The Complete Dangerous Visions

by Anthology

  He began his quest in Chicago Urban District, because that was where the spaceport was, just outside of Rockford. The slidewalk took him quickly to a travertine tower, festooned with radiant inlays of ebony and violet-hued metal, and there, at the local Televector Central, Cassiday checked out the present whereabouts of his former wives. He was patient about it, a bland-faced, mild-eyed mass of flesh, pushing the right buttons and waiting placidly for the silken contacts to close somewhere in the depths of the earth. Cassiday had never been a violent man. He was calm. He knew how to wait.

  The machine told him that Beryl Fraser Cassiday Mellon lived in Boston Urban District. The machine told him that Lureen Holstein Cassiday lived in New York Urban District. The machine told him that Mirabel Gunryk Cassiday Milman Reed lived in San Francisco Urban District.

  The names awakened memories: warmth of flesh, scent of hair, touch of hand, sound of voice. Whispers of passion. Snarls of contempt. Gasps of love.

  Cassiday, restored to life, went to see his ex-wives.

  We find one now:

  safe and sound.

  Beryl Fraser Cassiday Mellon’s eyes were milky in the pupil, greenish where they should have been white. She had lost weight in the last ten years, and now her face was parchment stretched over bone, an eroded face, the cheekbones pressing from within against the taut skin and likely to snap through at any moment. Cassiday had been married to her for sixteen months when he was twenty-four. They had separated after she insisted on taking the Sterility Pledge. He had not particularly wanted children, but he was offended by her maneuver all the same. Now she lay in a soothing cradle of webfoam, trying to smile at him without cracking her lips.

  “They said you’d been killed,” she told him.

  “I escaped. How have you been, Beryl?”

  “You can see that. I’m taking the cure.”

  “Cure?”

  “I was a triline addict. Can’t you see? My eyes, my face? It melted me away. But it was peaceful. Like disconnecting your soul. Only it would have killed me, another year of it. Now I’m on the cure. They tapered me off last month. They’re building up my system with prosthetics. I’m full of plastic now. But I’ll live.”

  “You’ve remarried?” Cassiday asked.

  “He split long ago. I’ve been alone five years. Just me and the triline. But now I’m off that stuff.” Beryl blinked, laboriously. “You look so relaxed, Dick. But you always were. So calm, so sure of yourself. You’d never get yourself hooked on triline. Hold my hand, will you?”

  He touched the withered claw. He felt the warmth coming from her, the need for love. Great throbbing waves came lalloping into him, low-frequency pulses of yearning that filtered through him and went booming onward to the watchers far away.

  “You once loved me,” Beryl said. “Then we were both silly. Love me again. Help me get back on my feet. I need your strength.”

  “Of course I’ll help you,” Cassidy said.

  He left her apartment and purchased three cubes of triline. Returning, he activated one of them and pressed it into Beryl’s hand. The green-and-milky eyes roiled in terror.

  “No,” she whimpered.

  The pain flooding from her shattered soul was exquisite in its intensity. Cassiday accepted the full flood of it. Then she clenched her fist, and the drug entered her metabolism, and she grew peaceful once more.

  Observe the next one:

  with a friend.

  The annunciator said, “Mr. Cassiday is here.”

  “Let him enter,” replied Mirabel Gunryk Cassiday Milman Reed.

  The door-sphincter irised open and Cassiday stepped through, into onyx and marble splendor. Beams of auburn palisander formed a polished wooden framework on which Mirabel lay, and it was obvious that she reveled in the sensation of hard wood against plump flesh. A cascade of crystal-colored hair tumbled to her shoulders. She had been Cassiday’s for eight months in 2346, and she had been a slender, timid girl then, but now he could barely detect the outlines of that girl in this pampered mound.

  “You’ve married well,” he observed.

  “Third time lucky,” Mirabel said. “Sit down? Drink? Shall I adjust the environment?”

  “It’s fine.” He remained standing. “You always wanted a mansion, Mirabel. My most intellectual wife, you were, but you had this love of comfort. You’re comfortable now.”

  “Very.”

