April 27
At last my dreams are to be realized! Whether or not my life or spirit or body will be claimed, I shall enter the gateway! Progress in deciphering those crucial hieroglpyhs in the picture has been slow, but this afternoon I hit upon the final clue. By evening I knew their meaning - and that meaning can apply in only one way to the things I have encountered in this house.
There is beneath this house - sepulchered I know not where - an Ancient One Who will show me the gateway I would enter, and give me the lost signs and words I shall need. How long It has lain buried here, forgotten save by those who reared the stone on the hill, and by those who later sought out this place and built this house, I cannot conjecture. It was in search of this Thing, beyond question, that Hendrik van der Heyl came to New-Netherland in 1638. Men of this Earth know It not, save in the secret whispers of the fear-shaken few who have found or inherited the key. No human eye has even yet glimpsed It - unless, perhaps, the vanished wizards of this house delved farther than has been guessed.
With knowledge of the symbols came likewise a mastery of the Seven Lost Signs of Terror, and a tacit recognition of the hideous and unutterable Words of Fear. All that remains for me to accomplish is the Chant which will transfigure that Forgotten One Who is Guardian of the Ancient Gateway. I marvel much at the Chant. It is composed of strange and repellent gutturals and disturbing sibilants resembling no language I have ever encountered, even in the blackest chapters of the Livre d'Eibon. When I visited the hill at sunset I tried to read it aloud, but evoked in response only a vague, sinister rumbling on the far horizon, and a thin cloud of elemental dust that writhed and whirld like some evil living thing. Perhaps I do not pronounce the alien syllables correctly, or perhaps it is only on the Sabbat - that hellish Sabbat for which the Powers in this house are without question holding me - that the great Transfiguration can occur.
Had an odd spell of fright this morning. I thought for a moment that I recalled where I had seen that baffling name of Sleght before, and the prospect of realization filled me with unutterable horror.
April 28
Today dark ominous clouds have hovered intermittently over the circle on this hill. I have noticed such clouds several times before, but their contours and arrangements now hold a fresh significance. They are snake-like and fantastic, and curiously like the evil shadow-shapes I have seen in the house. They float in a circle around the primal cromlech, revolving repeatedly as though endowed with a sinister life and purpose. I could swear that they give forth an angry murmering. After some fifteen minutes they sail slowly away, ever to the eastward, like the units of a straggling batallion. Are they indeed those dread Ones whom Solomon knew of old - those giant black beings whose number is legion and whose tread doth shake the earth?
I have been rehearsing the Chant that will transfigure the Nameless Thing; yet strange fears assail me even when I utter the syllables under my breath. Piercing all evidence together, I have now discovered that the only way to It is throught the locked cellar vault. That vault was built with a hellish purpose, and must cover the hidden burrow leading to the Immemorial Lair. What guardians live endlessly within, flourishing from century to century on an unknown nourishment, only the mad may conjecture. The warlocks of this house, who called them out of inner Earth, have known them only too well, as the shocking portraits and memories of the place reveal.
What troubles me most is the limited nature of the Chant. It evokes the Nameless One, yet provides no method for the control of That Which is evoked. There are, of course, the general signs and gestures, but whether they will prove effective toward such an One remains to be seen. Still, the rewards are great enough to justify any danger, and I could not retreat if I would, since an unknown force plainly urges me on.
I have discovered one more obstacle. Since the locked cellar vault must be traversed, the key to that place must be found. The lock is far too strong for forcing. That the key is somewhere hereabouts cannot be doubted, but the time before the Sabbat is very short. I must search diligently and thoroughly. It will take courage to unlock that iron door, for what prisoned horrors may not lurk within?
Later
I have been shunning the cellar for the past day or two, but late this afternoon I again descended to those forbidding precincts.
At first all was silent, but within five minutes the menacing padding and muttering began once more beyond the iron door. This time it was loud and more terrifying than on any previous occasion, and I likewise recognized the slithering that bespoke some monstrous sea-beast - now swifter and nervously intensified, as if the thing were striving to force its way through the portal where I stood.
