."

  For a moment Kowta was paralysed by the horror of the dreadful and unexpected news. Then he asked questions, and learned that his brother's body had been recovered by a party of villagers who had sallied forth with drums and fire-works and had driven the beast from its prey. The mangled remains now lay in the family hut, and Kowta's presence was required to make arrangements for the funeral.

  Kowta slipped some coppers into the postman's willing hand, and charged him to keep silence as to the catastrophe when delivering letters in the camp. Then he collected his belongings, and left a plausible message for the sahib to say he had been summoned to his grandmother's deathbed, but would return with all haste the following day. He set out in the moonlight along the narrow jungle path, bordered by tall grass higher than his head, and walked rapidly, though the heat was over-powering, until, just as the dawn broke, he came within sight of the village. He strode through the fields of tobacco and young wheat, and saw the bright green parrots flashing to and fro in the vivid yellow light; partridges ran from beneath his feet, calling shrilly as they disappeared behind the clumps of dry grass; and he could hear the jungle fowl in the distance crowing to the rising sun. Everything was awake and glowing with life, and the dark interior of the hut, where the women were wailing and the atmosphere seemed charged with death, formed a sharp contrast to the outside world.

  The mangled body of the dead man, torn and chewed by the tiger, lay on the string bedstead, surrounded by a noisy group of mourning relatives. There was nothing for Kowta to do but arrange for the remains to be taken to the burning-ground in the evening and to attempt to pacify the wailing throng, until, as the fierce, hot noon came on, they gradually dispersed, and even the widow of the dead man sought a siesta in a neighbour's hut, while Kowta sat down on the threshold of his home to think.

  An idea had been slowly forming in his brain which brought with it a wave of exultation. Why should not he compass the destruction of the White Tiger, and so earn the whole reward. He was in debt to the moneylender, and he also greatly desired a plot of land that was for sale just outside the village, and the hundred rupees would not only free him from debt, but would also purchase the coveted little piece of ground. It was true that Mar Singh himself had never succeeded in shooting the White Tiger, but then his difficulty had always been the want of suitable bait, whereas now—Kowta glanced back into the shadow of the hut and shivered, remembering the native belief that the soul of the tiger's victim becomes the servant of the slayer, and is bound to warn the master when danger threatens.

  Mar Singh's spirit might or might not be in bondage to the White Tiger, but, in any case, the hundred rupees was worth some risk, and with proper precautions there should be little or no danger, seeing that the match-lock gun had been recovered uninjured. Kowta rose and looked up and down the little village street. Not a breeze stirred the giant leaves of the plantain trees, not a bird uttered a note, not a voice broke the breathless calm, every creature except himself was wrapped in slumber.

  He made up his mind. He would attempt the plan, and afterwards, whether he succeeded or failed, he could deny all knowledge of the disappearance of his brother's body, and encourage the suggestion which would naturally arise, that the sorcery of the White Tiger had spirited the corpse away. So, he gathered the wreck of Mar Singh into a bundle, wrapping it in his own white cotton-waste waist-cloth, and with the loaded match-lock over his shoulder, went swiftly through the sleeping village and out into the fields, invoking on his errand the blessing of Durga, the goddess who rides the tiger. Thence, he took a narrow jungle path with tangled shrubs closing over his head, and as he emerged from this on to the bushy, broken ground leading to the river, he gathered a leaf from the nearest tree and muttered—

  'As thy life has departed, so may the striped one die.'

  He walked up the pebbly bed of the dwindling stream till he reached a pool of clear water, in the wet margin of which were printed countless tracks of animals that had drunk there during the night. Wild pig, jackal, fox, hyena, all had slaked their thirst, but the White Tiger had not been of the company. A hundred yards off lay another pool, and around it Kowta found a solitary track—the big, square pugs of the beast who, by common consent of the other jungle inhabitants, had been given a wide berth, and allowed to drink alone.