  “Happy?”

  “I’m comfortable,” Mirabel said. “I don’t read much any more, but I’m comfortable.”

  Cassiday noticed what seemed to be a blanket crumpled in her lap—purple with golden threads, soft, idle, clinging close. It had several eyes. Mirabel kept her hands spread out over it.

  “From Ganymede?” he asked. “A pet?”

  “Yes. My husband bought it for me last year. It’s very precious to me.”

  “Very precious to anybody. I understand they’re expensive.”

  “But lovable,” said Mirabel. “Almost human. Quite devoted. I suppose you’ll think I’m silly, but it’s the most important thing in my life now. More than my husband, even. I love it, you see. I’m accustomed to having others love me, but there aren’t many things that I’ve been able to love.”

  “May I see it?” Cassiday said mildly.

  “Be careful.”

  “Certainly.” He gathered up the Ganymedean creature. Its texture was extraordinary, the softest he had ever encountered. Something fluttered apprehensively within the flat body of the animal. Cassiday detected a parallel wariness coming from Mirabel as he handled her pet. He stroked the creature. It throbbed appreciatively. Bands of iridescence shimmered as it contracted in his hands.

  She said, “What are you doing now, Dick? Still working for the spaceline?”

  He ignored the question. “Tell me the line from Shakespeare, Mirabel. About the flies. The flies and wanton boys.”

  Furrows sprouted in her pale brow. “It’s from Lear,” she said. “Wait. Yes. ‘As flies to wanton boys are we to the gods. They kill us for their sport.’”

  “That’s the one,” Cassiday said. His big hands knotted quickly about the blanket-like being from Ganymede. It turned a dull gray, and reedy fibers popped from its ruptured surface. Cassiday dropped it to the floor. The surge of horror and pain and loss that welled from Mirabel nearly stunned him, but he accepted it and transmitted it.

  “Flies,” he explained. “Wanton boys. My sport, Mirabel. I’m a god now, did you know that?” His voice was calm and cheerful. “Good-by. Thank you.”

  One more awaits the visit:

  swelling with new life.

  Lureen Holstein Cassiday, who was thirty-one years old, dark-haired, large-eyed, and seven months pregnant, was the only one of his wives who had not remarried. Her room in New York was small and austere. She had been a chubby girl when she had been Cassiday’s two-month wife five years ago, and she was even more chubby now, but how much of the access of new meat was the result of the pregnancy Cassiday did not know.

  “Will you marry now?” he asked.

  Smiling, she shook her head. “I’ve got money, and I value my independence. I wouldn’t let myself get into another deal like the one we had. Not with anyone.”

  “And the baby? You’ll have it?”

  She nodded savagely. “I worked hard to get it! You think it’s easy? Two years of inseminations! A fortune in fees! Machines poking around in me—all the fertility boosters—oh no, you’ve got the picture wrong. This isn’t an unwanted baby. This is a baby I sweated to have.”

  “That’s interesting,” said Cassiday. “I visited Mirabel and Beryl, too, and they each had their babies, too. Of sorts. Mirabel had a little beast from Ganymede. Beryl had a triline addiction that she was very proud of shaking. And you’ve had a baby put into you, without any help from a man. All three of you seeking something. Interesting.”

  “Are you all right, Dick?”

  “Fine.”

  “Your voice is so flat. You’re just unrolling
a lot of words. It’s a little frightening.”

  “Mmm. Yes. Do you know the kind thing I did for Beryl? I bought her some triline cubes. And I took Mirabel’s pet and wrung its—well, not its neck. I did it very calmly. I was never a passionate man.”

  “I think you’ve gone crazy, Dick.”

  “I feel your fear. You think I’m going to do something to your baby. Fear is of no interest, Lureen. But sorrow—yes, that’s worth analyzing. Desolation. I want to study it. I want to help them study it. I think it’s what they want to know about. Don’t run from me, Lureen. I don’t want to hurt you, not that way.”

  She was small-bodied and not very strong, and unwieldy in her pregnancy. Cassiday seized her gently by both wrists and drew her toward him. Already he could feel the new emotions coming from her, the self-pity behind the terror, and he had not even done anything to her.