As the pacing grew louder, more restless, and more sinister, there began to pound through it those hellish and more unidentifiable reverberations which I had heard on my second visit to the cellar - those muffled reverberations which seemed to echo from far horizons like distant thunder. Now, however, their volume was magnified an hundredfold, and their timbre freighted with new and terrifying implications. I can compare the sound to nothing more aptly than the roar of some dread monster of the vanished saurian age, when primal horrors roamed the Earth, and Valusia's serpent-men laid the foundation-stones of evil magic. To such a roar - but swelled to deafening heights reached by no known organic throat - was this shocking sound akin. Dare I unlock the door and face the onslaught of what lies beyond?
April 29
The key to the vault is found. I came upon it this noon in the little locked room - buried beneath rubbish in a drawer of the ancient desk, as if some belated effort to conceal it had been made. It was wrapped in a crumbling newspaper dated October 31, 1872; but there was an inner wrapping of dried skin - evidently the hide of some unknown reptile - which bore a Low Latin message in the same crabbed writing as that of the notebooks I found. As I had thought, the lock and key were vastly older than the vault. Old Claes van der Heyl had them ready for something he or his descendants meant to do - and how much older than he they were I could not estimate. Deciphering the Latin message, I trembled in a fresh access of clutching terror and nameless awe.
"The secrets of the monstrous primal Ones;" ran the crabbed text, "whose cryptic words relate the hidden things that were before man; the things no one of Earth should learn, lest peace be for ever forfeited; shall be me never suffer revelation. To Yian-Ho, that lost and forbidden city of countless eons whose place may not be told, I have been in the veritable flesh of this body, as none other among the living has been. Therein have I found, and thence have I borne away, that knowledge which I would glady lose, though I may not. I have learnt to bridge a gap that should not be bridged, and must call out of the Earth That Which should not be waked nor called. And what is sent to follow me will not sleep till I or those after me have found and done what is to be found and done.
"That which I have awaked and borne away with me, I may not part with again. So it is written in the Book of Hidden Things. That which I have willed to be has twined its dreadful shape around me, and - if I live not to do its bidding - around those children born and unborn who shall come after me, until the bidding be done. Strange may be their joinings, and awful the aid they may summon till the end be reached. Into lands unknown and dim must the seeking go, and a house must be built for the outer guardians.
"This is the key to that lock which was given me in the dreadful, eon-old and forbidden city of Yian-Ho; the lock which I or mine must place upon the vestibule of That Which is to be found. And may the Lords of Yaddith succor me - or him - who must set that lock in place or turn the key thereof."
Such was the message - a message which, once I had read it, I seemed to have known before. Now, as I write these words, the key is before me. I gaze on it with mixed dread and longing, and cannot find words to describe its aspect. It is of the same unknown, subtly greenish frosted metal as the lock; a metal best compared to brass tarnished with verdigris. Its design is alien and fantastic, and the coffin-shaped end of the ponderous bu
lk leaves no doubt of the lock it was meant to fit. The handle roughly forms a strange, nonhuman image, whose exact outlines and identity cannot now be traced. Upon holding it for any length of time I seem to feel an alien, anomalous life in the cold metal - a quickening or pulsing too feeble for ordinary recognition.
Below the eidolon is graven a faint, eon-worn legend in those blasphemous, Chinese-like hieroglyphs I have come to know so well. I can only make out the beginning - the words: "My vengeance lurks . . ." - before the text fades to insistinctness. There is some fatality in this timely finding of the key - for tomorrow night comes the hellish Sabbat. But strangely enough, amidst all this hideous expectancy, that question of the Sleght name bothers me more and more. Why should I dread to find it linked with the van der Heyls?