  The marks were not more than a few hours old, and Kowta followed them cautiously, grasping the gun and dragging his other burden behind him along the gravelly sand. The footprints led him to some rocky boulders, on the summit of which a family of monkeys sat peacefully hunting for fleas, a sign that the tiger was not on the move, else would they have been crashing and chattering in the nearest trees, and pouring forth torrents of abuse. The pugs led on round the rocks to a shady thicket of thorn bushes in a deep ravine, and Kowta felt that he had tracked the White Tiger to his lair.

  He laid his brother's body close to the edge of the thorny thicket, and then cast about for a safe retreat within easy shot, but no climbable trees were at hand, the cover consisting of low, scrubby bushes. The only suitable place of concealment seemed to be the nearest rock, behind which it would be easy to hide and yet command a good view of the bait.

  The odour of the dead body tainted the air as the sun blazed full upon it, which suited Kowta's purpose well, for tigers prefer their food as carrion, and hunger would soon bring the beast forth. Kowta lay down behind the rock and waited. A hot, high wind was blowing, and the sand from the riverbed, getting into his eyes, made them smart, but he paid no heed to the discomfort, and only watched the thicket intently for the least movement.

  He held his breath when, presently, something rustled and crept out—merely a mangy little jackal with loosely-hanging brush, who sprang four feet into the air as he came suddenly on Mar Singh's body. Then the animal uttered the long, miserable wail known as the 'pheeaow cry,' and ran back into the thicket, causing Kowta's heart to beat high with hope, for he knew the jackal was a 'provider,' one that gives notice to the tiger when food is to be found.

  Now, without doubt the Evil One would steal forth, and nothing could then prevent a shot at such close quarters taking effect. A pea-fowl screeched wildly, and Kowta could hear the agitated flapping of its wings, that also was a token that the tiger moved. The monkeys set up a clatter and scuttled from the rocks. He was coming—the White Devil, the evil-striped one!

  Kowta waited breathless, his pulses throbbing in his ears, thinking of the hundred rupees and the plot of ground that were now almost his own, and gazing fixedly over the sickening, twisted limbs of the mutilated body only a few yards from him.

  The tension was terrible, and the cracking of a dry twig behind him sounded almost like the report of a gun, he felt a surging in his brain, and, as another stick snapped, some irresistible power compelled him to turn his head.

  There, five yards behind him, crouched the White Tiger, that with silent steps and awful cunning had stalked him from the village. The ears were flattened to the broad head, the long white whiskers bristled and quivered, the wicked yellow eyes glared, and held the man helpless, spell-bound with horror, waiting for the spring that came with a hissing, growling roar, as the White Tiger claimed yet another victim.

  The Face of Bronze

  By John Eyton

  John Sanderson belonged to the Survey Department of the Government of India. At the time of this history he was thirty years of age—a sallow young man, with untidy light hair, a long, clever, clean-shaven face, and the earnest grey eyes of a dreamer. He was a member of a solitary service, which suited his character, and though for months he went without sight of another white face the deprivation did not worry him. He loved his w
ork, with all the spirit of an explorer; had plenty of imagination; a quiet love of adventure; and a great stock of sleepy dreams. It was a lonely temperament—with just a latent strain of morbidity. He had made few men friends at Cambridge, and it was said of him that he would run a mile to avoid a woman.

  In India his habitual abstraction intensified. He grew to depend entirely on himself for companionship. He had a few book friends and loved beautiful things, so long as they were inanimate. He had only been home on leave once, and had spent the whole time intervening between two visits to his mother in walking about the North of Scotland by himself. He always loved hills.

  On his return from leave he was given a job after his own heart; he was sent to make certain verifications on the Durand Line. It was ticklish work, and he was more than once sniped at, because he would insist on avoiding his escort. Nevertheless, he was extremely happy in those barren hills. Moreover, he was just the very man to find what he did find there.