  How did you abort a fetus two months from term?

  A swift kick in the belly might do it. Too crude, too crude. Yet Cassiday had not come armed with abortifacients, a handy ergot pill, a quick-acting spasmic inducer. So he brought his knee up sharply deploring the crudity of it. Lureen sagged. He kicked her a second time. He remained completely tranquil as he did it, for it would be wrong to take joy in violence. A third kick seemed desirable. Then he released her.

  She was still conscious, but she was writhing. Cassiday made himself receptive to the outflow. The child, he realized, was not yet dead within her. Perhaps it might not die at all. But it would certainly be crippled in some way. What he drained from Lureen was the awareness that she might bring forth a defective. The fetus would have to be destroyed. She would have to begin again. It was all quite sad.

  “Why?” she muttered. “. . . why?”

  Among the watchers:

  the equivalent of dismay.

  Somehow it had not developed as the golden ones had anticipated. Even they could miscalculate, it appeared, and they found that a rewarding insight. Still, something had to be done about Cassiday.

  They had given him powers. He could detect and transmit to them the raw emotions of others. That was useful to them, for from the data they could perhaps construct an understanding of human beings. But in rendering him a switching center for the emotions of others they had unavoidably been forced to blank out his own. And that was distorting the data.

  He was too destructive now, in his joyless way. That had to be corrected. For now he partook too deeply of the nature of the golden ones themselves. They might have their sport with Cassiday, for he owed them a life. But he might not have his sport with others.

  They reached down the line of communication to him and gave him his instructions.

  “No,” Cassiday said. “You’re done with me now. There’s no need to come back.”

  “Further adjustments are necessary.”

  “I disagree.”

  “You will not disagree for long.”

  Still disagreeing, Cassiday took ship for Mars, unable to stand aside from their command. On Mars he chartered a vessel that regularly made the Saturn run and persuaded it to come in by way of Iapetus. The golden ones took possession of him once he was within their immediate reach.

  “What will you do to me?” Cassiday asked.

  “Reverse the flow. You will no longer be sensitive to others. You will report to us on your own emotions. We will restore your conscience, Cassiday.”

  He protested. It was useless.

  Within the glowing sphere of golden light they made their adjustments on him. They entered him and altered him, and turned his perceptions inward, so that he might feed on his own misery like a vulture tearing at its entrails. That would be informative. Cassiday objected until he no longer had the power to object, and when his awareness returned it was too late to object.

  “No,” he murmured. In the yellow gleam he saw the faces of Beryl and Mirabel and Lureen. “You shouldn’t have done this to me. You’re torturing me . . . like you would a fly. . . .”

  There was no response. They sent him away, back to Earth. They returned him to the travertine towers and the rumbling slidewalks, to the house of pleasure on 485th Street, to the islands of light that blazed in the sky, to the eleven billion people. They turned him loose to go among them, and suffer, and report on his sufferings. And a time would come when they would release him, but not yet.

  Here is Cassiday:

  nailed to his cross.

  Afterword

  One of the first science fiction stories I wrote was a deadly grim portrayal of a New York compelled into cannibalism. It was sufficiently realistic so that no one would buy it for four years, and only an inspired promotion job by the editor of this present anthology got it into print at all.

  Now, twelve or thirteen years later, I’ve turned from the literal depiction of cannibalism to the symbolic presentation of vampirism, which I suppose indicates a healthy progression of morbidity. Every writer returns to his own obsessions when given a free hand, and every situation he invents, no matter how grotesque, says something about the nature of human relationships. If I seem to be saying that we devour each other, literally or figuratively, that we drain substance from one another, that we practice vampirism and cannibalism, so be it. Beneath any grotesquerie lies its opposite; behind the grimness of cannibalism lies the video sentimentality, “People need people.” To devour, if nothing else.

  No apologies offered. No excuses. Just a story, a made-up fiction, a fantasy about future times and other worlds. Nothing more than that.

