Marino, Andy. A Quiet American: The Secret War of Varian Fry. New York: St. Martin’s, 1999.
Marquez, Ernest. Santa Monica Beach: A Collector’s Pictorial History. Santa Monica, CA: Angel City Press, 2004.
McGilligan, Patrick. George Cukor: A Double Life. New York: St. Martin’s, 1991.
McLellan, Diana. The Girls: Sappho Goes to Hollywood. New York: St. Martin’s, 2000.
Mérigeau, Pascal. Jean Renoir: A Biography. Philadelphia: Running Press, 2017.
Müller-Doohm, Stefan. Adorno: A Biography. Cambridge, UK: Polity Press, 2005.
Murray, Nicholas. Aldous Huxley: A Biography. New York: St. Martin’s, 2003.
Navasky, Victor. Naming Names. New York: Viking, 1980.
Negulesco, Jean. Things I Did and Things I Think I Did. New York: Simon & Schuster, 1984.
Norman, Marc. What Happens Next: A History of American Screenwriting. New York: Crown Archetype, 2007.
O’Brien, Darcy. A Way of Life, Like Any Other. New York: Norton, 1978.
Orlean, Susan. Rin Tin Tin. New York: Simon & Schuster, 2011.
Palmier, Jean-Michel. Weimar in Exile: The Antifascist Emigration in Europe and America. London: Verso, 2006.
Paris, Barry. Garbo. New York: Knopf, 1994.
Parker, Peter. Isherwood: A Life Revealed. New York: Random House, 2004.
Parrish, Robert. Growing Up in Hollywood. New York: Harcourt Brace Jovanovich, 1976.
———. Hollywood Doesn’t Live Here Anymore. Boston: Little, Brown, 1987.
Pauli, Hertha. Break of Time. New York: Hawthorn Books, 1971.
Pizzitola, Louis. Hearst Over Hollywood: Power, Passion, and Propaganda in the Movies. New York: Columbia University Press, 2002.
Prager, Katharina. “Ich bin nicht gone Hollywood!”: Salka Viertel—Ein Leben in Theater und Film. Vienna: Braumüller, 2007.
Prochnik, George. The Impossible Exile. New York: Other Press, 2014.
Reinhardt, Gottfried. The Genius: A Memoir of Max Reinhardt. New York: Knopf, 1979.
Remarque, Erich Maria. The Night in Lisbon. New York: Harcourt Brace & World, 1964.
———. Shadows in Paradise. New York: Harcourt Brace Jovanovich, 1972.
Robinson, Edward G. All My Yesterdays. New York: Hawthorn Books, 1973.
Rosenzweig, Laura B. Hollywood’s Spies: The Undercover Surveillance of Nazis in Los Angeles. New York: New York University Press, 2017.
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Straus & Giroux, 2007.
Ross, Lillian. Picture. New York: Rinehart, 1952.
———. Moments with Chaplin. New York: Dodd, Mead, 1980.
Ross, Steven J. Hollywood Left and Right. New York: Oxford University Press, 2011.
———. Hitler in Los Angeles: How Jews Foiled Nazi Plots Against Hollywood and America. New York: Bloomsbury, 2017.
Roth, Joseph. What I Saw: Reports from Berlin 1920–1933. New York: Norton, 2002.
Sakall, S. Z. The Story of Cuddles: My Life under The Emperor Francis Joseph, Adolf Hitler, and the Warner Brothers. London: Cassell, 1954.
Sauter, Martin. Liesl Frank, Charlotte Dieterle and the European Film Fund. Ph.D. dissertation. Coventry, UK: University of Warwick, 2010.
Schary, Dore. Heyday: An Autobiography. Boston: Little, Brown, 1979.
Schatz, Thomas. The Genius of the System: Hollywood Filmmaking in the Studio Era. New York: Pantheon, 1988.
Schnauber, Cornelius. Hollywood Haven: Homes and Haunts of the European Émigrés and Exiles in Los Angeles. Riverside, CA: Ariadne Press, 1997.
Schoenberg, E. Randol, ed. The Doctor Faustus Dossier: Arnold Schoenberg, Thomas Mann, and Their Contemporaries 1930–1951. Berkeley: University of California Press, 2018.
Schulberg, Budd. What Makes Sammy Run? New York: Random House, 1941.
———. The Disenchanted. New York: Random House, 1950.
———. Moving Pictures: Memories of a Hollywood Prince. Briarcliff Manor, NY: Stein & Day, 1981.
Schulz, Bruno. The Street of Crocodiles. New York: Walker, 1963.
Schwartz, Nancy Lynn. The Hollywood Writers’ Wars. New York: Knopf, 1981.