  It happened quite by accident. He had been out late, and had only an hour in which to walk back to his little camp. The obvious course was to call up his escort, which was playing a game of chance on the top of a hill, and to take the rough path by which he had come. Being Sanderson, however, he completely forgot the existence of his escort, and decided to take a short cut.

  His way led down the steep, stony bed of a dry nullah. He scrambled down with difficulty, using one or two stunted bushes to help him until he got half-way down. Then, a bush came bodily away, and he fell heavily about ten feet, dislodging a small avalanche of stones. The fall was very sudden and it gave him a considerable shock, so that he sat for some time, looking vaguely round him. Then, among the stones, his eye noted an object whose texture was not that of a stone. It was smooth, of a greenish colour, and had a metallic look—whereas the stones were rough and red. He shifted his position and picked the thing up. Then, he had a surprise.

  He looked at it for a long time, turning it over and over. It was a very perfect thing—the head of a woman in bronze. True, it had been broken or twisted off at the neck, but the face was uninjured. The features were beautiful—straight eyebrows, straight nose, finely moulded chin; but he did not stare at the features. The extraordinary impression of life in the face held him. Cast in bronze as it was, and coated over with the green of age, he had a feeling that it lived. He could see the bloom on the cheeks, which were soft and rounded; he could look into the eyes; and the soft sweet lips were just about to smile. Sanderson sat there an hour, forgetful of everything—a lonely figure among the rocks, in the shadow made by the setting sun. Yet, it was only a little bronze face—half life-size.

  He took it home carefully, wrapped in his handkerchief. At the very outset he risked his life for it, since it was unhealthy to be out after dark in those parts without an escort. He merely toyed with his roast chakor at dinner. Instead of recording the results of the day, he sat in a deck-chair in the ill-lit tent, an empty pipe twirling in his mouth, and gazed and dreamed. It would not be too much to say that he fell in love with his prize. For him the face lived; he saw it in dreams—alive.

  Thereafter, Sanderson abandoned himself completely to the face of bronze. His work he got through automatically, nor did he shirk any of it. For the rest, he concentrated the whole of his dreamy and somewhat morbid nature on the face. He would sit looking at it for hours on end—imbuing it with life, making stories about it, worshipping it. It seemed to mesmerise him; he did not doubt its power over him, nor did he try to fight the influence, but surrendered his mind to it.

  He knew it was Greek; no other nation could have produced so magical a thing. Greek coins had been found from time to time in the ruins of Akra, and little Greek statues around Peshawar and the Khyber—relics of the days of Alexander and his generals. But this was a thing apart; he looked on it as a treasure reserved for him—the most beautiful face in the world.

  He revisited the spot where he had found it, and made a very careful search; but he could not find the missing portion. There was not a trace of a ruin—just a brown, bare hill-top, a slash of a nullah in the side, and a trickling stream below. He soon gave up looking for the history of the face; it was sufficient in itself—more than sufficient. A friend might have laughed him out of his intense concentration, inducing a tardy sense of proportion. But he was entirely on his own—a day's march from the nearest outpost.

  It was after he had returned from the search in the nullah that the first dream came—rather, the first connected dream—for the face itself had appeared to him nightly. It is not proposed to explain the dream; psychology may hint that it was a figment born of an overworked imagination. It is simply given as a fact—for what it is worth.

  He saw the interior of a rough tent—an affair of two uprights, cross-pole, and sloping sides. It was but dimly lit by a wick floating in a saucer of earthenware. On one side was some sort of a rough couch, with tumbled rugs and skins on it; there were skins on the floor, too, which otherwise was bare. Behind the couch, in the corner, was a pile of indistinct objects, in which metal glinted. The flap of the tent was down.