Walpurgis-Eve - April 30
The time has come. I waked last night to see the key glowing with a lurid greenish radiance - that same morbid green which I have seen in the eyes and skin of certain portraits here, on the shocking lock and key, on the monstrous menhirs of the hill, and in a thousand other recesses of my consciousness. There were strident whispers in the air - sibilant whisperings like those of the wind around that dreadful cromlech. Something spoke to me out of the frore [?] aether of space, and it said, "The hour falls." It is an omen, and I laugh at my own fears. Have I not the dread words and the Seven Lost Signs of Terror - the power coercive of any Dweller in the cosmos or in the unknown darkened spaces? I will no longer hesistate.
The heavens are very dark, as if a terrific storm were coming on - a storm even greater than that of the night when I reached here, nearly a fortnight ago. From the village, less than a mile away, I hear a queer and unwonted babbling. It is as I thought - these poor degraded idiots are within the secret, and keep the awful Sabbat on the hill.
Here in the house the shadows gather densely. In the darkness the sky before me almost glows with a greenish light of its own. I have no yet been to the cellar. It is better that I wait, lest the sound of that muttering and padding - those slitherings and muffled reverberations - unnerve me before I can unlock the fateful door.
Of what I shall encounter, and what I must do, I have only the most general idea. Shall I find my task in the vault itself, or must I burrow deeper into the nighted heart of our planet? There are things I do not yet understand - or at least, prefer not to understand - despite a dreadful, increasing and inexplicable sense of bygone familiarity with this fearsome house. That chute, for instance, leading down from the little locked room. But I think I know why the wing with the vault extends toward the hill.
6 P.M.
Looking out the north windows, I can see a group of villagers on the hill. They seem unaware of the lowering sky, and are digging near the great central menhir. It occurs to me that they are working on that stone-rimmed hollow place which looks like a long-choked tunnel entrance. What is to come? How much of the olden Sabbat rites have these people retained? That key glows horribly - it is not imagination. Dare I use it as it must be used? Another matter has greatly disturbed me. Glancing nervously through a book in the library I came upon an ampler form of the name that has teased my memory so sorely: "Trintje, wife of Adriaen Sleght." The Adriaen leads me to the very brink of recollection.
Midnight
Horror is unleashed, but I must not weaken. The storm has broken with pandemoniac fury, and lightning has struck the hill three times, yet the hybrid, malformed villagers are gathering within the cromlech. I can see them in the almost constant flashes. The great standing stones loom up shockingly, and have a dull green luminosity that reveals them even when the lightning is not there. The peals of thunder are deafening, and every one seems to be horribly answered from some indeterminate direction. As I write, the creatures on the hill have begun to chant and howl and scream in a degraded, half-simian version of the ancient ritual. Rain pours down like a flood, yet they leap and emit sounds in a kind of diabolic ecstacy.
"Iä Shub-Niggurath! The Goat With a Thousand Young!"
But the worst thing is within the house. Even at this height, I have begun to hear sounds from the cellar. It is the padding and muttering and slithering and muffled reverberations within the vault. . . .
Memories come and go. That name Adriaen Sleght pounds oddly at my consciousness. Dirck van der Heyl's son-in-law . . . his child old Dirck's granddaughter and Abaddon Corey's greatgranddaughter. . . .
Later
Merciful God! At last I know where I saw that name. I know, and am transfixed with horror. All is lost. . .
The key has begun to fell warm as my left hand nervously clutches it. At times that vague quickening or pulsing is so distinct that I can almost feel the living metal move. It came from Yian-Ho for a terrible purpose, and to me - who all too late know the thing stream of van der Heyl blood that trickles down through the Sleghts into my own lineage - has descended the hideous task of fulfilling that purpose. . . .
My courage and curiousity wane. I know the horror that lies beyond that iron door. What if Claes van der Heyl was my ancestor - need I expiate his nameless sin? I will not - I swear I will not! . . . (the writing here grows indistinct) . . . too late - cannot help self - black paws materialize - am dragged away toward the cellar. . . .