  THE DAY AFTER THE DAY THE MARTIANS CAME

  Frederik Pohl

  Introduction

  There is very little that can be said about Frederik Pohl, except everything. He is the editor of Galaxy Magazine; he was the man who, in 1953, conceived and edited the justly famous series of original anthologies called Star Science Fiction Stories; he was the co-author, with Cyril Kornbluth, of The Space Merchants; he was the anthologist who saved Cordwainer Smith’s “Scanners Live in Vain” from obscurity in his 1952 collection, Beyond the End of Time; he was the bloodhound who tracked down Dr. Linebarger, who was Cordwainer Smith, and brought him back to the field of speculative fiction; he is the talent scout who set the tone for all of Ballantine Books’ science fiction; he is the lecturer who roams the United States promulgating the latest in science and incidentally serving as good-will ambassador for the field of speculative fiction; he is the editor who ruthlessly blue-penciled a recent, brilliant story of mine on the grounds the words “douche bag” and “privates” were offensive. Well, no one’s perfect.

  Fred Pohl is an extremely tall man in his middle forties, who commutes between the Hudson Street offices of Galaxy and the Red Bank, New Jersey, home of his family. In the former he considers the possibilities of the world we are making for ourselves, and in the latter he studies television programs that carry the seeds of that world. He is obviously disturbed by what he sees. As the story that follows will attest.

  Just a phrase or two about this story. It handles a terribly complex problem in the most basic, nitty-gritty terms; reducing irrational human reactions to their lowest possible common denominator, in order that they may be seen for the insensibilities they truly are. It is almost a journalistic story, but do not be fooled by its apparent simplicity; Pohl has gone for the jugular.

  The Day After the Day the Martians Came

  There were two cots in every room of the motel, besides the usual number of beds, and Mr. Mandala, the manager, had converted the rear section of the lobby into a men’s dormitory. Nevertheless he was not satisfied and was trying to persuade his colored bellmen to clean out the trunk room and put cots in that too. “Now, please, Mr. Mandala,” the bell captain said, speaking loudly over the noise in the lounge, “you know we’d do it for you if we could. But it cannot be, because, first, we don’t have any other place to put those old TV sets you want to save and because, second, we don’t have any more cots.”

  “You’re arguing with me, Ernest. I told yo
u to quit arguing with me,” said Mr. Mandala. He drummed his fingers on the registration desk and looked angrily around the lobby. There were at least forty people in it, talking, playing cards and dozing. The television set was mumbling away in a recap of the NASA releases, and on the screen Mr. Mandala could see a picture of one of the Martians, gazing into the camera and weeping large, gelatinous tears.

  “Quit that,” ordered Mr. Mandala, turning in time to catch his bell-men looking at the screen. “I don’t pay you to watch TV. Go see if you can help out in the kitchen.”

  “We been in the kitchen, Mr. Mandala. They don’t need us.”

  “Go when I tell you to go, Ernest! You too, Berzie.” He watched them go through the service hall and wished he could get rid of some of the crowd in the lounge as easily. They filled every seat and the overflow sat on the arms of the chairs, leaned against the walls and filled the booths in the bar, which had been closed for the past two hours because of the law. According to the registration slips, they were nearly all from newspapers, wire services, radio and television networks and so on, waiting to go to the morning briefing at Cape Kennedy. Mr. Mandala wished morning would come. He didn’t like so many of them cluttering up his lounge, especially since he was pretty sure a lot of them were not even registered guests.

  On the television screen a hastily edited tape was now showing the return of the Algonquin Nine space probe to Mars, but no one was watching it. It was the third time that particular tape had been repeated since midnight and everybody had seen it at least once; but when it changed to another shot of one of the Martians, looking like a sad dachshund with elongated seal flippers for limbs, one of the poker players stirred and cried: “I got a Martian joke! Why doesn’t a Martian swim in the Atlantic Ocean?”

  “It’s your bet,” said the dealer.

  “Because he’d leave a ring around it,” said the reporter, folding his cards. No one laughed, not even Mr. Mandala, although some of the jokes had been pretty good. Everybody was beginning to get tired of them, or perhaps just tired.