  There was a man in the tent—a man with curly, dark hair, clad in a tunic of some dark material. His legs were bare almost to the hips, and they looked long and shapely. His face was invisible because he was lying at full length on the ground with his head between his hands, looking down as if he were reading. Altogether, Sanderson had an impression of a handsome, well-built youth. More he could not gather because he never saw the face. The youth was lying between the entrance and the light—face to the light and back to the entrance. He never moved. A long time passed before the tent-flap stirred and someone came silently in, and stood in the shadow, looking down on the youth as he lay. Sanderson knew rather than saw that the figure was a woman, wrapped in a dark cloak. … Then he awoke.

  He had the impression of an actual experience rather than of a dream. This experience was consecutive and intensely vivid. It actually happened. He saw exactly the same thing several nights running, and brooded over it all day. The scene never altered; the youth never moved nor showed his face. Sanderson always awoke with the shadowy figure of the visitor before his eyes, and with a sense of some cruel thing impending. Then, one night he knew more.

  The beginning was the same—the dark tent and its shadowy corners; the lissom figure on the ground; the stirring of the tent-flap; the soundless entrance; the waiting figure. But this time the figure moved, as if gathering strength. The right arm was raised, throwing a great bar of shadow across the tent. But the youth never looked up. Then came a swooping movement; something glittered in the hand of the woman, and she stooped and struck the youth between the shoulders. His head fell forward and lay still; his hands dropped; he was dead.

  The woman glided swiftly forward and picked up what lay between the youth and the light. It was a head and shoulders of bronze—half life-size. She raised it above her head and fled from the tent into the darkness. Then she threw it far away … down … and herself fell huddled to the ground.

  Sanderson awoke in terror—a wild fear which was akin to madness. He had only one idea—to get away; back to men and women and the sound of laughter and the welcome of little lighted shops in busy streets. He could not be alone again, nor chance seeing again what he had seen. In that last act he had been no mere spectator. In some strange way he had lived the scene, powerless to avert the horror which he felt. … His face of bronze—he could never look upon it again. He dare not see it again. It would bring back the silence—the waiting—the knowledge. He would cover it up and bury it in the place whence it came. Then he might have peace. …

  With eyes averted, he opened the box in which he had put his treasure. His hand felt for it. Then, he gave a cry of surprise—the head of bronze was not there.

  The Dancing Fakir

  By John Eyton

  Jackson was an incorrigible drifter. He was generally referred to as 'that Jackson,' having no known first name, Christian or otherwise. In the
bazaar also he was 'that Jackson,' without the appendage of Saheb. The bazaar knew his kind too well. Yet, he was an Englishman of a sort—the sort that drifts.

  Once, in better days, he had spent two seasons with a third-rate variety company in one of the Calcutta music-halls. He had shown really marked ability as a mimic, and could take off a native to the life; his patter songs were popular; even when drunk, as was frequent, he could keep a wonderfully serious face. But one night he returned from a strange revel in the Chinese quarter, and proceeded to divest himself of his clothing on the stage—slowly and impassively. It took six men a considerable time to remove him. He had a rooted idea that he was a Dancing Fakir, and with a dead-white face he made rings round the manager and his minions, until he fell insensible among the footlights. His theatrical career ended in that faint.

  Jackson drifted on. The Calcutta race-course knew him for a time in various capacities—none of them above suspicion. At one time he was concerned with bicycles, which he stole for another to hire out. This led to three months in jail. After his release he drifted from Calcutta to Bangalore, and thence to Bombay, where he helped in a motor garage, having a smattering of mechanics and a turn for touting. From Bombay too he passed. There was a story of a drunken assault on a Parsee by a pale, pock-marked Angrezi dressed in a dirty white cotton suit, an old khaki topi, and canvas shoes, who passed by a selection of names—Williams, Duveen, Riley, Smithers, and Jackson. The police got track of him in the bazaar, in a street where his predilection for the rawest arrack made his capture seem a certainty; but he escaped. It was thought that he had disguised himself as a native. The reward for the tall, stooping man with the pale, clean-shaven face and the pock-marks was never claimed. Jackson had passed on. He was never heard of again.