Seghers, Anna. Transit. Boston: Little, Brown, 1944.
Selznick, David O. Memo from David O. Selznick. Edited by Rudy Behlmer. New York: Viking, 1972.
Semenov, Lillian Wurtzel, and Carla Winter, eds. William Fox, Sol M. Wurtzel and the Early Fox Film Corporation. Jefferson, NC: McFarland, 2001.
Seton, Marie. Sergei M. Eisenstein: A Biography. New York: A.A. Wyn, 1958.
Shaw, Irwin. The Young Lions. New York: Random House, 1948.
———. The Troubled Air. New York: Random House, 1951.
———. “Instrument of Salvation.” New Yorker, April 24, 1954.
———. Two Weeks in Another Town. New York: Random House, 1959.
———. Short Stories, Five Decades. New York: Delacorte, 1978.
Shnayerson, Michael. Irwin Shaw: A Biography. New York: Putnam, 1989.
Smyth, J. E. Fred Zinnemann and the Cinema of Resistance. Jackson: University Press of Mississippi, 2014.
Solnit, Rebecca. Storming the Gates of Paradise: Landscapes for Politics. Berkeley: University of California Press, 2007.
Solomon, Aubrey. Twentieth Century-Fox: A Corporate and Financial History. Lanham, MD: Scarecrow Press, 2002.
Spalek, John M., ed. Lion Feuchtwanger: The Man, His Ideas, His Work. Los Angeles: Hennessey & Ingalls, 1972.
Spotts, Frederic. Cursed Legacy: The Tragic Life of Klaus Mann. New Haven, CT: Yale University Press, 2016.
Starr, Kevin. Inventing the Dream: California Through the Progressive Era. New York: Oxford University Press, 1985.
———. The Dream Endures: California Enters the 1940s. New York: Oxford University Press, 1997.
———. Embattled Dreams: California in War and Peace, 1940–1950. New York: Oxford University Press, 2002.
Stephan, Alexander. “Communazis”: FBI Surveillance of German Émigré Writers. New Haven, CT: Yale University Press, 2000.
Stern, Fritz. Five Germanys I Have Known: A History and Memoir. New York: Farrar, Straus & Giroux, 2006.
Stewart, Donald Ogden. By a Stroke of Luck! An Autobiography. New York: Paddington Press, 1975.
Strobl, Gerwin. The Swastika and the Stage: German Theatre and Society, 1933–1945. Cambridge, UK: Cambridge University Press, 2007.
Styan, J. L. Directors in Perspective: Max Reinhardt. Cambridge, UK: Cambridge University Press Archive, 1982.
Swenson, Karen. Garbo. New York: Scribner, 1997.
Symonette, Lys, and Kim H. Kowalke, eds. and trans. Speak Low (When You Speak Love): The Letters of Kurt Weill and Lotte Lenya. Berkeley: University of California Press, 1996.
Taylor, John Russell. Strangers in Paradise: The Hollywood Émigrés, 1933–1950. New York: Henry Holt, 1983.
Thomas, Bob. Thalberg: Life and Legend. New York: Doubleday, 1969.
Thomson, David. The New Biographical Dictionary of Film. New York: Knopf, 1975.
———. Beneath Mulholland: Thoughts on Hollywood and Its Ghosts. New York: Knopf, 1997.
Totheroh, Dan. Deep Valley. New York: L.B. Fischer, 1942.
Troyan, Michael. A Rose for Mrs. Miniver: The Life of Greer Garson. Lexington: University Press of Kentucky, 1999.
Urwand, Ben. The Collaboration: Hollywood’s Pact with Hitler. Cambridge, MA: Harvard University Press, 2013.
Vasey, Ruth. The World According to Hollywood, 1918–1939. Madison: University of Wisconsin Press, 1997.
Vieira, Mark A. Greta Garbo: A Cinematic Legacy. New York: Harry N. Abrams, 2005.
———. Irving Thalberg: Boy Wonder to Producer Prince. Berkeley: University of California Press, 2009.
Viertel,
Peter. The Canyon. New York: Harcourt, Brace, 1940.
———. Line of Departure. New York: Harcourt, Brace, 1947.
———. White Hunter, Black Heart. New York: Doubleday, 1953.
———. Love Lies Bleeding. New York: Doubleday, 1964.
———. Bicycle on the Beach. New York: Delacorte, 1972.
———. American Skin. Boston: Houghton Mifflin, 1984.
———. Dangerous Friends: At Large with Hemingway and Huston in the Fifties. New York: Doubleday, 1992.
Viertel, Salka. “The Sorcerer’s Apprentice.” The Screen Writer, December 1947.