The Haunter Of The Dark
by H. P. Lovecraft
Written Nov 1935
Published December 1936 in Weird Tales, Vol. 28, No. 5, p. 538-53.
I have seen the dark universe yawning
Where the black planets roll without aim,
Where they roll in their horror unheeded,
Without knowledge or lustre or name.
Cautious investigators will hesitate to challenge the common belief that Robert Blake was killed by lightning, or by some profound nervous shock derived from an electrical discharge. It is true that the window he faced was unbroken, but nature has shown herself capable of many freakish performances. The expression on his face may easily have arisen from some obscure muscular source unrelated to anything he saw, while the entries in his diary are clearly the result of a fantastic imagination aroused by certain local superstitions and by certain old matters he had uncovered. As for the anomalous conditions at the deserted church of Federal Hill - the shrewd analyst is not slow in attributing them to some charlatanry, conscious or unconscious, with at least some of which Blake was secretly connected.
For after all, the victim was a writer and painter wholly devoted to the field of myth, dream, terror, and superstition, and avid in his quest for scenes and effects of a bizarre, spectral sort. His earlier stay in the city -a visit to a strange old man as deeply given to occult and forbidden lore as he - had ended amidst death and flame, and it must have been some morbid instinct which drew him back from his home in Milwaukee. He may have known of the old stories despite his statements to the contrary in the diary, and his death may have nipped in the bud some stupendous hoax destined to have a literary reflection.
Among those, however, who have examined and correlated all this evidence, there remain several who cling to less rational and commonplace theories. They are inclined to take much of Blake's diary at its face value, and point significantly to certain facts such as the undoubted genuineness of the old church record, the verified existence of the disliked and unorthodox Starry Wisdom sect prior to 1877, the recorded disappearance of an inquisitive reporter named Edwin M. Lillibridge in 1893, and - above all - the look of monstrous, transfiguring fear on the face of the young writer when he died. It was one of these believers who, moved to fanatical extremes, threw into the bay the curiously angled stone and its strangely adorned metal box found in the old church steeple - the black windowless steeple, and not the tower where Blake's diary said those things originally were. Though widely censured both officially and unofficially, this man - a reputable physician with a taste for odd folklore - averred that he had rid the earth of something too dangerous to rest upon it.
Between these two schools of opinion the reader must judge for himself. The pape
rs have given the tangible details from a sceptical angle, leaving for others the drawing of the picture as Robert Blake saw it - or thought he saw it - or pretended to see it. Now studying the diary closely, dispassionately, and at leisure, let us summarize the dark chain of events from the expressed point of view of their chief actor.
Young Blake returned to Providence in the winter of 1934-5, taking the upper floor of a venerable dwelling in a grassy court off College Street - on the crest of the great eastward hill near the Brown University campus and behind the marble John Hay Library. It was a cosy and fascinating place, in a little garden oasis of village-like antiquity where huge, friendly cats sunned themselves atop a convenient shed. The square Georgian house had a monitor roof, classic doorway with fan carving, small-paned windows, and all the other earmarks of early nineteenth century workmanship. Inside were six-panelled doors, wide floor-boards, a curving colonial staircase, white Adam-period mantels, and a rear set of rooms three steps below the general level.
Blake's study, a large southwest chamber, overlooked the front garden on one side, while its west windows - before one of which he had his desk -faced off from the brow of the hill and commanded a splendid view of the lower town's outspread roofs and of the mystical sunsets that flamed behind them. On the far horizon were the open countryside's purple slopes. Against these, some two miles away, rose the spectral hump of Federal Hill, bristling with huddled roofs and steeples whose remote outlines wavered mysteriously, taking fantastic forms as the smoke of the city swirled up and enmeshed them. Blake had a curious sense that he was looking upon some unknown, ethereal world which might or might not vanish in dream if ever he tried to seek it out and enter it in person.
Lovecraft's Fiction Volume I, 1905-1925 Page 42