———. The Kindness of Strangers. New York: Holt, Rinehart & Winston, 1969.
———. Das unbelehrbare Herz. Hamburg, Germany: Claassen, 1970.
Wallace, David. Lost Hollywood. New York: Macmillan, 2002.
———. Exiles in Hollywood. New York: Limelight Editions, 2006.
Wegele, Peter. Max Steiner: Composing, Casablanca, and the Golden Age of
Film Music. Lanham, MD: Rowman & Littlefield, 2014.
Weinberg, Herman G., ed. The Lubitsch Touch: A Critical Study. New York: Dutton, 1968.
Welles, Orson, and Peter Bogdanovich. This Is Orson Welles. New York: HarperCollins, 1992.
Wellwarth, George E., and Alfred G. Brooks, eds. Max Reinhardt 1873–1973: A Centennial Festschrift. New York: New York Cultural Center, 1974.
Weschler, Lawrence. “My Grandfather’s Last Tale.” Atlantic, December 1996.
Whiteman, Dorit Beder. The Uprooted: A Hitler Legacy. New York: Da Capo, 1993.
Whitman, James Q. Hitler’s American Model: The United States and the Making of Nazi Race Law. Princeton, NJ: Princeton University Press, 2017.
Wieland, Karin. Dietrich and Riefenstahl: Hollywood, Berlin, and a Century in Two Lives. New York: Liveright, 2015.
Winters, Shelley. Shelley: Also Known as Shirley. New York: Morrow, 1980.
Wolf, Christa. City of Angels, or, The Overcoat of Dr. Freud. New York: Farrar, Straus & Giroux, 2013.
Wyman, David. Paper Walls: Americans and the Refugee Crisis, 1938–1941. New York: Pantheon, 1968.
———. The Abandonment of the Jews: America and the Holocaust 1941–1945. New York: Pantheon, 1984.
Zeisl, Gertrud. “Gertrud Zeisl’s Oral History,” www.zeisl.com.
Zinnemann, Fred. My Life in the Movies: An Autobiography. New York: Scribner, 1992.
Zolotow, Maurice. Billy Wilder in Hollywood. New York: Limelight Editions, 1987.
ACADEMIC PAPERS
Prager, Katharina. “Berthold Viertel: A Migration Career and No Comeback in Exile.” Quiet Invaders Conference, 2015.
Renaud, Terence. “The Genesis of the Emergency Rescue Committee, 1933–1942” Boston University, 2005.
Schmidt, James. “When Arnold Met Irving: A Tale from Hollywood.” Contested Legacies Conference, Bard College, Annandale-on-Hudson, New York, August 14, 2002.
Schreckenberger, Helga. “ ‘They Say Hollywood Is a Paradise!’: Salka Viertel’s Perseverance During Hollywood’s ‘Inquisition.’ ” To Stay or Not to Stay, Fifth Conference of the International Feuchtwanger Society, University of Southern California, Los Angeles, September 14–16, 2011.
———. “Salka Viertel’s Transnational Network.” Networks of Exile, International Conference on Exile Studies, University of Vermont, Burlington, September 26–29, 2013.
ARCHIVES
AMPAS at Margaret Herrick Library, Academy of Motion Pictures Arts and Sciences, Beverly Hills, CA: Fred Zinnemann Papers, Katharine Hepburn Papers, John Huston Papers
Deutsches Literaturarchiv, Marbach, Germany (DLAM): Salka Viertel Papers
New York Public Library: S. N. Behrman Archives
UCLA Special Collections: Henry Blanke Papers, Ernst Toch Papers
USC Feuchtwanger Memorial Library, Exile Collections
Warner Brothers Archive at USC
CREDITS
EPIGRAPH CREDITS
Opening epigraphs: Max Beerbohm, “Hosts and Guests,” from his essay collection And Even Now (Dutton, 1921); Jane Gardam, quoted in “Retrospective” by Lauren Collins, New Yorker, June 30, 2014.
Epigraph on 1 from Thalberg: Life and Legend by Bob Thomas, copyright © 1969 by Robert Joseph Thomas. Used by permission of Doubleday, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.
Epigraph on 2 by Lucille Ball printed by permission of Desilu, too, LLC. Copyright © Desilu, too, LLC.
Epigraph on 3 from Transit by Anna Seghers. Copyright © 1951 by Aufbau-Verlag GmbH, Berlin. Translation copyright © 2013 by Margot Bettauer Dembo. Published in English by New York Review Books. All rights reserved.
Epigraph on 4 from The Righteous Mind: Why Good People Are Divided by Politics and Religion by Jonathan Haidt, copyright © 2012 by Jonathan Haidt. Used by permission of Pantheon Books, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.
Epigraph on 5 from The Letters of Heinrich and Thomas Mann, 1900–1945. Edited by Hans Wysling, translated by Don Reneau. Copyright © 1998 by The Regents of the University of California. Used by permission of the University of California Press.
Epigraph on 6 from a public service announcement fox-trot written by Les Burness and John Morris.
Epigraph on 7 copyright © 1968 Dr. Martin Luther King, Jr., copyright © renewed 1996 Coretta Scott King.
IMAGE CREDITS
8, 9, 10, 11: Collection of Vicky Schulberg. The image on 12 was taken by William Caskey, who in 1945 had met and begun a relationship with Christopher Isherwood.
13, 14 (left), 15, 16, 17: Wienbibliothek im Rathaus
18 (right): Source unknown. The author has made every effort to identify the owner of this image, and asks that such person contact the publisher.
19, 20, 21: Estate of Peter Viertel
22: U.S. Department of Labor, Southern District of California, County of Los Angeles
23, 24, 25, 26: USC Digital Library, Lion Feuchtwanger Papers Collection
27, 28, 29, 30, 31: Deutsches Literaturarchiv Marbach
32: United States Holocaust Memorial Museum, courtesy of Hiram Bingham
33: Courtesy of Writers Guild Foundation Archive
34: Collection of Adam Shaw
35: Author photo, 2014
INDEX
Note: Index entries from the print edition of this book have been included for use as search terms. They can be located by using the search feature of your e-book reader.
Academy Awards
Achard, Marcel
Adorno, Theodor W.
affidavits
Albert Ballin, the
Amster, Auguste. See also Steuermann, Auguste
Anschluss
anti-Semitism; in America; in Fortune; in Poland; in Soviet Russia
Auschwitz. See concentration camps: Auschwitz
Bachardy, Don
Baum, Vicki
Beauchamp, Cari
Bedford, Sybille
Behrman, Sam; and Christina; and Napoleon picture; and Ninotchka; Salka writing to; as screen writer; Two-Faced Woman
Bełżyce. See concentration camps: Bełżyce
Berg, Alban
Bergman, Ingrid
Berlau, Ruth
Berlin, Weimar-era
Bing, Herman
Blanke, Henry
Borzage, Frank
Boyer, Charles
Brecht, Bertolt; fugitive; Galileo; genius; and Helli; under surveillance; and the Viertels
Brecht, Helli
Breen, Joseph I.. See also Production Code Admin istration (PCA)
Bridges, Jim
Brod, Max
Brown, Clarenc
e
Brownlow, Kevin
Buchenwald. See concentration camps: Buchenwald
Bund. See German American Bund
Burgtheater, Vienna
Caskey, Bill
Chaplin, Charlie; as the Little Tramp; and Oona
Chaplin, Oona; and Charlie
Chodorov, Eddie
cinematographers
Clift, Montgomery
Clurman, Harold
Columbia Pictures
Communists; attacked; FBI and; Hollywood Anti-Nazi League (HANL); Jigee and; Nazis and; Salka and. See also House Un-American Activities Committee (HUAC)
composers
concentration camps: Auschwitz; Bełżyce; Buchenwald; Dachau
Counter Intelligence Corps
Cukor, George; Two-Faced Woman
Curie, Marie-24; daughters of
Dachau. See concentration camps: Dachau
Daniels, William H.
Deux Magots café
dialogue; condemned; Salka and; writers
Die Truppe repertory company
Dieterle, Charlotte
Dieterle, William
Dietrich, Marlene
Döblin, Alfred
Döblins: Alfred and Erna; Wolfgang
dogs; Buddy; Duke; Frieda (Jigee’s); Prinz; Sherry; Timmy
Duse, Eleonora
Edington, Harry
EFF. See European Film Fund (EFF), Hollywood
Einstein, Albert
Eisenstein, Sergei
Eisler, Gerhart
Eisler, Hanns; and Lou; Salka and
Emergency Rescue Committee (ERC)
Europa Film
European Film Fund (EFF), Hollywood; and affidavits; Alfred Döblin and; Joe May and; Lion Feuchtwanger and; reinvented as European Relief Fund (ERF); Salka and
Federal Bureau of Investigation (FBI)
Feuchtwanger, Lion; Exil; FBI dossier; and Heinrich Mann; interned; and Marta; Jew Süss; The Oppermanns; in Sanary, France
Feuchtwanger, Marta; and Lion
Feyder, Jacques
Fitzgerald, F. Scott
Flaherty, Robert
Ford, John
Fortune magazine
Fox, William
Fox Film Corporation; Berthold and; Murnau and; publicity man from
Frank, Bruno
The Sun and Her Stars Page 47
